This map from the mid-18th century doesn't include the finer details of land and sea masses that we know today. The map was produced by German cartographer and publisher, Johann Baptist Homann (1663-1724) and published in 1746, after his death. Earlier versions were published, such as 1707 and 1716. The date can be calculated from the Roman numerals on the top left text area. This print of a map is significant for its connection with early world explorers. A comparison of maps over the centuries shows the progression of navigational technology, the countries who claimed the land they explored. The naming of even some Australian locations shows who had already made their mark on Australia in the early 18th century. The print shows the fine details included by the cartographer and the beauty included that makes it attractive and interesting even today. The map is also significant for its connection with German cartographer, Johann Baptist Homann, whose Homann publishing company was renewed in Germany for producing high quality maps and atlases. Map behind glass in dark brown wooden frame on beige paper. The Coloured hand drawn line drawings show different hemispheres of the known world in the mid-18th century. Beautifully drawn figures and decorative embellishments enhance the map. The text on the top right has an explanation of the Figures I, II, III, and IV. This print of the 1746 map was produced in England by Leisure Arts Ltd. "PLANIGLOBIL TERRESTRIS" "MDCCXXXXVI" [1746] "MAPPE_MONDE" [Medieval Map of the World] "LEISURE ARTS LTD" "Printed in England"flagstaff hill, warrnambool, flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, shipwreck coast, world map, french map, 18th century map, leisure arts ltd, cartography, early exploration, cartographer, johann homann (1663-1724), exploration, naviagtion, 1746 planiglobil terrestris

Photograph of a framed pen and water colour painting of a scene in Italy.william gribble, bill gribble, perugia, italy, artwork, watercolour

Warfare in Western Christendom volume 1hard cover book Award Advancements Pty Ltd Bentleigh

Index, ill, p.246.non-fictionA scholarly study of a period that is central to our past and heritage. Cahill captures the unique sensibility of the unsung Irish who relaunched civilizationireland - history, western civilization - history

Bookplate featuring a medieval boy in blue carrying an urnmedieval, urn, boy, bookplate, john thwaites

MedievalismMedieval type illumination framed in wood painted blueBotton left corner: Charles Terry, Printer, 183 and 184, High Holborn, London, W.C. Bottom right corner: Sunday School Union, 56, Old Baily, London.illumination, religion, artwork, artwork-paintings, sunday school union, old bailey, london, charles terry

A brown paper folder titled "Medieval Manor". A teaching plan to teach life in 'Medieval England'. From the files of Mr. L.J. Pryor. Former Principal of Bendigo Teachers' College. Donated to Education Resource Centre for archival use in 1992.bendigo, education, bendigo teachers' college, la trobe university bendigo collection, collection, bendigo, bendigo teachers' college, history, history - study and teaching, curriculum, mr. l.j. pryor, male, person, individual, education, education resource centre

This photograph is one of a series taken by Allan while travelling through France in mid-1946. It was taken in the medieval city of Rouen, a city heavily damaged by the Allied bombings during the Battle of Normandy in May 1944 and shows a cob house, typical of the period. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of a historical building and street scape in Rouen.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is a mark "ItI"in pencil, written sideways.allan-quinn, photograph, rouen, france, ww2, battle of normandy, normandy, cob house, middle ages, medieval

The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as originally produced as a decorative item fro the home and is believed to have been produced in the early 20th century.A mass produced utilitarian item made for domestic use, there is no history or manufacturing provenance currently available.Badly corroded metal ornament, 3 masted, medieval sailing ship front sail has cross on it, centre sail has shield with a cross and 4 x below. Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ornament, metal ornament, sailing ship ornament, home decoration

Wastell & Cutter were Ophthalmic Opticians at Ballarat, Victoria from the 1930s until the 1970s. Small metal plaque on cover with Optometrist's name Wastell & Cutter embossed against medieval townscape image.optometrist, ballarat, glasses case

Framed black and white photograph of mounted soldiers and wagons outside The Cloth Hall at Ypres. The Cloth Hall is a large cloth hall a medieval commercial building. Erected in the 13th century at Ypres Belgium. Ruins of the Cloth Hall. Ypres.

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This theatre costume was made Thea Sartori for her daughter to wear in a Ruyton Girls' School theatre production. It is one of a number of items donated to the Fashion Collection by Thea Sartori, which were made by, or for four generations of her family: her grandmother Frances Ethel Winifred Jones; her mother Dorothea Fush (nee Winstanley); by Thea Sartori (nee Morris), and her daughter. Burgundy coloured long theatre costume in the Medieval style. The high waisted dress has a square neck and gilding to the long sleeves. The dress was worn in a Ruyton school play. character “Anne of Cleeves”women's clothing, theatre costumes, ruyton girls school, thea sartori

HMAS Yarra badge mounted on wooden plaque. Badge depicts crown with sails above the word "Yarra". Below which is a Kookaburra in a circle above a boomerang with crossed horn and axe (medieval), above the word "Hunt and Strike"Yarra/ Hunt and Strike

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Two medieval figures holding banners on bridge against castle. Trumpets to left and banners with words Ex Libris Unicornis on left banner and Trakai History Museum on right banner. triangular impress into bridge mid-lower centre of image.Trakai L-1 A/P T Alexaidrocha 2020.trakai history museum, keith wingrove memorial trust, australian bookplate design awards 2021, tatiana

Edgbaston Old Church is also known as St Bartholomew's Church, Edgbaston. The medieval church was largely rebuilt in the 19th century. A photographic postcard which shows the Edgbaston Old Church in the background with gravestones from the church graveyard in the foreground. The church is a Church of England parish church in the Church of England in Edgbaston, Birmingham.chatham-holmes family collection, edgbaston, cemetery, edgbaston old church, st bartholomew's, graveyard, church

Key's to the City and Mayor's Key are medieval traditions meant to confer trust and honor; it grows from the medieval walled city whose gates were guarded during the day and locked at night. The key symbolizes the freedom of the recipient to enter and leave the city at will, as a trusted friend of city residents. This key has the symbol of the poppet head which was used widely during the 1980's to symbolise the City of Bendigo.Heavy oversized skeleton key with blue and yellow ribbon attached to bow. Barrel has the word 'Bendigo' on one side and 'Mayor's Key' on the other. Bit has an image of a poppet head on both sides.Bendigo / Mayor's Keycity of greater bendigo ceremonial item

"Sena" is the medieval Latin and archaic spelling of "senna", which is used most often to treat constipation or to clear out a patients bowels before a medical procedure.The left one of two marching small sized wood drawers. Each drawer features one sliding lid on their top face which has a corresponding paper label depending on its contents as well as a small semi-circle notch, these lids slide vertically in one direction. These drawers are found in the front storage location of the parent item and bellow a row of medium sized drawers.Sena.volum collection

This book contains several pages of handwritten music. The page borders and the staves appear to have been printed in blue and the notes have been handwritten with the names of some of the tunes handwritten at the beginning of the music notation. The owner of this book is unknown.This book is of some interest as it contains handwritten manuscript music and is retained pending further research into the owner of the book.This is a hard cover book with a green cover with ornamental borders on the back and front. The front cover has a coloured inset of a medieval scene edged with flowers and trees. The illustration includes some calligraphy. The cover is stained and worn and mended at the top with adhesive tape. The binding is slightly detached. The pages contain handwritten music in black ink. Manuscript Music A Gift For All Seasons

One of several 16th-19th century editions of the Summa in the collection. This work of Aquinas was a landmark of medieval western thought. It is regularly consulted by scholars of theology to this day and underpins much Catholic philosophy.An early folio of a landmark of medieval western thought.Folio size, Rag paper bound in Vellum. Binding cracked and broken.Guillaum McCormack, Middensis; Summa Theologae

A green hard covered book titled '' Researches into the History of the British dog, from ancient laws, charters and Historical Records. With original anecdotes and illustrations of the nature and attributes of the dog. From the poets and prose writers of ancient, medieval and modern times.'' In two volumes. Vol. II. London: Robert Hardwicke, 192, Piccadilly. 1866. 424 pgs. (ill.)George R. Jessebooks, technical, dogs, book, books, dog, dogs, animal, animals, history, british dogs, pets

This original poster design was produced as entry in the First Australian Exhibition of Women's Work 1907 in Melbourne. Dorothy Leviny was studying art and design at the Bendigo School of Mines at this time, under the tutelage of Arthur T. Woodward, who was recognised as one of Australia's foremost proponents of the Arts and Crafts Movement. Reference: Castlemaine Art Gallery and Historical Society (2007): Catalogue. Portrait of an Exhibition. Centenary celebration of the first Australian exhibition of women's work 1907, p. 44.One of the few original poster design entries known to remain in existence from the First Australian Exhibition of Women's Work, Melbourne 1907.Original poster design by (Bertha) Dorothy Leviny for the 'Australian Exhibition of Womans' Work', Melbourne 1907. Watercolour design showing Exhibition Buildings (Carlton) and five women in medieval costume blowing their trumpets with trees in background. Text top: 'Australian Exhibition', bottom 'of Womans' (sic) Work' and lower left corner 'Melbourne/1907/Oct, 23rd to Nov. 30.Lower right-hand of design - Dorothy Leviny's insignia: A 'B' inside a 'D' with and 'L'(bertha) dorothy leviny, first australian women's exhibition, 1907, exhibition building, carlton, australian women's work, watercolour design, poster, arts and crafts movement

Monsieur Charles Auguste Albert Racinet was born in Paris on July 20th, 1825. His job was representative of a group of 19th-century industrial draughtsmen, teachers of technical drawing and factory studio manager. He helped in spreading the most significant design of the decorative arts of the time. Racinet learned his trade from his father. He was trained by neo-classical artists in the ambit of Percier and Fontaine. August Racinet was influenced by the Schinkel tendency and supported by architects such as Hittorf and Voillet-le-Duc.Book. Large red leather cover. Title written in gold on spine. Illustrations (black & white), 100 of chromolithographic plates in gold, silver and colours. Various styles of ancient, oriental and medieval art including the Renaissance, the 17th, and the 18th centuries. Subjects are arranged in historical order. Text translated from the original French. The book includes a table of contents, a list of plates, a classified index and an introduction.A book plate inside front cover with a heading "Ballarat School of Art Library No. R/171. Stamped with "Reference","Education Department" and "Ballarat School of Art Library"art, paintings, textile, designs, decoration and craft, ornaments, ballarat technical art school library, bookplate

This photograph is one of a series taken by Allan while travelling through France in mid-1949. It shows the Saint-Ouen Abbey Church from Rue d'Amiens- Rouen. Rouen, a medieval city was heavily damaged by Allied bombings during the Battle of Normandy. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph taken on the 5th of June, 1949, of Saint-Ouen church built in the 14th century in Rouen, France. The sign to the right of the foreground reads: ROUEN CENTRE / AMIENS PARIS and probably indicates the photograph was taken from Rue d'Amiens (Amiens Street). The photograph shows the level of demolition of the city during World War II.On reverse: PARIS 6-6-49 handwritten in blue ink. below this is a pencil mark, similar to "ItI".allan-quinn, photograph, rouen, france, normandy, ww2, battle of normandy, 1939-1945, saint ouen abbey, amiens, paris

Letter written on folded paper with Ancient Order of Foresters emblem at the top left -The emblem include an 'all-seeing eye' looking down on two men in medieval costumes . Letter is from the Court Foresters Home Secy to W. B. Evans, Sec. of the Court King of the Forest and dated March 14 1872. The writer is acknowledging receipt of P.P.O. for £1.0.0. Court Forest Home 4278 Impressed into the paper in an oval shape.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court foresters home 4273, james marshall, w b evans, r ?

A clear drinking glass commemorating the coronation of Queen Elizabeth II. Displaying a crown, coat of arms held by a lion and a unicorn and the date of the coronation. 2nd June 1953.A clear drinking glass with a gold rim commemorating the coronation of Queen Elizabeth II. It has printed on it the royal coat of arms held by a lion and a unicorn along with the date of the Coronation. June 2 1953. E II R is painted in yellow at the top.At the top of the glass is a yellow, white, black and red crown. E II R is printed underneath it, with a lion and a unicorn holding the royal crest. At the bottom is a red and yellow medieval banner with the inscription Coronation of Queen Elizabeth II June 2nd 1953in white script.drinking glasses, glasses, coronation glass, commemmorative objects, commemmorative glassware

Hanging Bridge is a medieval bridge spanning the Hanging Ditch which connected the rivers Irk and Irwell in Manchester. 'For many years the bridge was completely hidden, remembered only in the name of the area where it had stood, until its rediscovery and subsequent excavation as a result of demolition work carried out in the 1880s.' ... More information is on the pamphlet A pamphlet containing images and information about the Hanging Bridge at Manchester Cathedral.Manchester Cathedral Hanging Bridge: A scheduled ancient monument of Manchester constructed in 1421. ... More information and timeline on pamphlethanging bridge, manchester, medieval, manchester cathedral

This seal was stamped into hot wax to officialise documents. Armorial bearings are used by municipal councils to authenticate documents and deeds with a clearly recognisable 'corporate signature', known as the Common Seal. It is an adaptation of a tradition used in medieval England. Seals usually combine a coat of arms or logo with some sort of motto. The Williamstown City Council seal is simply composed of text.Brass round seal with wooden handle. Remnants of red wax remain in seal.Williamstown City Council Seal Roeszler, Melbournecommon seal, williamstown city council, hobsons bay city council, melbourne, australia, roeszler, local government

This 1961 set of the Encyclopaedia Britannica was issued to Robin Boyd in acknowledgement of his contribution, the entry on 'Residential Architecture'. It consists of seven pages of text and four black and white pages of plates that cover the history of residential architecture. There are subsections on many time periods: Primitive, Egyptian, Western Asiatic, Greek, Roman, Medieval, Renaissance, Baroque and Neoclassical, Colonial, Victorian, 20th Century and Asiatic.Robin Boyd's contribution to Volume 19 of the Encyclopedia Britannica.24 Hardcover bound volumesThere is a certificate inside the front cover of Volume 01, issued to Robin Boyd for contributing to the Encyclopedia, Volume 19.architecture, residential architecture, encyclopedia britannica, robin boyd, walsh st library, ohm2022, ohm2022_2

This game of strategy was played in the Roman Empire and medieval England. Each player has nine pegs and must use these to first fill the board then move their pieces to create a 'mill' (three linked points). For each 'mill' created, an opponent's piece can be removed. In this version of the game, a rule booklet in Braille is provided with the tactile board and pegs. RNIB catalogue number: 9212. 1 yellow and red board in purple box +1 Braille booklet. recreation equipment, games