The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian long black cotton skirt with a short pleated frill at the hemline. The skirt is lined with a thick brown cotton fabric. It is joined with steel hooks and eyes. The skirt is slightly longer at the back. The skirt was owned by one of the donor's maternal ancestors.australian fashion, women's clothing, skirts, outerwear, micky ashton

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian black silk damask outfit comprising a flared skirt and a short bodice. The high necked bodice reflects changing fashions at the turn of the 20th Century in that the silk fabric on the bosom is lightly gathered. The sleeves are pleated at the elbow. The skirt is lined with a black cotton lining. The neckline of the bodice includes a narrow band of pale cream lace. The outfit was owned by one of the donor's maternal ancestors.women's clothing, australian fashion - 1890s, mourning wear, micky ashton

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian black cotton bodice with narrow sleeves. The creator of the bodice has made extensive use of beading at the front and on the sleeves. The bodice is unusual in that it includes an overlay at the front of black sequined tulle over a cream silk insert. The bodice has a black velvet waistband. The edging of the bodice includes pin tucking. Two long 'swallow tails' of lace (sic) hang from the neck of the bodice at the front. The bodice was owned by one of the donor's maternal ancestors.australian fashion, women's clothing, bodices, lace, victorian fashion, micky ashton

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian black silk taffeta cape featuring extensive use of high quality guipure lace on the front and at the back. While the lace is in excellent condition, there is extensive splitting of the silk fabric. The cape was owned by one of the donor's maternal ancestors.capes, women's clothing, australian fashion, victorian fashion, costumes, micky ashton

The newspaper clipping is the second of two extract from 'Prisoners of War: Australians Under Nippon', by Hank Nelson. The extract touches on the conditions the nurses serving in Singapore experienced, moving into the eventual evacuation. The first nurses were evacuated on February 10, [1942], with half of the remainder the following day, and the final nurses were evacuated February 13. These sixty-five nurses were aboard the Vyner Brooke with 300 other passengers, mostly women and children. The ship was spotted and bombed the next day. Sister Vivian Bullwinkel, clinging to the side of a lifeboat, came ashore on Radji Beach, Banka Island. She became one of a group of twenty-two nurse, other Vyner Brooke passengers and twenty British soldier from another bombed ship. This group decided to surrender to the Japanese, who proceeded to kill all but one British soldier and Vivian Bullwinkel. After holding out for ten days the pair made their way to Muntok, hiding the evidence they had both survived a massacre. Of the sixty-five nurses to board the Vyner Brooke, twelve had drowned, twenty-one had been killed on the beach and thirty-two became prisoners of war (POW).A newspaper clipping consisting of four large columns of text and a small black and white photo of an older woman (head).'A[G]E / 26/4'[blue ink, top left]world war 2, wwii, ww2, world war ii, olive dorothy paschke, vyner brooke, vivian bullwinkel, sumatra, palembang, jean ashton, betty jeffrey, wah sui, empire star, micky syer, banka strait, private kingsley, cecil kingsley, 10th australian general hospital