A complete replica uniform set of clothing and all items that were or could be worn by a first AIF soldier.Light horse brigade .1) Jacket, 100% wool with cotton lining. 7th Battalion AIF colour patches with a brass A signifying original ANZAC on both sleeves. Right sleeve has sergeant's stripes & 5 blue & 1 red chevron stripes. Left sleeve has 3 brass bars re WIA 3 times. Rising Sun badges on each collar & Australia badges on shoulder straps. Belted at waist. .2) Jodphurs, khaki corded wool. Brass button up fly. .3) Braces, red, white & blue oblique striped. .4) Hat, size 57, khaki Akubra with felt pugaree, leather chin strap, & blackened brass Rising Sun badge on upturned rim. .5) & .6) Puttees, pair, khaki wool felt with khaki cotton tapes. .7) & .8) Boots, pair, size L, tan coloured leather with dark brown leather laces, leather soles with metal reinforcing on heels..1) & .2) Makers labels. .4) Hat: Akubra, Made in Australia; On badge: Australian Commonwealth Military Forces. on hat: "5.7 Akubra Made in Australia"uniforms-army, costume - male footwear, costume - male headwear

Regt No 3799330 is a Victorian National service Number from the 1965 - 73, D.M.Shugg completed 2 years National service..1) Khaki woollen sock ) name label stitched inside - cotton tape .2) Khaki woollen sock ) Written on name tags: “3799330 PTE D M SHUGG”uniforms - army, costume-male footwear, socks

The items were issued to Quentin Clifford BINKS, V245016 & VX114178 2nd AIF. Refer Cat No 1835 for his service history.Tan leather pair boots, leather laces, stacked heels. .1) Steel reinforcing on heel only. .2) Steel reinforcing on heel & toe.uniforms - army, costume accessories - male footwear, boots, binks

DALE HANNAFORD 8435318 Served Afghanistan 2011 Refer Cat No’s 2508, 2509.2 .1) Boot, high sided, left foot, leather, fawn colour, metal eyelets. Padded on the inside, rubber sole, cord lace. .2) Same as .1) above. .3) Hat, floppy with firm front peak, cotton, camouflaged desert pattern. Top of the hat flows down to the shoulder for all round protection. Has elastic headband & valcro strips on the sides..1) & .2) 280/100 [up arrow] MONDO POINTuniforms - army, costume-male footwear, uniforms - headwear, trades - bootmaking

.1) Boot, tan leather with leather laces, stacked heel, hole in heel. .2) Boot, tan leather with leather laces, stacked heel, metal reinforcement. Etched into leather on sides: “S314”uniforms - army, costume - male - footwear, boots

Army issue name was “Boots AB” Item in the collection re “Maj A.J.Balsillie MBE”. Refer Cat No 118.5 for his service details, RSL and Council history.Pair of black leather boots size 9, steel heel + toe caps, leather laces.“9 - m - XL” on outer sole each. ‘242” on on inside outer top each.uniforms - military, costume - male footwear, boots

.1) & .2) Boots, pair of black leather boots with soles & heels screwed onto uppers. .3) Gaiters .4) GaitersOn soles in relief: SHERPA / REG 215448uniforms-army, costume-male footwear

Pair khaki leather boots, lace up with synthetic soles, size 7.costume-male footwear, military history - army, boots, gp, passchendaele barracks trust

Boots unworn, pair black leather with synthetic soles & black laces.In relief on soled: “Sherpa / Reg No 215448”costume - male - footwear, uniforms - army, passchendaele barracks trust

Boots, brown leather, leather laces, leather sole with steel heel.Stamped under sole: 85 Stamped on side of ankle: V864 654costume - male - footwear, uniforms - army, trades - leatherworking - bootmaking, passchendaele barracks trust

Boots, pair, brown leather with stitched leather soles. Brass cleats riveted to sole. Metal protector fixed to heel. Leather laces..1) & .2) Stamped on sole: “6 5 ?303 1945”costume - male - footwear, uniforms - army, trades - bootmaking, passchendaele barracks trust

Gentleman's fawn suede fabric spats. Seams and edges are lined with 2 cm wide cotton tape. The opening edges have four plastic one cm buttons, and four stitched buttonholes A tapered leather strap ( 2.5 cm tapering to 1.5 cm ) fastens with a nickel -(silver) buckle. This strap passes underneath the instep. Leather lining at top of spats, gives a piping of leather effect on the outside.Mansfield and Sons Ltd. An english Manufacturer.costume, male footwear, spats

Gentleman's brown suede fabric spats, bound at seams and lower edge in .75 cm leather strips. Four one cm, diameter plastic buttons at outer ankle, with four stitched buttonholes. Centre front seam is lined with a leather strip, opening edges lined with cotton tape, and finely machine stitched. A two cm wide and 16.5 cm long strap passes under the instep, and fastens with a metal buckle on the outside of the foot, leather -tapered 2.5 cm to 1.5 cm.H.E.Randall Ltd (written on fine leather label, six cm long on inside of spat. Lettering in gold. ( An English Company).costume, male footwear, spats

Made by internee at Camp 1A pair of open toed leather lattice sandals fastened with a ankle strap and metal buckle, metal toe caps with 5 tacks attached to sole. Leather sole has been replacedsandals, leather, montgomery j, camp 1, tatura, ww2 camps, costume, male, footwear

Wooden shoe trees in boots - donated by Cotton FamilyHigh brown leather male riding boots.costume, male footwear

Pair long black leather riding gaiters/leggings with buckles and straps at top and a metal clasp on bottom edge.costume, male footwear

Uppers for mans slippers in black velvet with hand embroidered daisy pattern in flossette thread.costume, male footwear

Made by Mrs. Myrtl Bennett, aunt of donor, for her husband, Philip.Pair of long brown hand knitted socks.costume, male footwear

From Box Hill Historical Society 02/03/09Green black and beige striped elastic. Stitched onto a green tab which holds the buckle to close around the leg, and also holds the clip to hold sock up on leg. Buckle and clip are metal.costume, male footwear

Belonged to donor's husband in 1990sWorn in 1990sBlack leather slip on shoes size 9EEE. Moccasin style with tongue and narrow stitched leather band across tongue with silver coloured metal trim.Florsheimcostume, male footwear

Two pairs of khaki Army issue socks - wool.uniforms - army, costume male underwear / footwear, socks

The photograph has the information written on the back. It states it is the Senior Athletic Team Champions Herald Shield 1919 Same image was reproduced in the SMB Students' Magazine 1921 with the caption "SMB Athletic Team 'Runners-up in Victorian Inter-Technical Schools' competition for the Herald Shield, 1920"A formal group photograph of 10 adolescent males in sporting attire. Footwear with spikes. A studio photograph Mounted on cream coloured ornate boardHandwritten in ink on back. "Senior Athletic Team Champions Herald Shield 1919. List of names and position of studentsathletic team, herald shield, champions, runners-up, harold maddison, a mccallum, harold wakeling, frank larkin, noel hoy, reginald wilson, 'buck' rankin

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Photographs taken at the OHM Dinner and Presentation in 2002. Students attended the University of Ballarat to complete the VIOSH Occupational Hazard Management Course. Oliver Footwear Solution Award and Shared Solution Award were presented. Male student was presented with the "Rae Epthorp Human Factors Prize" and the "National Safety Council of Australia Perpetual Trophy".Thirty-eight colour photographs with matte finish; Twelve colour photographs with high gloss finishviosh, victorian institute of occupational safety and health, ballarat university, david boyce, dulcie brooke, andrew oliver, nsca, national safety council of australia, perpetual trophy, john knowles, rae epthorp human factors prize, oliver footwear solution award, oliver footwear shared solution award, dennis else, steve cowley, john culvenor, university women

Items issued to MAURICE CHARLES BETTS. Refer Cat No 1198.2 for his Service History..1) & .2) Army Boots, pair. Black leather, Dept of Defence issue, black leather laces, steel caps on soles & reinforcing on heels.On sole: D [up arrow] D 1967uniforms -army, male footware, boots ab, betts

Wooden shoes are / have been widely used in North-Western Europe (Scandinavia, parts of Germany, UK, The Netherlands, Belgium and Northern France). The models vary from a wooden sole and toe covering (Scandinavia, UK, Northern France) to a complete cover of the whole foot (The Netherlands and parts of Belgium). They are mostly made from poplar wood, but occasionally also from other softwoods like willow. The clogs' finish varies from plain wood or carved wood to varnished or painted versions, often with decorations. Nowadays special models are made for tourists with pictures of Dutch landscapes, tulips or windmills.Although wooden shoes are also used in other countries, the full foot covering model has become one of the symbols of the Netherlands, like the tulips and the old style houses in towns like Amsterdam.Pair of male size wooden clogs - completely covering feet, finished with clear varnish and shoe lace like decorations.Brand indication V Z clog and size 43/44 = 28 1/2cm - Shoe laces like decorations.wooden shoes holland dutch traditional clothing

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretchGreen knee length skirt with button and zip back. Has two pockets, and two darts in both front and back.Label 1 - Barcelona 1992 Official Uniform supplied by Australian Wool Corporation Label 2 - Fletcher Jones Australia 141992 barcelona olympics, australian wool corporation, wool, olympic games official occasions

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Yellow long sleeved shirt with detachable floral collar. Double breasted pockets.Label - Pelaco1992 barcelona olympics, australian wool corporation, wool

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Green button up tailored jacket with two faux pockets and a breast pocket on left hand side. Olympic logo on left breast pocket.Label 1 - Barcelona 1992 Official Uniform Supplied by Australian Wool Corporation Label 2 - Fletcher Jones Australia On breast of jacket - Australia Barcelona 19921992 barcelona olympics, uniform, jacket, fletcher jones

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Yellow shirt, one pocket on left breast. The cuffs and the collar are white.On label - Barcelona 1992 Official Uniform supplied by Australian Wool Corporation1992 barcelona olympics, wool, australian wool corporation