Showing 164 items
matching ngurai-illam-wurrung
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Victorian Aboriginal Corporation for Languages
Book, John Tully, Djadja Wurrung language of Central Victoria : including place names, 1997
A dictionary of the Djadja Wurrung language including a short introduction with pronunciation and grammatical information. Includes Djadja Wurrung-English and English-Djadja Wurrung sections, and a section on Djadja Wurrung placenames.Maps, b&w illustrations, word listsdjadja wurrung, central victoria, mount franklin, mount tarrengower, mount kooyoora, mount moliagul, loddon river, dunolly, yuinhup, king tommy, place names, grammar -
Victorian Aboriginal Corporation for Languages
Book, Margaret Sholl, Djab wurrung : Living Museum of the West, 1996
Unpublished wordlist of body parts in Djab wurrung-English translation.word listsdjab wurrung, tjapwurong, wergaia, wemba wemba, djadjala, chaap wuurong, dawson -
Victorian Aboriginal Corporation for Languages
Book, Bain Attwood, 'My country' : a history of the Djadja Wurrung 1837-1864, 1999
A description of the invasion of Djadja Wurrung land in Central Victoria which began in the mid 1830s.maps, b&w illustrations, b&w photographsdjadja wurrung, dja dja wurrung, dja dja wrung aboriginal association, beembarmin, victorian pastoral leases, franklinford, fernihurst, edward parker, caroline morgan, thomas dunolly, cummeragunja, racial conflict, racism, victorian social history -
Victorian Aboriginal Corporation for Languages
Book, Alexandra Blaszak, Wurrung Wurrung Victorian Aboriginal languages resource kit, 2008
The Wurrung Wurrung Kit is designed to introduce students at all levels to the heritage of Aboriginal languages within the area now known as Victoria. The kit aims to: Create awareness of Victorian Aboriginal languages in the past and present. The kit is not designed for the teaching of languages, Develop students' understanding of the relationship between the languages and culture of Victorian Indigenous people, or Koories, Create awareness of the importance of language to indigenous communities today and to foster respect for these communities and their languages, Highlight the diversity within Aboriginal Victoria and Australia in terms of languages and culture, Provide resources for students and teachers that can be used either as a window into Aboriginal culture generally, or to complement a broader unit of work in indigenous studies. Resources for teachers Purpose of this kit Using this kit Terminology Pronunciation Facts about Aboriginal languages in Victoria Language and Aboriginal culture Revitalizatoin of Aboriginal languages Language Alive in the community Community protocols Understanding the Language Map VELS and Curriculum links Teaching Framework Resources and contacts Activities for students Animal names Colouring in Possum Koala Kangaroo Code breaker What do yo know? Concentration Sounds, spellings and symbols Kinship Different things, different words Koorie Garden Timeline Story of Victorian Languages Language on the Mission Role Play Traditional Owners Placenames Graffiti Wall Map References.maps, b&w photographs, b&w illustrations, colour illustrations, games, referenceswoiwurrung, boonwurrung, gunnai kurnai, djadjawurrung, wathaurong, keerraywoorroong, jardwadjali, wergaia, ladjiladji, taungurung, dhudhuroa, kulin -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Ellen José, Boon wurrung Blossom, 2008
The bluestone is laid on crushed yellow ochre sandstone, with the base encircled by indigenous flowering plants. Each rock represents one of the six clans that made up the Boon wurrung. For thousands of years, Boon wurrung women and children congregated in this area during special periods in spring and summer. The area was rich in seafood and had fresh water wells dotted around it. Among the Banksia trees that provided shelter, grew indigenous plants and flowers through which the women made garlands to wear in their hair.boon wurrung, blossom, sculpture, public art, indigenous, bayside indigenous coastal trail, ellen josé, ellen jose, bluestone, sandstone -
City of Whittlesea Art Collection
Painting - Gouache on paper, Mandy Nicholson, Djerri (Grub)
Born in Healesville, Many Nicholson is a Wurundjeri-willam (Wurundjeri-baluk patriline) artist and Traditional Custodian of Melbourne and surrounds. Mandy also has connections to the Dja Dja wurrung and Ngurai illam wurrung language groups of the Central/Eastern Kulin Nation on her fathers side and German on her mothers.wurundjeri, aboriginal, kulin -
City of Whittlesea Art Collection
Painting - Gouache on paper, Mandy Nicholson, Yan Yean and Mernda
Born in Healesville, Many Nicholson is a Wurundjeri-willam (Wurundjeri-baluk patriline) artist and Traditional Custodian of Melbourne and surrounds. Mandy also has connections to the Dja Dja wurrung and Ngurai illam wurrung language groups of the Central/Eastern Kulin Nation on her fathers side and German on her mothers.wurundjeri, aboriginal, kulin -
Koorie Heritage Trust
Book, Blazak, Alexandra, Wurrung wurrung Victorian Aboriginal Languages Resource Kit, 2008
A resource kit for teachers of Aboriginal languages. "Wurrung Wurrung is a teaching and learning kit for Indigenous and non-Indigenous students and teachers at primary and secondary level. The kit contains photocopiable activity sheets and resources for studies in cultural awarness through language." -- Publisher's website. "The Wurrung Wurrung Kit is designed to introduce students at all levels to the heritage of Aboriginal languages within the area now known as Victoria. The kit aims to: Create awareness of Victorian Aboriginal languages in the past and present. The kit is not designed for the teaching of languages, Develop students' understanding of the relationship between the languages and culture of Victorian Indigenous people, or Koories, Create awareness of the importance of language to indigenous communities today and to foster respect for these communities and their languages, Highlight the diversity within Aboriginal Victoria and Australia in terms of languages and culture, Provide resources for students and teachers that can be used either as a window into Aboriginal culture generally, or to complement a broader unit of work in indigenous studies."--P. 5.5-51 P.; maps; charts; refs.; ports,; ill,A resource kit for teachers of Aboriginal languages. "Wurrung Wurrung is a teaching and learning kit for Indigenous and non-Indigenous students and teachers at primary and secondary level. The kit contains photocopiable activity sheets and resources for studies in cultural awarness through language." -- Publisher's website. "The Wurrung Wurrung Kit is designed to introduce students at all levels to the heritage of Aboriginal languages within the area now known as Victoria. The kit aims to: Create awareness of Victorian Aboriginal languages in the past and present. The kit is not designed for the teaching of languages, Develop students' understanding of the relationship between the languages and culture of Victorian Indigenous people, or Koories, Create awareness of the importance of language to indigenous communities today and to foster respect for these communities and their languages, Highlight the diversity within Aboriginal Victoria and Australia in terms of languages and culture, Provide resources for students and teachers that can be used either as a window into Aboriginal culture generally, or to complement a broader unit of work in indigenous studies."--P. 5.aboriginal australians -- victoria -- languages -- study and teaching. | aboriginal australians -- civilization -- study and teaching. | victoria -- civilization -- study and teaching. | -
The Beechworth Burke Museum
Ceremonial object - Message Sticks, Dja Dja Wurrung
These Message Sticks acknowledge the return of Dja Dja Wurrung Cultural material held by the Burke Museum. The Burke Museum is the current custodian of a significant collection of First Peoples’ cultural material from across South-Eastern Australia. These objects were sold to the Museum by Reynold Everly Johns in 1868. We recognise the harm caused by dispossession of cultural material, and by any inappropriate display and interpretation of this collection over the past 150 years. The Burke Museum is continuing to build relationships and collaborate with traditional owners, Aboriginal communities and the museum sector to ensure culturally appropriate outcomes for the collection, including repatriation of objects to communities of origin. Message sticks are a form of communication between Aboriginal nations, clans and language groups even within clans. Traditional message sticks were made and crafted from wood and were generally small and easy to carry (between 10 and 20 cm). They were carved, incised and painted with symbols and decorative designs conveying messages and information. Some were prepared hastily, like you might create a note left on a friend’s desk or a quick text message; others were prepared with more time to make the markings neat and ornate. There were always marks that were distinctive to the particular group or nation sending the message and often marks identifying the relationship of the carrier to their group. This way it could be identified and authenticated by neighboring groups and by translators when the message stick was taken long distances. Two solid cylindrical shaped pieces of wood bound together with black, red and yellow string. Each stick has etchings with angular lines and dots. dja dja wurrung, message sticks, burke museum, beechworth, beechworth museum, repatriation, reynold everly johns -
Clunes Museum
Map, DJA DJA WARRUNG RECOGNITION AND SETTLEMENT AGREEMENT AREA, 2013
MAP DJA DJA WURRUNG RECOGNITION AND SETTLEMENT AGREEMENT AREACOLOUR PRINTED MAP LAMINATED. SHOWING THE DJA DJA WURRUNG RECOGNITION AND SETTLEMENT AGREEMENT AREA SUBJECT TO RECOGNITION AND SETTMENT AGREEMENT 2013dja dja wurrung -
Phillip Island and District Historical Society Inc.
Book, WHITEHEAD, Jo, Wadda Wurrung People : did you know?, 2013
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Horsham Regional Art Gallery
Photograph, Steven RHALL, Former site of circus (Dja Dja Wurrung, Castlemaine), 2012
Purchased through the Horsham Art Gallery Trust Fund, 2013 -
Victorian Aboriginal Corporation for Languages
Book, Mandy Thomas, Wurundjeri (Woi wurrung) : cultural resource kit, 2012
Aimed at primary aged children, contains stories, activities and information to assist in education the young person.games, colour illustrationswurundjeri, woi wurrung, stories, activities for children, educational resources, possum skin cloaks, primary school education -
Victorian Aboriginal Corporation for Languages
Book, Ian D Clark et al, The restoration of Jardwadjali and Djab wurrung names for rock art sites and landscape features in and around the Grampians National Park : a submission to the Victorian Place Names Committee, 1990
Lists each site and gives details.maps, word listsjardwadjali, djab wurrung, djabwurrung, rock art, grampians national park, gariwerd, major thomas l mitchell, aboriginal place names -
Victorian Aboriginal Corporation for Languages
Book, Margaret Sholl, Djab Wurrung : Living Museum of the West : 16/04/1996, 1996
word lists, tablesdjab wurrung, djabwurrung, wembawemba, wemba wemba, wergaia, luise hercus, robert brough smyth -
Victorian Aboriginal Corporation for Languages
Book, Margaret Sholl, Djab Wurrung : Living Museum of the West : 10/07/1996, 1996
word lists, tablesdjab wurrung, wembawemba, wemba wemba, wergaia, djadja wurrung, chaap wurrong, wimmera, dawson, grammar -
Koorie Heritage Trust
Book, Baluk Arts et al, Baluk Wurrung stories from the Aboriginal people in South East Melbourne, 2011
Life histories of Aboriginal people living in and near Melbourne.103 P. photographs.Life histories of Aboriginal people living in and near Melbourne.life histories -- aboriginals, melbourne area. -
Ballarat Heritage Services
Book, Dja Dja Wurrung Dhelkunya Dja Country Plan, 2014-2034
non-fictiondja dja wurrung, dhelkunya, cultural heritage, bushtucker, medicine, rivers, waterways, self-determination, joint management, crown land, trent nelson, graham atkinson, native title, traditional owners -
Ballarat Heritage Services
Book, Dhelkunya Dja Joint Management Plan for the Dja Dja Wurrung Parks: Strategy, 2018
non-fictiondja dja wurrung, dhelkunya, cultural heritage, bushtucker, medicine, rivers, waterways, self-determination, joint management, crown land, native title, traditional owners, language -
Clunes Museum
Book, BAIN ATTWOOD, THE GOOD COUNTRY
DJADJA WURRUNG, ABORIGINAL AUSTRALIANS VICTORIA HISTORYSOFT COVER BOOK, COLOURED FRONT WITH IMAGES OF ABORIGINALS ON FRONT COVER ON A RED COLOURED BACKGROUND 225 PAGES THE DJADJA WURRUNG, THE SETTLERS AND PROTECTORS INCLUDES BIBLIOGRAPHICAL REFERENCES AND INDEX. non-fictionDJADJA WURRUNG, ABORIGINAL AUSTRALIANS VICTORIA HISTORYfirst nations, djadja wurrung -
Camperdown & District Historical Society
Photograph - Aboriginal people at Mt Leura, Camperdown, c1875
Three Djargurd Wurrung people on Country, pictured in front of Mt Leura, Camperdown c1875. This image also shows early primitive dwellings, Ower's flour mill (built 1868) and surviving native vegetation. Image of three Djargurd Wurrung people seated in front of Mt Leura, Camperdown, taken near corner of Scott and Curdie Streets c1875. On back: Early 1870s, Bought at first land sale Cr Scott & Curdie St, F.H. Grant, 11 Adeney Streetcdhs, djargurdwurrung, wombeetch puyuun, camperdown george, prince charlie, mount leura, mount sugarloaf, mt sugarloaf, ower's mill, cdhsfirstnations -
Victorian Aboriginal Corporation for Languages
Book, James Dawson, Australian Aborigines : the languages and customs of several tribes of Aborigines in the western district of Victoria, Australia, 1881
A comprehensive vocabulary of Western District languages Djab Wurrung, Peek Woorong and Dhauwurd Wurrung. Includes a vocabulary of birds and reptiles, and relationship terms for each language.word lists, b&w photographswestern district, chaap wuurong, djab wurrung, peek whuurong, peek woorong, kuurn kopan noot, dhauwurd wurrung, birds, reptiles, relationship terms -
Monbulk RSL Sub Branch
Book, Affirm Press, Sons of war : astonishing stories of under-age Australian soldiers who fought in the Second World War, 2022
In the Second World War, thousands of Australian boys lied about their age and volunteered for a war the scale of which they could never have imagined. Like many of their fathers in the Great War, they went with their eyes wide shut: under-trained, under-equipped and under-age. Some were as young as thirteen - too young even to shave. Many did not grow old; others came back broken. A handful are still alive to tell their tales. This extraordinary book captures the bold and untold stories of forty Australian children who fought in the deadliest war in history. Follow these boys through Libya and Palestine, Greece and Crete, to the jungles of Malaya, Papua New Guinea and Borneo, fighting for their lives, their country, their mates. Many of the photographs have never been seen. Haunting images of youths in training camps and behind the lines stand beside moving portraits of old men who have not forgotten.Index, ill, ,maps, p.380.non-fictionIn the Second World War, thousands of Australian boys lied about their age and volunteered for a war the scale of which they could never have imagined. Like many of their fathers in the Great War, they went with their eyes wide shut: under-trained, under-equipped and under-age. Some were as young as thirteen - too young even to shave. Many did not grow old; others came back broken. A handful are still alive to tell their tales. This extraordinary book captures the bold and untold stories of forty Australian children who fought in the deadliest war in history. Follow these boys through Libya and Palestine, Greece and Crete, to the jungles of Malaya, Papua New Guinea and Borneo, fighting for their lives, their country, their mates. Many of the photographs have never been seen. Haunting images of youths in training camps and behind the lines stand beside moving portraits of old men who have not forgotten.world war 1939-1945 - australia - under age soldiers, world war 1939-1945 - personal narratives - australia -
Thompson's Foundry Band Inc. (Castlemaine)
Work on paper - Sheet Music, Pip Avent, Majestic Fanfare, 2019
Sheet Music For Brass Band instruments in Bb and EbABC News Themeabc tv, castlemaine state festival, charles williams -
Federation University Historical Collection
Booklet, Federation University Stretch Action Plan (RAP) June 2019-June 2022, 2019
41 page booklet with the front cover featuring the work of JoSh Muir (Yorta Yorta, Gunditjmara and Barkinjl) and Shanaya Sheridan (Yorta Yorta, Dja Dja Wurrung and Boon Wurrung).reconciliation action plan, josh muir, shanaya sheridan, geoff lord, bryan powell, kelly haseloff, peter lovett, helen bartlett, george fong, paul hemming, nicholas johnson, jasmine graham, uncle dennis, eileen harrison, gnarrwirring karung, emma milliken -
Victorian Aboriginal Corporation for Languages
Book, Shirley W Wiencke, When the wattles bloom again : the life and times of William Barak, last chief of the Yarra Yarra tribe, 1984
Biography of William Barak, including cultural notes on the Woi wurrung Wurundjeri people.colour photographs, b&w illustrations, document reproductionswoi wurrung, william barak, yarra yarra -
Kew Historical Society Inc
Photograph - Wurundjeri People at Studley Park, before 1855
The Wurundjeri Woi Wurrung People were the original owners of the land on which the City of Boroondara is now located. They made active use of the Yarra for food and transport [an original canoe is held in the collection of the Melbourne Museum]. From 1863, members of the Wurundjeri Woi Wurrung were resettled at the Corranderrk Aboriginal reserve at Healesville. The [now] best known member of the Wurundjeri People was William Barak, who may be pictured here.If the attribution in the annotation is correct, then this may be the earliest photograph of members of the Wurundjeri People at Kew. The photo may be unique.Hand tinted photograph on mounting card of members of the Wurundjeri Woi Wurrung on the banks of the River Yarra, allegedly at Studley Park before 1855 [according to the annotation on the reverse] The photograph of the river and its near and far banks includes two boats on the river, a row boat and a canoe, and people standing on the near bank or seated on the branch of a tree. In addition to men and women of the Wurundjeri People, there appears to be two Europeans pictured, one wearing a hat and the other standing at right. Annotations on the reverse identify a [possible] location and date. [Size: Mount 140 x 215mm | Photograph 125 x 190mm]Various hands and dates: "Original lead pencil lettering Studley Yarra Yarra / Yarra Yarra Studley / Studley (Park?) / Note aboriginals in a bark canoe / Prior 1855 / Very early photo Yarra River originally known as the Yarra Yarra / [illegible part word in ink]".wurundjeri woi wurrung, yarra river, aboriginal and torres straight islander -
Bendigo Historical Society Inc.
Book - DJADJA WURRUNG LANGUAGE OF CENTRAL VICTORIA INCLUDING PLACE NAMES, 1997
Dadja wurrung language of central victoria 92 pages with photos, illustrations and maps. Published in Maryborough Victoria.John Tullyaboriginal, language, djadja wurrung, djadja wurrung, aboriginal language, bendigo aborigine -
Port Melbourne Historical & Preservation Society
Book, Meyer Eidelson, "Yalukit Willam - The River People of Port Phillip", Feb 2015
Written as part of the City's reconciliation program and with the assistance of Carolyn Briggs over a two year program."Yalukit Willam - The River People of Port Phillip" by Meyer Eidelson: illustrated soft cover, 99 pages plus fold out map at back cover is WFE Liardet watercolour of Emerald Hill corroboree and history of Koori activity pre and during European occupationSigned IFC by author, and Carolyn Briggs, Boon Wurrung Foundation, "yours with respect"australian aborigines, parks and gardens, natural environment, meyer eidelson, carolyn briggs, derrimut, yalukit willam clan, boon wurrung, kulin nation, bunjil, george robinson, ben bow, louisa briggs, wilbraham frederick evelyn liardet, wfe liardet, josephine liardet, emerald hill, william buckley, kurburu (the bear) -
Yarra City Council
Artwork, other - Mural, Ky-ya Nicholson-Ward, Aboriginal Lives Matter, 2021
"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country