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Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Zeke's success magical [Greenhills Primary School GH4893], 08/08/2018
... magicians ...Greensborough magician Zeke Butterworth has sprinkled his magic to win the Australian Junior Championship of close up magic.News article 1 page, black text and colour image .zeke butterworth, australian junior championship of close up magic, magicians, greenhills primary school -
Glen Eira Historical Society
Article - Alma, Will
... Magicians ...This file contains seven items. Transcript of article WHY I HATE CARD TRICKS by Will Alma in THE LINKING RING, Vol. 48, No. 10, year unknown. Transcript of article TOURING IN AUSTRALIA BEFORE THE TALKIES by Will Alma, publication details unknown. Includes WHAT WAS ON IN MELBOURNE THE DAY I WAS BORN on 04/11/1904 Transcript of article A DREADFUL REMINISCENCE by Will Alma, publication dates unknown. Transcript of Will Alma’s script for Joan Stuart’s Radio Session on 3DB IWANT TO BE in 1940. Will Alma’s personal Correspondence with THE MAGIC CIRCLE between 1954 and 1958 in transcript form. Transcripts of a letter from Otago Magical Society to Will Alma dated 06/07/1938 confirming his membership of that society. Extract from letter in the WORLD’S FAIR of 12/05/1972 to its AMONG MAGICIANS column editor, Bayard Grimshaw, concerning George Waldo Heller.alma will, magicians, entertainers, the linking ring, entertainment, the magic circle -
Ballarat Tramway Museum
Negative - Copy, State Library of Victoria
Yields information about construction of Ballarat Tramways from a newspaper / magazine soon after the system opened, along with photographs of two of the tramcars and the power station.763 - Copy negative of page 454 of "The Australasian" paper, dated August 19, 1905, featuring an article on the opening of the Ballarat Electric Trams and magician, "The Great Thurston" Includes four photos of the trams and equipment and one of the magician. See Reg. Items No. 754, 759, and 2142. Tram photos of toastrack trams, power station, tram construction and of the single truckers in Wendouree Parade. 763.1 - print made by State Library for Alan Bradley, from Alan Bradley 5/2007. Has sticker on rear "Reproduction Rights Reserved, Copied by State Library"trams, tramways, esco, opening, ballarat, toastrack tram -
Glen Eira Historical Society
Article - Alma, Will
... Magicians ...This file contains eight items. Photocopy of a photograph of Will Alma and a WITH COMPLIMENTS card from Gail Evans at State Library of Victoria. Leaflet produced by Will Alma, undated, requesting public donations for the Alma Conjuring Collection at State Library of Victoria. Copy of the catalogue of the Alma Conjuring Collection at the State Library of Victoria dated January 1984. Photocopy of one page article from ANTIQUES AND ART, Vol. 1, Issue 1, year unknown, about the Alma Conjuring Collection. Photocopies of four photographs of the display at the Alma Conjuring Collection at the State Library of Victoria, photographer and date unknown. Copy of the Alma Magic Company mail order catalogue of 1934 of stage effect items from the Alma Conjuring Collection. Copy of the list of natal and pseudonyms of magicians from the Alma Conjuring Collection. Copy of the catalogue for an exhibition THE GREAT HOUDINI held at the State Library of Victoria from 15/10/1990 to 09/11/1990, featuring items from the Alma Conjuring Collection.alma will, alma conjuring collection, magicians, entertainment, sebastopol street, caulfield north, entertainment equipment -
Glen Eira Historical Society
Article - Alma, Will
... Magicians ...This file contains seven items about the life and international career of magician Will Alma: 1/A letter dated 15/06/1987, from Will Alma to Caulfield Historical Society which accompanied items he donated to CHS. 2/A letter dated 12/11/1987, from Will Alma to Caulfield Historical Society thanking them for sending him the Society’s October 1987 newsletter containing his brief biography. 3/Photocopy of article in CAULFIELD HISTORICAL SOCIETY NEWSLETTER No 30 of October 1987 about Will Alma. 4/Photocopy of cover and excerpt of article in Volume 67 of THE LINKING RING, dated March 1987, about magicians in Australia, including Will Alma. His photograph is on cover. 5/Transcript of article about Will Alma from THE LINKING RING, date and author unknown. 6/Transcript of article THE WILL ALMA LEGACY TO MAGIC by Margaret Yates, date and source unknown. Transcript of examination report by Leonard C. Mason to The Magic Circle, dated 17/06/1958, recommending promotion of Will Alma to membership of MIMC, London.alma will, sebastopol street, caulfield north, caulfield historical society, caulfield south, bishop oswald george, glen betty, alma william george, w.g. alma conjuring collection, caulfield historical society newsletter, zim, the magic circle mirror, will andrade’s magical review, mason leonard c, magicians, entertainers, entertainment equipment -
Glen Eira Historical Society
Photograph - Alma, Will
This file contains five items. Black and white photograph of the Magic Circle dinner in 1945, location unknown, taken by Morton Photography. Black and white photograph of attendees at the Magic Circle’s welcome dinner for New Zealand magician Ces Morris in 1946, location and photographer unknown. Two copies of a black and white photograph of the Magic Circle dinner of either 1947 or 1949, location unknown, taken by Morton Photography. Black and White photograph of magician THE AMAZING W. BROOKLYN at the Melbourne Tivoli Theatre in 1945, photographer unknown, autographed to Dick Ballantine. Five black and white photographs of Will Alma, photographer unknown, copies from the ALMA CONJURING COLLECTION in the State Library of Victoria, three dated 1961, and two dated 1943. Two photocopies in black and white of photographs of an elderly man. One is labelled 'Will Alma Conjuring Memorabilia Collection Melbourne Australia'. The other is not labelled but appears to be same man. Date taken and photographer unknown.alma will, magic circle, alma conjuring collection -
Glen Eira Historical Society
Document - Alma, Will
... Magicians ...This file contains seven items. Transcripts of paragraphs from various issues of THE LINKING RING from January 1928 to November 1977 concerning Will Alma. Transcripts of various articles in publications concerning Will Alma’s performances and tours in Victoria, Tasmania and Adelaide from 1932 to 1975. Transcripts of various articles about Will Alma published in THE HERALD, THE SUN and THE SPHINX from 1939 to 1977. Transcript of letter by Will Alma in MAGIC MAKERS, date unknown, about his tour of Korea and Japan in 1956, and of an article by Peter Strasser in MAGIC MAKERS, date unknown, concerning the tour. Transcripts of paragraphs in various issues of ABRACADABRA from 1956 to 1969 concerning Will Alma. Transcripts of extracts from various issues of MAGIC MAKERS from 1946 to 1970 concerning Will Alma. List of references to issues of ABRACADABRA from 1972 to 1974 which include parts of Will Alma’s AUSTRALIAN MAGIC REVIEW.alma will, magicians, entertainers, the linking ring, magic makers, entertainment, abracadabra -
Australian Nursing & Midwifery Federation
Royal Australian Nursing Federation campaign badge, [1986?]
Distributed to nurses during campaigning for improved wages and working conditions in the 1980s, probably during the historic 1986 Victorian 50-day nurses strike. The 'White' in 'WHITE LIES' refers to David Ronald White, who was a state M.P. and the Victorian Minister for Health from 1985-1989. David White regularly featured in Branch newsletters around the time of the strike, and was regularly portrayed as a magician, skilled in 'white magic' that made 'nurses wages disappear'. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, suggesting that this button is from the late 1980s.Circular blue and white plastic button. Silver metal, plastic-coated, with safety pin fastener adhered to back. Button printed with 'WHITE LIES = WAGE CASUALTIES' and 'R.A.N.F. [Royal Australian Nursing Federation] Vic. [Victoria]'.nursing, nurses, industrial action, strike action, unionism, david white, health minister, badges, victoria, buttons, pins, campaigning, protest, trade unions, labour history -
Ballarat Tramway Museum
Magazine, State Electricity Commission of Victoria (SECV), SEC Magazine, 31/10/1944
Magazine published by the State Electricity Commission of Victorian reporting the success of the Ballarat, Bendigo and Geelong entrants in the Most Popular Conductress Competition with photographs of each of the Conductresses and their fundraising totals. Sylvia Mitchell Ballarat, Miss J McCurdy Geelong, and Mrs. D Rosewarne Bendigo. See item 8825 for part of this magazine collected by Sylvia Mitchell. See also item 247 for another image. Included in this issue are items on casualties on service, briquette factory notes, how street lights affect trees, unique transformer at Newport, Sergeant Staples and Mrs Mitchell, Australia's First Electric tram (Doncaster - Box Hill), Kiewa notes, G A Laurens on Bendigo, American Hospitality, In and around Yallourn, Rabual, How to become Magician C J White, Mozart by Wim Platt, the meaning of Maru, On Active Service, and letters from Servicemen.Demonstrates the SECV news reporting to employees and the general public during the Second World War.Magazine - 48 quarto pages + light card covers, coloured cover centre stapled.tramways, ballarat, bendigo, most popular conductress competition, sylvia mitchell, secv, doncaster, second world war, geelong -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Clothing, bow tie white, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A gentleman's white ready -tied bow tie with elastic and metal clips* neckties, bow ties, formal wear, fashion, menswear, moorabbin, bentleigh, cheltenham, early settlers, market gardeners -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Clothing, bow tie black, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A gentleman’s black Bow tie neckties, bow ties, formal wear, fashion, menswear, moorabbin, bentleigh, cheltenham, early settlers, market gardeners -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Clothing, bow tie, black , spring clip, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre-tied black bow tie with a metal spring clip to attach to the shirt collar. The 2 spring clips have 'alligator teeth' to grip the collaron spring clip MADE IN AUSTRALIA SPRINGmenswear, clothing, bow ties, cheltenham, moorabbin, bentleigh, early settlers, pioneers, market gardeners, male neckwear -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, bow tie, white , elastic clip, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A pre tied white Bow tie sewn on a neckband with an elastic clip fastenermenswear, clothing, bow ties, cheltenham, moorabbin, bentleigh, early settlers, pioneers, market gardeners, male neckwear -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, bow tie white, fixed length, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. This white bow tie is a 'fixed length' type that needs to be tied by the person wearing it. MAKO SIZE 15 1/2 menswear, clothing, shirts, collars, early settlers, fashion, cheltenham, moorabbin, dairy farmers, market gardeners, bow ties, mako pty ltd -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, Bow tie, black, elastic, clip, c1960
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre-tied black bow tie with neckband and elastic tape with a clip. fastenermenswear, bow ties, fashion, melbourne, moorabbin, bentleigh, cheltenham, polyester, rayon -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Clothing, black bow tie, c1960
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre tied black bow tie with an elastic fastening clipmenswear, neckties, bow ties, cheltenham. moorabbin, bentleigh -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: EIGHT FIRST BIRTHDAY SOUVENIR PROGRAMME, c1955
... Magicians ...Royal Princess Theatre Eight First Birthday Souvenir Programme, 31st August, 1955. 1874 - 1955. Manager: Don Vincent. Price - Sixpence. Proceeds: Cinematograph Trade Benevolent Fund. The Royal Princess Theatre. In May, 1874, the late John Crowley, at a cost of 12,000 pounds the Royal Princess Theatre. It was opened on 31st August, 1874, on which occasion the 'Grand Duchess of Gerolstein' was performed. It was in January, 1904, that the Theatre was closed until April, 1905, for re-construction at a cost of 5,000 pounds. Further alterations were made I 1936 when the old circle and the gallery was converted into the present circle and loge, the cost on this occasion was 14,000 pounds. At the Royal Princess has been seen every form of entertainment known in the world. Operas, including Gilbert and Sullivan, Shakespearean plays, Minstrels, Pantomime, Circus (Wirth's making their first appearance in1887), Drama, Revues, Magicians, and the latest medium of entertainment Ice Revue. Of the many shows presented on stage of the theatre, I feel none has survived as long, or as well, as 'Charley's Aunt.' The companies to present their performances have been many and varied, but among an imposing list, the names of Charles Holloway, The Royal English Opera Company, J. C. Williamson Co., and Royal Comic Opera Coy., will long be remembered. The line of notable personalities who have appeared on the stage is long also, and includes such names as John McCormack, Clara Butt, Harry Lauder, Peter Dawson and more recently Jessie Mathews and John Calvert. But of all these and many others, I am sure none can ever compare with the wonderful performances by the late Dame Nellie Melba, who gave her farewell performance in September, 1921. It is interesting to note that Dame Nellie Melba, gave two farewell performances. The first was in February, 1886, when she made a last appearance as Mrs Armstrong, to later become Madame Melba. The first competition of the Austral Society was held in the Theatre in May, 1897, and the first living pictures were seen in August, 1899. The London Bioscope Co. presented 'Struck Oil,' with Maggie Moore, in February, 1901 (Maggie Moore had appeared in the stage play or the same name many times earlier). However, it was not until 1910 that the Royal Princess was mainly used for pictures, and of course, since that year, that has been the principle form of entertainment presented. It was Easter, 1930, that the first talkie, 'The Desert Song,' was screened and then followed coloured films, and now in 1955 the latest in film development - Cinemascope has been installed. This installation caused, for the first time in many years, alterations to the back stage to enable the large 30ft. Screen to be quickly removed ready for any 'live' performances. In 1937 the Royal Princess came under the Management of Northern Amusements Pty. Ltd., a unit of the Woodrow Corporation Ltd., whose policy it is to bring in entertainment to Bendigo, and I, as their representative will carry on the traditions of the past, and make the Royal Princess truly a Home of Entertainment. Don Vincent, Manager. Wednesday, 31st August, 1955 on the stage. Eagelhawk Brass Band. Official cutting of the Bithday Cake and its presentation to the Matron of the Benoevolent Home by His Worship the Mayor of Bendigo (The cake kindly donated by Friedrich & Bassemir). Presentation of the Travel Voucher for a 10 day Luxury Coach Tour on behalf of Pioneer Coaches Ltd., to the licky couple winning the recent 25th Wedding Anniversary Contest, by His Worship the Mayor of Eaglehawk. 'Progress of Fashion by Bendigo Fashion House including A Tableaux of 7 Bridal Ensembles. Miss 1874 Gertrude Perry, Misses 1955 Rosemary Lorenz, Lorraine Foley, Joan Pinder, Pauline Kim, Shirley Morgan, Pat Ferrari, Wilma Breerton. Make - up by Helen Lang Beauty Salon. 81st Birthday Performance on the screen. Newsreels, Cartoons, Shorts, Seven Brides for Seven Brothers. Photograph: The Staff of the Royal Princess, under the Management of Mr Don Vincent, who are at your service. Hearing Aids are now installed in all parts of the Theatre, Doctors or Nurses on call may leave their names at the pay-box. Advertisements for Bendigo businesses: Radio Taxis, Kings Dry Cleaners, John V. Schenck Art Florist, Morley Johnsons everything for the home, Ron Meurer fridges, The Melody Bar, music. Program comprises of two sheets of paper.program, theatre, royal princess theatre, royal princess theatre eight first birthday souvenir programme, 31st august, 1955. 1874 - 1955. manager: don vincent. price - sixpence. proceeds: cinematograph trade benevolent fund. the royal princess theatre. in may, 1874, the late john crowley, at a cost of 12, 000 pounds the royal princess theatre. opened on 31st august, 1874, 'grand duchess of gerolstein' was performed. 1904, the theatre was closed until 1905, for re-construction. further alterations 1936 when the old circle and the gallery was converted into the present circle and loge, 14, 000 pounds. seen every form of entertainment known in the world. operas, including gilbert and sullivan, shakespearean plays, minstrels, pantomime, circus (wirth's making their first appearance in1887), drama, revues, magicians, and the latest medium of entertainment ice revue. 'charley's aunt.' the companies have been many and varied, charles holloway, the royal english opera company, j. c. williamson co., and royal comic opera coy., john mccormack, clara butt, harry lauder, peter dawson and more recently jessie mathews and john calvert. dame nellie melba, who gave her farewell performance in september, 1921. it is interesting to note that dame nellie melba, gave two farewell performances. the first was in february, 1886, when she made a last appearance as mrs armstrong, to later become madame melba. the first competition of the austral society was held in the theatre in may, 1897, the first living pictures in august, 1899. the london bioscope co. presented 'struck oil, ' with maggie moore, in february, 1901 (maggie moore had appeared in the stage play or the same name many times earlier). by1910 that the royal princess was mainly used for pictures, has been the principle form of entertainment presented. it was easter, 1930, that the first talkie, 'the desert song, ' was screened and then coloured films, now 1955 the latest in film development - cinemascope has been installed, alterations to the back stage to enable the large 30ft. screen to be quickly removed 'live' performances. in 1937 the management of northern amusements pty. ltd., a unit of the woodrow corporation ltd., 1955. eagelhawk brass band. official cutting of the bithday cake and its presentation to the matron of the benoevolent home by his worship the mayor of bendigo (the cake kindly donated by friedrich & bassemir). presentation of the travel voucher for a 10 day luxury coach tour on behalf of pioneer coaches ltd., to the licky couple winning the recent 25th wedding anniversary contest, by his worship the mayor of eaglehawk. 'progress of fashion by bendigo fashion house including a tableaux of 7 bridal ensembles. miss 1874 gertrude perry, misses 1955 rosemary lorenz, lorraine foley, joan pinder, pauline kim, shirley morgan, pat ferrari, wilma breerton. make - up by helen lang beauty salon. 81st birthday performance on the screen. newsreels, cartoons, shorts, seven brides for seven brothers. photograph: the staff of the royal princess, under the management of mr don vincent, who are at your service. hearing aids are now installed in all parts of the theatre, doctors or nurses on call may leave their names at the pay-box. advertisements for bendigo businesses: radio taxis, kings dry cleaners, john v. schenck art florist, morley johnsons everything for the home, ron meurer fridges, the melody bar, music. royal princess theatre eight first birthday souvenir programme, 31st august, 1955. 1874 - 1955. manager: don vincent. price - sixpence. proceeds: cinematograph trade benevolent fund. the royal princess theatre. in may, 1874, the late john crowley, at a cost of 12, 000 pounds the royal princess theatre. opened on 31st august, 1874, 'grand duchess of gerolstein' was performed. 1904, the theatre was closed until 1905, for re-construction. further alterations 1936 when the old circle and the gallery was converted into the present circle and loge, 14, 000 pounds. seen every form of entertainment known in the world. operas, including gilbert and sullivan, shakespearean plays, minstrels, pantomime, circus (wirth's making their first appearance in1887), drama, revues, magicians, and the latest medium of entertainment ice revue. 'charley's aunt.' the companies have been many and varied, charles holloway, the royal english opera company, j. c. williamson co., and royal comic opera coy., john mccormack, clara butt, harry lauder, peter dawson and more recently jessie mathews and john calvert. dame nellie melba, who gave her farewell performance in september, 1921. it is interesting to note that dame nellie melba, gave two farewell performances. the first was in february, 1886, when she made a last appearance as mrs armstrong, to later become madame melba. the first competition of the austral society was held in the theatre in may, 1897, the first living pictures in august, 1899. the london bioscope co. presented 'struck oil, ' with maggie moore, in february, 1901 (maggie moore had appeared in the stage play or the same name many times earlier). by1910 that the royal princess was mainly used for pictures, has been the principle form of entertainment presented. it was easter, 1930, that the first talkie, 'the desert song, ' was screened and then coloured films, now 1955 the latest in film development - cinemascope has been installed, alterations to the back stage to enable the large 30ft. screen to be quickly removed 'live' performances. in 1937 the management of northern amusements pty. ltd., a unit of the woodrow corporation ltd., 1955. eagelhawk brass band. official cutting of the bithday cake and its presentation to the matron of the benoevolent home by his worship the mayor of bendigo (the cake kindly donated by friedrich & bassemir). presentation of the travel voucher for a 10 day luxury coach tour on behalf of pioneer coaches ltd., to the licky couple winning the recent 25th wedding anniversary contest, by his worship the mayor of eaglehawk. 'progress of fashion by bendigo fashion house including a tableaux of 7 bridal ensembles. miss 1874 gertrude perry, misses 1955 rosemary lorenz, lorraine foley, joan pinder, pauline kim, shirley morgan, pat ferrari, wilma breerton. make - up by helen lang beauty salon. 81st birthday performance on the screen. newsreels, cartoons, shorts, seven brides for seven brothers. photograph: the staff of the royal princess, under the management of mr don vincent, who are at your service. hearing aids are now installed in all parts of the theatre, doctors or nurses on call may leave their names at the pay-box. advertisements for bendigo businesses: radio taxis, kings dry cleaners, john v. schenck art florist, morley johnsons everything for the home, ron meurer fridges, the melody bar, music. -
Robin Boyd Foundation
Book, W. Somerset Maugham, The Magician, 1967
Softcoverwalsh st library -
Koorie Heritage Trust
Book, Roberts, Morley, King Billy of Ballarat : and other stories, 1892
Contents: The Bull of Santa Rosa; Mithridates the King; Green River City; A Quiet Man; The Pathologist; Father and Son; The Magician of El Shomar; A Sketch in Clay; The Domestic Tragedy; The Sheriff of Red Butte; The R.L.O.; The Story of Rawhide River; Jules and Renee; King Billy of Ballarat.270 p. ; 20 cm + 1 sheet.Contents: The Bull of Santa Rosa; Mithridates the King; Green River City; A Quiet Man; The Pathologist; Father and Son; The Magician of El Shomar; A Sketch in Clay; The Domestic Tragedy; The Sheriff of Red Butte; The R.L.O.; The Story of Rawhide River; Jules and Renee; King Billy of Ballarat.fiction stories -- collections. -
Mrs Aeneas Gunn Memorial Library
Book, Ward Lock and Co, The last days of Pompeii, [1850]
In ancient Pompeii an evil magician attempts to prevent a young woman from marrying the young man she loves. They escape as the volcano destroys Pompeii.Notes, ill, p.393.In ancient Pompeii an evil magician attempts to prevent a young woman from marrying the young man she loves. They escape as the volcano destroys Pompeii. pompeii - destruction, pompeii - fiction -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Griffith,George, A Mayfair magician : a romance of criminal science, 1905
306 p. : red coverfictiongeorge griffith, fiction