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matching o'loughlin
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Ballarat Heritage Services
Ceramic, John O'Loughlin, Ceramic vessel by John O'Loughlin, c2019
John O'LOUGHLIN After retiring in 2001 at the age of 58 John O'Louhlin studied Ceramics at the University of Ballarat. The spiritual is evident in his work whose ceramic artworks engage with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. He completed a Master of Arts [By Research] Degree.Photograph of a green glazed pot by John O'Loughlin, win an impressed studio stamp on the base..pottery, john o'loughlin, ceramics -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, John O'Loughlin, 13 July 2000
John O'Loughlin was born in 1922 in Warracknabeal, Victoria and moved to Beechworth in February 1969. Following a brief time working in the real estate business, John gained employment as a prison officer at Beechworth Gaol. The gaol had initially closed its doors in 1918 but was reopened after the completion of alterations in 1926 as a reformatory prison for habitual male criminals. In his new role, John was able to pursue management in the farming industry, taking trusted prisoners out to a farm on the Wodonga side of Beechworth to work the land. This area was known as The Rockery, a grazing property of two-hundred and eighty acres about two miles north of Beechworth. This work done by the prisoners included timber cutting, land maintenance and the grazing of livestock, mainly Black Poll cattle. The programme was an instrumental component of prisoner rehabilitation, allowing freedom and responsibility. When he retired from his work in 1987, John observed that many improvements had been made towards the living conditions and daily life of the prisoners. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. The cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke. John O'Loughlin's account of his life in Beechworth and the local area during the twentieth century is historically and socially significant to the cultural heritage of the region. He details important information surrounding Beechworth Gaol and the daily life of its prisoners; it is a place that still holds significance for the residents of Beechworth today. This oral history account is socially and historically significant as it is part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth century Beechworth'. While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the twentieth century, much of which would have been lost if they had not been preserved. This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white stripe and is currently stored in a clear flat rectangular plastic container. It holds up to forty minutes of recording on each side. John O'Loughlin / beechworth gaol, old beechworth gaol, john o'loughlin, beechworth prison, beechworth, gaol, prisoners, beechworth prison officer, prisoner reform beechworth, the rockery, black poll cattle, daily prison life beechworth, prisoner farmwork, beechworth training prison -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mrs Margaret O'Loughlin, 26 September 2000
Margaret O’Loughlin was born in Beechworth at the old hospital in 1937. Her father was born in Greta West and Mother is from Timboon. Margaret spent her life in the Beechworth area where she was educated and worked at the post office in the telephone exchange. Working at the exchange gave Margaret a behind the scenes understanding of the community from working the switch board and connecting vital services such as the fire brigade, the doctor and mental hospital in Beechworth. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Margaret O’Loughlin’s life story is significant to the Burke Museum as she was born and raised educated and worked in the district her whole life. She married and had three children. She was community minded and worked in the Post Office while her husband worked in the local mental hospital. As a family they then lived next to the Fire Station in the fire house and their knowledge of the township spans the 1900s. Margaret saw changes in the town from a communications perspective, working in the telephone exchange sending messages via Wangaratta and until a time that the exchange became automated. After that she continued working in a face to face roll at the Post Office and had an intimate knowledge of the town. Her husband worked for 31 years at the mental hospital, Mayday and the couple saw changes to the town and community brought about be World War II. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a cleat flat plastic rectangular container. It holds up to 40 minutes of recordings on each side. Mrs Margaret O'Loughlin /listen to what they say, beechworth, oral history, burke museum, post office, margaret o'loughlin, mayday, mental hospital, communications, fire house, telephone exchange -
Federation University Art Collection
Ceramic - Artwork- Ceramic, Blue Goblet by John O'Loughlin
John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) in 2007 John completer a Masters at the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Botanical inspired wheel thrown goblet with decorative incised leaves on stem and flower head shaped cup. Glazed 'JOL' on bottom.art, artwork, goblet, botanical, ceramic, john o'loughlan, alumni -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Set of Four Goblets by John O'Loughlin
John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks, such as 'Reliquary No. 20' engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Four wheel thrown goblets, two with decorative stems. art, artwork, john o'loughlin, ceramics, goblets -
Federation University Art Collection
Ceramic - Artwork - Ceramics, 'Reliquary No. 20' by John O'Loughlin, 2007
John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks, such as 'Reliquary No. 20' engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Lidded ceramic form.art, artwork, john o'loughlan, ceramics, available, available ceramics -
Port Melbourne Historical & Preservation Society
Document - Report, Social and Learning needs in Port Melbourne, South Melbourne and Garden City, Margaret O'Loughlin et al, "Social and Learning needs in Port Melbourne, South Melbourne and Garden City 2006. Port Melbourne Neighbourhood House.", 2006
"Social and Learning needs in Port Melbourne, South Melbourne and Garden City 2006. Port Melbourne Neighbourhood House." Report written by Margaret O'Loughlin and Kate Kelly, based on qualitative, demographic, documentary and statistical data from 2000 and 2005 on the Port Melbourne and South Melbourne neighbourhood and the social and learning needs.education - other, port melbourne neighbourhood house, kate kelly, margaret o'loughlin -
Robin Boyd Foundation
Book, James O'Loughlin, The Real Warren Buffett: Managing Capital, Leading People, 2003
Hardcover w/Dust Jacket and plastic coverwarren buffett, biography, walsh st library -
Victoria Police Museum
Carte de Visite (Patrick O'Loughlin), Frederick Cornell, pre 1878
Small black and white carte de visite photograph showing a standing mounted constable O'LoughlinOur Commissariat Trroper (Patrick) O'Loughlin now Sergt O'L. It was this sergt who had the gruesome duty of digging out from beneath a hearth stone the body of the notorious murderer Deeming's wife, at Windsor, Victoria (ink on rear)frederick deeming, patrick o'loughlin, murders -
St Patrick's Old Collegians Association (SPOCA)
Photograph - SPOCA, Annual Dinners
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St Patrick's Old Collegians Association (SPOCA)
Photograph - SPOCA, Annual Dinners
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St Patrick's Old Collegians Association (SPOCA)
Photograph - SPOCA, Class Reunions, 55 Years since Closure, Glenferrie Hotel, Feb2023
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St Patrick's Old Collegians Association (SPOCA)
Photograph - SPOCA, Class Reunions, Feb 2024, Glenferrie Hotel
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St Patrick's Old Collegians Association (SPOCA)
Photograph - SPOCA, Annual Dinners
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St Patrick's Old Collegians Association (SPOCA)
Photograph - SPOCA, Class Reunions, May 2022, Glenferrie Hotel
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St Patrick's Old Collegians Association (SPOCA)
Photograph - SPOCA, Class Reunions, 1968
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Cadets
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Sports, SPOCA Golf
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Federation University Historical Collection
Photograph - Photograph- Colour, University of Ballarat TAFE Student Exhibition Launch, 2000
University of Ballarat is a predecessor insitution of Federation University Australia Framed photographs and exhibition invitation. The photographs depict Alistair Heighway (University of Ballarat) and Diarmid O'Loughlin MA (member Royal Hibernian College of Art).royal hibernian college of art, university of ballarat, art, alistair heighway, diarmid o'loughlin -
St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Cadets
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Bendigo Military Museum
Memorabilia - LIGHTER, WW1
Given to Reginald Chatfield O'LOUGHLIN (WWII Veteran). Believed to be a souvenir.Brass cigarette trench lighter in original black cardboard box. Cellophane front to allow viewing.Printed front bottom of box: : “WWI, Trench Lighter”memorabilia, lighter, cigarette -
Bendigo Historical Society Inc.
Document - BASIL MILLER COLLECTION: TRAMS - JOURNAL 'ELECTRIC TRACTION', March 1964
Journal of Australian Electric Traction Association, volume XIX, No. 3, March 1964, 16 pages. History of document: Part of the 'Basil Miller Collection'. Cover picture is the Australia's first double-deck suburban electric railway carriage T4801 shortly after delivery at the N.S.W.G.R. Flemington Car Siding Depot.Austrlaian Electric Traction Asscn. Printer: O'Loughlin Bros, Pty. Ltd., Sydney, NSWdocument -
Bendigo Historical Society Inc.
Document - BASIL MILLER COLLECTION: TRAMS - JOURNAL 'ELECTRIC TRACTION', February 1964
Journal of Australian Electric Traction Association, Volume XIX, No. 2, February 1964, 16 pages. History of document: Part of 'Basil Miller Collection'. Cover picture of a recent addition to the Brisbane tramcar fleet, No. 550 passes pre-war drop centre 335 on the passing loop before Bardon terminus.Pub: Australian Electric Traction Associaion, Printer: O'Loughlin Bros. Pty. Ltd., Sydney, NSWdocument -
Bendigo Historical Society Inc.
Document - BASIL MILLER COLLECTION: TRAMS - JOURNAL 'ELECTRIC TRACTION', May 1964
Journal of Australian Electric Traction Association, Volume XIX, No. 5, May 1964, 16 pages. History of document: Part of 'Basil Miller Collection'. Cover picture"A.E.T.A. Convention special 4-Car Harris train pauses at Nar Nar Goon on the Gippsland line. Note the Stone Faivley pantograph on 571M.Pub: Australian Electric Traction Association, Printer: O'Loughlin Bros Pty., Ltd., Sydney, NSWdocument -
Bendigo Historical Society Inc.
Document - BASIL MILLER COLLECTION: TRAMS - JOURNAL 'ELECTRIC TRACTION', February 1963
Journal of Australian Electric Traction Association, Volume XVIII, No. 2, February, 1963, 16 pages. History of document: Part of 'Basil Miller Collection', Also check 1411. Cover picture description: "tall gum trees provide a typical Australian background to four Brisbane tram cars at Toowong Cemetery terminus. Actually cars 305, 475, 346 and 466 (left to right) are less than three miles from the Brisbane City Hall, being surrounded by parklands and a cemetery at this point along the route, which was the most scenic of the four routes recently closed on trial".Pub: Australian Electric Traction Asscn. Printer: O'Loughlin Bros. Pty. Ltd., Sydney, NSWdocument -
Bendigo Historical Society Inc.
Document - BASIL MILLER COLLECTION: TRAMS - JOURNAL 'ELECTRIC TRACTION', September 1965
Journal of Australian electric Traction Association. Volume XX, No. 9, September 1965, 16 pages. History of document: Part of 'Basil Miller Collection'. Cover picture shows 400 class trams pass at Valley Jct. Brisbane, during the mid-day peak period on a Saturday. Questioned how much longer will Brisbane depend on its tramway system?Publisher: Australian Electric Traction Asscn. Printer: O'Loughlin Bros. Pty. Ltd., Sydney, NSWdocument -
Bendigo Historical Society Inc.
Document - BASIL MILLER COLLECTION: TRAMS - JOURNAL 'ELECTRIC TRACTION', Janaury 1964
Journal of Australian Electric Traction Association. Volume XIX, No. 1, January 1964. 16 pages. History of document: Part of 'Basil Miller Collection'. Cover picture was a seven-car suburban electric train of original "swing door" rolling stock passing through parklands in the suburb of Burnley on its way to Melbourne.Pub: Australian Electric Traction Asscn. Printer: O'Loughlin Bros. Pty. Ltd., Sydney NSWdocument -
Bendigo Historical Society Inc.
Document - BASIL MILLER COLLECTION: TRAMS - JOURNAL 'ELECTRIC TRACTION', September 1963
Journal of Australian Electric Traction Association. Volume XVII, No. 9, September 1963, 16 pages. History of document: Part of 'Basil Miller Tramways Collection'. Cover picture: most of the tram services to Melbourne's South Eastern suburbs operate along tree lined St. Kilda Road. W4 Class car 672 is about to pass four inbound cars in this road during the weekend of the Royal Visit earlier that year.Pub: Australian Electric Traction Asscn. Printer: O'Loughlin Bros. Pty. Ltd., Sydney, NSW.document -
Bendigo Historical Society Inc.
Document - BASIL MILLER COLLECTION: TRAMS - JOURNAL 'ELECTRIC TRACTION', January 1965
Journal of Australian Electric Traction Association. Volume XX, No. 1, January 1965, 16 pages. History of document: Part of 'Basil Miller Tramways Collection'. Cover picture shows the Melbourne and Metropolitan Tramway Board's new supervisory electrical control room at Carlton near city. This photograph was taken during a visit to the incomplete centre during the A.E.T.A.'s Easter Convention, 1964.Pub: Australian Electric Traction Association, Printer: O'Loughlin Bros. Pty. Ltd., Sydney NSWdocument -
Bendigo Historical Society Inc.
Document - BASIL MILLER COLLECTION: TRAMS - JOURNAL 'ELECTRIC TRACTION', December 1964
Journal of Australian Electric Traction Association, Volume XIX, No. 12. December 1964, 16 pages. History of document: Part of 'Basil Miller. Cover picture shows a ten car interurban set in a bushland setting at Beecroft in the Sydney suburban area.Pub: Australian Electric Traction Asscn. Printer: O'Loughlin Bros. Pty. Ltd., Sydney NSWdocument