Chart and related piece (L0905), placed in Mary Card box in the EGV Research Library by person unknown between 2021 and 2025. Chart used when making Lace Collection piece. Mary Card designs were popular throughout the English-speaking world, in the early-mid 20th C.Instructions and working chart for Oak & Squirrel tea cloth border, cut from larger sheet and glued to thick, re-used paper. Published in England, about 1936, by Pearson and Co. (Associated with George Newnes)filet crochet chart, mary card

Worked by donor's mother Annie Gordon before 1920. (Chart was published in 1918) Beautifully worked. Very good condition. Designer & creator both known, and both Australian.Square of cream linen. Corners and border of Filet Crochet (Mary Card Waratah design) in very fine cream cotton thread. filet crochet, mary card

Found within the Embroiderers' Guild Victoria's Historical Research Library. Origin unknown. One repeat of edging design and unfinished corner section of Mary Card's Oak and Squirrel Tea Cloth edging design. Worked in fine cream cotton crochet thread. mary card, filet crochet

Mary Card Design Booklet, published in March 1936 by Edgar H. Baillie, For Home Beautiful Magazine. 36-page magazine style booklet of Filet Crochet Designs. mary card, filet crochet

Duplicate from the Collection of Pat McGenniskin. Donated via Barbara Ballantyne. Mary Card design published in June 1928 issue of Everylady's Journal. See reference for pattern location. Designer and creator both known and both Australian.White circular doily with Evening Primrose flower as the centre and outer border. Central flower surrounded by four butterflies. filet crochet, mary card

From Barbara Ballantyne's own personal collection. Designer and creator both known and both Australian. White doily made of five wedge-shaped pieces worked separately then joined together to form a circular doily, with five gentle points beneath which are Primrose flowers. mary card, filet crochet

From Barbara Ballantyne's own personal Collection.Designer and creator both known and both Australian. White Placement with Japanese scene. Similar to that seen on Willow Pattern china. mary card, filet crochet

Made by Barbara Ballantyne for her personal collection Designer & creator both known, and both Australian.Circle of off-white linen with long narrow strip crocheted lace joined to make a circular wreath on the bias with a few rows of crochet around the inner border. The seven points each have a curved, horizontal bar joined to the vertical bar, with a rarely-seen lacet filling. mary card, filet crochet

Chart used by donor's mother, Annie Gordon, to make Waratah Tea Cloth (L0084) before 1920.Decent condition considering its age and that it was used. Direct connection to Lace Collection piece. Australian designer.Paper chart glued to white fabric. Includes b/w photos, working charts & instruction.Mrs Betty Whiting, [Donor's address redacted]. Made by her mother, Annie Gordon. Cloth - Patternmary card, filet crochet chart

Mary Card's cottage where she lived with her sister Harriet on the left. Miss Card was a well known writer of works on crochet. The descriptive text on the reverse of this photograph was hand written by John Lundy-Clarke.Mary Card who owned the cottage on the left was a journalist whose writings on crochet work was known world wide.mary card, olinda

This crochet chart was designed by the twentieth century crochet pattern designer, Mary Card, for the Victorian Centenary in 1934. It was published in the Australian Home Beautiful magazine on November 1934. The chart was published in four sections, with instructions for working it as a complete piece. Mary Card lived in Olinda and published books of her patterns and individual patterns in Australia, American and English magazines from 1909 until the 1930s.Giant paper crochet chart of Mary Cards Victorian Centenary cloth design, featuring Australian animals, ships, buildings and horseman. Chart has FLORENCE / MCNABB 1944 written in pen ar thje bottom. Over the orignial pattern which was printed with VICTORIAN / CENTENARY 1934. Chart is in 4 pieces, each attached to Cardboard. Written on with ink: 12-4-44 On back : No 1, No 2 , No 3, No 4 mary card, centenaries, crochet patterns

non-fictionPhotocopy of Christmas Card from Mary and Emil to Cissiejackschowsky mary, schwerkolt francesca, jackschowsky emil

Buried in Eltham Cemetery.Memorial cardeltham cemetery, mary ann anderson, memorial card

People - "Milvain, Helen" Associated with - J.P. Carolin Kyneton

Memorial card - black board with gold printing, cameo portrait of elderly lady, with bonnet, lace collar. Gold inscription and verse. 'Dearly loved mother of John and William Richardson, and Ellen M. Nettle. Died at Daylesford, January 26, 1900.the Art Engraving, 11 Elizabeth St., Melbourne.person, individual, female

Published June 1921.64 pages. Wide variety of designs, including filet crochet, regular crochet and Irish crochet designs, but also imitations of Tape, Torchon, Maltese and Punto in Aria lace designs, as well as designs imitating Reticella, Hedebo, Venetian and 1 drawn thread design that uses crochet instead of needlework to cover and decorate the remaining threads. The instructions for the Seven-Pointed doily (L0906) can be found on pages 13 & 14.From the estate of Doris Adamsmary card, crochet

This was thought to be a Mary Card design, but is not. (See Research.) Crocheted by the donor's mother, Mrs Ethel Webb.White cotton filet crochet panel, depicting a peacock.crochet, filet crochet

A membership card to Mary-Lyn "Fifty & Over" Leisure Club. Mary-Lyn was a part of the Mary Chain of guest houses built by Eric Dowdle during the Depression years.A membership card to Mary-Lyn "Fifty & Over" Leisure Club.ANNE THOMPSON NO 007marysville, victoria, australia, mary chain guest houses, mary-lyn guest house, eric dowdle, mary-lyn '50 & over' holiday resort, mary-lyn the fifty and over holiday resort, mary-lyn "fifty & over" leisure club, membership card

Black funeral card for Mary Ann Rathgeber August 5 with writing in Gold lettering. 1900

Eleanor Hinde (1842-1902) was born in Lancashire England. In 1858, Eleanor married Richard Reynold in the Forest St Wesleyn Methodist Church in Sandhurst. They both gave their address as Sailors Gully Goldfields. They had seven children together. Richard was a skilled tradesman and after he died in 1872 from lung disease, Eleanor married Arculus Opie. Eleanor owned a property on the corner of Gladstone and Stanley Streets which later became an electrical substation. She sold poultry and eggs and preserves. One of Eleanor's sons, William John, married Anna (Annie) Jorgensen, and one of her daughters. Amelia, married Anna's brother Thomas Joynes Jorgensen. The Jorgensens founded and managed Jorgensen and Sons foundry and engineering works. Peter Jorgensen (1849-1914), was a mining contractor, he lived at, "Bro," Russell street, Quarry Hill. His firm was Jorgensen and Sons, mining contractors. He was a native of the Island of Alsen, Denmark. He left Denmark in the year 1861, embarking at Hamburg in a small sailing Ship. The four folders contain family history documents and photos of the descendants of Eleanor Hinde. This item contains the following documents: Amelia Reynolds Postcard from her brother Les, from Palestine on the 27/10/1917, Black and White "Mary Post Card Cairo" of the Tombs of the Caliphsbendigo, sandhurst, peter jorgensen, eleanor hinde, eleanor reynolds, eleanor opie, reynolds collection, amelia reynolds

Carte de Visite Photographed by Bent at Batchelder's Centre of Pall Mall Sandhurst. B & W Photograph of a young girl standing beside a table. Name written on the back of the card - Mary JaneBent

From the Chapman family photograph albumPhotograph on card backing Mary Henderson seated. Braided hair, light coloured dress with dark lace edgings. White lace collar with broach.

This postcard is part of an album of postcards which date from late 19th century to mid 20th century.This postcard is in an album of postcards dating from the late 19th century to mid 20th century and, as such, indicate the popularity of postcards during that time.On front: Postcard with dappled paper texture and velvet-textured flower. Embossed text in left-hand corner. On back: Flat card. Red postcard in right-hand corner.On front: 'A jolly Christmas' On back: 'Wedderburn / 24/12/09 / Dear Mary, Just a / card to wish you a / Merry Xmas & a very / Happy and Prosperous / New Year. / Your loving friend / Elsie // Miss M. Craig / "Ailsa" / Wedderburn'postcard, christmas, 1900s, "green postcard album"

The reproduced painting on the front of the card is 'Lady of St Kilda' by Mary Mooney 1929. The card was made during the period of the amalgamation of the councils of St Kilda, South Melbourne and Port Melbourne to become Port PhillipFolded white card printed in black. On the front is a reproduction of a painting of a ship in full colourHandwritten message in blue ink: Dan Good Wishes Descity of port phillip

From the Chapman family photograph albumPhotograph on card backing Mary Henderson as an older lady. Wearing earrings, brimless dark hat seated. Dark dress, three rows buttoned through. Ruffles on wrists. Holding bouquet and seated with elbow on book.P.F.W Niven Mary Henderson

Rectangular brass / tin box issued to allied servicemen Christmas 1914, organised by Princess Mary (daughter of King George V). the tin was presented to all the troops at War for Christmas containing a photo of King George and Queen Mary, a Christmas card tobacco or chocolate. Initially to seamen at sea and soldiers at the front but widened as many thought they missed out. Funding the Christmas boxes were organised by public donation.Tin lid impressed with a female head in profile encircled with a wreath, and two "M". The tin is dated Christmas 1914. Around the edges the names of the allied countries are noted including France, Russia and Japanchristmas box, christmas 1914

This postcard is part of an album of postcards which date from late 19th century to mid 20th century.This postcard is in an album of postcards dating from the late 19th century to mid 20th century and, as such, indicate the popularity of postcards during that time.A postcard depicting The Great Sphinx of Giza statue in Egypt.Back, very top, handwritten: 'On Active Service.' Back, top, printed: 'MARY POST CARD / CAIRO' Back, left, vertical: 'Cairo Brothers Editors - Cario' Back, left, handwritten: '[missing text]t you & Rio / letter [missing text]terday, dates about / 16th April. Had to hear / you were all well. / Saw Malie & Arthur / Phillips to-day. Tell Rachel [missing text] for the cuttings. / [missing text] Jack' Back, bottom left. printed: 'The [missing text] of the Sphinx' Back, right: 'Miss M.E. Craig / Wedderburn' Back, bottom right: 'Victoria / Australia'postcard, 1900s, "green postcard album"