Pastel on paperTitled, signed and dated in lower right corner of drawing: Jeff Makin Artist and friend Bellany '83

During the Second World War the P.S Marion operated as a passenger vehicle up and down the Murray River.This is a photograph showing Hugh Price steering the P.S. Marion while the Captain looks on! This photograph is linked to P000067, P000065 as they are all part of the Hugh Price Family collection.A copy of a black and white photograph of Hugh Price and Captain George Makins in the wheelhouse of the P.S Marion.In pencil, written on the back is Price / Oct 43 / Capt. Geo Makins, (in cap) & Hugh Price.p.s marion, hugh price, captain george makins, george makins, 1943, price family collection

Purchased, 1977Oil on canvasgippsland, artwork, permanent collection

Melbourne Art Trams On the rear is a photo of the SW5 731 Lesley Dumbrell Transporting Art Tram. Also notes that you can use TramTracker to find the Art Trams. James Cattell - 925 Janine Daddo - 3509 Kristin Headlam - 151 Jeff Makin - 252 Gabriella Possum Nungurrayi - 3008 Rone - 209 Christian Thompson - 259 Callum Croker - 158Demonstrates a Melbourne Art Trams Pamphlet for 2014-2015Pamphlet, folded sheet to give a DL size, pink background titled "Melbourne Art Trams" - Oct. 2014 to April 2015, vote for your favourite tram in the People's choice awards! - part of the Melbourne festival. Notes the Transporting Art trams. Inside the pamphlet are images of the artwork on 8 different trams including the artist names and title of the work if any. Has Melbourne Festival, Yarra Trams, PTV, Arts Victoria and Victorian Govt. logos.trams, tramways, yarra trams, transporting art, decorated trams, exhibitions, tram 731, tram 925, tram 3509, tram 151, tram 252, tram 3008, tram 209, tram 259, tram 158

Letter dated 18 February 1943 from E. Russell of the Hostel Committee to Mr F.P. Makin to confirm his appointment as caretaker of the Club's premises at 1267 Bourke Road at a remuneration rate of £2 per week. The hostel manager Mr Craig would be responsible for paying the remuneration to Mr Makin.A record of employment process and business correspondence in 1943.Blue quarto copy paper, black type, two hole punched.Initialled in blue ink by E. Russell.residences, holmbush, staff

Photograph shows SW5 No. 738 on the Spencer Street Bridge. Trolley poles are visible and in use. The Melbourne World Trade Centre is visible in the background. The tram is painted in a livery of the Transporting Art program, as a so-called "Art Tram." The artwork is by Jeffrey Makin, sponsored by Dulux Australia. Photo by Michael McLeod.Shows a now-withdrawn tram with obsolete equipment (i.e., trolley poles) and livery representing a culturally important event in Melbourne's transit history.Colour Photograph - SW5.738 on Spencer St Bridge/World Trade Centretrams, tramways, sw5 class, art trams, transporting art, public transport, tram 738

Interior of the Brush shop at Queensland Industrial Institute for the Blind. Various workers construct and pack brooms ready for sale. Image 2 - Interior of brush shop taken around 1967. Ernie Hayes (right foreground), Fred Makin, Dudley Lewis (wearing hat), and facing camera Greg Short (left) and Ron Caudery. 4 x B/W photographs of men in the brush workshopC2-6840, C26838, C2-6839, C2-6841queensland industrial institute for the blind, employment, ernie hayes, fred makin, dudley lewis, greg short, ron caudery

Newspaper clippings and correspondence from Australian Defence League and Austraslian Military Forces to Cr. J.K. McCaskill, Borough of Ringwood, regarding speakers and attendance at inaugural local ADF branch, January, 1939. Photocopy of Cr. J.K. McCaskill's Certificate of Authority under War Damage Commission National Security Regulations. Newspaper clipping regarding Austerity War Loan Rally, Ringwood Town Hall, November, 1942. Photocopy of a souvenir - United Service of Thanksgiving (cover only) held in Ringwood Town Hall on 9th May 1945. Ladies are cordially invited to attend, and the formation of a Ladies' Emergency Section will be discussed. Speakers: W.J. Hutchinson, M.H.R., Mrs Weber, M.L.A., Capt. Brock, 24th Batt., Lt. Col. Knox, M.L.A., Mrs Colliver (Red Cross); Hon. N.J. Makin, Minister for Navy and Munitions; T.R.G. Williams, Mayor, Chairman, Ringwood War Loan Committee (1942).

Comments by Mr. Jeff Walker, Sunday Sept %th 1983. Mr. E.E. Walker JP Managing Director, ATT Co Ltd on Right corner of photo. Mr. A.M. Donald Walker left hand side. Mr. J.S. Stan Walker with cap, 4th to left of EE his father. Mr. E.F. Walker - front row at the right with flag. Mr. Mark Smith to right of E.F. Billie White to right of E.E. (white hat) Mick McDonald top left of E.E (boxer hat). Abe Kay the boxer to left of EEW and Billie White. Jack Crew to left in front (hand on knee). (FG) Fred Allen, Captain with ball in hand (1903). Bob Halliday to left of my father, Lionel Walker (face not showing) far left. Bill Kennedy, brother-in-law of Pat McDonald (of hotel) at the back of my father and Bob Halliday. I think the young chap between Mr. ee amd Mick McDonald is my eldest brother Bill, he and JS were pals. Bill Bewley and the Makim Brothers are there I'm not sure of the others.Black and white photo of Mitcham Football Club 1903 (see history).makin, bewley, kennedy, walker, smith, white, mcdonnell, kay, crew, allen, halliday, mitcham football club

This book tells of the mounting sea power of the Allies told by men of the RAN who with their ships have added the weight of their blows to the common effort. It tells stories of which the Royal Australian Navy may be proud.This volume is a further unfolding of the story of WWII which because of its nature as a world wide conflict, is so largely the story of sea power and its influence on the final outcome HMAS MK III - The RAN's Third Book. Green hardcover with black text and Navy insignia on front cover, text on spine. Inside front and back cover green sepia drawing of a fleet of Navy ships. Graphs, drawings, photographs, maps, poems.Tribute - Grey she is and stately Young alive and shapely Lissome, yes, and graceful, With perfect lines of elegance and dignity Her noble, lovely head She nods and shakes, With confidence to face Whatever may come. She nurses me And nourishes; Shields me, gives me courage. Alone I have been with her, when afraid. And in a crowd of friends, both hers and mine. Through conflict tense, with element or foe; through danger from above and from below. Through anguish keen Of loss, of death, of pain. Through gaiety, through joy victorious and safe She is my life, my only love, My ship.wwii, royal australian navy, sea power, germans, europe, japanese, communications, rear admiral v.a.c. crutchley, v.c., d.s.c, destroyers, corvettes, frigates, escort duties, motor launches, aircraft carriers, battleships, battle cruisers, cruises, armed merchant cruisers, sloops, submarine sweepers, mediterranean, warspite, valiant, pacific, american forces, dneiper bend, solomon islands, makin, tarawa, h.m.a australia, h.m.a shropshire, h.m.a arunta, h.m.a warramunga, h.m.a.s westralia, arctic, h.m. jamaica, h.m.saumarez, u.s. marines, h.m.a.s benalla, h.m.a.s shepparton, royal australian navy reserves

Brown wooden honour board with gold text and separate panels for a large heading reading DUX and a footer reading HONERE ET LABORE.DUX 1909 A. Mahony 1910 A. Mahony 1911 P. Sims 1912 E. Pope 1913 F. Coperthwaite, M. Pearce 1914 G. Mason 1915 G. Home, I. Ridd 1916 E. Bray 1917 B. Brown, C. Brown 1918 H. Beeby, I. Howell 1919 H. Hansen 1920 H. Gambold 1921 A. Hinchley 1922 M. Malcolm 1923 S. Muntz 1924 F. Conner 1925 C. Burton 1926 C. Burton 1927 A. Francis 1928 A. Gerrard, E. Holloway 1929 E. Cowper 1930 M. Wray 1931 P. McDonald 1932 D. Keir 1933 S. Butler 1934 T. Walpole 1935 A. Sisely 1936 R. Bayliss 1937 I. Hicks, C. McKissack 1938 G. Jameson 1939 R. Simms 1940 V. Blatch, W. Smyth 1941 G. Grose, R. Short 1942 J. Fiddes, G. Sadler 1943 R. Wood 1944 J. George 1945 J. George 1946 R. Borschman 1947 G. Welton 1948 S. Davies, J. Ruxton 1949 J. Bradshaw 1950 L. Hogan 1951 U. Martin 1952 K. Mauger 1953 E. Canning 1954 C. Park 1955 A. Kentmann 1956 V. Crowther 1957 P. Waizer 1958 K. Rogers 1959 M. Scambler 1960 K. Anker 1961 M. Dundas 1962 M. Anker 1963 M. Berry 1964 B. Handsen 1965 R. Ritchens 1966 I. Bryce 1967 R. Anker 1968 C. Douglas 1969 S. Ilsley 1970 E. A. Miles 1971 B. Reeckman 1972 R. Withers 1973 C. Macklin 1974 S. Curtis 1975 S. Ingarfield 1976 G. Kilninster 1977 D. Wilkinson 1978 D. Cardwell 1979 A. Stewart 1980 M. C. Kilminster 1981 R. J. Kneebone 1982 J. A. Nicholls 1983 C. Grant 1984 A. Peipers 1985 H. Lowe 1986 S. Batten 1987 M. Evans 1988 D. Batten 1989 L. Kirby 1990 H. McDonald 1991 J. Bevacoua 1992 O. Roodenburg 1993 J. Campbell 1994 B. Akers, J. Heywood 1995 K. Kneebone 1996 P. Akers 1997 D. Martin 1998 J. Flanigan 1999 W. Makin 2000 M. Ashmead 2001 L. Smith 2002 T. Hartwing 2003 L. Smith 2004 R. Holgate 2005 H. Watkins, S. Findlay 2006 L. Watkins 2007 L. Watkins 2008 J. Elliot HONERE ET LABORE

Beam balance (gold scales) made by Oertling - London. The balance is in a case made of mahogany and fully glassed, it has two draws. The brass scales are built into the case. The maker's name is present on the base of the scale. There is a brass knob that fits in the front to make adjustment to the scales and also on either side of the exterior case to set the top of the scales. There are two front draw, the left one is missing the drawer knob.mining, equipment, scale, ludwig oertling (1818-1893) was born near hamburg and gained his apprenticeship in instrument-making with his brother johann. he immigrated to london in 1840, where he joined instrument-maker and assayer george makins (1815-1893). oertling collaborated with makins and built his first balance, which was "a twin-column assay type with a light lattice beam". by 1851, the year of the great international exhibition of the works of all nations, oertling had established his own instrument-making business, employed five instrument-makers, and by 1861, ten staff were engaged in designing and making instruments, principally analytical balances. oertling's first twin-column beam balance was the prototype for all oertling assay balances that were produced during the next century and exported to the british colonies: australia, new zealand, canada, south africa and india, to europe and america.