Often referred to as Assiut shawls, where they were made.Cream-coloured cotton bobbinet ground, hand-embroidered with flattened metal strips.shawl, metal embroidery, egyptomania, 1920s fashion, assuit shawl

fictionfine binding, embroidery, silk, poetry

Uniform issued to "LOCKYER" 114493.Jacket - khaki colour wool serge fabric, Battle dress style, belted at waist with metal buckle. Dark green plastic buttons. Collar, shoulder epaulettes, two front pockets with concealed button down flap and sleeve cuffs. Shoulder epaulettes - rank three pips, red, cream and brown embroidery for Captain. Shoulder sleeve insignia, red fabric with dark blue embroidered lettering. "ROYAL AUSTRALIAN ARMY/ ORDNANCE CORPS". Green colour cotton twill fabric pocket and waist lining, manufacturers white cor=tton label inside pocket lining. 2. Trousers - khaki colour wool serge fabric, Battle Dress style, with fob pocket, two side pockets, one back pocket with concealed button down flap. Green colour polyester fabric lining with manufacturers white cotton label inside on back pocket, 6 button fly. Manufacturers information on labels - black ink print. 1. "A.G.C.F./ VIC 1977/^ /8405.66.025.6423/ SIZE OF CHEST/ SIZE 109/ 112PR/ YARRA FALLS 69/ BATCH, 21657/ DRY CLEAN ONLY/ CREASE UPPER/ HALF OF LAPELS ONLY/ NO./ NAME" Handwritten - blue ink pen - "LOCKYER/ 114493". 2. CONWAY BROS. PTY LTD/ ADELAIDE ^ 1968/ CLASS 8405-66-025-6199/ Y.F. PP2/ SIZE & WAIST 41PR/ MATCHING JACKET 43/44 P.R. / Dry Clean only/ Repress on original seams/ Creases set by Si-ro-set./ mending patch attached/ NAME/ ARMY NO." Handwritten black ink pen "LOCKYER/ 114493"uniform, army, battle dress, lockyer

Uniform issued to SGT. "McCLAREN M". Reg No. 3/52075 2 FLO REGT R.A.A. 1. Coat - khaki colour wool fabric uniform great coat. Double breasted with six buttons. Collar which fastens with buttons and metal hook and eye fastener. Shoulder epaulettes with button. Back has full length inverted pleat and lower vent with two buttons concealed closure. Buttons are gold coloured plastic with metal shank with raised emblem - crown over cannon carriages artillery. Double half belt with three buttons back at waist. Two front inset pockets with flap. Manufacturers stamp on light brown coloured cotton half lining, sleeves beige colour lining. 2. Beret - black colour wool felt with black colour cotton fabric lining and black colour leather trim. Two white cotton manufacturers labels inside on lining.Manufacturers infrmation. 1. Purple ink stamp "46/^" Black ink stamp "D^D". 2. Crown label - black embroidery "BERET/ Mnfrs/Pty Ltd/ Victoria/Australia. SIZE 7 1/2 " . Side label - black embroidery "REGIMENTAL NO/ NAME" Handwritten black ink "3/52075/SGT McLAREN. M./ 2 FLO REGT. R.A.A." uniform, army, great coat, m. mclaren

Greatcoat, Khaki colour, Wooleen fabric with attached half belt. Inside pockets and lining to shoulders and sleeves - khaki colour cotton fabric light. Buttons - metal with gold colour finish. Double breasted. Both sleeves - Unit Shoulder flash- dark red with gold embroidery, warrant officer crown on lower sleeve. Makers label on inside front left On maker's label, black print on cotton fabric "REGIMENTAL No .../ NAME.../Also red print on cotton fabric - very faded. Unit Shoulder Flash, gold embroidery - "ROYAL AUSTRALIAN ARMY/MEDICAL CORPS.'uniform, australian army

St Omer Church was built from 13th to 16th century in Omer, France. Omer airfield is not far from Ypres and was an airfield used by the RFC and RAF.Square multi coloured embroidered cloth. Flower, flower buds, leaves, stems on cream silk. Cotton lace border on all sides. Blue nylon ribbon bows attached at each corner. Centre - black lead sketch of St Omer Church. The item is framed in a dark wooden frame and has a dark green mounting board behind the silk." St Omer" embroidered in metal thread under the picture of the church.souvenir, embroidery, textile, ww1

T. Woolman, Volunteers Defence Group1. Shirt - cotton, Khaki. long sleeved, no collar. 2. Jacket - wool, Khaki, black metal buttons, Rising Sun Badge on each collar, embroidered VDC emblem on upper sleeves.2. Embroidered VDC emblem, round red background, black embroidery.uniform, khaki

Refer Thomas Henry Iser 383.2 for Service History. 14th Australian Armoured Regiment. 1. Officer Jacket - Khaki colour, cotton twill fabric with belt attached, Buttons - copper coloured metal and brass with "Australian Military Forces" stamped into face of button. Metal belt buckle. Unit colour patch - black, green and grey for 1/14th Australian Armoured Regiment. Brown sateen fabric lining. 2. Shirt with detachable collar, Khaki colour, cotton fabric, closed front, long sleeved. Maker's and owner's labels - back, top below collar.Maker's label, green and blue embroidery - "Fuseweld" / ??? Shirt/Champion/ 3". Owner's label, red embroidery "T.H. Iser" uniform, army, ww2

John William HARKIN. No. 170317, Enlisted 27.06.44, Age 18. Discharged 6.12.48. Rank of LAC in 381 (B)SQD.1. Dress coat - navy blue colour wool fabric, black colour, cotton lining with beige colour cotton lining to sleeves. Buttons - black colour bakelite with metal shank, emblazoned with the King's Crown and a Wedgetailed eagle in flight WW2. On sleeves - Australia shoulder patch with wings and a propeller patch. Right sleeve - gold, blue and red colour "British Commonwealth Forces" patch. Makers label back below collar. 2, Trousers - navy blue colour wool fabric, owners label inside back, 5 button fly. 3. Trousers - navy blue colour wool fabric, makers size label inside back, 4 button fly.1. Maker's label - red embroidery on cotton fabric "M TX/ Size 18". Handwritten black ink "HARKIN'. 2. Owner's label - black ink on cotton "HARKIN/JW/ R.A.A.F." 3. Maker's label - blue ink print on cotton "N384/1942/ SIZE 24". Maker's label on back of trousers - dark blue print on paper - "AIRMEN'S/ TROUSERS'/ 18oz/ Size 24/ Waist 37../ Height 5'9"to 5'10". Black ink stamp "I/ E.C."uniforms, raaf, ww2

See cat 5678.3 for service details.1. Dress coat - khaki colour cotton twill. Buttons - black colour bakelite with metal shankMakers label - black colour embroidery on cotton fabric "V241 MADE IN/AUSTRALIA/1943/SIZE"uniforms, raaf, ww2

See Cat 5678.3 for service details.1. Dress coat - Khaki colour cotton twill, no buttons. Makers label - inside right front. 2. Work jacket - Khaki colour cotton twill. Possibly Army issue. Buttons - black colour bakelite with metal shank. Emblazxoned with "AUSTRALIAN MILITARY FORCES" , King's Crown and map of Australia. Maker's label - inside right front.1. Maker's label - black colour embroidery on cotton fabric " V320 MADE IN/AUSTRALIA/1942/SIZE" - handwitten on label in blue ink " 170317". 2. Maker's label - black print on cotton fabric " Q150/ MADE IN AUSTRALIA/ 1942/ SIZE24/ REGIMENTAL NO................NAME.................". uniform, raaf, ww2

Insignia of 38th Battalion AIF embroidered on circular black cloth & mounted on red velvet background. Encased in gold painted wooden frame. Top RHC gold coloured metal regimental badge with navy enamelled banners bearing Regiment in gold. Embroidery in coloured cottons."Honorem Custodites 38"numismatics-badges-army, uniforms - badges - army, metalcraft - enamel ware, handcraft, passchendaele barracks trust, 38th

Believed to be US Army Infantry dress blue uniform cap introduced in 1954 Black peaked cap with patent leather peak. Peak is blue underside, and black upper with a row of gold oak leaves and thin leather edging. Black leather chip-strap is secured by two gilt buttons, 17 mm diameter, embossed with a hunting horn surrounded by a wreath of laurel. The sky blue hatband is edged with 2 mm wide gold embroidery. The inner headband is brown leather-like material and the lining is red fabric.Under the lining a metal tab supports the crown at the front of the cap and crown edge is reinforced by wire. The cap badge is missing (2 off 32 mm center holes) noneheadgear

Address given by Mrs Lavender on the presentation of the Kyneton Colours on 28 February 1861 “Gentlemen of the Kyneton District Mounted Rifles, I feel proud of the honour done me in being deputed by the ladies of Kyneton to present the colours to your honourable Corps. There has always been a peculiar honour and responsibility connected with the colours of a Regiment. They have been unfurled on a battlefield as rallying points for many a splendid troop of gallant soldiers and courageous hearts. They have been spread to the breeze on the storming of many a city and battles hardly fought and dearly won. To retain their position and maintain their integrity, many a brave soldier has freely offered his life in their defence and, when in the hour of adversity they have been lowered, overpowered by the foe, many a brave heart has bit the dust. We might say that the history of our country is written on the banners of our “Fatherland”. The names emblazoned there speak, it is true of many a battlefield, of many a desperate struggle and of many a glorious victory won by British bravery. Gentlemen, your colours are not decorated by names such as Waterloo, Alma, Inkerman, Delhir Cawnpore, and many others I might mention. They are blank and may the God of Peace grant that in this land of adoption, it may be long before necessity of duty calls upon you to maintain the integrity of your colours and win their names. But if in the providence of God, either from internal commotion or external aggression, you should be called into action, may these colours, the token of your Corps, be upheld with the bravery of British Soldiers, their honour maintained with your lives, and may they never be lowered to a foe. Gentlemen, your motto directs: Onward, onward; may it be so Onward at the shout of victory” This item is significant as The Kyneton Colour is the 2nd oldest Regimental Colour knownin Australia, and the oldest Australian Cavalry Colour. It is unique, in that it is hand made from an original design, there is no other colour of this type known to exist. The Kyneton District Mounted Rifles is the oldest ancestor unit of the 4th/19th Prince of Wales's Light Horse Regiment and therefore is historicaly significant to the Regiment in particular and to Australian Military History in general.Regimental Colour of the Kyneton Distric Mounted Rifles. A double sided blue silk damask standard bounded on three sides by 30mm coiled metal fringing. It is heavily embroidered through a silk and cotton layer and these sections are are put back to back forming a sandwich of four layers. Several kinds of metal threads and sequins have been used for the embroidery as well as coloured silk floss, employing satin and stem stitch. The front shows a central insert in white silk divided into four and with a steam engine, bull, plough, and wheat sheaf in the segments. This crest is flanked on the left by a kangaroo and the right by an Emu. Above the crest is a horizontal baton, and above that a smiling sun sitting on a bed of clouds. The initials KD are in the upper hoist area and MD in the upper fly region.Below the crest is a red ribbon with the Latin words VESTICIA NULLA RETRORSUM in metal thread. Below this applique is a green satin stitch shape. The reverse has a red cross with stars surrounded by a green and gold laurel wreath. This is surmounted by a Queen's crown in embroidered metal thread over a base of red silk velvet. The bottom third of the flag is decorated with the words KYNETON DISTRIC MOUNTED RIFLES in embroidered metal thread.See description.standard, colours, kyneton district mounted rifles, kyneton

The personal 'carry-all', a cloth apron like article was utilised by Thomas Hamilton Osborne in his work with the Warrnambool Steamship Navigation Company. He was Company manager in 1883 until its dissolution in 1899. Osborne wrote many articles on early Warrnambool, particularly maritime material under the name of " Sliding Gunter". When he died he was buried at sea off the breakwater.His sister Mrs Annabella Kell is thought to have made this article.This is a significant item as T.H.Osborne was a key figure in 19th Century Warrnambool history, particularly in maritime affairs. Six sided, scalloped edges, four pockets, two metal hooks, purple woven fabric with yellow and gold embroidery, lifebuoy outline with W.S.N.Co and THO initials embroidered and two flags. Machine sewing of pockets and tab to base apron.W.S.N.Co THO initials on top of each other Two metal hookswork apron, warrnambool steamship navigation company, wsnc, thomas hamilton tracey osborne, annabella kell, sliding gunter

Belonged to Marjorie McKeownA brassiere made of pink / apricot coloured cotton fabric which has a broderie anglais pattern of embroidery. It has an elasticised back with metal clasps, and thin shoulder straps and two suspenders hanging from the sides. Lady Gay (manufacturer)women-corsetry womens-undergarments female-underwear

Members of the Life Saving Rescue Crew would wear scarlet arm bands such as these as part of their uniform, with each member having a different number. The crew would work as a team to haul in the victims of the shipwreck. The leader of the crew would call out one or several member's numbers to give them a break during the rescue, while other members took their place. All members would then be relieved at some time during the rescue. Saving lives in Warrnambool – The coastline of South West Victoria is the site of over 600 shipwrecks and many lost lives; even in Warrnambool’s Lady Bay there were around 16 known shipwrecks between 1850 and 1905, with eight lives lost. Victoria’s Government responded to the need for lifesaving equipment and, in 1858, the provision of rocket and mortar apparatus was approved for the lifeboat stations. In 1859 the first Government-built lifeboat arrived at Warrnambool Harbour and a shed was soon built for it on the Tramway Jetty, followed by a rocket house in 1864 to safely store the rocket rescue equipment. In 1878 the buildings were moved to the Breakwater (constructed from 1874-1890), and in 1910 the new Lifeboat Warrnambool arrived with its ‘self-righting’ design. For almost a hundred years the lifesaving and rescue crews, mostly local volunteers, trained regularly to rehearse and maintain their rescue skills. They were summoned when needed by alarms, gunshots, ringing bells and foghorns. In July 1873 a brass bell was erected at Flagstaff Hill specifically to call the rescue crew upon news of a shipwreck. Some crew members became local heroes but all served an important role. Rocket apparatus was used as recently as the 1950s. Rocket Rescue Method - Rocket rescue became the preferred lifesaving method of the rescue crews, being much safer that using a lifeboat in rough seas and poor conditions. The Government of Victoria adopted lifesaving methods based on Her Majesty’s Coast Guard in Great Britain. It authorised the first line-throwing rescue system in 1858. Captain Manby’s mortar powered a projectile connected to rope, invented in 1808. The equipment was updated to John Dennett’s 8-foot shaft and rocket method that had a longer range of about 250 yards. From the 1860s the breeches buoy and traveller block rocket rescue apparatus was in use. It was suspended on a hawser line and manually pulled to and from the distressed vessel carrying passengers and items. In the early 1870s Colonel Boxer’s rocket rescue method became the standard in Victoria. His two-stage rockets, charged by a gunpowder composition, could fire the line up to 500-600 yards, although 1000 yards range was possible. Boxer’s rocket carried the light line, which was faked, or coiled, in a particular way between pegs in a faking box to prevent twists and tangles when fired. The angle of firing the rocket to the vessel in distress was measured by a quadrant-type instrument on the side of the rocket machine. Decades later, in about 1920, Schermuly invented the line-throwing pistol that used a small cartridge to fire the rocket. . The British Board of Trade regularly published instructions for both the beach rescue crew and ship’s crew. It involved setting up the rocket launcher on shore at a particular angle, determined by the Head of the crew and measured by the quadrant, inserting a rocket that had a light-weight line threaded through its shaft, and then firing it across the stranded vessel, the line issuing freely from the faking board. A continuous whip line was then sent out to the ship’s crew, who hauled it in then followed the instructions – in four languages - on the attached tally board. The survivors would haul on the line to bring out the heavier, continuous whip line with a tail block connected to it. They then secured the block to the mast or other strong part the ship. The rescue crew on shore then hauled out a stronger hawser line, which the survivors fixed above the whip’s tail block. The hawser was then tightened by the crew pulling on it, or by using the hooked block on the shore end of the whip and attaching it to a sand anchor. The breeches buoy was attached to the traveller block on the hawser, and the shore crew then used the whip line to haul the breeches buoy to and from the vessel, rescuing the stranded crew one at a time. The rescue crew wore scarlet, numbered armbands and worked on a numerical rotation system, swapping members out to rest them. This set of scarlet arm bands is significant for its connection with local history, maritime history and marine technology. Lifesaving has been an important part of the services performed from Warrnambool's very early days, supported by State and Local Government, and based on the methods and experience of Great Britain. Hundreds of shipwrecks along the coast are evidence of the rough weather and rugged coastline. Ordinary citizens, the Harbour employees, and the volunteer boat and rescue crew, saved lives in adverse circumstances. Some were recognised as heroes, others went unrecognised. In Lady Bay, Warrnambool, there were around 16 known shipwrecks between 1850 and 1905. Many lives were saved but tragically, eight lives were lost.Arm bands; three scarlet flannel arm bands with black cotton backing and a metal buckle on one end. White cotton embroidery forms letters and numbers, with each arm band having a different number. Part of the uniform of the Life Saving and Rescue Crew.Embroidered on front "L.S. 1 R.C." "L.S. 8 R.C." "L.S. 13 R.C." flagstaff hill maritime museum and village, flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, lady bay, warrnambool harbour, port of warrnambool, tramway jetty, breakwater, shipwreck, life-saving, lifesaving, rescue crew, rescue, rocket rescue, rocket crew, lifeboat men, beach rescue, line rescue, rescue equipment, rocket firing equipment, rocket rescue equipment, maritime accidents, shipwreck victim, rocket equipment, marine technology, rescue boat, lifeboat, volunteer lifesavers, volunteer crew, life saving rescue crew, lifesaving rescue crew, rocket apparatus, rocket rescue method, shore to ship, rocket apparatus rescue, stranded vessel, line throwing mortar, mortar, rocket rescue apparatus, line thrower, line throwing, lifeboat warrnambool, arm band, armband, scarlet arm band, l.s.r.c., lsrc, red arm band

Alonzo Box, of Oakleigh ,a nephew of William and Elizabeth Box who resided in 'Box Cottage' 1865 - 1914, married Mary Closter (Kloster), of Oakleigh, on June 12th 1918. Alozo's elder sister, Rebecca, sent a bolt of Chinese hand-embroidered silk from which this wedding dress was made. Rebecca Viloudakia, nee Box, was a missionary in China, and married to a Greek Silk Merchant. Alonzo Box, the 9th child of John and Martha Sheldrake Box , enlisted in the Army and landed at Gallipoli 25/4/1918. He was evacuated to Egypt and then sent to the battlefields of France and Flanders before returning home to Melbourne in February 1918. Rebecca Box, the eldest child of John and Martha Sheldrake Box, was in the first party of Methodist Missionaries to leave Australia for the China Inland Mission in 1890. During the Boxer Uprising 1900-1901 her Mission outpost was attacked but she escaped and was taken to Shanghai. She later married one of the rescue party Nicholas Viloudakia a Greek silk merchant .Australian Dress Register ID 573 12/5/2015 Following Henry Dendy's Special Survey 1841 pioneer settlers bought allotments of land in the area of Moorabbin Parish. Alonzo Box was the nephew of William and Elizabeth Box who bought the cottage on the 30acre allotment from an unknown pioneer settler in 1868 and resided there until Elizabeth's death in 1914. Alonzo Box served in the Army World War 1 1914- 1918 at Gallipoli, France and Flanders. Rebecca Box -Viloudakia was in the first party of Methodist Missionaries to leave Australia for the China Inland Mission in 1890 and was rescued during the Boxer Rebellion 1900-1901 and taken to Shanghai by her future husband.A cream two piece wedding dress made from a bolt of hand embroidered Chinese silk for the marriage of Mary Closter and Alonzo Box on June 12th, 1918. The bolt of Chinese silk was sent by Alonzo’s older sister, Mrs Rebecca Viloudakia, a missionary in China, who was married to a Greek silk merchant. The machine sewn dress was made by a dressmaker in Dandenong, Victoria. The jacket is blouson, with a front opening and is gathered at the waist by a band enclosing a drawstring. The collar is a sailor style that forms a slight / high V-shape front neckline. Four vertical roses are separated by three bands of lacework. The back of the jacket is plain silk. The right front of the jacket has a panel of embroidered roses, band of lacework and a facing fold that encloses 4 fastening presses. There are crocheted bobbles on the front representing buttons. The left jacket front also has the panel of embroidered roses, lacework and matching fold for the 4 fastening studs. The full length inset sleeves are gathered to a cuff that fastens with silk covered buttons. The sleeves have floral embroidery down the outside centre line. The left sleeve has an extra detachable cuff with embroidery on the flounce that matches the bottom panel of the skirt. It is held in position around the wrist by 4 white metal press studs. The skirt sits above the ankle. It consists of 5 panels slightly gathered at the back waistline with a left side placket 21cm with hooks and eyes and press studs. The waistband is lined with petersham and has 6 whalebone inserts. The front of the skirt has small pleats to fit the 3 decorated panels to the waistline. The front has 3 bands of lacework around the lower part. 3 panels form the centre front each embroidered with a different floral pattern. The back of the skirt is plain with 3 bands of lacework rising from the hem, which is sewn with spoke work stitch. The long waist sash/belt is plain silk with embroidered ends and 3 silk balls with crocheted caps suspended on 3 crocheted silk chains. It has a rose knot with 2 metal press stud fasteners. There are a variety of floral designs embroidered on the material including ‘corner motifs’ on the 2nd inner front panel of skirt. brighton, moorabbin, silk, box william, box elizabeth, box alonzo, box mary, kloster mary, closter mary, oakleigh, dandenong, chinese silk merchant, boxer rebellion 1900-1901, box rebecca, methodist china inland mission, viloudakia nichols, anzac landings, world war 1, gallipoli

8439.1 - Hessian sack with rope drawstrings, which are secured to metal bag handles and has a three pronged embroidery mark on it.

Clothing. Cream silk infant's christening coat. Fold down collar on round neckline with squared corners. Collar has four X 5 cm slits - one on either side of the shoulder. Collar has embroidered edges and floral embroidery on each section(5). Yoke at front and back. Skirt sections front and back have 7 cm smocked section where attached to the yoke. Edge of each yoke has decorative embroidered leaves that continue along both edges of front opening and around the hemline. Lower sections of the front skirt have embroidered floral patterns. Long sleeves are gathered at shoulders with 4 cm section of smocking 2 cm at the wrist with 2 cm gathered edge at hem. Front opening is fastened at throat with metal hook and cotton loop, and three X one cm pearl look buttons beside the smocked section. Two silk fabric ties (68 cm X 14 cm) are gathered and attached below the collar an each side front opening. Unlined. All embroidery in cream coloured silk cotton, slightly darker than silk fabric.costume, children's, infant's silk christening coat

Clothing. Rounded neckline at the back, deeply scooped at front. Back fastens with 12 metal hooks and eyes. Back hemline is slightly shirred to nip in the 67 cm waistline, which is peaked at the cntre front. ''Leg-o-mutton'' type sleeves are gathered at the shoulder, and above the elbow, and finished with an 8 cm band of beading and sequin embroidery and a 4.5 cm black silk frill, and a frill of black lace, with an exquisite fruit and floral woven pattern. The neckline is trimmed with a deep lace and sequined silk overlay. Three velvet ''rosettes'' trim the centre front of the overlay. The silk bodice is shirred from just below the shoulders, to give fullness for the bustline sequins, tiny beads, velvet rosettes, silk chiffon frills.costume, female, black silk boned bodice with lace

Clothing. Beautiful deep cream silk bodice, fully lined with cream tulle/net. Elbow length sleeves have a semi-circle of embroidered silk, and an embroidered tulle ''flounce'', edged with cream cord - 17 cms long. The bodice has seven pin-tucks, angled from the shoulder to the waistline on each side of the front and back. Between the pin-tucks at centre front panel is an extensive cream silk, floral embroidery. A rounded neckline at front and back, is in-filled with embroidered tulle - small 1 cm diameter flowers, in a 3 cm diameter circle, defined by 12 small (3mm) embroidered circles. The tulle infill extends to a 7 cm high stand-up collar-supported by seven plastic ''bones''. The collar also features the same, circular, floral embroidery, and is also edged at the throat with cream cording. The bodice while in good condition, has been cut at the hemline, and a 10.5 cm strip of fabric has been added but unfinished. 18 metal hooks, and hand-stitched loops fasten the back of the bodice. Sleeves are an extension of the bodice.costume, female, cream silk and tulle bodice

Full length skirt, with a three-quarter length over-skirt, edged in braided embroidery. Over-skirt is attached at the waistline, with a band of tape, and separates on the left hand side waistline. Stitched to the underskirt at the front, and edged with a .5cm dark olive coloured braid. The braid extends around the hemline of the overskirt in a looped pattern. Fabric has a woven stripe-a narrow stripe of lighter colour, and a .75cm stripe of dark grey edged with tan. Skirt fully lined with brown cotton fabric. Centre back plackett fastens with one large metal hook and eye, and six smaller hooks, and hand made cotton loops. Skirt has matching bodice 11400.744. This two piece outfit - skirt and bodice, was made by Laura's Mother in 1908, and mostly by hand. She wore it also to Mass in 1913. It is made of material called "Resilda''.costume, female, brown striped long skirt

Very fine embroidered silk, three tier skirt - silk embroidery in a swirl design, and featuring small tufts of pink silk. Front placket, and narrow 1.25cm tape waistband. Metal hook and eye fasteners, and two metak hooks at back waistband to fasten bodice. Back sweeps into a small train. Two rows of joined lace form three panels from waist to lower tier. This lace also forms two L shaped decorative panels on upper section of skirt. Lower edge of silk lining has a band of stiffening, which then has an 18cm wide band of pink silk lining the hemline. This pink fabric matches the pink tufts on the fine silk outer layer, and possibly protects the finer fabric at the hemline level. Embroidered silk lace, in two bands sewn together, trims the hemline. PART OF WEDDING OUTFIT 11400.780; 782costume, female, cream silk full length wedding skirt

Beautiful soft cream silk dress, with a random silk embroidered three petal flower over the fabric. Round neckline with overlaid square yoke of embroidered lace on a net background. Two 7cm wide bands of the lace are gathered over the shoulder armhole edge. These frills, and the scalloped edges of the front and back lace yoke are trimmed with 4 cm long decorative silk tassels.(one missing). Long sleeves, tapered in at the wrist are trimmed at the wrist with a 4.5cm wide band of lace, part of which is threadedwith two rows ofsoft pink silk ribbon insertion. Soft pink silk, folded into three 2.5cm tucks-overall width 6cm trim the high waistline, with a 7cm diameter rosette at the left front, and a bow(?), and tails, trimming the back waistline. This is severely damaged. Four metal hook and loops fasten the back lace collar, and nine metal hooks and eyes fasten the bodice. Bodice and sleeves are fully lined. Bodice is boned with thirteen 12-4 cm long ''bones''. Skirt is in two tiers; Top is 38cm deep, and made from the plain embroidered silk. A 5cm deep band of lace, with scalloped edges then joins the 36 cm deep ;lower panel of beautifully embroidery and pulled threadwork. Hem is faced, and finished or hemmed with french knots. Dress , which is hand stitched is fully lined with cotton. The lower 36 cm deep tier of the underskirt is trimmed with three .5cm tucks, and two 8cm bands of cutwork lace in a floral and geometric pattern. An oval shaped pocket is sewn into the front of the ''petticoat'' lining. This pocket contained some plant material, included in attached bag.costume, children's, cream embroidered silk and lace dress

Blazer, Australian Swimming Championships. Navy blue single breasted wool blazer fastened with three 2 cm metal buttons. Three external front pockets. Breast pocket on LHS (14 cm X 15.5 cm) embroidered. (See Markings/Inscriptions). Two below waist side pockets 17.7 cms X 19 cms. Two inside pockets in the lining with 15cm zip fasteners and one with slit opening. Centre back slit (21cm) . Long straight sleeves with 1.5 cm metal buttons at wrist. Body of blazer lined with navy satin, sleeves lined with cream self-stripe satin. Padded shoulders. Metal tie pin in lapel - rectangular shaped pin 2 cm X 1 cm with Olympic Rings and gold coloured kangaroo on top. Full size 6cm X 2 cm.Front LHS breast pocket - Embroidery A.S.C Tokyo 1964: Mexico 1968: Munich 1972. Also embroidered Kangaroo, Boomerang with "Australia''on it Olympic Rings.Label 1. Inside back collar; '' The Home of Better Suits'' ''Ashmans'' Hargreaves St Bendigo. Label 2. On inside pocket on RHS, ''Ashmans Hargreaves St Bendigo. This garment is the work of skilled hand- craftsmen''. Label 3. Inside the inside pocket, '' Ashmans Hargreaves St Bendigo the home of better suits'', A.Monaghan 6041 4/6/68. Two documents found in pocket, a. Hong Kong Itinery from Dragon Tours Co Ltd 21 Aug - 23 Aug. B. Hong Kong Hilton receipt Paid 23 August 1980, 133 Monaghan A, visible in carbon print.costume, male, navy blazer

Clothing. Royal blue, single breasted blazer, with revere collar and three brass button front fastening. These three buttons and two smaller buttons on the sleeve cuffs, have the round sun symbol of Japan, and the Olympic Rings impressed into them. The breast pocket, with rounded lower corners has a cloth badge, 9.5 cm long X 6.5 cm wide, which is embroidered with a 5 cm diameter ball (of the sun) and five Olympic Rings in navy blue embroidery. One 20 cm long vent in lower centre back seam. Padded shoulders. Fully lined sleeves and front, while back is only lined across the shoulders. One inside pocket on each side front, has a button closure. Two pockets-22 cm long X 17 cm wide on either side of front, at lower edge. Single breasted. One small 1.4 cm diameter button, badge or Olympic pic, pin fallen from a blazer pocket. The button badge has a bronze like appearance, with impressed Japanese type characters on the surface. A pin type clasp at rear, thought to be a metal badge.All on inside of garment,right hand front. Toray® Toray Rayon Co. Ltd.Toray TETORON ® Riverloft ® Yarn Tailored by Mitsukoshi, Tokyo 1964. O Gold symbol Japan Olympic Rings 1964. Button have on underside: Tokyo 1964.costume, male, tokyo olympic blazer 1964

Cream silk satin bodice, with a high round neckline, finished with a seven cm deep, cream lace, boned, mandarin stand up collar - five bones-(one missing) to support the collar. Nine 16cm bones support the shaping of the tapered firmly fitted waist. A ten cm deep yoke at front and back shoulders. Below the yoke is a panel of eleven cm long pintucks right across the front, and on either side of the back. Centre front gathers into a cotton tape band at the waistline. Below the neckline of the centre front, is a panel ten cm deep of cotton lace, then a 13cm deep fine silk, gathered frill, edged with a reinforced silk ruffle. The centre back opening has a double placket, each fastening with alternate hook and eye,hook on either side of opening. Two large hooks facilitate a joining with a skirt.The three quarter length satin sleeves, are a bell shape, and gather into a cream net, eight cm deep band, which fastens with two metal hooks and hand made loops. Over the net is a double frill, 13 cm deep, and edged with a reinforced silk ruffle, as in the centre front panel. This bishop-type sleeve has five X 12cm long pintucks at the shoulderline. A ten cm long row of a feather stitch type of hand embroidery on either side of front bodice-one each side of the gathered centre front panel. Bodice is fully lined with polished cotton.costume, female, cream silk-satin long sleeved bodice