Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket. Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized cream blanket with watermelon and mint stripesNo inscriptionwool, blanket, blanket fever, no label

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized, checked blanket, brown, blue and creamNo inscriptionwool, blanket, blanket fever, no label

Collector says: As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized multicolour checked blanketNo inscriptionwool, blanket, blanket fever, no label

Linseed oil bottle with damaged paper label.Brown glass bottle, triangular shape with cork stopper and damaged paper label.On damaged paper label "Raw Linseed Oil"linseed oil

This small can held household lubricant . A list of uses is on back of label.Small metal can with blue and yellow label. Has fold down plastic nozzle for pouring oil.On front label "Golden Fleece Home Lubricant"golden fleece, oil cans, household lubricant

Collection re G.A. Jones 3790932, refer Cat No 10053.2P for his service details. The slides labelled "Camp and Exercises" relate to service with 8 RAR in Malaya.(.1 - .20) Slide boxes, Hanimex deluxe magazines 35mm complete with slide magazines and colour slides. 12 were of Singapore, Penang, Malacca, Kuala Lumpur, Thailand, Japan, Hong Kong. 2 were labelled "Camp" 3 were labelled "Exercises" 2 were labelled "Darwin", a holiday later in life.Eack box was labelled in Pencil, eg "17 Camp"photographs, slides, gajones

Two photos of Legatees standing outside Legacy House watching a march past of Vietnam Veterans. The label with the photos says: "The first international reunion of Vietnam Veterans was held in Melbourne in October 1988. Many of Melbourne Legacy's 'Legatees' stood to salute the marchers as they made their way to the Shrine of Remembrance. It was with a group of photos from 1988 to 1990 in a folio with paper labels (see items 01042 to 01049).A record of Legatees supporting other returned servicemen in gaining recognition for their service.Colour photo x 2 of a march past Legacy House and a white paper label.White paper label explains the march is Vietnam Veterans first reunion.vietnam veterans, march, legatees

Photos of a presentation of a trophy and prizes after a bowling day. The paper label says Buckley Park Bowling Club were the winners of the Legacy Open Pairs Tournament for the Sir Dallas Brooks Trophy. Runners up were the MCC Bowling Club. These photos were in an album of photos from 1993. Legatee Woodward was one of the presenters. Bowling and golf days were an excellent social event for Legatees as well as a fundraiser. A record of the type of activities Legacy provided as a social outlet for the Legatees and for fundraising.Colour photo x 2 of mens bowls day presentation and a paper label.Paper label provides a caption for the photos.legatee event, bowls, fundraising, trophy

Leather straps were commonly used to secure cases and other forms of luggage when traveling. The labels enabled easy identification when collecting luggage from transport carriages, coaches, buses and trains. 10th Field Company, Australian Engineers WW1 1914-18. The 10th Brigade was an infantry brigade of the Australian Army. Originally formed in 1912 as a Militia formation, the brigade was re-raised in 1916 as part of the expansion of the Australian Imperial Force following the end of the Gallipoli campaign. It subsequently saw service on the Western Front in France and Belgium during the First World War. After the war it was disbanded but was re-raised in 1921 as a part-time formation based in the state of Victoria. During the Second World War the brigade was used in a garrison role in Australia before being disbanded in 1942.These leather straps and labels were attached to the luggage of an Australian soldier during early 20th C who may have been a resident or relative of a resident in City of MoorabbinLeather luggage straps with metal buckles and 3 luggage address labels attached.Label 1 - L.D.McCallum Sgt / 10th Fd Coy AE Label 2 - Healesville Label 3 - Maryborough leather, straps, belts, luggage labels, tools, saddles, wallets, personal effects, horses, drays, world war 1 1914 -18, world war 2 1939-45, army, 1st aif, military, 10th field company australian engineers, western front, france, belgium,

Rolls of labels made by Cash's for "Physician" blankets.Bundle of Cash's labels used on Collin's Bros blankets. The bundle is wrapped with a white paper wrapper printed red and blue. Each label has green and red text woven onto it: "Made from Physician all wool Chillproofed and Mothproofed Fabric Made in Australia".Made from / Physician / ALL WOOL / Chillproofed / and Mothproofed Fabric / MADE IN AUSTRALIA". ONE GROSS/ Cash's/ LABELS/ J. & J. CASH PTY. LTD./ RICHMOND, MELBOURNEweaving, textile industry, textile mills, cash's collins bros mill pty ltd, label, collins bros mill pty ltd, blankets

Since this label came to PMHPS along with a selection of labels for Swallow and Ariell biscuits it is assumed that the George V label is also from Swallow & Ariell. The company produced a tin of mixed biscuits called "Queen's Own" with Queen Mary, George V's wife, on the label. It is possible that they also produced a "King's Own" assortment and on the death of Edward VII in 1910 these labels were produced to update the product without needing to reprint the whole label. A photo of a collection of biscuit tins on Flickr has two such tins for two different Kings however they were produced by Arnott's.Oval label with a b&w photograph of George V. 44 labels.swallow & ariell ltd, industry - manufacturing

Vintage bottle, label indicates that it was marketed as 'an embrocation for the relief of the pain of sprains, rheumatism, sciatica, lumbago, chilblains, neuralgia, backache, stiff neck and other muscular disorders - rub freely into the affested partsInsight into first aid practices in the mid 20th centuryClear glass bottle with gilt metal cap There is an off-white label with green print detailing title, uses and manufactures detailsPrevious catalogue number handwritten [blue ink] at base of label oil of eucalyptus, first aid

Label inscription - 'H.M.A.S. BENDIGO PORT. To commemorate the granting of Freedom of Entry/ to the City of Bendigo for H.M.A.S. BENDIGO/ 12.11.86/ 75TH Anniversary/ R.A.N."Amber glass bottle containing a liquid with metal screw top and one paper label adhered to side of bottle. Volume 750ml. Label has dark brown print on a beige background. Illustrated with City of Bendigo crest and HMAS Bendigo crest.Label inscription - “H.M.A.S. BENDIGO PORT. To commemorate the granting of Freedom of Entry/ to the City of Bendigo for H.M.A.S. BENDIGO/ 12.11.86/ 75TH Anniversary/ R.A.N."souvenir, anniversaries, bottles, hmas bendigo

Photograph of three legatees. The typed label says: 'Legatee Sam Benson a member of Melbourne Legacy for 33 years joins with Legatee Kem. Kemsley, one of the original members of Melbourne Legacy, in welcoming another original Legatee, Legatee Donovan Joynt, winner of the Victoria Cross in France in 1918, at a reunion in Legacy House.'A record of a reunion of Legatees at Legacy house.Black and white photo of three legatees and a white paper label.00886.1 Handwritten on back 'Welfare' in pencil and '126%' in blue pen. 00886.2 Typed label naming the men in the photolegatee event, donovan joynt, founding legatee

Huntingdale Golf club was the site of many social events for Legatees and Widows clubs. The label states this was Huntingdale Ladies Day in 1993. The photo shows Legatee Graeme McDougall representing the President presenting the trophy to Mrs Kunkel and Mrs Foster. The trophy was called the Legacy Huntingdale Jubilee Trophy. The day raised $7,500 for Legacy. The photos were in an album of photos from 1992 and 1993. An article in the Answer says that the association with the Huntingdale golf club began in 1933 and over the years over $255,000 has been raised for Legacy. The Open Mixes Foursomes was usually held in December and the Ladies Day was annually in October.A record of the type of activities Legacy provided as a social outlet for the widows and Legatees and for fundraising.Colour photo x 2 of ladies golf day presentation and a paper label.Paper label provides a caption for the photos.events, huntingdale golf club, golf, fundraising, trophy

Photograph of President Chas Wilks receiving a cheque from Permanent Trustees who sponsor the Widows' Newsletter, on 9 August 1989 (from the reference number). The label says: "Thank you. To the Permanent Trustees Company for they kind sponsorship of the Widows' Newsletter. Presenting the cheque to the President of Melbourne Legacy, Chas Wilks, is Mr. Wayne Overall, General Manager of Victoria Permanent Trustees. The proof sheet was in a folio of photos from 1988 and 1989 (see also 001042 to 01049), it is labelled 890809C and is 7 shots of the handover of the cheque.A record of Permanent Trustees donating money to Legacy for the Widows' Newsletter.Black and white photo of President Chas Wilks receiving a cheque, and a proof sheet. White paper label.Stamped on back from Keesing Photographic, reference number 890809C-21A. White paper label with typed story headed Thank you.fundraising, donations

The tape has not been played but from the label it is presumed to be a recording of Rolf Harris launching Legacy week in 1972. For many years the main time of year for fundraising is September when Legacy holds 'Legacy Week'. Often there is a celebrity who would launch the appeal so possibly Rolf Harris did this in 1972. A record that celebrities were part of the Legacy Appeals in the 1970s.An audio recording on a clear spool in a cardboard box with Klarion Enterprises logo and 'Legacy Week' label.Label gives the title Legacy Week, the speaker Mr Rolf Harris - television & radio personality.legacy week, legacy appeal

A legatee function in Legacy House with a guest speaker - the label says it is Ben Humphreys who was the Minister of Veterans Affairs (from 1987 to 1993). He is shaking hands with President B R Wilson (President in 1987). Photo was with other photos of guest speakers which were in a scrapbook of photos spanning 1983 to 1991.A record that the speakers at Legacy functions were from very different walks of life and the subjects spoken about were many and varied. Colour photo x 2 of a guest speaker at Legacy House in 1987 and a white paper label.White paper label is handwritten in blue pen '1987? Minister for Vet Affairs. No negs. Tues luncheon. Ben Humphries.' speakers, legatee event

A photo of Mrs Billie Sims receiving a certificate. The blue paper label says: "Legacy Helping to keep the Aussie Flag Flying" President of the Australian National Flag Association of Victoria, Mr Ross Watson, O.A.M. (right) together with the Secretary of the Association, Mr Henry Farrell, thanked the ladies of Melbourne Legacy for their contribution to help keep the Aussie Flag Flying. Through the President of Melbourne Legacy Widows' Club, Mrs Billie Simms, Ross Watson presented a framed certificate to mark the splendid work of Melbourne Legacy Widows in attaching miniature Australian flags to thousands of sprigs of rosemary prepared for Anzac Day marchers and for the 2,000 plus school children who attend Legacy's annual Anzac Commemoration Ceremony at the Shrine of Remembrance." Similar to another certificate from the Australian National Flag Association given to the Melbourne Legacy Club in June 1984. It was with a group of photos from 1988 to 1990 in a folio with paper labels (see items 01042 to 01049). The explanation of the source of the rosemary was in the same folio but the described photo is missing. It says the rosemary donated to Legacy each year for the sprigs of rosemary handed out to the public comes from nurseryman, Peter Hannah, who sourced a cutting from a bush in Frankston which was said to come from a cutting brought home by a wounded soldier.A record of widows preparing rosemary as gifts for the public and the story behind the source of the rosemary. Rosemary is sign of remembrance.Colour photo of a widow receiving a certificate, a blue paper label and a yellow document explaining the source of the rosemary.Blue paper label explains the certificate in black type.widows, rosemary

William H Miller's Ampersand R Series LabelWilliam Henry 'Bill' Miller founded Ampersand Records in the 1940's to record Australian Jazz groups. Ampersand was the first specialist Australian jazz label and is significant for its collection and promotion of uniqely Australian jazz.Ampersand record labelampersand, bill miller, william h miller, australia jazz label

A variety of Vegemite jars: 115g jar with yellow plastic lid (manufactured 2008), standard labelling; 145g jar with red metal lid (manufactured 2010), special labelling 'New, Name Me', possibly first edition of 'Cheesymite'; 235g jar with orange plastic lid (manufactured 2016), labelled as 'Reduced Salt', part of the 'Beat the Drum Campaign' to support Australian Olympians in Rio de Janeiro.Shows the variety of this common spread.3 Vegemite glass jars, different labels and sizes. Plastic or metal lid, paper or plastic labels.vegemite jars, kraft foods

William H Miller's XX Series Labels Bill Miller started the XX label to provide local copies of American jazz recordingsXX Jazz Record labelxx records, william henry miller, double x records, double cross records

A function in Legacy House with Legatee John Sullivan welcoming nine founding members of a new support group. L/ Sullivan was president in 1991. The lady in blue and white stripes is Legacy widow, Margaret Anderson who is now a legatee. The lady in red is also in many other photos and could be a staff member. Other names are not known. From the label the photos were taken by Susie Howard the publicity officer. Photos were in a scrapbook of photos spanning 1983 to 1991.A record of function for Legatees. Colour photo x 6 of induction of Legacy Support Group and a white paper label.White label handwritten in blue pen 'Founding members of the Legacy Support Group induction. / S Howard / 27.8.1991.' legatee event, membership

Thomas Edison (1847–1931), an American, invented the phonograph in 1877, making it possible to record sound waves vertically and reproduce them on a wax cylinder so they could be heard again. Later, the German American, Emile Berliner (1851-1929), improved on Edison’s principles, greatly increasing the quality of the reproduced sounds with his invention of the gramophone in 1887, which recorded the sound waves laterally onto a flat shellac disc, or ‘record’. Records could be mass-produced in a factory where audio recordings were converted to a physical copy of that recording on a plate-sized disc. A gramophone machine reproduced the sound by spinning the record on a turntable at a specified number of rotations per minute (RPM) and using a stylus or needle to transfer the vibration via a membrane to a speaker, which amplified the sound. Berliner helped set up affiliated businesses overseas. One of his representatives was William Barry Owen (1860–1914), who, on 23 February 1889, partnered with Edmund Trevor Lloyd Williams (1859–1946) in England to register The Gramophone Company. His Master’s Voice (HMV) soon became the company’s major recording label, popular worldwide. The business based the label's logo of a dog looking into a gramophone horn for ‘his master’s voice’ was based on a painting by English artist Francis Barraud, which featured a terrier called Nipper beside a gramophone. Early gramophone records were mostly made from a material referred to as shellac, a natural ingredient combined with slate powder, and a filler of manilla copal, wood resin, carnauba wax, and carbon black. Although Bakelite seemed a useful, synthetic product, it was unsuccessful as a product for records. Around the time of World War II, lightweight, flexible synthetic vinyl records began replacing shellac records. Common diameters of records: 7 inch, 10 inch, 12 inch and 16 inch Revolutions Per Minute include: 33 1/3, 45, 78 Minutes per side of record: 3, 5.5, 7, 8, 9, 12, 15 and 22 Labels, in minutes per side: Single Play 3-5 min, Extended Play (EP) 7-12 min, Long Play (LP) 12-22 min Shellac gramophone record with a black and gold label. Title: Baby Face Artist: Foxtrot by Ben Selvin and his Orchestra Publisher: Brunswick Number: A-3253 Size: 10 inchWhite sticker on the labelflagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, gramophone, phonograph, sound waves, record, reproduction, audio record, music, sound, thomas edison, emile berliner, 1887, shellac, rpm, william barry owen, edmund trevor lloyd williams, the gramophone company, his master’s voice, hmv, francis barraud, nipper, 10 inch, brunswick records, a-3253, baby face, foxtrot, ben selvin and his orchestra

Photographs of the 100th birthday celebrations for Mrs Katherine Ross on 21 November 1990. A photo of President John Sullivan with Mrs Ross as she cuts her 100th birthday cake. Also in the photo is a widow from the Home and Hospital Visiting Group, Vera Paydon (in bright blue dress on left). Mrs Ross' daughter Jessie is in the pale blue dress on the right. It was with a group of photos from 1990/91 in a folio with paper labels.A record of a widow reaching 100 years of age and being celebrated by Legacy.Colour photo x 8 of the 100th birthday of Mrs Ross and a yellow paper label.Paper label caption: "Mrs Ross 100th Birthday 21.11.90 / Party arranged by the Home and Hospital Visiting Group" in black type.widows, birthday, visiting group, cake