The history of gold mining at Mount William and MafekingWhite light card/ Thick Paper. with black line drawing of a home in the foreground and a mountain range in the background, print above and below the drawing. With Black plastic combe bindingTitle: Golden Days of Mount William Mafeking Centenary Celebrations June 1900 : June 2000stawell mining

Gold mining in the Mafeking and Mount Willaim AreasWhite Paper cover with Printed title and other information. Staple in top left cornerArarat & District Historical Society Mafeking And Mount William Gold Rush Produced During Shire of Ararat Centenary Week March 1964 Price $1.50 Langi Morgala Museum Araratstawell mining

Two photographs taken at Mokepilly Station one of remnants of the original homestead. The second of Mokepilly Cemetery at Mount William Creek. Two colour photographs of bush setting including slab fencing plus a fenced area with a gate way.stawell

A photo of the gate barring vehicle access to the top portion of the Mt William Road. The photo is part of a Ministry of Tourism campaign.The photo shows an iron gate across a road (Mt William Road). There is a man standing on the edge of the road in the background. A sign on the gate reads 'No vehicles beyond this point'.'Ministry of Tourism of Victoria, 276 Collins St., Melbourne, Nag. No.... , Date ..., Locality Grampians, Subject Gate-Mount William Road.' stamped on back.access routes, roads, scenery, mount william

Salvation Army Bandsmen and Women at Mt. William bushland setting. 1900 was a period of gold rush. Photo taken at the time of the gold rush Mafeking in the Grampians. Black and white photograph of a scene depicting a group of people, some bandsmen & women. The background is a bushland setting.W. Hale Mount William. (handwritten 1900). on the back John Clark. The Stawell S.A. band at Mount William. Sept 1900 R.M. Perry.stawell religion

Colour slide in a mount. William Dobell “Woman in a Salon (Helena Rubinstein)” 1960Made in Australia / 29 / APR 68M7 / Dobell H.Rubinstein (Handwritten)slide, robin boyd

Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. Paintings undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, flora, alumni, mount cassel, mount william creek

Horton's Reward Claim. This group of miners also worked another area called 'The Heather Bell" approx. 200 yards further up the gully. About half a pennyweight to the dish is obtained from the wash near the creek. They are panning off 3 dwts per day off one man's ground. This claim is about the best fitted up on the field. It is worked with a sluice box with iron ripples and feeder to match. The latter is a great advantage as there is a great fall below the claim for the tailings.Photo shows seven men working a goldfield using shovels and picks.mining, mount william, people

A track to the top of Mt William existed many years before, an all weather road was constructed in the early 1960s Not only did engineers and construction workers enjoy some spectacular scenery during "smokos" but so have thousands of tourists Some even experiencing the freezing gale force winds which greeting Major Thomas Mitchell and his party in July 1836sPhoto shows 3 men looking over to Wonderland Range from Mt William. Two men are wearing hard hats The third man a felt hat - he is pointing to a point in the distanceWMT (Wimmera Mail Times}access routes, walking track, roads, mount william

This photo was taken in the Mt William area and was material for a Ministry of Tourism campaign.The photo shows a man seated on a rock and looking out over a valley (Mt William area, south west)'This Photograph is with, The Compliments of The . . . ,Ministry of Tourism, Government of Victoria, Please acknowledge, Photo: Michael Chesire' stamped on back. 'Grampians Mt. William' written on back in red pen.scenery, mount william

This was the first police station built in Watgania, and it was probably built during the goldrush era of late19C to early 20C.The photo is of local significance to Watgania and the Ararat district because of its rarity and because of its subject. There is now (in the year 2023) little or nothing left of the township of Watgania, north of Willaura, though there are still several inhabited properties in this area, which shelters close under the eastern face of the Grampians mountains. The figures in the photo add to its significance, since a good deal of information about the goldfields can be gleaned from their manner and their dress.Black and white photograph mounted on cardboard. Photo shows two men standing outside a building. The man on the right is dressed in a suit and is wearing a hat. The other man is dressed in suits pants and a vest. The window to the right of the front door of the building is boarded up.Inscription: on front: "4216 / MH". Stamped on back: "F.W HARGREAVES". Inscription: on back: 592P (this is its Osborne nbr, and corresponds to a photo-negative taken of the original photo).goldfields, police, watgania, ararat, gold rush, mount william, grampians, police station

Booklet issued by the Victorian Archaelogical Survey describing an abouiginal axe quarry at Mt William near Lancefield. The history of the site is described as is the archaelogical evidence. A section describes the importance of axes in aboriginal culture. Map, illustrations.Booklet issued by the Victorian Archaelogical Survey describing an abouiginal axe quarry at Mt William near Lancefield. The history of the site is described as is the archaelogical evidence. aborigines, stone axes, mount william

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. William James Hall, Harvard University, Cambridge, Massachusetts, USA. (Architect: Minnori Yamaski.)Made in Australia / 8 / AUG 64Mslide, robin boyd

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. William Stone Building at Peterhouse, Cambridge University, Cambridge, England, 1964. (Architects: Sir Leslie Martin and Sir Colin St John Wilson.)Made in Australia / 31 / AUG 64Mslide, robin boyd

Grampians – Mount William – Building road to summit early 1960sstawell

The Mason family offered their barn for the baking of bread for the 'Ladysmith' community during Mount William gold rush.Photo of the Mason Family outside their home (four adults and three children)people, mason, mining, ladysmith

Mount William Gold Rush Photo taken from Spion Kop looking at western side of My WilliamView of township called Ladysmith George Mason's farmhouse in centre of picture with smoke rising from chimney Seven men in foreground carrying various items eg. shovel, gold pan, swag etc.1 copy B/W 1 copy sepia 1 on displaymining, gold mining, mafeking

1916 William Henry Thomas of Keys Road , South Brighton (now Moorabbin ) in WW 1 1914 -1918 1st AIF uniform. William was born in 1894 , Christened at the Wesleyan Church. (Methodist), Wickham Road, South Brighton and attended Moorabbin State School. . Private Thomas was a market gardener in Moorabbin prior to his enlistment in the Australian Imperial Force on 19 July 1915. Both his parents wrote separate letters giving their consent for their son to serve overseas due to " the pressing request of my son William Henry, also the urgent need of recruits do give my consent that he shall go to the front." September 29th 1915 he left Australia with the 5th Reinforcements of the 24th Battalion for Egypt. March 1916 he was hospitalised with Mumps and shortly after left Alexandria to join the British Expeditionary Force for France where he transferred to the 6th Australian Machine Gun Company.. Whilst on leave in England he received medical attention before returning to France and 13 November 1918 he spent a week in the care of the 7rh Field Ambulance suffering with influenza . Private Thomas returned to Australia on the hospital transport Castalia 13 April 1919 and his enlistment was terminated 26 September 1919Private William Henry Thomas and his family are examples of the patriotism exhibited by the market gardeners, and indeed throughout Australia, during the World War 1 1914-1918. Photograph is black and white. William Henry Thomas is standing straight and tall in the centre of the photograph, looking directly at the photographer while holding a weapon in his right hand. He is in his military uniform (WW1) .Front of Mount : Ainor Studio Auburn Back of Mount : William Henry Thomas / 1st World War 1916 / Keys Rd., Moorabbin / Born 1894 / Christened at Wesleyan ( Methodist ) Church / Wickham Rd., / South Brighton / now Uniting Church unsigned undatedwilliam henry thomas, 1916, 1894, first ww, world war one, uniform, wickham road, south brighton, moorabbin, world war 1 1914- 1918, thomas street,early settlers, pioneers, market gardeners, australian infantry force, soldiers, key's cup, victorian war memorials, cheltenham, mckinnon,, keys road moorabbin, ss castalia, british expeditionary force ww1 1914- 1918, 24th battalion 1st aif, 6th australian machine gun company 1st aif, influenza epidemic 1919, alexandria egypt, methodist church,

The photo is of the Fyans Valley, taken from Chatauqua Peak. Lake Bellfield and Mount William can be seen in the background. The photo belonged to the Forestry Commission Victoria.A photo of a valley between mountain ranges. A lake can be seen in the background. A road runs through the middle of the valley with houses on both sides."Fyans Vaslley from Chataqua Peak. Incl L. Bellfield & Halls Gap. photo belongs to F.C.V. Stawell. Return to V. Young, Horsham" written on back in green pencil. The "Chatauqua Peak" has been overwritten in black-lead pencil. "LC.71" is also written on the back in black-lead pencil.scenery, grampians ranges

In 1993 this items was held in the Mt Helen Physics Department Optic Laboratory.Wattmeter type PWG, Range 0-1.5 kw, semi-circular scale. Three volt ranges: 150v, 300v, 600v. 50 Hz. In varnished wooden carry case, with hinged lid and leather carry strao. Calibration chart inside lid. Serial Number 2973scientific instrument, wattmeter, electrical engineering, laboratory, electrical instrument, a j william, mount helen campus, physics department, optic laboratory, a.j. william

The Silver Standing Cup was made by Ernest Leviny c1860 and presented to Mr Charles Abraham Saint, editor of the Mount Alexander Mail newspaper, by the town's citizens on his departure from Castlemaine on 31 December 1863. Mount Alexander Mail report; 23 January 1864. This substantial silver centrepiece was the second masterpiece created by Ernest Leviny around 1859. It is decorated with highly detailed cast figures, fine embossing and chasing. This work of Australian Colonial significance reflects Leviny's rich European artistic background which he successfully merged with new Australian motifs, which epitomise the great wealth, ambition and pride at that time in the emerging, young Colony of Victoria.Semi matt surface albumen print mounted on cream coloured card with border around image drawn in pencil. Albumen photograph of Silver Standing Cup (Eperne). Elaborate silver cup, with lid highly decorated with cast figures, etc.Handwritten in pencil under image: I.1 'Photo Davies & Co' I.r 'Melbourneernest leviny, silver, silversmithing, cup, london exhibition 1862, mount alexander mail, william davies, photograph, charles a. saint

Photo depicts "road-making" approaching the Mount William gold fields. Because of the heavy traffic in the area during the very wet winter of 1900, low sections of the track became quagmires and road building was essential.Photo shows men with horses, carts, shovels etc. There are six horses in photo, three of them hitched up to carts. There are twenty-two men in total, some holding shovels etc.Photo has been laminated. "Title" appears at bottom of photo together with previous holder of photoaccess routes, roads, access routes, road building

This item was used well before European settlement and clearly demonstrates the development of the local Aboriginal tribes, Dhudhuroa and Yaitmathang in the use of a cutting /chopping implement, made from Mount William sourced material i.e. greenstone. This item was probably traded at the Bogong Mountain tribal yearly summer ceremoniesThe significance of this item places it at the fore front of human development in this region. The period when this tool was manufactured represents the time when the natural landscape had not been altered and the natural vegetation, fauna and flora, had not been subjected to imported species.This also proves that local tribes did live in this area and or the Bogong High Plains.Small ground edge stone axe head. Leading cutting edge very smooth and chiseled to a fine edge. Weight is, for its size fairly heavy. It is made from Greenstoneaboriginal tool stone ground-edge axe indigenous tool

William Anthony Theodore (19.3.1917 - 5.1.2007).B&W mounted photograph William "Bill" Theodore athletics race winner; circa 1940s. Photograph mounted on grey stiff cardboard by photographer Rialto.photograph and mount stamped by Rialto Ballarat (photograph studio).bill theodore, william theodore

The well known sculpture of English playwright William Shakespeare takes an elaborate bow before the Civic Hall, a performance and community center for Ballarat. The unique abstract and elongated mannerist style used in this cast bronze sculpture hints at the art deco style of the Hall behind. The sculptor, Andor Mészáros, was from Budapest but created much of his work in Melbourne. He also created works for Canterbury Cathedral in the UK and several carved stone sculptures for Sydney Hospital. The artwork was commissioned in 1959 through a widely publicised competition and installed in 1960. In addition to making sculptures, Mészáros was also renown as a creator of medallions. In 1951 he received 'the highest award' at the International Medallion Exhibition, Madrid and in 1964 he won the 'purchase prize' at the International Medallion Competition, Arezzo, Italy. From 1970 Mészáros worked with his younger son Michael, also a sculptor. In 2002, the City of Ballarat granted permission for Michael Mészáros to make a cast of the Ballarat Shakespeare artwork to create replica installed in Budapest. The Budapest installation commemorates Shakespeare's connection to the City and the achievements of Andor Mészáros. The artwork was unveiled by Mayor Arthur W. Nicholson. The statue was presented by L.F. North, general Manager of the Fidelity Trustee Company Limited, representing the late H.P. Stevens as one of the benefactors whose generosity enabled the Statue to be erected.The artwork is of aesthetic significance to the people of BallaratLarge bronze statue of William Shakespeare mounted on a stone plinthWilliam Shakespeare 1564-1616. Erected by benefactions from Harry Pearson Stevens who settled here 1855 and other Citizens unveiled by Arthur W. Nicholson J.P. Mayor.17.11.1960shakespeare, andor mészáros, civic hall, ballarat