The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan

"Sure as Night Follows Day" by Jan Irvine-Nealie, 1995.masters of technique: creators on cloth - exhibition (15/06/2001 - 22/07/2001) expressions 2000: the wool quilt prize - exhibition (16/09/2000 - 04/02/2001) highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001)

Scan of a ticket for Gem Pictures Empire Day Grand Picture Night.theatre, film, entertainment, gem, rash, gem pictures, ticket, empire day, r. wall, h.j. christian

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Tales of Day and Night Author: Guy de Maupassant Translated by Marjorie Laurie Publisher: T Werner Laurie Ltd Date: 1951Label on spine cover with typed text PAT 843.8 MAU Pastedown front endpaper has sticker from Warrnambool Children’s Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Servicewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, tales of day and night, guy de maupassant, marjorie laurie

Worst dust storm on record for Melbourne occurred at 2.55 pm on 8 February 1983. Visibility was 100m or less in city streets and the temperature was a record high for February of 43.2 degrees.Newsprint, 2p.The Sun News-Pictorialdust storm, melbourne

May be associated with Henry Lawson and his time spent at Mallacoota,Two copies of an article clipped from the Eden Magnet of March 28 1910. It is about a ship called the Sydney Eden Allan ( S.E.A.) and its arrival at Mallacoota Bar. mallacoota eden-magnet

An Hawaiian music and dance ensemble who toured Australia at different periods 1911 - 1930Paper program for an entertainment from Hawaii the Land of Flowers and Song performed at the Athenaeum Theatre commencing Boxing Day December 26 1924; coloured cover - yellow; 16 p. includes articles about the film, the actors and advertisementsathenaeum theatre, program, programme, music theatre, a night in honolulu, frank talbot, carroll, kaai's hawaiian troubadours

This work was exhibited at 'Stories from Kitty's Lead Road' at Chiara Goya Gallery in 1999. Of the exhibition Ros Lawson explained: "Beyond the city, before the outback, lies a little-explored , unfashionable space - the "bushland" of suburbia. I explore this landscape of tension between nature and human settlement. It is the activities that occur within the lanscape that are of interest: animal husbandry, feral animals, nature walks, star gazing and more mythic qualities of the area. Within these themes lie the reflections of the artist I regard to the erfurbishment of the landscape and the desire to observe, classify and make significant in order to preserve nature."Rosalind LAWSON (11 January 1948 - ) Born Ballarat, Victoria Rosalind Lawson has spent much of her career working in rural environements, in Australia and Ireland. She has exhibited widely, and in 1997 won the Broken Hill Outback Art Prize. She holds a Master of Fine Art from R.M.I.T. (1995), a Diploma of Fine Art from R.M.I.T, A Diploma of Physical Education, from the University of Melbourne, and a Trained Teachers' Certificate from Melbourne Secondary Teachers' College . Between 1989 and 2012 Ros Lawson Lecturered in painting, drawing, papermaking, and was a tutor in Art History at the University of Ballarat Arts Academy (now Federation University). Her studio practice includes painting, drawing and paper art using handmade paper. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, rosalind lawson, lawson, ros lawson, birds

This magazine is part of a collection of yearly marketing magazines promoting Falls Creek ski region. These include magazines for summer and winter programs.This item documents a range of activities and facilities available at Falls Creek Alpine Resort.Magazine containing information and images for 1987 winter holidays. skiing, ski, falls creek, victoria, school holidays, winter, snow, winter sport, 1990s, marketing, graphic design

The discovery of the first telescope in 1608 can be attributed to Hans Lippershey of the Netherlands when he discovers that holding two lenses up some distance apart bring objects closer. He applies for a patent on his invention and this becomes the first documented creation of a telescope. Then in 1668, Newton produces the first successful reflecting telescope using a two-inch diameter concave spherical mirror. This opened the door to magnifying objects millions of times far beyond what could ever be obtained with a lens. It wasn’t until 1729 that Chester Moor Hall develops an achromatic lens (two pieces of glass with different indices of light refraction combined produce a lens that can focus colours to almost an exact point resulting in much sharper images but still with some distortion around the edges of the image. Then in 1729 Scottish instrument maker James Short invents the first parabolic and elliptic, distortion-less mirror ideal for reflecting telescopes. We now come to John Dollond who improves upon the achromatic objective lens by placing a concave flint glass lens between two convex crown glass lenses. This had the effect of improving the image considerably. Makers Information: John Dollond (1707-1761) London England he was a maker of optical and astronomical instruments who developed an achromatic (non-colour distorting) refracting telescope and practical heliometer. A telescope that used a divided lens to measure the Sun’s diameter and the angles between celestial bodies. The son of a Huguenot refugees Dollond learned the family trade of silk weaving. He became proficient in optics and astronomy and in 1752 his eldest son, Peter joined his father in an optical business, in 1753 he introduced the heliometer. In the same year, he also took out a patent on his new lenses. He was elected a fellow of the Royal Society in May 1761 but died suddenly in November and his share in the patent passed to his son Peter. In subsequent squabbles between Peter and the many London opticians who challenged his patent, Peter’s consistent position was that, whatever precedents there may have been to his achromatic lenses, his father had independently reached his practical technique on the basis of his theoretical command of Newtonian optics. As a result of maintaining his fathers patent, Dollond s became the leading manufacturer of optical instruments. For a time in the eighteenth and nineteenth century the word 'Dollond' was almost a generic term for telescope rather like 'Hoover; is to vacuum cleaner. Genuine Dollond telescopes were considered to be amongst the best. Peter Dollond (1731-1820) was the business brain behind the company which he founded in Vine Street, Spitalfields in 1750 and in 1752 moved the business to the Strand London. The Dollonds seem to have made both types of telescopes (reflecting and refracting), possessing the technology to produce significant numbers of lenses free of chromatic aberration for refracting telescopes. A Dollond telescope sailed with Captain Cook in 1769 on his voyage to observe the Transit of Venus. Thomas Jefferson and Admiral Lord Nelson were also customers of the Dollonds. Dollond & Co merged with Aitchison & Co in 1927 to form Dollond & Aitchison, the well-known high street chain of opticians, now fully part of Boots Opticians. They no longer manufacture but are exclusively a retail operation.    John Dollond's experiments in optics and how different combinations of lenses refract light and colour gave a better understanding of the divergent properties of lenses. That went on to inform and pave the way for the improvement of our understanding of optics that are represented today. Dollond was referred to in his time as the "Father of practical optics" as a leader in his field he received many prestigious awards. The telescope in the collection is a good example of one of Dollonds early library telescopes and its connection with one of England's 18th-century pioneers in optical development is in itself a significant and an important item to have within the collection. Telescope: one tube ships Day and Night telescope, with a brass inner tube and a timber main tube covered in leather. Made in 1869 by Dolland, London."Dolland London" "Day or Night" "Royal National Life Boat Institution" "1869"flagstaff hill, shipwreck coast, warrnambool, maritime museum, maritime village, telescope, dolland, night and day, royal national life boat instution

This Day or Night telescope, made by John Dollond, was designed for use in a range of lighting conditions, as its name suggests. Telescopes are optical instruments that make distant objects appear larger and closer, thereby extending the range of what the human eye can observe. The development of the telescope was gradual, shaped by a series of important advances in optical science. In 1608, the Dutch spectacle-maker Hans Lippershey discovered that when two lenses were held apart in a particular way, distant objects appeared closer. He applied for a patent for this invention, creating the first documented telescope. In 1668, Isaac Newton produced the first successful reflecting telescope, using a two-inch concave spherical mirror. This marked a major step forward, demonstrating that mirrors could overcome some of the limitations of lenses and greatly improve magnification. Further progress followed in the eighteenth century. In 1729, Chester Moor Hall developed the achromatic lens by combining two types of glass with different refractive properties. This reduced colour distortion and produced a sharper image, although some edge distortion remained. That same year, the Scottish instrument maker James Short developed parabolic and elliptical mirrors that were better suited to reflecting telescopes because they reduced optical distortion. Building on these advances, John Dollond improved the achromatic objective lens by placing a concave flint-glass lens between two convex crown-glass lenses, considerably enhancing image quality. Maker’s information. John Dollond (1707–1761), of London, was a maker of optical, scientific and astronomical instruments best known for developing the achromatic refracting telescope. He also introduced a practical heliometer, a telescope fitted with a divided lens that could be used to measure the Sun’s diameter and the angular distance between celestial bodies. The son of Huguenot refugees, Dollond first learned the family trade of silk weaving before turning his attention to optics and astronomy, in which he became highly skilled. In 1753, Dollond patented his improved lenses, the same year he had introduced the heliometer. In 1761, John Dollond was appointed as optician to George III and the Duke of York. He was also elected a Fellow of the Royal Society in May 1761, but died suddenly later that year in November. His share of the patent then passed to his eldest son, Peter. In later disputes between Peter Dollond and rival London opticians who challenged the patent, Peter consistently argued that, whatever earlier precedents may have existed, his father had independently developed a practical method for producing achromatic lenses through his command of Newtonian optics. By successfully defending the patent, the Dollond firm became one of the leading manufacturers of optical instruments. During the eighteenth and nineteenth centuries, the name ‘Dollond’ was at times used almost generically to mean ‘telescope,’ reflecting the firm’s reputation. Genuine Dollond telescopes were regarded as among the finest available. Peter Dollond (1731–1820) was the driving force behind the family business. He had founded a small optical business in 1750 on Vine Street, Halton Garden, with his father's guidance. The success of the business led to his father joining him in partnership in 1752. In 1959, J Dollond and Son opened a shop on The Strand, London. Dollonds appear to have produced both reflecting and refracting telescopes, and they possessed the technical skill to manufacture significant numbers of lenses largely free from chromatic aberration. In 1766, Peter went into partnership with his younger brother, John, and they traded under the name P and J Dollond. They supplied optical instruments for Captain Cook and George Hadley, an English lawyer and Meteorologist. In 1769, Captain Cook travelled with a Dollond telescope on the voyage to observe the Transit of Venus. Other notable customers included Thomas Jefferson and Admiral Lord Nelson. In 1781, Peter Dollond made bifocal spectacles. In 1804, young John Dollond passed away. The following year, Peter Dollond went into partnership with his nephew, George Huggins, and Huggins legally changed his surname to Dollond, and the firm remained P and J Dollond. In the early 20th century, the company sold film cameras. The firm remained in the hands of Dollond family members until 1927, when Dollond & Co. merged with James Aitchison & Co. to form Dollond & Aitchison, the well-known high street chain of opticians, which continued making and selling prescription spectacles. Now fully part of Boots Opticians, the company no longer manufactures instruments and operates exclusively as a retail business. The telescope in the collection is an excellent example of one of Dollond’s early library telescopes. Its association with one of eighteenth-century England’s leading innovators in optical development gives it considerable historical significance and makes it an important object within the collection. John Dollond’s experiments in optics advanced the understanding of the divergent properties of lenses and made a lasting contribution to the development of practical optical science. His work helped lay the foundation for major improvements in the design and performance of optical instruments. In his own time, Dollond was celebrated as the “Father of practical optics” and received widespread recognition for his achievements in the field. Dollond telescopes were associated with the renowned mariners, Captain James Cook and Admiral Lord Nelson Telescope: Dollond's Telescope, Day or Night model navigational instrument. Telescope is mounted on wooden tripod stand that has folding legs. Brass telescope with leather sheath over barrel, adjustable angle fitting with brass wing nuts that join the legs to the top frame, which is then joined to the telescope pole by an adjustable screw fitting. Manufactured by Dollond, London. Inscription reads "Dollond London, Day or Night" and "DOLLOND LONDON"flagstaff hill maritime museum and village, maritime museum, maritime village, great ocean road, warrnambool, optical instrument, achromatic telescope, heliometer, light refraction, instrument maker, lens, transit of venus, astronomical telescope, concave lens, scientific instrument, navigation, navigational instrument, astronomy, dollond, dollond london, john dollond, peter dollond, dollond telescope, day or night telescope, floor-standing telescope, library telescope, hans lippershey, isaac newton, chester moor hall, james short, captain cook, thomas jefferson, admiral lord nelson, dollond & co, aitchison & co, dollond & aitchison, boots opticians, george iii, duke of york, george huggins, george dollond, p and j dollond, j dollond and son, spectacles, cameras

Brass telescope painted redT. Harris & Son, London. Improved day or night

BOXED MALE URINAL WITH WAISTBAND, FOR DAY AND NIGHT USElocal history, medicine, medical appliance, hospital, clunes

This article was published on March 28th 1910 when Henry Lawson spent some time in a bush camp at Mallacoota, set up E.J. Brady who later recalled Lawson's visit, "We were in our first camp on Captain's Point, living like gipsies. The fishing was good, the shooting was good and a temporary solving of the economic problem had left one free to write when and what one liked - in blessed literary emancipation and far enough from all that vulgar, strident condition that is miscalled 'modern civilization'". The article describes an event that took place on March 6 and is attributed to Henry Lawson.This item is a contemporary record of the writing of Henry Lawson, one of Australia's best known poets.A newspaper clipping from the Eden Magnet. It is titled "A Day at Mallacoota (And A Night Too).handwritten at top - March 28th, 1910 below title -11/3/6newspaper-clipping-eden-magnet lawson-henry-mallacoota

Bomber jacket in black outer material. Beige coloured, silky lining. Home made. Zippered front with colourful embroidery on both sleeves. Dragons on both sleeves; a tiger on the right front & a map of Vietnam, 66-67 on the back.Embroidery - "Fighters by Day, Lovers by Night; Drunkards by choice." Viet-Nam 66-67.bomber jacket

RAAF Training, Luftwaffe, RAAF N. Africa, Russia, Italy, Night & Day Bombing Germany, ACESphoto

Standing pendulum clock with painted beehive decoration below clock face. Polished wooden case with metal trim. Opening front face with Roman numerals. Key with decorated handleOn inside back - 'Oct. Prize Night Day Striking' Also sundry instructions and advertisements. Handwritten '1880'horology, clocks

A part of a yearly marketing magazine program promoting Falls Creek ski region for the winter holidays. It includes 24 pages of detailed information and maps describing resort facilities, different runs and access to the snow. Available accommodation is explained with the inclusion of tariffs for 25 different venues in both lodges and apartments for 1988. Transport, ski hire, other village services and insurance and booking agents are also explained. This item is important as it documents seasonal activities at Falls Creek Alpine ResortMagazine titled "Falls Creek Resort - Ski All Day ....Party At Night". It contains 24 pages of images, information, maps and advertising.falls creek marketing, falls creek 1988, falls creek advertising

This card is one that was given to those who were designated to hold the tassels of the pall at a funeral conducted by Beattie and Phillips of Warrnambool. A pall was a cloth used to cover a casket or coffin at a funeral. The pall often had four or more tassels on the edges and these people, usually men, would hold the tassels when the coffin was being carried into the church and out of the church. The pall was removed before burial. It was also in some services unfolded and folded in a ceremonial manner when it was placed on the coffin and when it was removed. Other men would have been designated as pallbearers to carry the coffin to and from the church. The firm of Beattie and Phillips was commenced in Warrnambool in the 1860s, by Christopher Beattie and Henry Phillips, initially in Koroit Street and after 1928 in Fairy Street. James Beattie, the son of Christopher, was the proprietor from 1896 to 1945 when James Leahy took over but traded for some years as Beattie and Phillips. The business was sold in 2000 and an undertaking business still operates from the same premises. The other two cards relate to part of the main mourning party who would have been allocated seats in the funeral vehicles These are very interesting cards as it is a great example of funeral practices 70 to 80 years ago. The practices may in many cases be the same today but cards such as these are no longer in use. It is also important as items connected with Beattie and Phillips, one of the two best-known undertaking businesses in Warrnambool’s history.This are three small buff-coloured lightweight cards given to those at funerals who were designated p[laces or parts in the service. (.1)to hold the tassel ends of the pall covering the coffin, .2 Seating in second coach .3 Seating in third coach The card has black printed material on both sides and a band of black across the top right hand corner. There is a small crease on the card and it is a little smudged. .1Side One: ‘Supporter of the Pall, Front Tassel-Right, Beattie & Phillips, Undertakers, Warrnambool, (J.C. Beattie), Phone 165 Day and Night, over’ Side Two: ‘Kindly show this card to Funeral Director when pall is being used and keep as a Memento’. .2 Second Coach Beattie & Phillips Undertakers Warrnambool . 'Phone 165 Day and night. On back 183 written in pencil .3 Third Coach Beattie and Phillips Undertakers Warrnambool. 'Phone 165 Day and night. On back 183 written in pencil warrnambool, beattie & phillips, james beattie warrnambool, james leahy warrnambool, warrnambool undertakers

Silver lighter with engraved inscription.Colin fighter by day, lover by night, drunkard by choice, Army by mistake: Vietnam 67, 68, 8 Field Ambulance on Corps. emblem.zippo lighter, 8th field ambulance

Sall one page calendar. On left hand drawing of a candle and mistletoe. With compliments from J.W. Jones Hargreaves Street pharmacy phone 182 day or night. Bendigobusiness, retail, j w jones

Document, W.D.Mason Collection, Conditions of Sale by Private Contract, J.W.Carter, Property Salesman, Finance, & Insurance Agent, 61 Bull Street, Bendigo. Phones 694,21,662,Day and Night.J.B.Ross, Print,Bendigo.business, retail, w d mason

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph taken in the recreation building at the RAAF Base Vung Tau, Johnny O'Keefe and his rock and roll band perform a night show for RAAF Diggers. On most days the official concert parties woul performed up to three shows a day, morning, afternoon and night.photograph, raaf, vung tau, johnny o'keefe, gibbons collection catalogue, entertainers, raaf diggers, raaf base, denis gibbons

Yields information about the last day of operation of the SEC Ballarat system and the Sebastopol terminus.Digital image of a photograph taken on 19/9/1971 by Campbell Duncan of No. 40 at Sebastopol on the day of closure, night photo - probably not the very last tram, not enough people on board. trams, tramways, sebastopol, closure, albert st, night photo, last day

Yields information about the closing hours of the SEC Ballarat tramways - night photo of trams in the city loop.Digital image from a black and white print of Ballarat No. 37 in the Sturt St loop - night photo. Taken on the last day of SEC tram services by Bill Kingsley, 19/9/1971. trams, tramways, sturt st, night photo, closure, tram 37