This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed ceramic torso.art, artwork, emily moody, ceramics, human movement collection, torso

Thomas Albert Moody [3037]

44 p. : plans, ports. ;non-fictionAn unofficial account of the first 20 years of Highett RSL.highett, highett rsl, returned services league of australia

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Twp saggar fired tiles.art, artwork, emily moody

The original small, pioneer cottage was built in the late 1840s to early1850s, by an unknown pioneer. It was located on part of a 30 Acre allotment that was originally part of Dendy’s Special Survey granted in 1841. The doors and window sashes, (made of red deal joinery timber), as well as the brass locks and fittings, are from the original cottage, and were imported from England. The fire-place bricks are from the original cottage, and are sun-dried, (not kiln fired), and are hand-made. Convict marks can be seen on two bricks. There is a small display of external cladding shingles from the original pioneer cottage. These shingles were hand-split, and most likely made from locally collected timber The nails included in this display were used to fasten the shingles on the original cottage, and are also hand-made. The cottage was occupied by William Box and family from 1865 until 1914 when it was sold to William Reitman who resided there until 1950. The enamel nameplate, “Colonial”, on the wall of the cottage, was the name chosen for the original pioneer cottage by Mr William Reitman, when he purchased the property in around 1915, for 1200 Pounds approximately. In 1974 Mr Lewis, a timber specialist, found the dilapidated building on property he had recently purchased in Jasper Rd and suggested it be reconstructed and relocated. Moorabbin Council agreed and the cottage was rebuilt just about 250 metres from its original site. The cost of the rebuild was met by 'Victoria's 150th Committee, plus a small grant from the City of Moorabbin, and Mr Laurie Lewis donated much of the timber for the reconstruction. The re-constructed cottage plan has followed faithfully the original dimensions, and plan of the original pioneer cottage, and as many original items from that cottage’s long occupation have been incorporated. The photographs in Album 1 record the progress of the reconstruction from February 1984 to the First Public Open Day November 18th 1984These 2 photographs show the Builders Mr Moody & Mr Smith preparing the site in Joyce Park at the commencement of the 'Reconstruction in February 1984. Mrs H. Deam and Mr A. Smith, CMHS members, took these photographs to record the progress of the 'Reconstruction' from February 1984 to November 1984. Although 'Box Cottage' is a re-construction, it is an unique museum that, being located in the midst of a modern community in Ormond Victoria, can educate and demonstrate many aspects of the early settler’s way of life in Victoria. As such, it is an invaluable resource for students and all kinds of visitors. The Business card of the Builders is now 30years old2 x colour photographs of work beginning on the reconstruction of Box Cottage in Joyce Park February 1984 and 1 business card of the Builders, Moody & SmithPhotographs Back : a) 1-2-84 / Box Cottage / Mr Moody & Mr Smith ; b) 1st Day 1st Feb 1984 / Box Cottage Card Front : Centre ; Moody & Smith / BUILDERS / Left ; 8 Worthing Rd / HIGHETT 3190 / MELBOURNE / TEL 95-1463 / BUS. & PRIVATE Right ; 7 North Ct. / HIGHETT 3190 / MELBOURNE / TEL 95-5310 / BUS. & PRIVATEbrighton, moorabbin, cottages, pioneers, ormond, colonial, mckinnon, dendy henry, box william, box elizabeth, reitman william, convicts lewis timber co. ltd., deam h, museums, box alonzo

Two copies a typed letter with printed letterhead, dated March 7, 1938. Letter is from ? Moody of Moody's Dye Works Ltd. To Scalebuoys (N. Z.) Ltd. He mentions since using the Scalebuoy soap is more readily and completely removed from goods that have to be wet cleaned and also gives better penetration for dyeing. He also mentions that the boiler was in better condition and they have stopped using the compound they were using. Letterhead has a photo of Moody's Dye Works on the left side of the letterhead.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, moody's dye works ltd, scalebuoys (n.z.) ltd, moody

Photo of Helen Wills Moody Materials: Paper, Photographic emulsiontennis

Photo of Helen Wills Moody Materials: Paper, Photographic emulsiontennis

Photo of Helen Wills Moody Materials: Paper, Photographic emulsiontennis

Photo of Helen Wills Moody Materials: Paper, Photographic emulsiontennis

Photo of Helen Wills Moody Materials: Paper, Photographic emulsiontennis

Photo of Helen Wills Moody Materials: Paper, Photographic emulsiontennis

Photo card of Helen Wills Moody Materials: Paper, Photographic emulsiontennis

Photo card of Helen Wills Moody Materials: Paper, Photographic emulsiontennis

Photo card of Helen Wills Moody Materials: Paper, Photographic emulsiontennis

small sheet of film 1863 JOKES I TO 1863 MOODY Lbirth, family, register

small sheet of film 1863 MOODY W TO 1863 SALKFLD Wbirth, family, register

Reproduction photo card of Helen Wills Moody Materials: Paper, Photographic emulsiontennis

In the late 1990s, Arthritis Victoria undertook a Rural Access Pilot Project over a period of two years. In 1999, during the final phase of the project, a Rural Health Week Conference was held in Bendigo. In this photo, a small group of people pose for a photo at the event. In the front row (from left to right) are Fiona Gardiner, Cathy Penderfast, Ron Labonte, and Marion Sharkey (AFV's Rural Access Project Manager). In the back row, (from left to right) are Graeme Alladice, Rob Moody, and an unidentified woman.COL photo of a small group of people standing close together in two rows in the lobby of a building. There are four people in the front row, and three people in the back row. There are one or two other people (partially obscured) standing behind or beside them. In the background, inside the main hall of the venue, an ornate but modern decoratively lit ceiling is evident through a wide double doorway.[Handwritten in blue ink] FRONT FROM L -> R FIONA GARDINER CATHY PENDERFAST RON LABONTE [somewhat illegible] MARION SHARKEY REAR GRAEME ALLADICE [somewhat illegible], ROB MOODY RURAL HEALTH WEEK CONF. BENDIGO 1999.arthritis foundation of victoria, afv, osteoporosis victoria, ov, arthritis victoria, av, rural health week conference, outreach, fiona gardiner, latrobe university bendigo, cathy penderfast, east gippsland rural project worker, ron labonte, marian sharkey, afv rural access project manager, graeme alladice, rob moody, bendigo, 1999

Ocean Ships Author: B Moody Publisher: Ian Allan Ltd Date; 1966 warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, ocean ships, b moody

Joseph Gleave & Sons was working as a plane maker in Manchester from 1832 and was at Oldham Street from 1854 to 1868 and (as Joseph Gleave & Son) from 1868 to 1913. The company made complex wood planes of which the subject item is an early example. The company sold tools from other makers as well and was based in Oldham Street Manchester. Since that time the company has adapted and mutated and is still buying and selling tools and industrial supplies to this day. However the company stopped making complex wood planes in 1926. A vintage tool made by a known maker, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce an ornamental finish to timber. The tool was used before routers and spindle moulders came into general use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims, etc. or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish.A significant tool from the late 19th to early 20th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves handmade shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any decorative timber item.Complex Moulding Plane, Torus Bead. Stamped J. Gleave (Maker), No 7 & T. Moody (owner)flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, josphe, joseph gleave & sons, complex plane makers, carpenders tools, woodworking tool

Blue Doctor's Certificate dated Nov 3rd 1877 certifying that G. J. Moody of Long Gully was able to follow his usual employment. Signed by H. L. Atkinson. Signed at the end by G. J. Moody declaring himself off the Sick Funds.societies, aof, correspondence, ancient order of foresters collection - doctor's certificate, court king of the forest, g j moody, h l atkinson

Two pages (left folio: cover and right folio: p11) from Pathfinder magazine ofJuly 23, 1938, featuring a photographic image of Helen Wills Moody playing tennis (left folio) and an article (right folio) entitled 'PRESENTING HELEN WILLS MOODY'. UV glass. Materials: Paper, Ink, Metal, Wood, Glasstennis