Set of five pamphlets of an industrial or public relations nature issued during the early to mid 1980's. .1 - "The Wage Freeze" - foolscap printed on yellow paper, issued by the ATMOEA Vic Branch May 1983. .2 - "Public Transport: You pay more for less" - change of services, staff cuts, safety, Fuel conservation and what should be done - issued by the North Fitzroy Tramways Depot Committee and notes a meeting on Monday 17 September - (1984 by calendar check) - foolscap printed both sides on white paper. .3 - "$440,000 tram stripped for spare parts" - tram Z137, stripped - duplicated on blue quarto paper, issued by "concerned tramway workers" . Notes the tram had entered service in 1980 and had been stored for some time. .4 - "Open letter to passengers of Melbourne Tramway System" - complaining about the shortage of crews at Kew Depot - and asking people to register a complaint with the Minister Peter Spyker. Issued by "concerned Kew tram workers" - printed on blue A4 paper. .5 - "They are going to sell off Public Transport:" - ATMOEA - signed by Jim Harper - about the forthcoming 1 Oct. 1988 state election, asking readers to put the Liberals last. Printed on yellow A4 paper both sides.Has in to the top right hand corner in ink "72Drv Sun"trams, tramways, mta, unions, atmoea, wages, public transport, kew depot, north fitzroy depot, tramcars, tram 137

Spool with thread used for tatting or lace making. Patent applied April 17 , 1923'Boye' Improved. More Thread - Less Knotshandcrafts, equipment

Button distributed to and worn by Australian Nursing Federation (ANF) members. The ANF has been campaigning for more funding and qualified nurses to improve the quality of aged care for the past several decades, and continues to do so. The 'Aged care nurses worth more not less' campaign was run throughout 2005-2006 during private aged care enterprise bargaining negotiations. Claims focused on unsafe staffing levels and an inadequate skill mix of registered and unregistered staff. The Royal Australian Nursing Federation became the Australian Nursing Federation (ANF) in 1989, and then became the Australian Nursing and Midwifery Federation in 2013, suggesting this badge is from the 1990s or early 2000s.Circular pink and black plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'Aged care WORTH MORE NOT LESS' and the ANF [Australian Nursing Federation] logo. 'NOT LESS' is underlined.nursing, nurses, unionism, aged care, lobbying, funding, badges, buttons, pins, trade unions, labour history, staffing, workforce, patient care

It is not known where this photograph was taken. James(?) Scarf who lived at Madden's Flat was said to be a charcoal burner (Source - Bill Grigg Snr in interview with Max Standish - typescript in Grigg family file.)Black and white copy of original photograph which shows a more or less circular stack of timber. The stack appears to have been made from the thinner branches of trees. It is understood that the timber may have been stacked in this way prior to being burnt for charcoal, which was the main source of fuel used in blacksmith's forges.timber stack, burning pile, charcoal burning, wood

Land title Vol. 3730 Fol. 745810. On the fifth of April Edward Patrick Drake of Axedale hotelkeeper paid 6 pounds for one acre more of less being allotment four of section seven in the town of Axedale, parish of Axedale County. On the other side the names and dates of when the land changed hands up to July 1976.axedale, history, drake family

Conditions of sale by private sale dated 27th April 1944 between Mrs M.M. Williams (seller) and H.V. Ramage (buyer) for land situate Cohn Street near Holdsworth Road, Bendigo, being allotment 16 section K1, containing 2 acres, 1rood and 20 perches more or less in the City of Bendigo, described in Crown grant volume 6207 folio 1241225, together with 4-roomed weatherboard building, iron tank and all sundry. Price 33 pounds.organization, business, h.a. & s.r wilkinson real estate

Between 1975 and 1982, Galen Catholic College and Champagnat College were located more or less on the same school grounds, but in separate buildings. The two schools had two separate teaching faculties. These few photographs were taken of the staff at Champagnat College in the early 1980s. champagnat college, champagnat, staff

The Seikosha GP500 Series was offered for various homecomputers, around 1984-1985. All models support 10" endless paper. The case-design is more or less identical, though differently coloured, and badged with different manufacturer & model names. Seikosha GP500AS - Was offered as Seikosha GP500AS for general purpose (serial rs232 port) (http://www.cpcwiki.eu/index.php/Amstrad_DMP1_printer) A brown and beige dot matrix printer printer (GP-500 AS)computer

This is an early stereoview by George Rose. The women in the picture wears 'Rational Dress', which referes to a dress reform during the late Victorian era. THe reform was particulally realted to womens undergarments which were modified to be more comfortable and less restrictive. Stereographic photo - Rational Dress Picnic, Fernshaw, VIC., Watts River Printed in brown along left edge : Rose's Stereoscopic Views,- / Australian Seriies. Printed in brown along right edge: Sold only by George Rose, - / Publisher, Windsor, Melbourne. Printed underneith image: 743, Rational Dress Picnic, Fernshaw, VIC, Watts Riverrose series, fernshaw, rational dress, watts river

The Hillcrest Cricket Club is shown in the 1931-32 season. The photograph is named. The photo is accompanied by a handwritten short history of the club by Ray Hooper: "Hillcrest C.C.- Hillcrest Cricket Club was situated between Mountainview Road and … Street at the top of the hill. Where it became flat more or less where River Street met Mountainview Road (straight up). The land was owned by Mr J Ellis (senior) who allowed the local men to make a cricket pitch so they could form a cricket team and enter in the Eltham District Cricket Association (1925-1930). As you can see Mr Ellis Senior (by photo) became president and both his sons played for Hillcrest C.C. My father also played and I can just remember W Mills (Captain), H.Padget, H.Johnson, J.Parks and H.Weidlich (as I got older). Ray Hooper." Copy of group photograph and handwritten article.Group photograph is named.hillcrest cricket club, ray hooper

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for performances in August 1957 of three plays - Sad About Europe by Philip Johnson, Fumed Oak by Noel Coward, The Rose and Crown by J.B. Priestley - in the Kew Recreation Hall. The 4-page programme includes cast lists, and advertisements for local businesses.sad about europe, philip johnson, fumed oak, noel coward, the rose and crown, j.b. priestley, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Small Hotel by Rex Frost. The performances took place in the Kew Recreation Hall in November 1957. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.small hotel, rex frost, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Trial and Error by Kenneth Horne. Performances took place in the Kew Recreation Hall in November 1958. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.arthur dear collection, the kew repertory players, theatre - victoria, theatre - kew, kew recreation hall, trial and error, kenneth horne

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of No Escape, a play written by Rhys Davies in collaboration with Archibald Batty. Performances took place in the Kew Recreation Hall in March 1958. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.no escape, rhys davies, archibald batty, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of The Tender Trap, an American comedy by Max Shulman & Robert Paul Smith. Performances took place in the Kew Recreation Hall in April 1960. The 8-page programme includes a cast list, some profiles, a synopsis and advertisements for local businesses.arthur dear collection, the tender trap, max shulman, robert paul smith, kew repertory players, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of They Came to a City by J.B. Priestley. Performances took place in the Kew City Hall in July 1960. The 8-page programme includes a cast list, some profiles, a synopsis and advertisements for local businesses.they came to a city, j.b. priestley, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, city of kew, theatre memorabilia -- kew (vic.), kew city hall -- cotham road -- kew (vic.)

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Maiden Ladies, a farcical comedy in 3 Acts by Guy Paxton & Edward V. Hoile. Performances took place in the Kew City Hall in March 1961. The 8-page programme includes a cast list, some profiles, a synopsis and advertisements for local businesses.maiden ladies, guy paxton, edward v. hoile, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew city hall -- cotham road -- kew (vic.), theatre memorabilia -- kew (vic.)

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of The House by the Lake by Hugh Mills. Performances took place in the Kew City Hall in November 1960. The 8-page programme includes a cast list, some profiles, a synopsis and advertisements for local businesses.arthur dear collection, performing arts -- kew -- victoria, kew city hall -- cotham road -- kew (vic.), theatre memorabilia -- kew (vic.), kew repertory players

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Arms and the Man by George Bernard Shaw. Performances took place in the Kew City Hall in June 1961. The 8-page programme includes a cast list, some profiles, a synopsis and advertisements for local businesses.arms and the man, george bernard shaw, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew city hall -- cotham road -- kew (vic.), theatre memorabilia -- kew (vic.)

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of the Australian premiere of Waiting in the Wings by Noel Coward. Performances took place in the Kew City Hall in March 1963. The 8-page programme includes a cast list, some profiles, a synopsis and advertisements for local businesses.waiting in the wings, noel coward, arthur dear collection, performing arts -- kew -- victoria, kew city hall -- cotham road -- kew (vic.), city of kew, theatre memorabilia -- kew (vic.), kew repertory players,

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of The Happiest Days of Your Life, a farce in 3 acts by John Dighton. Performances took place in the Kew City Hall in March 1965. The 8-page programme includes a cast list, some profiles, a synopsis and advertisements for local businesses.the happiest days of your life, john dighton, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew city hall -- cotham road -- kew (vic.), theatre memorabilia -- kew (vic.)

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period.Programme issued by The Kew Repertory Players for a performance of Night Was Our Friend by Michael Pertwee. The performances took place in the Kew Recreation Hall in March 1956. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.night was our friend, michael pertwee, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, kew repertory players

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Fools Rush In by Kenneth Horne. The performances took place in the Kew Recreation Hall in June 1957. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.fools rush in, kenneth horne, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s.The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Heaven and Charing Cross by Audrey Danvers-Walker. The performances took place in the Kew Recreation Hall in March 1957. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.heaven and charing cross, audrey danvers-walker, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

The Bow Saw is considered by many to be the most satisfactory saw for cutting shapes since the narrow blade negotiates curves easily, and is held in tension. Both the handle and knob (at the other end of the blade) can be turned so that a cut can be made more or less parallel to the required cut. Obviously the blade must be free of twist when in use. It is available with blade lengths of 25 to 40 cm (10 to 16 in). Generally both hands grips the one handle, hence the bulbous shape with narrow neck, but when thick wood has to be sawn it is helpful to have a person at each side, both sides of the wood having been marked. In this way it is much easier to keep the cut square to the sides of the timber. The rivets holding the blade to the handle can be withdrawn so that the saw can be used for an internal cut, the blade being threaded through a hole drilled through the timber.A vintage bow saw used in cabinet work by a cabinet maker in the mid to later part of the 19th century probably made in England.Bow saw wooden frame and handles. Twine attached to upper section of frame.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bow saw, carpenders tools, cabinet makers tools, wood working, wood saw

A tape recording of Sir Edmund Herring, The Governor of Victoria, for the opening of Legacy Week in 1968. It may have been played on radio to promote Legacy. Taped voice recording messages were a common means of communication at this point in time. More compact, lighter and less cumbersone than vinyl records.A record of a launch of Legacy Week by a prominent Australian.A recording on a tape for Legacy Week 1968 in an off white cardboard box.Label, “Legacy Week” 1968, Formal Opening by His Excellency The Governor of Victoria, The Lieutenant-Governor of Victoria, Lieutenant The Honourable Sir Edmund Herring KCMG; KBW; DSO; MC; ED;KStJ; QC. At “Legacy House” Melbourne. 2/9/68 Not to be played before 2PM on Monday 2. 9. 68 Thereafter as required.legacy week, governor of victoria, sir edmund herring, legacy promotion