Image of The Federal Woollen Mills mills display from the 'Made in Australia' Exhibition held at the Geelong in July 1928. The exhibition was organised by the manufacturers sectional committee of the Geelong Chamber of Commerce and Manufactures. Over 50,000 people attended the exhibition, making the exhibitors and organisers delighted at the result.Black and white photograph of a Federal Woollen Mills display in a landscape format. The exhibit featured draping fabrics and a suited man in the left hand edge.Center of display - The Federal Woollen Mills Pty Ltd. Geelong. Famous Federalia Fabricswool, woollen mills, wool manufacture, federal woollen mills, 'made in australia' exhibition, geelong

Federal Woollen Mills float for the 1938 Gala Day in Geelong. For over 20 years Geelong held a Gala Day to raise money for the Hospital. Many organisations created floats and paraded them in Geelong. In 1938 the day raised more than 10,000 pounds for the Hospital.Black and white photo of the Federal Woollen Mills float in landscape format. The float is in the form of a Dutch setting with windmill and two girls in costume.Center of display - The Federal Woollen Mills Pty Ltd. Geelong. Famous Federalia Fabricswool, woollen mills, wool manufacture, federal woollen mills, geelong, gala day

The family history of the MIllsGrey/Green cover with cutout for title. with wire binding.Mills A Family History.stawell

Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, blues and creamAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills

Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, pink, lemon and violetAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills

Photograph shows the installation of the new Sulzer weaving looms in the early 1970s, they replaced the old Hattersley looms that were in use at the time. The gentlemen in the suit overseeing the procedure was Jack St Quentin, maintenance manager at the time. - Greg AldridgeColour photograph of textile machinery being installed at Foster Valley Mills. Image shows Elliots Mobile Cranes, Geelong supporting machinery being guided through mill doorway.woollen mills, textile mills, foster valley mill pty ltd valley worsted mill, sulzer weaving looms

Group photograph, possibly depicting the staff of a Geelong woollen mill, c.1880s.Photograph of the staff of a Geelong Woollen Mill, c.1880s.Geelong Wollen Mills [sic] / Taken in early 80'stextile industry - history textile mills - history textile mills - staff, geelong woollen mills, textile industry - history, textile mills - history, textile mills - staff

Photograph album containing 15 photographs of the textile processes which took place at the Valley Worsted Mill which was established in 1923.Photograph album contains 15 photographic postcards of textile processes from the Valley Mill, c.1920s. Valley Mill, Geelong, c.1920s. Wool sorting at the Valley Mill, Geelong, c.1920s. Wool scouring at the Valley Mill, Geelong, c.1920s. Woollen carding at the Valley Mill, Geelong, c.1920s. Worsted carding at the Valley Mill, Geelong, c.1920s. Combing and drawing at the Valley Mill, Geelong, c.1920s. Woollen spinning at the Valley Mill, Geelong, c.1920s. Worsted spinning at the Valley Mill, Geelong, c.1920s. Winding at the Valley Mill, Geelong, c.1920s. Warping at the Valley Mill, Geelong, c.1920s. Weaving at the Valley Mill, Geelong, c.1920s. Mending at the Valley Mill, Geelong, c.1920s. Wet finishing at the Valley Mill, Geelong, c.1920s. Dry finishing at the Valley Mill, Geelong, c.1920s. Warehouse at the Valley Mill, Geelong, c.1920s.PHOTOGRAPHS THE / VALLEY WORSTED MILLS / GEELONG WOOL SORTING / WOOL SCOURING / WOOLLEN CARDING / WORSTED CARDING / COMBING & DRAWING / WOOLLEN SPINNING / WORSTED SPINNING / WINDING / WARPING / WEAVING / MENDING / WET FINISHING / DRY FINISHING / WAREHOUSE C.J. Frazer Photographer / Melbournetextile mills warehouses, weaving, textile production, textile mills, valley worsted mill, scouring, carding, combing, drawing, spinning, winding, warping, wet finishing, mending, milling, dry finishing, textile mills - warehouses

Samuel Mills and his son Ted on horse drawn cart "Sam Mills Fruitier & Greengrocers" in Main Street outside Town Hall Hotel 1908? This copy was amongst loose papers Bob Watchorn had from an ambition of writing a history of Stawell which did not eventuate in 1980's. Two photographic copies of a paper print showing a horse drawn cart with two men beside the horse. The horse drawn cart is in front of a double store building with other buildings to the left. Sam Mills Fruiterer & Greengrocer Hand written in corner "Dad and Junior Mills. Under photo "Ted Mills & Father 1908?" stawell business transport

The history of the Stawell Woollen MIllsOff white card cover with hatching, colour photograph of a Water colour painted by Will Rees 1922.Back shows Mill Garden ets c 1990The Stawell Woollen Mills Graeme Bennet Evolution of the Bennett Textile Business Page iii: For my Parents John and Jessie Bennett, my family and the people of Stawell Best Wishes thanks Graemestawell industry

Excelsior Woollen and Worsted Mills: Souvenir Program 1920 for a Complimentary Social from the employees to the directors Godfrey Hirst & Co.Excelsior Woollen and Worsted Mills: Souvenir Program 1920 for a Complimentary Social from the employees to the directors Godfrey Hirst & Co.Excelsior Woollen and Worsted Mills/ Souvenir Program/ Complimentary Social/ to /the Dorectors/ Godfrey Hirst & Co / Pty Ltd/ From the Employees/ IN THE NEW MASONIC HALL/ FRIDAY, SEPTEMBER 3rd 1920/ at eight pmweaving mills textile industry weaving, godfrey hirst and co. pty ltd excelsior woollen and worsted mills, weaving mills, textile industry, weaving

Photo depicts the Excelsior Mills Cricket Club team who were premiers in 1942-43. The photo was donated by Mr N.A. Ferguson who played with the club and appears in the photo.Excelsior Mills Cricket Club team, B Section premiers, 1942-43.EXCELSIOR MILLS CRICKET TEAM / PREMIERS / SEASON 1942-43 / B SECTION / C.H. Phillips, N.J. Hunter, A.R. Dendle, G.W. Baker (Ass. Sec.), C.L. Allen, W.J. Carroll, Harold Smith / G. Hirst (Chairman), R.E. Smith, J.R. Southall (Capt.), Lewis Hirst, Esq. (President), F.J. Skene (Vice Capt), / J.A. Edwick, K.A. Danger (Hon. Sec.) / D.E. Edwick E.T. Carroll The / Lockwood Studios, / Geelong. N. FERGUSONtextile mills staff, textile mills sporting teams, excelsior woollen and worsted mills, sport, textile mills - staff, textile mills - sporting teams

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Photo depicts the Excelsior Mills Cricket Club team who were premiers of the Industrial Association in 1939-40. The photo was donated by Mr N.A. Ferguson who played with the club and appears in the photo.Excelsior Mills Cricket Club team, premiers of the Industrial Association, 1939-40.EXCELSIOR MILLS CRICKET CLUB. / INDUSTRIAL ASSOCIATION / PREMIERS 1939-40. / BACK ROW- H. Smith, N.A. Ferguson, G.W. Baker, H.G. Hirst (Chairman), G. Clarke, J.B. O'Neill, W.J. Carroll / CENTRE- Les Hirst (Hon. Sec.), S.N. Boseley, J.R. Southall (Capt.), Mr. Lewis Hirst (Pres.), J.C. Foord, L. Allen, J. McGregor (Scorer) / SITTING- R.E. Smith / ABSENT- G. Poyser (Vice-Capt.), R. Poyser, N. Hunter The / Lockwood / Studio. N. FERGUSONtextile mills staff, textile mills sporting teams, excelsior woollen and worsted mills, sport, textile mills - staff, textile mills - sporting teams

Photo depicts the Excelsior Mills Cricket Team who played in the Industrial Association and who were "A" Grade Premiers in 1953-54.Excelsior Mills Cricket Club team, A Grade premiers of the Industrial Association, 1953-54.EXCELSIOR MILLS' CRICKET CLUB / INDUSTRIAL ASSOCIATION / "A" GRADE PREMIERS, 1953-54 / Back Row (L to R) - G.N. Buckland (Scorer), C.H. Phillips, P. Coleman (Committee) / Standing - E.N. Boys (Ass.Sec.), A. Young, W. Woods, C.S. Wells, C. Baker, N.A. Ferguson (Committee) / Seated - W.P. Baker (Life Member), A. Watkins, L. Watkins (Capt.), C.L. Hirst (Pres.), J.T. Flynn (Vice-Capt. & Treas.) / Front - R.J. Green, W.J. Young / Absent - B. Delmanstro, R. McCabe LAWRENCE WILSON, / GEELONG N. FERGUSONtextile mills - staff textile mills - sporting teams, excelsior woollen and worsted mills, sport, textile mills - staff, textile mills - sporting teams

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Arthur Henry Schutt. Born 18th July 1912 at Spotswood He was the third child of John Ralph and Mary Jane Schutt. His grandfather was the first librarian of the Victorian Law Courts and his uncle, William Schutt, was a lawyer who later became the Chief Justice Sir William Schutt. His mother was born a Clutha House, stony Creek Yarraville, a was one of ten children. John Schutt opened a chaff mill at the corner of Williamstown and Geelong Roads at West Footscray. The mill was placed on in an old quarry below the ground which saved much of the backbreaking labour of heaving sheaves of hay up into the machinery, the below ground location enable the hay to be fed directly into the railway trucks into the cutters. An elevator then carried the chaff up from the ground directly into the waiting transport, at a great saving in manpower. The chaff mill became on of the largest in Victoria employing more than forty men, and later moved into flour milling.Schutt and Barrie Flour Mills, Melton South site. Opposite this Mill was a Public Weighbridge. A rail siding crossed Brooklyn road to serve chaff mill. The rail line crossed west of the Methodist Churchlocal identities, agriculture

Albany Woollen Mills, 1954.Albany Woollen Mills, 1954textile mills - history textile design, alexander lau pty ltd albany woollen mills, textile mills - history, textile design

Albany Woollen Mills, 1968Albany Woollen Mills, 1968textile mills - history textile design, alexander lau pty ltd albany woollen mills, textile mills - history, textile design

The 42 year old Greensborough swimming pool is to be demolished at the end of the 2006-07 season to make way for the new aquatic centrePhotocopy of newspaper article and imageswimming pools greensborough, greensborough pool

Port of Portland Authority archives.Front: (no inscriptions) Back: Portland Harbour Trust Commissioners (purple stamp) (centre). Dartmoor Pine Mills (lower left) (pencil) April, 1976 (lower left) (pen).port of portland