A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 3 Madonna Crt., Vermont This property has been subdivided into three, and 1/3 Madonna Crt., Vermont is listed as having sold for $1,100,000 in 2018 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a single story house stretching from the left to the right along the center of the drawing. In the foreground a drive curves up to a connected garage. To the left and right are gardens, all the way up to the house. There are two hole punch holes just below centre of the upper edge3 Madonna Crt., Vermont Margaret Picken - 99 Woodards Balwynwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

Gift of the Davidson family in memory of Jean Davidson, 2022lithograph on paper

Acrylic on paperSigned and dated beneath image, pencil "G D Clarke 84"

Silver pendant with stem and ring depicting a woman. The pendant is held by a wheat chain with S and oval clasp.Sticker with 39. Two pin holes at 12 and 6.matcham skipper, pendant, necklace, silver, jewellery

Index, Ill, p.247.non-fictionA study of the santuario of the Madonna di Vico, the pantheon of Charles Emanuel 1 of Savoychurch architecture - italy, sanctuario di vico

These Christmas cards are part of an album of postcards which date from late 19th century to mid 20th century. These cards are the only cards in the collection and may be circa 1950s. They depict representations of the Madonna and Child by Italian Rennaissance artists. These cards are inside their original envelopes and were never used but may have been kept for religious, sentimental or aesthetic reasons.These Christmas cards are the only cards in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. Christmas cards (3) almost identical except for different representations of the Madonna and ChildInside cards: 'Christmas Greetings / and good wishes / for the New Year' Back of cards at bottom: 'G. B. Florence Made in Italy'christmas cards, postcard album, "green postcard album"

guessed year14: Madonna di Campaglio m.1550 - Italianmaccabiah games 13, lawn bowls

Discovered in the Chapel of St Peter when packing up for renovations. Probably a gift from an Eastern European crew member visiting the Mission TBC.Print of Eastern Orthodox style painting of Madonna and child on gold ground printed inscription lower edge of imageorthodox church, nativity, mary, jesus, crown, angel, artwork-paintings

Digital colour photograph of Madonna's Restaurant, former Floodgate Hotel at the corner of Crockford and Ingles Streets.business and traders - hotels, built environment - commercial, crockford street, ingles street, floodgate hotel, madonna's restaurant, business and traders - cafes and restaurants

Digital colour photograph of Madonna's Restaurant, former Floodgate Hotel at the corner of Crockford and Ingles Streets.business and traders - hotels, built environment - commercial, crockford street, ingles street, floodgate hotel, madonna's restaurant, business and traders - cafes and restaurants

Digital colour photograph of Madonna's Restaurant, former Floodgate Hotel at the corner of Crockford and Ingles Streets.business and traders - hotels, built environment - commercial, crockford street, ingles street, floodgate hotel, madonna's restaurant, business and traders - cafes and restaurants

Photograph of 17 representatives of the Australian Tramway Employees Association Conference in Hobart Tasmania 1929. Many have watch chains with their union badges. Back row - W B Randall SA, M J Stapleton Vic, J M Bergin Vic, A W Banks NSW, Middle row - J H Brown Hobart, E Christie, Vic, G H Bayliss Vic, R Lynch NSW, D Cameron WA, H J Holder Launceston Front row - W A Clementson NSW, A C Warton Vice President, C J Bray Treasurer, J I Abflater Gen President, T Jewell General Secretary, M A McDonald SA, T E Beckman NSW. Photo by J J N Barnett of Hobart. Has a close association with the men list and their union activities.Mounted photograph black and white onto cardboard with names and title printed. Has a coloured image of Madonna on the rear.union, conferences, hobart, atea, tramways

Digital colour photograph of the Floodgate sign on Madonna's Restaurant, former Floodgate Hotel at the corner of Crockford and Ingles Streets.business and traders - hotels, built environment - commercial, crockford street, ingles street, floodgate hotel, madonna's restaurant, business and traders - cafes and restaurants

Digital colour photograph of the Floodgate sign on Madonna's Restaurant, former Floodgate Hotel at the corner of Crockford and Ingles Streets.business and traders - hotels, built environment - commercial, crockford street, ingles street, floodgate hotel, madonna's restaurant, business and traders - cafes and restaurants

Christmas and New Year card collected by Alva Bennetts during her BCOF deployment (1947-1949) in Japan. Part of the Bennetts collection. See Cat No. 9726P for details of service for Alva Marie Bennetts (VFX128835).Single sided Christmas Card with colour illustration. Illustration features a Madonna and child with Japanese features. Black text below illustration is in both English and Japanese.souvenir, alva bennetts, bennetts collection, bcof, japan, christmas

Madonna and child, overlooked by a third figure, are depicted in silk shading. Halo and sleeve edges are of gold metal thread, couched. Mounted in gold frame, with a black mount.embroidery, panels, silk embroidery, ecclesiastical, 16th century

Item 1. Red photo cover with black, gold and grey decoration including leaves and a tree branch. The name printed in gold: 'Dresdner Galerie'. The inside has fold out leaves to hold the photos in place. Inside are photographs of paintings, printed by Wilhelm Hoffmann. They are: 1. Ritscher- A Visit to the Nurse, 2. Raphael- Madonna Della Sedia, 3. Holbein- Madonna, 4. Van der Werff- the Expulsion of Hagar, 5. Lasch- Children's Joy, 6. Rembrandt- The Breakfast, 7. Raphael- Madonna Di San Sisto, 8. Titian- The Head of Venus, 9. Kurzbauer- Spinnstrube, 10. Defregger- The Hunter's Farewell, The photos are black and white.Wilhelm Hoffmannbooks, collections, buildings of dresden, german heritage society collection - dresdner galerie, 1. ritscher- a visit to the nurse, 2. raphael- madonna della sedia, 3. holbein- madonna, 4. van der werff- the expulsion of hagar, 5. lasch- children's joy, 6. rembrandt- the breakfast, 7. raphael- madonna di san sisto, 8. titian- the head of venus, 9. kurzbauer- spinnstrube, 10. defregger- the hunter's farewell

Thurible located in the Anglican chapel of St Peter of the Mission to Seafarers.This is one of the many objects used for religious services in the chapel of the Mission.Cone shaped brass incense burner with relief religious motif of madonna and child and cut-out cross-shaped holes, suspended from chains at three points from the top rim. Suspended by rings underneath is swinging brass cross.religious objects, incense burner, religious icons, thurible, mission to seafarers, st peter chapel, sanctuary lamp

Little known as this print was discovered in an old cabinet in the vestry of the Chapel of St Peter. Possibly a donation meant to be framed or possibly an item used at Port Melbourne Mission which at times ran Sunday school services at the turn of the 19th and 20th C.Allen a child prodigy was a significant popular religious artist. This print is a good example of her work.Appears to be a fine quality full colour reproduction of a nativity scene with angels wise men and madonna in the style influenced by late Pre -Raphaelites mounted on heavy card with printed name of artist at left and printer initials at right and title in centre. see imagenativity scene, daphne allen, artwork-paintings

This item was found in 2018 washed up on the beach at Lady Bay in Warrnambool. It is a religious object and is similar to ones made and sold to be used in the home on a family altar or as an ornament on a shelf. It may originate from Italy. The display of items such as this would have been common in the early to mid 20th century, particularly in the homes of those belonging to the Catholic religion. The owner of this item is not known but it is retained for display purposes.This is a white china object with a statue of a Madonna and Child recessed into a oval-shaped setting. There are three holes at the top of the statue for attaching the item to a wall or shelf. The edge of the item is decorated with a pattern of white shells. At the foot of the statue is the remnant of a decorative piece broken off. warrnambool, religious ornaments

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade, abstract figurative sculpture, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Hand modelled ceramic sculpture of a Madonna and Child figural group. The abstract figures are fully covered in an olive green overglaze, apart from the base which is overglazed in cream. The base has an incised spiral beneath the glaze, which was used to decorate the hidden surfaces of a number of pieces, The base is signed with the artist's name around the edge.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), sculptures, abstract art, madonnas and child, viola annie mcvicars, viola annie ayling

Variably described as mantel hangings, pelmets or valances, these became a common form of Victorian interior decoration in the second half of the 19th century. The hanging uses arrasene embroidery which was introduced for artistic embroidery c.1883. Arrasene embroidery was a variation of chenille embroidery and was mainly used for curtain borders, mantel hangings and screens. When used to embroider flowers on velvet or plush, it was sewn upon the surface without being ‘drawn through’. Madonna lilies, irises, daffodils and narcissi were commonly used in designs of mantel hangings.Velvet mantel hanging embroidered with chenille thread. The scalloped edge of the pelmet is bordered by multicoloured silk cording. This example was owned by Netty Cornish of 15 Peel Street, Kew, and donated by her daughter, Mrs F Plumridge in 1980. The embroidered flowers in this example include narcissi and roses.mantel pelmet, peel street, kew, nettie cornish, mary plumridge

Victorian Heritage Database: St Paul's Cathedral, Bendigo was built in stages. The nave was built in 1868, the tower in 1872-73 and the transepts and sanctuary in 1926-27. Robert Love was the architect, although the final stage was supervised by architects Gawler and Drummond. Cathedral status was transferred from the original cathedral All Saints to St Paul's in 1981. The Gothic style cathedral is constructed of red brick with stone dressings. It has a simple cruciform plan comprising a six bay nave, transepts and sanctuary. A tall tower centrally located at the west end dominates the exterior. The peal of eight bells was cast by Meares and Co of London and installed in 1873. The interior features elaborately cusped roof principals; an organ by Alfred Fuller built in 1883 with a console and pipes added later from St Andrew's Cathedral, Sydney; and notable stained glass by Ferguson, Urie and Lyon. St Paul's Rectory was built in 1885 to a design by the architect WC Vahland. The Parish Office and Hall was built as a Sunday School in 1898 to a design by FW Lehmann. St Paul's Cathedral is of architectural, aesthetic and historical significance to the state of Victoria. The cathedral is a significant example of the Early English Gothic style. The tower, with its distinctively detailed pinnacles, its spiral staircase and carillon of eight bells, is a notable feature and a town landmark. The interior is aesthetically important for its decorative detail. The roof structure, rising some 18.3 metres from the 11 metre walls in suspended semi-circles from the pillarless nave, is highly significant for both its considerable technical achievement and its aesthetic appeal. The interior features fine examples of carved timber fixtures and fittings. The interior is also noteworthy for the high quality of its stained glass, especially the twelve apostle windows by Ferguson, Urie and Lyon. The cathedral also features a number of important movable objects such as the finely carved eagle lectern in oak, the ornately carved timber chair in the sanctuary, the two baptismal fonts, the ornately carved canons' stalls with eagle motifs in the sanctuary and the two large candle holders. Important works of art include the opus sectile reredos in mosaic; the sculpture of Madonna and Child in Queensland birch by sculptress Leopoldine Mimovich; and the carved figures of St Peter and St Paul at the high altar by the sculptress Ola Cohn. St Paul's Cathedral complex has historical associations with the Anglican church in Bendigo, particularly the rivalry between St Paul's and the original cathedral, All Saints, and the long and controversial debate about 'High Church versus Low Church'. It has associations with individuals important to the history of the Anglican church in Bendigo including John Christian MacCullagh, the first Dean of Bendigo, after whom the MacCullagh Chapel was named, and Canon David Anthony, a former rector of the church. https://vhd.heritagecouncil.vic.gov.au/places/3695National Trust Collection: St Paul's Church of England, Bendigo Church constructed of red brick with contrasting brick features. Church entry/ bell tower is a feature of Bendigo skyline. 3084.102A frontage of the Church and Church Hall onto Myers Street, Bendigo 3084.102B St Paul's C of E, rear of Church and Church Hall facing Bush's Lane, Bendigost paul's church of england