This work is a symbol of the fiendship between Konan High School and the School of Education and Arts at the University of Ballarat. Presented in commemoration of the 30th anniversary with Konan High School, July 2012Framd calligraphic depiction of two mandarin ducks."Pair of Mandarin Duck." A symbol of the friendship between Konan High School and the School of Education and Arts at the University of Ballarat. Presented in commemoration of the 30th anniversary with Konan High School. July 2012 Artist: Miyu Watanabe, Konan High School Studentmandarin ducks, calligraphy, konan high school, miyu watanabe

This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. This lithograph comes from a series of still life by Wegner from the early 80's; a subject matter in which he has not returned to. Wegner is well known for his drawings and enjoys the immediate and directness of the process. He sees the drawn image as an experience of observation, with the content revealing the process of its making. Lithographic print - still life in black and white. Details several kitchen/household items: spoon, tea pot, egg holder, cup and saucer, bowl, chop sticks and mandarin.Lower far left: 'A/P'; Low centre: 'Mandarin on Kitchen Table'; Lower far right: 'PW 83'wegner, lithograph, still life, black and white, utensils, table, fruit, print

The Mission accommodated seamen from all nationalities from the earliest days of operation. Asian seafarers are recorded visiting the Mission from the late 19th C. onwards. The first Chinese chaplain to be appointed was Rev Steven Wong who moved to Melbourne in the 1960s. Rev Wong served from 1963-1966 and according to his sons helped design these information brochures. Images of Rev'd Wong are included in the VC Database. The pamphlet gives days and times of activities such as dances and films and chapel services. The Chinese writing was made by Reverend Stephen WongA rare surviving period example of a non-english speaking flyer on information about the Mission to Seafarers Victoria Commercially printed paper single fold flyer providing directions and information to the Central Club, Missions to Seamen at Flinders St extension, in Mandarin. Contains a drawing of the central mission and a map of Docklands.In English: CENTRAL CLUB/THE MISSIONS TO SEAMEN, FLINDERS STREET EXTENSION, MELBOURNE C.3 In Mandarin: Translation (from Google translate): date and time of services / date and time for dances, movie sessions, teareverend stephen wong, mandarin, chinese, asian, reverend perry mitchinson

Pamphlet for ""The Colonial Tramcar Restaurant" providing details of prices, contact details and general information about the experience. Dated Jan. 1990. A note of interest is the provision of a Telecom Mobile Phone on board for late bookings. Yields information about ""The Colonial Tramcar Restaurant" and its services in 1990.Pamphlet - double sided printed - one side in Mandarin.tramways, colonial tramcar restaurant, restaurant tram, bands

The flyer mentions the World Trade Centre which was opened in 1983 helping dating it.Since the 1960s, the Mission had to adapt to the seafarers coming from Asia.One page flyer printed in black ink on cream colour paper in English and Mandarin and signageflying angel club, chinese, mandarin, koala, kangaroo, lounge, tv, games, soccer, sports, souvenir, shop, post, library, books, chapel, pastoral service, seafarers' rights, exchange, hospitality, japanese, wtc, world trade centre

3 rectangular yellow acrylic signage with black engraving signage in Mandarin and English about social events at the Mission indicative time.socials, dances, movies, films, entertainments, church service

1870s women's fashion placed an emphasis on the back of the skirt, with long trains and fabric draped up into bustles with an abundance of flounces and ruching. The waist was lower in the 1870s than the 1860s, with an elongated and tight bodice and a flat fronted skirt. Beige coloured silk top with narrow mauve stripes. The top has a piped mandarin collar. The top has satin trimming. women's clothing, fashion - melbourne - 1870s, bodices

1880s women's dress featured tightly fitting bodices with very narrow sleeves and high necklines, often trimmed at the wrists with white frills or lace.Beige coloured silk top with narrow mauve stripes. The top has a piped mandarin collar. The top has satin trimming. The bodice is badly stained.women's clothing, australian fashion, costumes, bodices

3 ink bottles in boxes with instructions & pen, 2 Melanyl marking ink manufactured by Cooper Dennison & Walkden ltd, 1 Mandarin black No2 waterproof by Winsor & Newtons.Made in Englanddomestic equipment, writing equipment, ink

Pale blue waterproof Gabardine raincoat with mandarin collar. Buttoned down front with six buttons. Yoke back and front and two side pockets. Inside lined with silk rayon.costume, female

Cream silk background with two Mandarin ducks by water along with sprays of peonies and grasses. All worked in fine floss silk with delicate colours of white, pink, grey and green.embroidery, panel, japan, silk embroidery, oriental

Chinese toggle robe buttons, from the Qing Dynasty (1644-1911). Known as Mandarin buttons or robe toggles, these ornate fasteners were traditionally sewn onto silk court robes and jackets.Five Chinese toggle robe buttons, Spherical fasteners crafted from gilt brass or gold-coated bronze with detailed embossed floral pattern.buttons, china, clothing

Black velvet coatee with long sleeves. Lined with brown satin. Split (13cns) at centre back. Front opening fastened with seven hooks and eyes. Front dips to longer V shape below waistline. Velvet mandarin collar.costume, female, black velvet coatee

this was significant in sizing of oranges so you know the size of the oranges in the boxa orange color sizing rings of 10 different sizes each ring has count labels on it sizing tool, citrus, oranges, mandarines, orchards, merbein

This dress belonged to Bayside woman Wendy Young, who bought it around 1980 from Melbourne designer Prue Acton's Toorak shop for about $300. She recalled, "It was one of her off the peg creations, but I never saw it on anyone else... she made limited runs, especially as this is hand painted silk." The belt has been signed by Acton.Sleeveless bias-cut dress of watermelon pink silk featuring red and gold hand-painted abstract designs. The dress features a Mandarin collar with a button fastening at the throat. A matching silk belt with tapered ties wraps around the waist.The belt features two signatures in gold paint: "Prue" and "P Acton"prue acton, 1980s, melbourne designers, wendy young

Acquired by friends of the donor who were missionaries in China.Bound piece from Chinese Mandarin's robe. Silk and gold embroidery on green silk. It has a number of symbolic motifs and a major sized 4 fringed dragon which denotes a person of high rank. Piece is bound with black silk.embroidery, china, garments, silk embroidery, early 19th century, dragon

The dress and accessories worn by Mrs Margaret Scully for her wedding. Following their engagement in 1956, her husband built their home of 67 years in Box Hill South.- Silk brocade (cream) - Rouleau loops, covered buttons from back neck to waist - hook & eye below waist - Rouleau loop, covered buttons wrist to elbow - Mandarin collar - Corded waistband and hem - Dress forms train at back - Shoulder padsNilwedding dress, c 1950's, marriage

In Chinese embroidery, the combination of bats, peacocks, and peony roses creates a rich tapestry of highly auspicious symbols, primarily associated with wishes for happiness, wealth, beauty, and high rank. When these motifs appear together, as they often do in intricate antique textiles or Mandarin squares, they collectively represent a desire for a life filled with wealth, prestige, and abundant happiness. Magenta brocade with embroidered motifs of bats, peacocks and peony roses in coloured silks using satin stitch. Jacket is edged with a band of black silk embroidered with blue peony roses.embroidery, silk embroidery, oriental, garments, 1900-20, china

These are the Chinese robes that belonged to Forests Commission fireguard and builder of Moscow Villa - Bill ah Chow. Every organisation has a handful of colourful characters, and the Commission had its share, but Bill remains one of its enduring legends. After Bill's death in 1967, the robes were safely kept by Bill's daughter, Rose, until she died in 1993. The robes then passed to Bill's granddaughter, Janice, and were also highly prized. Janice wrote a book about Bill and Moscow Villa in 2019. After much deliberation, the family felt the retired foresters were better positioned to keep Bill's story alive. Bill loved to tell embellished campfire stories and often claimed to be a descendant of Chinese Royalty, but his family believes the robes were more likely picked up from a second-hand shop in Little Bourke Street in the 1940s. In 2018 the Chinese Museum in Melbourne gave this advice. Mr. Ah Chow is dressed in a way that imitates a Mandarin or official of the Qing Dynasty. His hat looks like a mandarin style hat, a Qing dynasty official’s headwear, although it’s quite unlikely that he was actually a Mandarin. The button atop the hat usually indicated the wearer’s rank. His robe fastens up to the neck with buttons, which is typical of Manchurian style men’s clothing of the Qing dynasty also. He is not wearing a rank badge, which denoted official status. This kind of garment was also normally worn with a separate collar, which Mr. Ah Chow is not wearing in any of these pictures.Chinese clothing including robes, bear skin hat, silk trousers and slippers

Black silk satin vest with centre front opening. Fishnet fabric sides/sleeves. Mandarin collar. The vest is lined with cotton fabric with stiffened interfacing. There are two black lace extensions at centre front. The front and back are covered with intricate embroidery with black and gold beading. There are hook and eye fasteners at the front.vest, beading

This fur coat is part of the Lingard Collection donated by Rod and Bev Lingard. It was made by Herbert (Bert) Lingard for his wife Sybil for whom he made nearly all of her dresses and coats..|Herbert, William Lingard was a tailor whose business 'Lingard Modes' operated in the Manchester Unity Building, Swanston Street, Melbourne, C1949. Later he worked from his home in 476 St Kilda Road Melbourne.|NP2453 shows Bert at his sewing machine.A mink fur coat, calf length, straight cut with two metal hooks and eyes. Padding in shoulders extend into the wide sleeves with turned up cuffs. The collar either mandarin styled turned up or turned back reveres. There are two slit pockets in front and it is fully lined with satin backed crepe.costume, female

Ladies brown satin bodice with green satin pintucked insert in centre front. Front opening with a row of 17 buttons and button holes on either side of the centre insert. Buttons are brown metal with diamente centres-long sleeves tapered at wrist. Small mandarin collar with press stud fastener at front. Boned at front and side seams. Fishtail back with green satin flaps. Bodice lined with yellow, green and red striped cotton.costume, female, bodice

This outfit was sent home to A.E. Tranter's daughter Brenda Refer to Cat 7944. Item in the collection of "Arthur E. Tranter". V50166 - VX52843 2/29th BN P.O.W.1. Top - dark red colour cotton satin fabric with light gold cover piping to garment edges. Handmade. Top has a mandarin collar, side to front opening and no sleeves. Knots and loops are used to close garment. Decorative ribbon fabric flowers at collar and neckline. Colours - pale pink, dark pink and yellow. Garment has been hand and machine stitched. 2. Pants - fabric as above. long wide legs to pants. Hand and machine stitched. clothing, ww2, arthur e tranter

On Wednesday, October 20, 1999, World Osteoporosis Day (WOD), Osteoporosis Victoria conducted a morning of physical activities with the Year 9 students at Shelford Girls' Grammar School in Caulfield. Titled, "Come & Try Day", the activities on offer included abseiling, golf, table tennis, Tai Chi, football, and indoor lawn bowls. In this photo, a Tai Chi instructor leads a group of students in a Tai Chi class. This photo (amongst others from the Come & Try Day) appears on Page 5 of the Vol 12 Issue 4, Summer 1999 edition of the Arthritis Foundation of Victoria's quarterly magazine, Arthritis Update. The photo also appears on page 9 of the Vol 14 Issue 01, Autumn 2001 edition of the magazine under its revised name, Update. In that issue, it accompanies an article titled, "arthritis victoria's schools project". The photo is captioned: "Students participating in Tai Chi classes."COL photo of a woman leading a group of students in an exercise class. The students are dressed in their sports uniform, consisting of a blue polo top and either navy blue shorts or track suit pants. The instructor is wearing a cream traditional Chinese shirt with a mandarin collar and black trousers. They are standing on an outdoor tennis court in rows, spaced well apart from one another. The instructor is standing in the front row, facing the camera, with her back to the students. There are two more tennis courts in the background, and the entire court area is enclosed by a tall cyclone fence.world osteoporosis day, wod, osteoporosis victoria, ov, come & try day, active for life, just 30 minutes a day, physical activities, exercise, tai chi, shelford girls grammar school, year 9 students, year 9 cohort, high school, secondary school, caulfield, 1999

This opera coat was made for Louisa Jane Cam, nee Rust, born 24/6/1873. Her parents were John Rust born in Hamburg, Germany and Jane Mc Meekin from Port Patrick, Scotland. In 1892 Louisa married John Cam the director of the Hawthorn Brick Company. It is understood Louisa wore the coat to the opening of the first Federal Parliament in the Exhibition Buildings in Melbourne in 1901.This item being an early nineteenth century opera coat has aesthetic interest. It is also important because of its provenance being worn by Louisa Cam at a significant event in Australia's history.A three quarter length Mandarin styled gold threaded brocade, lined coat dress with long sleeves. The fabric is black with gold patterns of leaves and circles. Large circles feature gold, red, yellow, pale and dark blue flower like images surrounded by gold fringes. The yolk section finishes with a small pleat over the flared bottom section. Edging around the neck is black lace. It is understood a fur collar was previously in place. The cuffs of the sleeves are pleated and have a wide frill above the pleating. The lining is pale blue silk . At the end of the sleeves the lining has hand ruched binding. Nil

Uniform worn by the Late (1972-2021) Rachel BOWMAN (LIEUT)) RAN No. L149319 (VARGA)1.2.3.4. RAN Ceremonial Dress, Summer, female, two jackets and two pair slacks. Fabric - cotton/polyester/viscose, white fabric. 1. & 3. Jacket - stand up mandarin collar, long sleeves, two patch pockets on front. Five button holes (no buttons), two metal hook and clasp closers on collar. Manufacturers information, white cotton label, front self lining. 2. & 4. Slacks - waistband, belt keepers, two side pockets, metal and nylon zipper fly, white plastic button at waist. White polyester fabric pocket lining with Manufacturer's information on white cotton label left side,Manufacturer's details - black ink print. 1. & 3. "BATTY & McGRATH P/L/ SIZE/ R.A.N./ MADE IN AUSTRALIA/ DO NOT BOIL OR WRING/ DRIP DRY AND IRON/ LIGHTLY WITH WARM IRON" 2. & 4. "ADA/ 1998/2001/ ^ / NSN: 8410-66-137-9795/ SIZE: 95L/ SERVICE NO/ NAME/ POLYESTER-VISCOSE/ MACHINE WASH WARM/ WARM IRON/ DRY CLEAN/ MADE IN AUSTRALIA.uniform, ceremonial dress summer, ran, rachel bowman