Showing 5 items matching nowak

Australian Multicultural Community Services
Travel Document, Travel Document (Agreement of 15th October, 1946) Titre De Voyage (Accord du 15 octobre 1946), 15/10/1946

travel document of Stanislaw (Bill) Nowak, born in Poland 14/01/1927, he came to Australia in 1951 as a refugee after II World War, this document was used instead of national passportone of a few items of this kind which has survived to present daysgreen book, contains information about Stanislaw (Bill) Nowak, document served in lieu of a national passport, issued on 15th October 1946, the holder of this document was the concern of the International Refugee Organization, this document contains 32 pages, exclusive of covermany inscriptions in relation to Stanislaw (Bill) Nowak including visas and description of personimmigration, id, travel document, bill nowak
Australian Multicultural Community Services
card

The card authorise Stanislaw Nowak to wear commemorative badge of 5 Kresowa Dywizja Piechoty. Issue date 14 August 1946one of a few items of this kind which has survived to present dayscover: green with yellow and blue lines, emblem of 5 Kresowa Dywizja Piechoty and map of Poland before II World War inside: cream with white marksstamp of 5 Kresowa Dywizja Piechoty; signature of Commander of 5 Kresowa Dywizji Piechoty, Brigadier General Sulik Nikodemcommemorative badge, nowak, kresowa dywizja piechoty
Melbourne Tram Museum
Photograph - Block Mounted Photograph, Hugh Waldron, c2000?

Block mounted photograph on chipboard of B 2001 at Riversdale Junction, soon after its relay, tram turning from Riversdale Road into Power St with St Anthony's Shrine Catholic Church in the background. Tram has the destination of City Market St, Route 27. On the rear is a Nowak company label, who mounted the print for Hugh.trams, tramways, b class, riversdale rd, power st, riversdale junction, city - market st, route 27, tram 2001
Federation University Historical Collection
Document, The place of dogs in Victorian Aboriginal society in the nineteenth century: a reconsideration of the archival record

Abstract: ‘Dingo’ is today the name given to Australia’s wolf-like native dog Canis dingo, however it was originally the Dharuk word for a ‘domesticated dog’ - the Dharuk word for a wild dog was ‘warrigul’ (Dixon, Ramson, and Thomas 1992, pp. 65, 87). In its populist usage today this distinction has fallen away and dingo now refers to both wild and domesticated native dogs. Anthropological discussions about the role and significance of dingoes and dogs in northern Australian Aboriginal society have been extensive (Meehan, Jones and Vincent 1999; Smith and Litchfield 2009). Archaeological (McCoy 1882; Barker 1979), ecological (Nowak 2006) and taxonomic debates (Corbett 1995; Coman and Jones 2007) have existed for almost two centuries about the dingo’s origins (Jardine 1839; Gill 1951; Barker 1979; Savolainen et al 2004), and an intense sociological discussion has focused on what has been termed the ‘economic-utilitarian perspective’ that attributes to dingoes a decisive usefulness in Aboriginal people’s food quest (Kolig 1978). Contributors to this lively debate have been almost exclusively northern Australia-centric in their conversations, with the notable exception of Jones (1970), which is understandable given the rich vein of accessible Aboriginal informants in this region and observational data neither of which is possible or available in much of southern Australia. In this paper the authors shall build upon the northern Australian research of Meggitt (1965), Rose (1992), Meehan, Jones and Vincent (1999), and Parker (2006) and demonstrate that there exists a concomitant range of ethno-historical and archeological sources from south-eastern Australia which adds a considerable body of knowledge to our understanding of the utilitarian and symbolic significance of dingoes for Aboriginal communities. Furthermore, the authors shall examine the impact of British colonizers upon Aboriginal peoples’ associations with dingoes in Victoria. The word dingo shall be used throughout this paper to connote dogs as well as dingoes. Unpublished typed manuscript. This item is part of the 'Australian Mythical Animals Collection'.aboriginal, aborigines, fred cahir, ian clark, dog, dingo, australian mythical animals collection, mythical, myth, folklore
Mission to Seafarers Victoria
Flyer, Sensory Experiments, 2019

Melbourne Design Week: 14-24 March 2019 Sat 16 Mar 19, 2pm–10pm Norla Dome The Mission to Seafarers Victoria 717 Flinders St Docklands Indulge in a fleshy live experience. Reconnect with your primal being through a progression of sensorial confrontations. Recalibrate your connection to the world around you – the future depends on it. Sensory Experiments is a call for change – a Manifesto for Sensory Intelligence. Part social experiment, part philosophical inquiry and a fully immersive performance piece, this innovative project is forged from a collaboration between two of the city’s (and, indeed, the world’s) most progressive and inquiring minds. An eclectic cohort of creative contributors has been assembled to design a provocative experience intended to awaken the senses. Allow internationally renowned chef Justin James (Executive Chef of Vue de monde and Iki Jime and previously of Eleven Madison Park & Noma Copenhagen) to reignite your sense of taste. Avail yourself to floral artist Hattie Molloy’s interrogation of sensual perception with her reckoning of the Sublime. Absorb and participate in live-choreographed performances, and be aurally challenged by the masters behind the Sydney Opera House’s iconic acoustics. Come, bear witness, bring curiosity. Immerse yourself in this never-before seen collective. Guided by Sense Whisperers, you’ll wander through a series of live, uniquely designed corporeal experiences. Your emotional and physical responses will leave a digital imprint as the results of Sensory Experiments are transmitted in real time. Connect to self, connect to others, and connect to nature – and leave your mark on a living, breathing manifesto for living. Project Partners Matt Tambellini, More Studio and Mr. Kyle Mac, Design and Web Amara Speechley, Curated by, Marketing, PR & Partnerships Damien Boecasse and Erika Hirzinger, Event Production & Project Management Event Partners Justin James, Edibles Hattie Molloy and Emma Proudfoot, Flower Art Mihan Aromatics, Scent Design Chelsea Kate Evans, Performance Direction Samantha Iliov and Holly Simpson, Ensemble Studio, Costume Rachelle Austin, Olivia Reddan and Holly White, Set Stylists Isabel Johnson, Ed Supreme, Messaging and Copy Arup, Soundscape Design Hayden Sommerville, Videography Belle Nowak, Social Media Pord, Wine Tasting Noomi, Seating Website inscapesprojects.com Instagram: @inscapesprojectsA4 size flyer on creamy colour papercultural events, sensory experiments, ngv, national gallery of victoria, melbourne design week, 2019, community, norla dome, incas projects