The main reason for this brief history of the Soldiers Memorial Institute Military Museum (now Bendigo Military Museum) came about due to the cataloguing of the Soldiers Memorial Institute Building and the Bendigo RSL history as a section of the Cataloguing of the Museum collection. The Bendigo RSL has held occupancy of the SMI building since it was opened in 1921. The how and why the SMI became a Museum was not really documented as such in the minutes/records of the Bendigo RSL pre 1998 when the Museum opened to the Public. Any records were mainly “one Liners”. The coverage begins in 1993 with the Billiard room being turned into a “Drop in Centre” for RSL Members and a small Memorabilia display. The main theme is from 1997 to 2021 inclusive to cover 25 years and the 100th birthday of the SMI Building. Those years cover the build up from minimum to maximum, the first paid staff, renovations minor and major with closure, the first paid Curator and more paid staff, the big re opening and then the crash of Covid and losing the Curator and Staff, coming out of into uncertainty. The following 3 years 2022 - 2024 give a glimpse of that uncertainty but slowly gaining a Curator again. Post script is a a dot point brief of the main items. Part 1 - 1993 - Feb 1998. The early years. Part 2 - 1998 - 2002. Opening up and learning. Part 3 - 2003 - 2008. Sub Committee formed and moving forward. Part 4 - 2009 - 2014. Camera on the Somme, renovations and planning begins. Part 5 - 2015 - 2018. Changes begin, re development, closure and re opening. Part 6 - 2019 - 2021. A big year and the Covid crash. Part 7 - 2022 - 2024. Uncertainty and moving forward. Part 8 - Awards. Part 9 - Post script 2025 - 2026............. Appendices Volunteers Honour Roll (Those that have passed on) ………. Photos are a small selection of over 1,100 images. This history is for the Volunteers for without them there would not have been a Museum.Folder, 4 Binder A4 blue covers with plastic inserts, text is typed in red & black No 1 - 67 pages, 9 Parts plus a Postscript. 52 pages of photos up to 6 per page, 12 pages plans, sketches, 6 Museum newsletters from a total of 84, 6 pages of awards to Museum Volunteers, Museum Volunteers Honour roll, those who have passed on. These are added in where appropriate to the story.“Compiled and written by Peter Ball”brsl, smirsl, brief history, bmm

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Two medieval figures holding banners on bridge against castle. Trumpets to left and banners with words Ex Libris Unicornis on left banner and Trakai History Museum on right banner. triangular impress into bridge mid-lower centre of image.Trakai L-1 A/P T Alexaidrocha 2020.trakai history museum, keith wingrove memorial trust, australian bookplate design awards 2021, tatiana

Whitehorse Gazette article re Nunawading Historical Museum which features sporting memorabilia dating back to 1930 including Cardiff and Edinburgh Commonwealth Games. Photograph.gardiner, bob, keene, barbara, nunawading historical society, commonwealth games

This is the seat from the aeroplane of Basil Watson. Photographs held by the Warrnambool and District Historical Society confirm that this was Watson’s aeroplane seat. He was a pioneer aviator who had built his own plane which was 5.5 metres long with a wingspan of 8 metres. It had a 7-cylinder 50 HP rotary Gnome engine. Basil Watson flew this aircraft to Warrnambool in January 1917, becoming the first person to fly to Warrnambool, coming from Point Cook in one hour 55 minutes – an Australian cross-country flying record at that time. Watson amazed Warrnambool crowds with his dare-devil flying, looping the loop 14 times over the Warrnambool racecourse. He also brought with him the first aerial post to arrive in Warrnambool and the Warrnambool and District Historical Society has the letter he brought written by the Lord Mayor of Melbourne to the Mayor of Warrnambool. Two months after he was in Warrnambool Basil Watson was killed when his plane crashed near Point Cook in March 1917. Parts of the plane were salvaged and the seat was donated to the old Warrnambool Museum in 1918. It remained there until the museum was dismantled in the early 1960s and it was later passed over to the Warrnambool and District Historical Society. The tag on the seat today is an old Warrnambool Museum label. This is a most significant item as it is the original seat from the aeroplane of Basil Watson, an important early aviator in Australia’s history and it is also an early 20th century memento of the many treasures from the old Warrnambool Museum (1883-1963). The seat shows the primitive nature of early 20th century aeroplanes in Australia. This is a metal (galvanized iron) seat with a semi-circular base and a curved back stretching around from one end of the base to the other end. The back has a rolled metal edging on the base and the top. On the sides are two slots with a khaki-coloured cloth strap passing through the slots. This strap has a metal buckle at the end. The metal in the seat is somewhat blotched and discoloured. A luggage label is tied to one of the slots and has a name typed on it.Mr Watsonbasil watson, aviator, old warrnambool museum, history of warrnambool

Film shows the renovation works, both the interior and exterior, of the National Wool Centre being constructed in 1987-1988 in the Dennys Lascelles building on Moorabool Street, Geelong. On 1 August 1872 the CJ Dennys & Co Woolstore opened, adorning the corner of Moorabool and Brougham Streets, Geelong. At the time of opening, the basalt bluestone woolstore was the second largest store in Victoria. In 1988 the National Wool Centre was opened in the same building.Black VHS tape with white stickers and printed text. Tape is housed in a silver and black card case. Film includes colour footage and audio. Film runs for 02:40:24Label on tape: National Wool Centre. 87 / Progression Tape / Unedited Wild Footage / National Wool Centre. 1987 / GRC Developmental Progression Wild.film, national wool centre, national wool museum, bicentennial, building, construction, renovation, moorabool street, dennys lascelles wool store, museum history, labourers, working life

National Wool Museum promotional video. Shows two people coming into the museum and exploring the exhibitions, filmed in 1997.Black VHS tape with white stickers and hand written text. Tape is housed in a clear plastic case. Film includes colour footage and audio. 00:09 - titles "Golden Fleece" 00:14 - exterior view, National Wool Museum 00:20 - two people enter museum 00:25 - two people enter galleries and engage with exhibition displays 04:00 - end credits 00:49 - endfilm, wool processing, factory, mill, exhibitions, museum history, national wool museum, promotion, golden fleece, history, geelong

ill, maps, p.16. non-fiction A guide to the Steamtown Railway Museum in the locomotive depot at Carnforth in northern England.tourist railways and museums - great britain, steamtown railway museum - history

ill, maps, p.36. non-fiction A guide to the National Railway Museum in the old locomotive depot at York in northern England.tourist railways and museums - great britain, the national railway museum - history

A talk given by Patty Boxhall on 17 Aug 2019 at a WHS meeting about the history of museums and collections and the process relating to the donation of artifacts to the W.H.S.A talk given by Patty Boxhall on 17 Aug 2019 at a WHS meeting. museum, boxhall, patty, whitehorse historical society

Queenscliffe Maritime Museum historyQueenscliffe Maritime MuseumEarly black & white photos of the east elevation of Queenscliffe Maritime Museum, c1987.Reverse " NIL "queenscliffe maritime museum

Queenscliffe Maritime Museum historyQueenscliffe Maritime MuseumBlack & white/colour photos of the east elevation of the then Queenscliffe Maritime Centre, c1987.Reverse " NIL "queenscliffe maritime museum

Queenscliffe Maritime Museum historyQueenscliffe Maritime MuseumBlack & white/colour photos of the lifeboat QUEENSCLIFFE installed in the then Queenscliffe Maritime Centre, c1987.Reverse " NIL "queenscliffe maritime museum

For many years the Heywood Cheese Factory was an important part of life for Heywood and district farming and a vital place of employment for up to 40 men and 10 women. The factory opened in 1939 as a subsidiary of the Portland Butter Factory before becoming a world renowned cheese making enterprise. It was felt important to document its history from the surviving factory workers, including dairy suppliers and milk truck drivers. We hear their stories of the long hours and hard work without penalty rates, travelling unsealed roads and mixed with their humour of the bygone days is an important acknowledgement of that era. [blurb on back cover]This oral history provides significant material relating to the dairy industry in south west Victoria during the mid 20th century. The interviews give first-hand recollections of the interviewees involvement in the industry from a point of view of factory workers, milk pick-up drivers and farmers.Full colour DVD cover has photograph of Heywood Cheese factory and photographs of girls with calves, milk cans on a truck and workers in the cheese room, superimposed on a photograph of dairy cows grazing in a paddock. The DVD has the photograph of the cows grazing in the paddock.Heywood Cheese/An oral history on film (front) For many years Heywood Cheese Factory was ... [see historical information] Edited by Garry Kerr for the Heywood Pioneer Wagon Shed/ Museum History Group who wish to gratefully acknowledge the/ support of the Victorian Government and Public Records Office/ Victoria for making this project possible. Duration: 70 minutesallansford, heywood, cheese factories, cheese manufacturing, dairying, cheese

Members of the Geoffrey Kaye Museum of Anaesthetic History receive an award at the 2017 Victorian Museum Awards.melbourne, acmi, museums australia (victoria), awards, 2017, geoffrey kaye, geoffrey kaye museum, victorian museum awards, 2017

The City of Moorabbin Historical Society was formed c 1960 by a group of Moorabbin residents who were concerned that the history of the area should be preserved. A good response to a call for items related to the historical area of Moorabbin Shire brought donations of a wide variety of artefacts which are now preserved by the current members of CMHS at Box Cottage Museum . Helen Stanley, Secretary of CMHS, began producing a Newsletter for members in April 2007 to provide current information and well researched items of historical interest Helen Stanley has produced a bi-monthly Newsletter, 2007 - 2013, for the members of the City of Moorabbin Historical Society that contains well researched interesting historical items, notification of upcoming events, current advice from Royal Australian Historical Society , Museums Australia Victoria and activities of Local Historical Societies. The Newsletter is an important record of the activities of the CMHS The issue of Chinese migration was very inflamed and caused much distress to local market gardeners c1900. Issue 18 of the bi-monthly, City of Moorabbin Historical Society Newsletter produced by Society member and Secretary, Mrs Helen Stanley in August 2010. Notice re meeting august 29th. Items of Interest explain that volunteer Ronnie has completed The CMHS site on Vicnet, Dennis Maynard has built display benches for the Barn and repaired school desks, Mr Neil Follett has donated a photograph of the Tuck family and ‘Baydon Hill’ c1800, Trish Smythe, manager Kingston Library, has displayed Posters and Flyers about Box Cottage Museum, and 3 bridal gowns are now on display at Box Cottage. Robina Naughton has researched a photograph , 1906, of His Excellency Hwang Hon Cheng, Chinese Commissioner, donated by Frank and Lorna Thatcher. A copy of this photograph has been sent to Sophie Couchman, Curator of Museum Of Chinese History. Helen has compiled a 3 page history of Hwang Hon Cheng and the Chinese in Victoria 1840- 1906.CITY of MOORABBIN HISTORICAL SOCIETY / AUGUST 2010 NEWSLETTER city of moorabbin historical society, stanley helen, melbourne, moorabbin, brighton, cheltenham, ormond, bentleigh, mckinnon, kingston, clothing, bridal gowns, weddings, market gardeners, pioneers, early settlers, moorabbin shire, box cottage museum, city of moorabbin, box william, glen eira historical society, vicnet, brighton historical society, museum of chinese history, hwang hon cheng, follett neil, thatcher frank, thatcher lorna, smythe trish, city of kingston library, the grange, baydon hill, tuck family

A lorgnette, in essence, consists of a handle-mounted pair of spectacles. Lorgnettes, which preceded modern opera binoculars, were frequently seen at both theaters and operas during the 19th century. The term "lorgnette" is derived from the French word "lorgner," which means to discreetly observe or gaze. Prior to the 17th century, optical devices were mainly associated with men, however the creation of the lorgnette marked a significant shift as women started to play a more prominent role in the realm of eyewear. The lorgnette piqued women's curiosity and led to the development of various new designs, such as the "jealousy lorgnette." Furthermore, the lorgnette evolved beyond its initial function as a theater or opera accessory and transformed into a practical daily accessory. Initial versions of the lorgnette featured a handle without any joints. Subsequent iterations introduced a hinged handle, and by the 19th century, a spring mechanism was incorporated which enabled the lenses to fold neatly inside the handle, which also doubled as a protective case.The Burke Museum's collection of historical artifacts illuminates Beechworth's past by showcasing the town's social, cultural, and economic dimensions, contributing to a richer understanding of its social history.A pair of spectacles with a decorative handle attached.burke museum, social history, glasses, opera

Specific historical and contextual information pertaining to this object is unknown. There are no hallmarks or documentation to indicate provenance or historical significance. This coin purse appears to have a covering made of mother of pearl. Evidence of interest from over 20,000 years ago mark Aboriginal groups in Australia as some of the first people to value the power and beauty of pearlshell, while evidence of Australian pearlshell being taken across the sea to other countries dates back as early as the 1500s. The 1850s-60s saw the beginnings of the Australian pearling industry. Following the popularisation of plastic for items such as buttons the pearlshell market waned in the mid-twentieth century but was soon after began to re-forge in Australia with a new industry of cultured pearl farms. Most of Australian's pearling industry was initially located in Western Australia and off the Torres Strait Islands. The Australian War Memorial notes on their website that many tokens made from mother of pearl were sent home to loved ones throughout World Wars One and Two from the Middle East, England, the South West Pacific, Australia and elsewhere, but that unfortunately provenance such as the manufacture and sale of many of these items is not recorded.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A small rectangular purse with silver edging and half clasp, covered in white and cream coloured shell (mother of pearl?)A01154burke museum, social history, accessories, mother of pearl, nacre, australian industry

Stamp cases/holders began being produced in the late 19th century, commonly made of gold, wood, and silver. In this case, the item is made of sterling silver and has patterns and details etched into the metal sheets that make up the case. Sterling silver is the standard alloy used in jewellery and detailed metalworks with its physical properties making it maleable and corrosion resistant, therefore a favourable metal to work with both across many centuriesn the past and present. Stamp cases where popularised by James Allen of Birmingham who created and registered the stamp holders he made. As they gained popularity, it was common for stamp holders to consist of multiple compartments holding various small items such as matches, strikers and of course stamps. Metalwork and silverwork has been a prominent proffession and artform historically and socially for many years. There are many different types of metal work to specialise in and distinct patterns and inscriptions for identifying the provenance of the item. Hallmarking is this proccess of inscribing the item, and consissts of four main components (including assaying) which can indicate the date of creation. Unfortunately this item has no hallmark, therefore it is relatively unknown where, what, when and who created it.This item is of social and historic significance as it highlights the importance of preserving histoical items. This item display's the intricate and highly skilled trades of the past with a glimpse into the social and cultural aspects of the beechworths' history.A small, silver stamp holder with decorative details etched into the metal. It has a small loop on the left side of the case, indicating it could be connected and held by a chain or ring. A01145 (obejct number): A01145 [object number inside stamp case] / STERLING SILVER [inscription inside stamp case]metalwork, silver, silverware, sterling silver, stamp holder, stamp case, burke museum, social history, burke museum collection, beechworth

The exact creation of this Cigar Cutter is unknown, however the vintage nature and style of this cutter indicate that it was made in the early to mid 20th century. This cutter closely resembles the V-cut style of cigar cutter. These cutters are the most common type of cigar cutters and have been historically widely used. They cut a 'wedge' into the cigar cap rather than removing the whole cap like guillotine cutters do. This type of cut allows the smoker to get a deep cut into the V shaped cigar. Social history objects held in the Burke Museum help to tell the stories of Beechworth's past by showing the town's social, artistic and cultural community. This cutter shows significance through it's vintage artistic style and it's ability to show the social habits within Beechworth's history. A small bronze metallic cigar cutter with cigar insert on one side of the object and handle on the other side. A01152beechworth museum, cigar cutter, bronze, burke museum, social history

This mug commemorates the birth of Mary S. Edwards on February 3rd, 1857. The mug is one of four (within the collection) gifted to each of the Edwards children. 2. Wm I Edwards born may 5th 1859 3. Elizabth Edwards born on April 19th 1862. 4. Grace Edwards born on February 19th 1864. All mugs were used by the Edwards children during their lifetimes and were donated to the museum by Misses Illife and Bessie Edwards in 1979.These mugs are of local Ararat and District significant due to their age (over 150years old in 2011), the fact that compile a complete set of four from the same family, and the fact that the family has close ties with the Ararat district. Their condition is very good (minor chips) and this, along with their usage during the lifetime of the original owners, adds to their significance.Highly glazed white porcelain mug inscribed in gold gilding across the body, and decorated with same on the lip, base and handle. Some crackling of glaze. Brown wear marks on handle and around rim. Inscription in gold on the body of mug: "Mary S. Edwards / Born Feby 3rd1857".ararat, langi morgala, museum, social history, mug, children, edwards, 1857

Guide book for the museum, located within St Thomas'Hospital in London, which tells the story of Florence Nightingale's life and legacy, from her Victorian childhood to her work during the Crimean war and her efforts to professionalize nursing.Of significance to the AHNL as it contains information about an important figure in the history of nursungIllustrated stapled booklet with dark blue cover overprinted with multiple mid blue initials 'FN'.Also on the front cover is a coloured lithograph 'Florence Nighingale in the Military hospital at Scutari' by J A Benwell 1855. Title printed below this in white ink . On the front cover there is a square white sticker with dark blue circle '10 YEARS'[white ink]. and '1989-1999 FLORENCE NIGHTINGALE MUSEUM [dark blue ink] atound the circle. Previous catalogue number hadwitten [pencil] on title page.florence nightingale, florence nightingale museum, nursing history, nurses, nursing