Red hard covered booknon-fictionNothing is more striking to a European botanist visiting Victoria for the first time, than to find so many plants which he has long known as beautiful garden or greenhouse exotics.state school

The Native Flowers of Victoria Author: Edward Pescott Publisher: George Robertson & Co Date: 1914 Label on spine with handwritning in white ink reads RS 581.9945 PES Inside front cover has a sticker that reads Warrnambool Mechanics Institute and Free Library warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, edward pescott, the native flowers of victoria

Green hardcover book Edith B. Flockart from her father Christmas 1930edward edgar pescott, a j ewart, botany, the native flowers of victoria, wildflowers, flora, plants, herbert dickins, biodiversity

First Class certificate awarded to Burnley School of Horticulture for an exhibit of Native Flowers. Print includes coloured decoration of Wattle and blue bells. CANTERBURY & DISTRICT HORTICULTURAL SOCIETY (EMBLEM LOGO AND LATIN SALUS ET HORTI AFFINES ESTABLISHED 1913) CERTIFICATE FOR WILD FLOWERS EXHIBIT First Class Certificate Awarded to Burnley School of Horticulture for an exhibit of Native Flowers stages at Daffodil Show of the Society held on 3&4 September 1837 Signed R. First, President, Annie Butler, Secretary, DATE 3 & 4-9-37.exhibition, native flowers, daffodil show, annie butler, r. first, 1937

Green covered bookbooks, reference

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed print of 3 yellow 'button' flowers. art, artwork, jenny nolan, flora, nolan, print, printmaking

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed print of blue flowers.art, artwork, jenny nolan, nolan, flora, printmaking, print

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed print of flowers. art, artwork, jenny nolan, flora, nolan

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, jenny nolan, flora, available, print, printmaking

From Rosemary Cameron - This quilt has been made in 100% wool to celebrate the diversity, durability and beauty of pure wool, especially the lightweight cool wools. The woollen patches were kindly donated by Mr. David Jones, managing Director of Fletcher Jones and Staff which were pre-cut samples of European Fabrics in various weights, textures and colours. I had the task of creating a design around the fabrics available, some of which I only had to sample. I chose to surround my design with dark shades to encompass at the top of the quilt, the lightness of the sky and the trees, in the middle the warmth of summer, the dryness of central Australia and at the bottom the rick tones of Opals, our mineral wealth and the internal heart of earth. To add excitement and texture to this design I chose 31 Australian Wildflowers including all the Australian Floral Emblems, some unusual wildflowers and favourite small wildflowers. Twice life size, these flowers have been made of silk wool and cotton, embroidered, painted and beaded by our creative and talented Hamilton Quilters, their results are fantastic! The brilliance and timeless quality of these Australian Wildflowers intensify and complement the colours of the Wool Quilt. The Quilt was hand pieced and hand quilted at quilting bees. It has a woollen batting, binding and backing which was a delight to work with and very easy to quilt. The flowers were assembled and attached in small working bees. To the fifty-two Hamilton Quilters who have worked on this quilt for six months thank you for you hard work and creativity especially Joan H. Lyons for her time, enthusiasm and knowledge when difficulties arose. Joan M. Lyons has worked with me on various stages of this Quilt, her help and support has been tremendous. To my family who have tolerated scraps of wool and silk, photographs, wildflower books and specimens and drawings which have at times almost taken over our house, a year from ideas to completion, thank you for your support and help in many ways.Multi coloured patchwork quilt with native flowers protruding from centre in a diamond shape.Embroidered on back - "The Celebration Quilt" Made in 1990 by The Hamilton Quilters, Designed by Rosemary A.O. Cameron. Made of Pure Wool. Beryl Anderson, Joan Askew, Bett Basham, Marilyn Baulch, Rau Blaby, Pauline Boyd, Aileen Beckwith, Dorothy Beveridge, Ros Brommell, Rosemary Cameron, Gwen Cook, Anne Cordner, Kaylene Cowland, Elaine Denby, Barbara Dolman, Rosalie Duffield, Helen Fry, Glennys Gardner, Nola Gunning, Margaret Irvine, Bev Jeffrey, Emma Jensen, Betty Lacy, Helen Lampard, Joan H. Lyons, Joan M. Lyons, Elaine McDonald, Carole McEwan, Joy McLeod, Joyce McLeod, Mary May, Joan Mallinson, Susan Mason, Anne Menzel, Val Mills, Betty O’Brien, Di Pettigrew, Therese Read, Sherry Robertson, Lee Rowland, Irene Saddler, Nanette Templeton, Glenys Tindall, Liz Wallis, Ruth Walter, Marion Warburton. Alison Waterman, Pat Wilmot, Nola Malcolm, Ann Nicholls, Margaret Rowe, Jill Hillier.celebration, flowers, hamilton quilters, quilt, native flowers

A photo taken in the Halls Gap Hall at what is said to be one of the best of the early Flower Shows of native flowers. The first flower show was held in 1933 at the suggestion of local resident Jack Watson. Four years later head teacher Grant Greenwood suggested a show be held and due to its success it continues to this day (2010).The photo shows floral displays, arranged on tables along walls and in the centre of a room. There is a bench seat in front of the table in the centre of the room (right side of the photo). Photos and paintings can be seen on the wall on the left side of the photo. "One of the first flower shows Native Flowers Ida Stanton" hand written in pen on back of phto.events, wildflower show

A postcard which has been embellished with painted colouring (done by hand). The native flowers are Grevillea Dimorpha.A postcard of red native flowers & green foliage in a gilt vase. The colour of the postcard has been painted onto this original."Grevillea Dimorpha" and "NJS" written in blue pen on back. "Post Card; Correspondence; Address Only; Kodak; Ausralia" printed on back.natural history, flora

Slides scanned 6-Dec-2014. Not the photos as shown in the book "Place of Many Eagles".Seven slides of native plants and wild flowers taken along the Heathmont Railway Line c.1970

Cover and pages 265-267 from "The Australian Garden Lover" , Vol. 2, No. 7, Oct. 1926 describing Burnley. Also see B91.405 for photograph of front cover. Cover has 6 photographs The 4 bottom photographs used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 52 and also used in the Centennial Display mounted on board. The espaliered fruit tree was located in the old nursery trained by George Russ. Top right orchard spraying. Bottom left View of Pavilion showing Luffmann's pond and a Pinus radiata planted in the 1860's. Bottom right A.W. Jessep (Principal) and E.E. Pescott (Lecturer). outside Principal's Residence. E.B. Littlejohn. Article: "The Burnley Gardens. Instructional School Conducted by the Victorian Department of Agriculture. Horticulture as a profession for women." Part of article by "Correa" p 268 "Australian Native Flowers October Orchids." Correas was the pen-name of Jean Galbraith.the australian garden lover, journal, horticulture, women, profession, gardening, gardeners, horticulture as a profession for women, department of agriculture victoria, "correa", jean galbraith, orchids, native flowers

Made to protect clothing when doing domestic duties.Embroidered calico apron with scalloped edging across the bottom. Apron bound with red bias binding.Indigenous women (possibly Maori) in traditional dress amongst native flowersapron, women's clothing

Small green material folder with authorisation form inside.Wild Flowers and Native Plants Protection Act No. 3916 Authority for Mrs Florence Oswin Roberts of Cowes to require persons suspected of having offended against the Wild Flowers and Native Plants Protection Act 1930 to give his name and address and to deliver up any protected Wild Flower or Native plant in his possession. 24 November 1938. A Lind Minister of Forests Also on cover, hand written FU 7142 and indecipherable name. certificate, florence oswin roberts, edward the koala

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Floral tie with cream, red, green native flower design.On label - Woven & manufactured in Australia by "Tee-Dee" exclusively for the Australian Wool Corporation1992 barcelona olympics, uniform, tie, australian wool corporation

This Harmsworth Atlas and Gazetteer was inherited by one of the donors, a gift from her father who was Tasmanian.Large hard covered book with maps, charts and tables. The cover is green linen with green leather, gilt trimmed corners and decorative spine, It includes 500 maps and diagrams in colour, with commercial statistics and gazetteer index of 105,000 names. Jan 1908. Also inserted between the pages of the book were 2 folded sheets of waxed paper, each with carefully placed flowers pressed between them; native orchids and wattle. Published at Carmelite House, Carmelite Road, London flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, harmsworth atlas and gazetteer, atlas 1908, maps 1908, gazetteer 1908, book 1908, pressed australian native flowers, pressed wattle, pressed orchid

The Underdown family were early settlers on the Island, possibly in the 1890s. They lived in Reid Street, Rhyll. Name of donor is Ossie or Oswald Underdown.HistoricalLarge pale green sketch book with blank pages covered in native wildflower specimens and each page covered with transparent paper. a few pages of sketches at back of book. Completed in 1912Australian Sketch Bookdrawing book, wildflower collection, native flowers, oswald underdown

A photo of a floral display of native flowers. Display seems to be in a light coloured, woven basket.events, wildflower show

This is an example of a hand crafted item made to personalise and add aesthetic value to a home.A pressed dried native flower arrangement in a large oval frame of wood. It has a glass front. It is handmade.handcraft pressed-flowers picture

Christine Beehag, designer and embroiderer.This panel which is an original design in free motion machine embroidery, depicts two wattle birds in a bush setting with native flowers.embroidery, machine embroidery

Jean Fletcher EGV memberFramed picture of two stumpwork birds on brown branches in chain stitch. Leaves bullion stitched. Pink coloured native flowers worked in bullion stitch with pistol stitch as anchor.1980-2000, stumpwork

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.This item consists of a a collection of three circular plastic buttons mounted on a rectangular white card. Two large glossy black buttons feature hand-painted floral designs depicting native flowers from New Zealand. The smaller cream coloured button features a small hand painted brown Kiwi bird. Official Catalogue Entry: "Before our family holiday in 1991 in New Zealand, I made contact with other button collectors and we then visited them. Loma had commissioned a friend to paint the native national Kowhai flower on 2 black buttons for me. The little national Kiwi bird was a gift from a more recently acquired New Zealand friend Erin Titmus from Auckland. She comes over and stays with us every second year, to attend The Needlework Tool Collectors Association Conference, and brings me button treasures☺"sally hearn, button collections

RICHARD FORD, AUSTRALIAN ARTIST CONNECTED TO CLUNES, VICTORIA, AUSTRALIA FOR MUCH OF LIFE.1 FRAMED BLACK AND WHITE PHOTOGRAPH - KNIGHTING OF EDWARD FORD 1960 .2 FRAMED NATIVE FLOWERS STILL LIFE .3 FRAMED FLOWERS STILL LIFE .4 FRAMED POPPIES STILL LIFE.2.3.4 SIGNED: R FORDrichard ford, clunes artist, clunes teacher

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). The colours of this cloak refer to natural pink ochre and indigenous flowering plants on Wadawurrung Dja. The pink ochre is sourced by Deanne Gilson at Black Hill in Ballarat, Victoria. Men also made woven dilly bags to hold their possessions in. The basket making was an ongoing aspect of daily life for Wadawurrung people and often done in cooler months when the weather was too bad to go outside. Many women and family groups had their own style and techniques that were traded amongst other groups. Wadawurrung women had a particular stitch they used and incorporated elaborate symbols into the basket designs. Tammy Gilson’s weaving represents this stitch. This cloak pays homage to them and the changing seasons as they created, particularly the cooler months leading into the warmer season when several gum blossom flower. This cloak was worn once by artist Deanne Gilson at a formal opening at the Art Gallery of Ballarat in 2022. A Welcome to Country ceremony was performed while wearing it.Pink native flower in baskets motif on a pink background on outer cloak, pink and white diamond and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). The black swan cloak refers to the black swan of Geelong and Ballarat were the swan has had its own fight to survive during the early colonial years where white swans were introduced by colonisers and the black swan fought back as they do not naturally get along. The wave pattern is taken from a traditional shield pattern held in the Melbourne Museum, South Eastern archive collection of shields. The wave refers to the water and travelling across water to fish, hunt and survive. This cloak is about survival, water, and the swan living on the water. It also refers to a contemporary dance of Kunuwarra the black swan, which was performed by a group Wadawurrung women (including artist Deanne Gilson) for Tanderrum (Melbourne – Naarm) in 2016. The dance is available to watch on youtube.Black swan, heart motif with water design on outer cloak, female figure and red native flower design on lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, first nations art, wadawurrung dja

The annual report of Diamond Valley Community Support Inc. is presented in a calendar format. In this 2012 edition the calendar is illustrated with photographs of native flowers and plants.The annual report is a record of the activities and services of Diamond Valley Community Support Inc.28 pages. Colour illustrations. Annual report in calendar format. Illustrations of flowers and plants.diamond valley community support, annual report, calendars