Two material mats that were made in the workshop at RVIB2 matsroyal victorian institute for the blind, employment

Mat making was an essential part of many workshops staffed by blind or vision impaired employees since the 19th century. In Australia, it was a skill taught in along the eastern seaboard until the supply of cheaper mats from Asian sources rendered it financially non-viable as a source of employment. These examples were made in the RVIB workshops and demonstrate the variety that could be made, with a plain mat, one printed 'RVIB' in black on one side and in in reverse in various colours on the other, and the other with 'Welcome' on the front and 'Made by the blind' on the reverse.3 coir mats made by RVIB workersRVIB Made by the blindemployment, royal victorian institute for the blind

F2 - Coir matting loom is expertly handled by this blind operator. F5 - Machine cold binding of a millet broom. F7 - Final trimming of a special mat. F9 - Checking and packaging of brush ware is easy to this tradesman.4 B/W photographs of workers in the mat and brush shopsF2 - Mat Shop 1 1964 F5 - BFactory 3 F7 - Pic N123, 6846# F9 - Brush Factory 5 6846# 1964royal victorian institute for the blind, employment

The mat was embroidered by the donor's aunt, Kathleen Blanche Hayes (nee Gawler). Biography in the Archives. Design appears ethnic and is said to be Russian.Cream linen mat with red and blue cross-stitch design of small stylized birds in the Russian style.embroidery, cross stitch, mats

The place mat was designed by Melchior "Mel" Bajada and the lamination orgainsed by Alan DashCollection of material used to create the Sunshine and District Historical Society 50th Anniversary Place MatLaminated Place Mat for Sunshine and District Historical Society 50th Anniversary 1972 to 2022|Place Mat ideas Hugh Victor McKay Harold Blair Blair Athol Olwen Ford Reverend John Flynn Headlie S Taylor Sunshine HV McKay Gardens Anderson Road Braybrook Hotel Ballarat Road Braybrook Hotel Derrimut Sun Crescent Sunshine Court House and Police Station Sun Crescent Hunt Club Deer Park ETA Factory WG Thomas Butcher Sunshine Advocate|Photograph HV McKay Gardens|Photograph Sunshine Railway Station|Photograph Room with TC|Photograph Stone building with children|Photograph Band Rotunda Sunshine|Photograph Aerial photo of Sunshine|Photograph of rail and wagons|Photograph of Braybrook Hotel|Photograph of Nettlefolds Screw Works|Invitation 50 years Annual Pioneers Lunch 20 November 2022 Sunshine RSL 99 Dickson Street Sunshinesunshine & district historical society

Mat was embroidered by the donor's aunt - Mrs Gretchen Fuiche from a design she obtained in Germany in 1939Cross stitch mat in red, blue and green design. Stranded cotton, the stylised tulip design appears to be a traditional German design (refer to 1151 which has an identical design)embroidery, cross stitch, mats, 1920-40, germany

Table cloth and mat - probably used as samples as only one corner is embroidered. Probably embroidered by Mrs McHenryTable cloth and mat - deep pink stylized design on cream linen. Only one corner is embroidered. Edges are spoke stitched. Card of instruction also included.embroidery, surface stitchery, table cloths, mats, 1920-40, australia

A John Deere mat, produced by the RVIB mat shop, sits on the doorway of the RVIB main building. The mat was delivered to Des Byers at John Deere, 300 Bollows Road in Braybrook.1 B/W photograph of mat with jumping stagJO 7007royal victorian institute for the blind, employment

Worker at the loom in the mat shop.1 B/W photograph of man making a matroyal victorian institute for the blind, employment

Originating in Sweden as early as the 17th century, Näversöm embroidery gets its name from a piece of birch bark that was used as a frame. Since the birch bark frame could be easily rolled up and carried to protect her work, the Shepherdess did her Näversöm embroidery while tending her animals. The Näversöm embroidery technique is unusual because it is entirely stitched from the back. The birch bark protected the front of the piece, and the final design was not revealed until the folk art was completely finished. This embroidery would have become extinct had it not been for a Swedish woman, who owned a needlework shop in Hudiksvall, Sweden, who studied the Näversöm stitchery and began teaching this specialized embroidery in the late 1800s. Näversöm had a revival in the 1960s and '70s in Sweden when several instructional articles were published. Näversöm was used as household linens, and in earlier times as lampshades that would display the beautiful artistry as the light shined through the needlework. Examples of new and old patterns are still available from Sweden. Swedish Näversöm MatCream mat in Swedish Näversöm technique. Mat design forms a diagonal cross.embroidery, mats, drawn thread

Marghab Linens Ltd. was a company specialising in table linens founded on Madeira in 1933 by British Cypriot Emile Marghab and his South Dakotan wife Vera (née Way); and disestablished in 1980. The company was also known as Emile Marghab Inc. Since 1850, when Madeiran natives were introduced to hand embroidery as a means of industry, the islands had been renowned for their needlework. The Marghabs took advantage of this reputation, producing textiles that were skilfully hand-embroidered on the highest quality Irish linen and a form of organdy called Margandie, made in Switzerland, and harder wearing than usual organdy. The linens were designed by Vera, and hand-embroidered as a home industry by the women on Madeira, who Vera insisted received payment per stitch - which for a single place mat could amount to seventy thousand stitches. Marghab linens were retailed through leading American department stores such as Lord & Taylor, Marshall Field's, and Neiman Marcus. In 1945 Vera Marghab was awarded the Neiman Marcus Fashion Award. Emile died in 1947, and his wife took charge of the business until its disestablishment in 1980. She died in 1995. While linens have continued to be produced by Madeira since Marghab closed in 1980, as of 2015 the quality and workmanship in Marghab's output remains highly regarded. In 1970, the South Dakota Art Museum were gifted nearly eight hundred examples of Marghab linens, followed by many gifts from Vera and her trustees. The Marghab Gallery was dedicated in 1970. As of 2015, the museum's holdings are described as the world's most complete collection of Marghab linens, with over three hundred patterns and almost 2800 objects. The museum holds at least one example of almost every design produced, but deaccessioned and sold off all the duplicates at auction in 2005 in order to raise money for building work. At the time of the auction, it was noted that Marghab linens had previously sold for hundreds of dollars over their reserve prices, and that it was extremely difficult to find matched sets.6 pieces Marghab/Madeira embroidery. a) Yellow and white organdy mat with convolvulus in 2 corners b) Pink organdy mat with flowers in opposite corners c) Pink linen mat with spray at one end. d) White organdy mat with red and white spray e) Blue and white cotton mat with applique flowers in border f) Yellow and white scone holder with shadow embroideryembroidery, madeira, marghab, mats, madeira embroidery

Images taken later October 1999, of Geoff Melvin signing documents to acquire a mat company.4 col. photographs of Geoff Melvin and an unidentified femaleVision QLD board lawyer Geoff Melvin finalising purchase of mat company Nov 1999vision qld, geoff melvin

Probably embroidered by Mrs McHenryBrian McHenry Design Table Mat -rectangular linen mat, ecru brown and green. Cutwork floral edge.embroidery, cutwork, mats, 1920-40, australia

Made by donor's Aunts, the Misses Collins of "Fairfield" Compton, near Mount Gambier. Mary-Ann Collins born 1870 and died 1945White linen mat embroidered with 3 large butterflies in punchwork with areas of cutwork. Mat has scalloped edge finished with buttonhole stitch.embroidery, punch work, mats, australia

Probably embroidered by Mrs McHenry.Pair of Art Deco Design Table Mats rectangular mat and square napkin, linen, self coloured, stylized design in ecru.embroidery, surface stitchery, mats, 1920-40, australia

The two mats were given to Mrs Eve Gray in the 1950's when she lived in Uganda.Depicting two people and a hut. These mats are made from bark and grass derived from plants local to Uganda.embroidery, grass, uganda

The two mats were given to Mrs Eve Gray in the 1950's when she lived in Uganda.Depicting three people and a hut. These mats are made from bark and grass derived from plants local to Uganda.embroidery, grass, uganda

Pair of cream coloured circular mat with needle lace fillings.embroidery, lace, mats, needlelace

This is a beautiful mat with exquisite drawn thread work, embroidery and a filet lace edge.embroidery, white work, mats, drawn thread

The Boyd family recall how Robin Boyd loved gadgets for their beautiful industrial design and their functionality.Juice-O-Mat. Metal handle on right-hand side, metal squeezer on top. Cream coloured body to hold cup. When the handle pulled back the fruit can be inserted.On base: SINGLE-ACTION Juice-O-MAT. US CAT NO 462-C. Rival MFG. CO Kansas City MO. U.S.A.gadget, walsh st appliances, robin boyd, ohm2022, ohm2022_11

Probably embroidered by Mrs McHenry.Rectangular linen mat, spoke stitch edge, bird and flower design.embroidery, surface stitchery, mats, 1920-40, australia

Hand-made child's doll's house. Built by Mrs Yvonne Fitzmaurice and finished in 1979. This house was built as a 1:12 scale and is a model of a Californian house called Peppercorn farm. House was built by Yvonne and her family and took a period of three years. A lot of the furniture is handmade and the rest is collected from various shops. Catalogued books, manuals, repair kits etc used when building the house.The white painted verandah has a brass plate beside the door with the name Susan Fitzmaurice. In front of the door is a door mat and the veranda has a white hanging seat and a timber flower box with flowers."Susan Fitzmaurice" name on front of building. Date on plaque on top of front wall. Contents: - flower box with flowers, wooden swing, door mat.

The Chippewa, also known as the Ojibway, Ojibwe, and Anishinaabe, are one of the largest and most powerful nations in North America, having nearly 150 different bands throughout their original homeland in the northern United States — primarily Minnesota, Wisconsin, and Michigan; and southern Canada — especially Ontario, Manitoba, and Saskatchewan.Example of native american beadworkChunky beaded mat with a design of leaves and birds on purple velvet, cotton backing Edged in white beads and cotton, scalloped.Chippewaw Indian (on back)beading, mats, birds

From a collection from the former Larnook Teacher's College. They were collected in the 1960's and used as teaching aids. They were passed on the Rusden (finally at Burwood campus).Mat with stylised pattern in olive greens, pinks and blue wools on crewel linen with unusual buttonhole edge.embroidery, mats, crewel work, australia

This poster is advertising 'Royal Packaging and Assembly Ind' coir mats. There is a line drawing of a jester's legs and shoes and the tip of a jester's staff on a coir mat. 1 rectangular white poster with red and black text with illustration Royal Packaging and Assembly Ind. Coir Mats For the Home, Office, Factory, Hall, School. Woven Business Logos, Monograms, Lettering. Standard Sizes or Made to Order Acknowledged as Top of the Range Manufactured at our factory from the finest Indian coir Packaging and Assembly Ind. - the Industrial Division of the Royal Victorian Institute for the Blind Telephone: 5292211royal victorian institute for the blind, employment

This mat was donated to the Museum by the Rev. Andrew Rule Osborn. Reverend Osborn donated several artefacts including Aboriginal artefacts, Zulu and Pacific Islander objects. The Reverend came over from Tasmania to serve here in Warrnambool. His wife Annie was a fantastic author and wrote children's literature which was serialised in the newspapers. She was a supporter of women's suffrage and also the first woman editor of The Age.A flat circular mat made from native Australian grasses. Indigenous Australians would use this as a baby-carrier on the back. One band would be placed around the lower back and mat and two higher up. The child would be placed between the back and the mat. It was also sometimes used as a sun shade or something to sit on. It is a spiral form with grasses woven around to bind it together.aboriginal, indigenous, child carrier, mat, native grasses, reverend andrew rule osborn, annie osborn, women, mothers

Fine cotton or linen mat embroidered with sprays of flowers in pinks and reds. The border consists of 2 rows of running stitch in red and pink.embroidery, mats, surface stitchery

Square white mat, embroidered in pin stitch, 3 decorative corners. Left lower corner has Elizabeth in pin Stitch. Wide edgesElizabethembroidery, madeira, mats

This pair of comfortable kneeling mats is from the original furnishings of St Nicholas Seamen's Church, Williamstown, operated by the Williamstown Missions to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity that has served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This pair of kneeling mats is historically significant for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for seafarers’ physical, social, and spiritual needs. The organisation originated in Bristol, England, when a Seamen's Mission was formed in 1837. Mat, quantity of two. Kneeling mats used during prayer. Mats are rectangular and made of blue cloth with sewn edges and padding inside. The mats are part of the St. Nicholas Seamen's Church Williamstown Collection.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, lightkeepers’ auxiliary, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, religious worship, anglican church, prayer accessory, kneeling mat, prayer mat, religious custom, religious tradition

Item in the collection re Ron Bollard VX14150, refer Cat No 5919P for his service details.Both, Place mats rectangular shape with rounded corners, white background with all text, depictions in brownish red colour, there are Five sketches over in total.Main Text, " 1941 - 50th Anniversary Seige of Tobruk - 1991", Sketches are, "The War memorial at Tobruk cemetery, Cantonera 31 on the Derna Road, Eagle corner, 4th Australian General Hospital".sovenirs, toruk, mats