Two material mats that were made in the workshop at RVIB2 matsroyal victorian institute for the blind, employment

Mat making was an essential part of many workshops staffed by blind or vision impaired employees since the 19th century. In Australia, it was a skill taught in along the eastern seaboard until the supply of cheaper mats from Asian sources rendered it financially non-viable as a source of employment. These examples were made in the RVIB workshops and demonstrate the variety that could be made, with a plain mat, one printed 'RVIB' in black on one side and in in reverse in various colours on the other, and the other with 'Welcome' on the front and 'Made by the blind' on the reverse.3 coir mats made by RVIB workersRVIB Made by the blindemployment, royal victorian institute for the blind

The Royal Blind Foundation of Queensland adopted a frog as a logo for employment division - QBIC Industries. This sign was produced to link the logo with a range of matting produced.1 square coloured corflute signQBIC Mats Dignity Through Workqbic industries, signage

Label on large mat is "Samsun" "Olgunlasma" Enstitusu. From the Embroidery Institute in Samsun on the Black Seas coast of Turkey, established to teach young Turkish girls the old traditional embroidery.One large and a pair of mats in beige linen embroidered in wool in pattern darning in red, black, beige, cream and green, with borders of rust. The ends of the mats are finished with a fine cream macramé fringe which finishes with little bows above the tassels.Label on large mat is "Samsun" "Olgunlasma" Enstitusu.embroidery, pattern darning, 1960-80, turkey

F2 - Coir matting loom is expertly handled by this blind operator. F5 - Machine cold binding of a millet broom. F7 - Final trimming of a special mat. F9 - Checking and packaging of brush ware is easy to this tradesman.4 B/W photographs of workers in the mat and brush shopsF2 - Mat Shop 1 1964 F5 - BFactory 3 F7 - Pic N123, 6846# F9 - Brush Factory 5 6846# 1964royal victorian institute for the blind, employment

The mat was embroidered by the donor's aunt, Kathleen Blanche Hayes (nee Gawler). Biography in the Archives. Design appears ethnic and is said to be Russian.Cream linen mat with red and blue cross-stitch design of small stylized birds in the Russian style.embroidery, cross stitch, mats

The place mat was designed by Melchior "Mel" Bajada and the lamination orgainsed by Alan DashCollection of material used to create the Sunshine and District Historical Society 50th Anniversary Place MatLaminated Place Mat for Sunshine and District Historical Society 50th Anniversary 1972 to 2022|Place Mat ideas Hugh Victor McKay Harold Blair Blair Athol Olwen Ford Reverend John Flynn Headlie S Taylor Sunshine HV McKay Gardens Anderson Road Braybrook Hotel Ballarat Road Braybrook Hotel Derrimut Sun Crescent Sunshine Court House and Police Station Sun Crescent Hunt Club Deer Park ETA Factory WG Thomas Butcher Sunshine Advocate|Photograph HV McKay Gardens|Photograph Sunshine Railway Station|Photograph Room with TC|Photograph Stone building with children|Photograph Band Rotunda Sunshine|Photograph Aerial photo of Sunshine|Photograph of rail and wagons|Photograph of Braybrook Hotel|Photograph of Nettlefolds Screw Works|Invitation 50 years Annual Pioneers Lunch 20 November 2022 Sunshine RSL 99 Dickson Street Sunshinesunshine & district historical society

Mat was embroidered by the donor's aunt - Mrs Gretchen Fuiche from a design she obtained in Germany in 1939Cross stitch mat in red, blue and green design. Stranded cotton, the stylised tulip design appears to be a traditional German design (refer to 1151 which has an identical design)embroidery, cross stitch, mats, 1920-40, germany

Table cloth and mat - probably used as samples as only one corner is embroidered. Probably embroidered by Mrs McHenryTable cloth and mat - deep pink stylized design on cream linen. Only one corner is embroidered. Edges are spoke stitched. Card of instruction also included.embroidery, surface stitchery, table cloths, mats, 1920-40, australia

A John Deere mat, produced by the RVIB mat shop, sits on the doorway of the RVIB main building. The mat was delivered to Des Byers at John Deere, 300 Bollows Road in Braybrook.1 B/W photograph of mat with jumping stagJO 7007royal victorian institute for the blind, employment

Worker at the loom in the mat shop.1 B/W photograph of man making a matroyal victorian institute for the blind, employment

Marghab Linens Ltd. was a company specialising in table linens founded on Madeira in 1933 by British Cypriot Emile Marghab and his South Dakotan wife Vera (née Way); and disestablished in 1980.The company was also known as Emile Marghab Inc. Since 1850, when Madeiran natives were introduced to hand embroidery as a means of industry, the islands had been renowned for their needlework. The Marghabs took advantage of this reputation, producing textiles that were skilfully hand-embroidered on the highest quality Irish linen and a form of organdie called Margandie, made in Switzerland, and harder wearing than usual organdie. The linens were designed by Vera, and hand-embroidered as a home industry by the women on Madeira, who Vera insisted received payment per stitch - which for a single place mat could amount to seventy thousand stitches.Pale peach mat with white border with Madeira work and embroidery in a pattern of scrolls and flowersembroidery, madeira, marghab, mats

Originating in Sweden as early as the 17th century, Näversöm embroidery gets its name from a piece of birch bark that was used as a frame. Since the birch bark frame could be easily rolled up and carried to protect her work, the Shepherdess did her Näversöm embroidery while tending her animals. The Näversöm embroidery technique is unusual because it is entirely stitched from the back. The birch bark protected the front of the piece, and the final design was not revealed until the folk art was completely finished. This embroidery would have become extinct had it not been for a Swedish woman, who owned a needlework shop in Hudiksvall, Sweden, who studied the Näversöm stitchery and began teaching this specialized embroidery in the late 1800s. Näversöm had a revival in the 1960s and '70s in Sweden when several instructional articles were published. Näversöm was used as household linens, and in earlier times as lampshades that would display the beautiful artistry as the light shined through the needlework. Examples of new and old patterns are still available from Sweden. Swedish Näversöm MatCream mat in Swedish Näversöm technique. Mat design forms a diagonal cross.embroidery, mats, drawn thread

Images taken later October 1999, of Geoff Melvin signing documents to acquire a mat company.4 col. photographs of Geoff Melvin and an unidentified femaleVision QLD board lawyer Geoff Melvin finalising purchase of mat company Nov 1999vision qld, geoff melvin

Newspaper clipping - The article profiles Mat Michell, a 14‑year‑old student from Maroondah Secondary College, who has become the Victorian International Field Archery Association (IFAA) junior champion. Mat began archery only 19 months earlier during a school camp and later joined the Lilydale Bowmen Field Archers Club, where he quickly developed a reputation for consistently hitting bullseyes. He recently won first place at a competition in New South Wales and placed second in an Australian Bow Hunting championship. Mat shoots targets from around 50 metres and is eligible for future selection to the Australian team, though he must wait two years for the next competition cycle. The article is written by Leonora Elliott‑Bruce, and the accompanying photograph is credited to Michelle Kelcey.. (Co-pilot summary 8/8/2026)Caption "A GOOD eye: Mat Michell is aiming for the top"

Probably embroidered by Mrs McHenryBrian McHenry Design Table Mat -rectangular linen mat, ecru brown and green. Cutwork floral edge.embroidery, cutwork, mats, 1920-40, australia

Made by donor's Aunts, the Misses Collins of "Fairfield" Compton, near Mount Gambier. Mary-Ann Collins born 1870 and died 1945White linen mat embroidered with 3 large butterflies in punchwork with areas of cutwork. Mat has scalloped edge finished with buttonhole stitch.embroidery, punch work, mats, australia

12 large mats are thought to be the top of a Breton cap. Each has an individual design of great detail. Mats are edged with hand made (?) lace and insertions. 8 small mats, embroidered centres, lace and insertions.embroidery, whitework, lace, mats, france

Marghab Linens Ltd. was a company specialising in table linens founded on Madeira in 1933 by British Cypriot Emile Marghab and his South Dakotan wife Vera (née Way); and disestablished in 1980. The company was also known as Emile Marghab Inc. Since 1850, when Madeiran natives were introduced to hand embroidery as a means of industry, the islands had been renowned for their needlework. The Marghabs took advantage of this reputation, producing textiles that were skilfully hand-embroidered on the highest quality Irish linen and a form of organdy called Margandie, made in Switzerland, and harder wearing than usual organdy. The linens were designed by Vera, and hand-embroidered as a home industry by the women on Madeira, who Vera insisted received payment per stitch - which for a single place mat could amount to seventy thousand stitches. Marghab linens were retailed through leading American department stores such as Lord & Taylor, Marshall Field's, and Neiman Marcus. In 1945 Vera Marghab was awarded the Neiman Marcus Fashion Award. Emile died in 1947, and his wife took charge of the business until its disestablishment in 1980. She died in 1995. While linens have continued to be produced by Madeira since Marghab closed in 1980, as of 2015 the quality and workmanship in Marghab's output remains highly regarded. In 1970, the South Dakota Art Museum were gifted nearly eight hundred examples of Marghab linens, followed by many gifts from Vera and her trustees. The Marghab Gallery was dedicated in 1970. As of 2015, the museum's holdings are described as the world's most complete collection of Marghab linens, with over three hundred patterns and almost 2800 objects. The museum holds at least one example of almost every design produced, but deaccessioned and sold off all the duplicates at auction in 2005 in order to raise money for building work. At the time of the auction, it was noted that Marghab linens had previously sold for hundreds of dollars over their reserve prices, and that it was extremely difficult to find matched sets.Part of 6 pieces Marghab/Madeira embroidery. Pink organdie mat with flowers in opposite corners.embroidery, madeira, marghab, mats, madeira embroidery

Marghab Linens Ltd. was a company specialising in table linens founded on Madeira in 1933 by British Cypriot Emile Marghab and his South Dakotan wife Vera (née Way); and disestablished in 1980. The company was also known as Emile Marghab Inc. Since 1850, when Madeiran natives were introduced to hand embroidery as a means of industry, the islands had been renowned for their needlework. The Marghabs took advantage of this reputation, producing textiles that were skilfully hand-embroidered on the highest quality Irish linen and a form of organdy called Margandie, made in Switzerland, and harder wearing than usual organdy. The linens were designed by Vera, and hand-embroidered as a home industry by the women on Madeira, who Vera insisted received payment per stitch - which for a single place mat could amount to seventy thousand stitches. Marghab linens were retailed through leading American department stores such as Lord & Taylor, Marshall Field's, and Neiman Marcus. In 1945 Vera Marghab was awarded the Neiman Marcus Fashion Award. Emile died in 1947, and his wife took charge of the business until its disestablishment in 1980. She died in 1995. While linens have continued to be produced by Madeira since Marghab closed in 1980, as of 2015 the quality and workmanship in Marghab's output remains highly regarded. In 1970, the South Dakota Art Museum were gifted nearly eight hundred examples of Marghab linens, followed by many gifts from Vera and her trustees. The Marghab Gallery was dedicated in 1970. As of 2015, the museum's holdings are described as the world's most complete collection of Marghab linens, with over three hundred patterns and almost 2800 objects. The museum holds at least one example of almost every design produced, but deaccessioned and sold off all the duplicates at auction in 2005 in order to raise money for building work. At the time of the auction, it was noted that Marghab linens had previously sold for hundreds of dollars over their reserve prices, and that it was extremely difficult to find matched sets.Part of 6 pieces Marghab/Madeira embroidery. Pink organdie mat with flowers in opposite corners embroidery, madeira, marghab, mats, madeira embroidery

Probably embroidered by Mrs McHenry.Pair of Art Deco Design Table Mats rectangular mat and square napkin, linen, self coloured, stylized design in ecru.embroidery, surface stitchery, mats, 1920-40, australia

The two mats were given to Mrs Eve Gray in the 1950's when she lived in Uganda.Depicting two people and a hut. These mats are made from bark and grass derived from plants local to Uganda.embroidery, grass, uganda

The two mats were given to Mrs Eve Gray in the 1950's when she lived in Uganda.Depicting three people and a hut. These mats are made from bark and grass derived from plants local to Uganda.embroidery, grass, uganda

Marghab Linens Ltd. was a company specialising in table linens founded on Madeira in 1933 by British Cypriot Emile Marghab and his South Dakotan wife Vera (née Way); and disestablished in 1980. The company was also known as Emile Marghab Inc. Since 1850, when Madeiran natives were introduced to hand embroidery as a means of industry, the islands had been renowned for their needlework. The Marghabs took advantage of this reputation, producing textiles that were skilfully hand-embroidered on the highest quality Irish linen and a form of organdy called Margandie, made in Switzerland, and harder wearing than usual organdy. The linens were designed by Vera, and hand-embroidered as a home industry by the women on Madeira, who Vera insisted received payment per stitch - which for a single place mat could amount to seventy thousand stitches. Marghab linens were retailed through leading American department stores such as Lord & Taylor, Marshall Field's, and Neiman Marcus. In 1945 Vera Marghab was awarded the Neiman Marcus Fashion Award. Emile died in 1947, and his wife took charge of the business until its disestablishment in 1980. She died in 1995. While linens have continued to be produced by Madeira since Marghab closed in 1980, as of 2015 the quality and workmanship in Marghab's output remains highly regarded. In 1970, the South Dakota Art Museum were gifted nearly eight hundred examples of Marghab linens, followed by many gifts from Vera and her trustees. The Marghab Gallery was dedicated in 1970. As of 2015, the museum's holdings are described as the world's most complete collection of Marghab linens, with over three hundred patterns and almost 2800 objects. The museum holds at least one example of almost every design produced, but deaccessioned and sold off all the duplicates at auction in 2005 in order to raise money for building work. At the time of the auction, it was noted that Marghab linens had previously sold for hundreds of dollars over their reserve prices, and that it was extremely difficult to find matched sets.Part of 6 pieces Marghab/Madeira embroidery. a) Yellow and white organdie mat with convolvulus in 2 corners.embroidery, madeira, marghab, mats, madeira embroidery

Marghab Linens Ltd. was a company specialising in table linens founded on Madeira in 1933 by British Cypriot Emile Marghab and his South Dakotan wife Vera (née Way); and disestablished in 1980. The company was also known as Emile Marghab Inc. Since 1850, when Madeiran natives were introduced to hand embroidery as a means of industry, the islands had been renowned for their needlework. The Marghabs took advantage of this reputation, producing textiles that were skilfully hand-embroidered on the highest quality Irish linen and a form of organdy called Margandie, made in Switzerland, and harder wearing than usual organdy. The linens were designed by Vera, and hand-embroidered as a home industry by the women on Madeira, who Vera insisted received payment per stitch - which for a single place mat could amount to seventy thousand stitches. Marghab linens were retailed through leading American department stores such as Lord & Taylor, Marshall Field's, and Neiman Marcus. In 1945 Vera Marghab was awarded the Neiman Marcus Fashion Award. Emile died in 1947, and his wife took charge of the business until its disestablishment in 1980. She died in 1995. While linens have continued to be produced by Madeira since Marghab closed in 1980, as of 2015 the quality and workmanship in Marghab's output remains highly regarded. In 1970, the South Dakota Art Museum were gifted nearly eight hundred examples of Marghab linens, followed by many gifts from Vera and her trustees. The Marghab Gallery was dedicated in 1970. As of 2015, the museum's holdings are described as the world's most complete collection of Marghab linens, with over three hundred patterns and almost 2800 objects. The museum holds at least one example of almost every design produced, but deaccessioned and sold off all the duplicates at auction in 2005 in order to raise money for building work. At the time of the auction, it was noted that Marghab linens had previously sold for hundreds of dollars over their reserve prices, and that it was extremely difficult to find matched sets.Part of 6 pieces Marghab/Madeira embroidery. d) White organdie mat with red and white spray. embroidery, madeira, marghab, mats, madeira embroidery

Ecru round linen mat with tatted centre and border edged in blue.embroidery, tatting, mats

Marghab Linens Ltd. was a company specialising in table linens founded on Madeira in 1933 by British Cypriot Emile Marghab and his South Dakotan wife Vera (née Way); and disestablished in 1980. The company was also known as Emile Marghab Inc. Since 1850, when Madeiran natives were introduced to hand embroidery as a means of industry, the islands had been renowned for their needlework. The Marghabs took advantage of this reputation, producing textiles that were skilfully hand-embroidered on the highest quality Irish linen and a form of organdy called Margandie, made in Switzerland, and harder wearing than usual organdy. The linens were designed by Vera, and hand-embroidered as a home industry by the women on Madeira, who Vera insisted received payment per stitch - which for a single place mat could amount to seventy thousand stitches. Marghab linens were retailed through leading American department stores such as Lord & Taylor, Marshall Field's, and Neiman Marcus. In 1945 Vera Marghab was awarded the Neiman Marcus Fashion Award. Emile died in 1947, and his wife took charge of the business until its disestablishment in 1980. She died in 1995. While linens have continued to be produced by Madeira since Marghab closed in 1980, as of 2015 the quality and workmanship in Marghab's output remains highly regarded. In 1970, the South Dakota Art Museum were gifted nearly eight hundred examples of Marghab linens, followed by many gifts from Vera and her trustees. The Marghab Gallery was dedicated in 1970. As of 2015, the museum's holdings are described as the world's most complete collection of Marghab linens, with over three hundred patterns and almost 2800 objects. The museum holds at least one example of almost every design produced, but deaccessioned and sold off all the duplicates at auction in 2005 in order to raise money for building work. At the time of the auction, it was noted that Marghab linens had previously sold for hundreds of dollars over their reserve prices, and that it was extremely difficult to find matched sets.Part of 6 pieces Marghab/Madeira embroidery. e) Blue and white cotton mat with applique flowers in border.embroidery, madeira, marghab, mats, madeira embroidery

Cream linen circular mat with tatted centre and wide tatted border in ecru.embroidery, tatting, mats

Pair of cream coloured circular mat with needle lace fillings.embroidery, lace, mats, needlelace

After a three year apprenticeship, this mat was embroidered. One of a number of samplers (see 1206, 1207, 1205) embroidered by the donor's aunt, whilst studying at the Royal School of Needlework. She taught and judged embroidery throughout England.Square linen mat with drawn thread borders and a floral spray with drawn thread designs in the centre.embroidery, samplers, 1940-60, pulled thread, drawn thread, england