7045 White Weatherboard hosue with Iron roof with Vernadah Brown Trim 7045-1 Smae house with white trim, with four people two adults and 2 children.7045 On reverse: St 85 Ann St. 7045-1 On reverse: Sept. 28 1988 Oates Homestead Stawell Ann Streetoates

7045 White Weatherboard hosue with Iron roof with Vernadah Brown Trim 7045-1 Smae house with white trim, with four people two adults and 2 children.7045 On reverse: St 85 Ann St. 7045-1 On reverse: Sept. 28 1988 Oates Homestead Stawell Ann Streetoates

Green wood base housed in perspex cover. Historical information adhered to wooden base. Model has rotating parts. U.S.S monitor 1=100 Groham.W.Oates 2005 Stamp: G.W & A.K Oates/ Fdrington park Village/ 2916 M???? Park Drive/ Berwick 3806/ Tel 9768 9246

Load of Oats 205 bags 140 on truck 65 on trailer 29-12-70Colour photograph of Red Cab Truck with trailer loaded with bags in open fieldfarming

Lists languages under areas and language classification; records location, previous research, degree of urgency of research and assessment of total linguistic knowledge; index of variant language names.Mapslinguistics

ill, maps, p.95.non-fictionA history of the railways in the Dubbo District of New South Wales.railroad construction - new south wales - history, railroad operations - new south wales - history

Colour photograph of Major Max Oates sitting next to unidentified civilian at Formal Dinner, Wangaratta, 20 June 1992oates, wangaratta

The first recorded discovery of gold in Moliagul was in September 1852 and, before long, the area was flooded with over 4,000 miners. Two of those miners, John Deason and Richard Oates, had arrived in Bendigo in 1954 seeking their fortune. After eight years of little success, the friends moved to Moliagul and pegged a puddling claim. On 05 February 1869, Deason discovered a nugget near the roots of a tree, just 3cm beneath the soil. With the help of Oates, he uncovered the largest recorded alluvial gold nugget – known as the Welcome Stranger. The 61cm x 31cm nugget was taken to Dunolly to be measured on the bank’s scales, however at 69kg the gold needed to be broken on an anvil to actually fit on the scales.Photograph of the monument for the Welcome Nugget, a large gold nugget found by John Deason and Richard Oates at Moliagul.Obelisk inscription Welcome Stranger Nugget On this spot the largest nugget of gold in the world was discovered on the 5th February 1869 by John Deason and Richard Oates. Weight 2316 oz, Value £9553 Erected by the Mines Department 1897 Henry Foster Minister of Mines, D. J. Duggan M.L.A. Member for Dunollywelcome nugget, welcome nugget monument, john deason, richard oates

Harvest Scene at Concongella (Altmann’s) The oat crop was in a paddock adjoining Concongella Cemetery. Two Children are Roy and Joyce Altmann. c 1930'sBlack and white photograph of a harvest scene. The photo is of a reaper & binder striping an oat crop in the Concongella district.stawell agriculture

GALVANISED IRON TANK RIG ORR OAT BIN MIRAPHOTOGRAPH OF GALVANISED IRON OAT BIN WITH ONE MAN SITTING ON RIM OF TANK ANOTHER MAN STANDING ON WOODEN LADDER AGAINST THE TANK.photographs, weickhardt, tank, oat bin

Photo of the oat crop. Markings: Oat crop. Used as a teaching aid.PERUTZfarm, crop, wimmera, oat crop, mouat crawford collection

Shows the oat silos at the wharf at Portland, the wharf and the entrance to the wharf. Markings: Oat Silo at Portland. Used as a teaching aid.Pertuzwimmera, oat silos, portland wharf, mouat crawford collection

Dry foods for domestic use were packaged in cloth bags from the late 19th century to the mid 20th century. As the bags contain the name Parsons' it could be presumed that they were oat bags as the Parsons Company packaged a variety of groceries for the Australian market including oats. The bags provide an example of calico bags used to store dry goods. Being presented as a ‘Farm Animal Series’ gives them added value as a collectable item and may have been an advertising ploy used by the company.A set of two calico bags from the Parsons' company - most likely bought as oat bags. The two are: No 1. (Clydesdale) and No 3. (Suffolk) from the Parsons' Farm Animal Series. Each bag has a multicoloured ink picture and written information about the horse described on the bag.8650.1 PARSONS' FARM ANIMAL SERIES No. 1, CLYDESDALE, The Clydesdale originated in the valley of the Clyde, Scotland. The main characteristics of the Clydesdale are ability to acclimatise in all parts of the world and perform all types of draught work. Clydesdale breeders lay emphasis upon bone, quality, weight, and action. The feet must be proportionate to the size of the horse, the hoof-head should have a full crown, with heels wide and quarters strong. 8650.2 PARSONS' FARM ANIMAL SERIES No. 3, SUFFOLK, The Suffolk, often known as the Suffolk Punch, originated in the County of Suffolk, England and is noted for its hardiness. From 15 to 16 hands in height, the Suffolk in general is smaller than the Clydesdale. The head is rather coarse, with the neck short. The body long, deep and wide with a round full appearance. The croup is straight, the legs short and free from feather. The invariable colour is chestnut, varying from light to dark.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, calico, domestic object, textile, food storage, parsons' farm animal series, oats, clydesdale, suffolk

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain.Rectangular copper stencil plate, ribbed edging; Anderson's Mill trademark (circular saw) in centre; some lettering is difficult to read due to corrosion / breaking of this section; some green surface corrosion; red paint around central trademark saw and lettering."FLAKE / ANDERSON'S / OAT MEAL / SMEATON"

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with colour image and black text. Image shows a full length brown horse with bridle.Front: PARSONS FARM ANIMAL SERIES No.3 \ SUFFOLK \ The Suffolk, often known as the Suffolk Punch, originated in the County of Suffolk, England \ and is noted for its hardiness. From 15 to 16 hands in height. The Suffolk in general is smaller than \ the Clydesdale. The head is rather coarse, with the neck short. The body long deep and wide with \ a round full appearance. The croup is straight and legs short and free from leather. The invariable \ colour is chestnut, varying from light to dark.wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

small sheet of film 1858 Mac DONALD E TO 1858 OAT Ubirth, family, register

This Dinner commemorated the 40th Anniversary of the raising of 8th/13th Victorian Mounted Rifles Regiment which linked 8th, 13th, and 20th Light Horse Regiments.Colour photograph at Anniversary Dinner, Commercial Club 30 April 1988. Facing camera : Major M. Oates and Lieutenant J. Bruce.

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic image on front showing three bears holding porridge bowls with yellow background and white and black text.Front: THREE BEARS \ PORRIDGE \ ROLLED \ OATS \ SOMEBODYS BEEN TASTIN' MY PORRIDGE / AN' THEY'VE EATEN IT ALL UPwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

Two similar colour photographs of the Literary Institute prior to undergoing renovations. There are only slightly differences between the front of the building in each photo. Two colour photographs of Literary Institute building before being restored into a Tourist Information Centre. One photo has four people with a shrub beside the veranda and picket fence at the end of the veranda. In the second photo the small picket fence is missing, and the shrub is also missing,Stawell 1988 Geoff Oates P.O. Box 402 Stawellstawell

Police Superintendent’s Horse Stables. Photos showing the hole in the back wall. Colour photos of red brick building, once Police Superintendent's Horse stables. Stawell 1988 Geoff Oates P.O. Box 402 Stawell.stawell

Police Superintendent’s Horse Stables. Photos showing the hole in the back wall. Colour photos of red brick building, once Police Superintendent's Horse stables. First photo shows the building with holes in the roof and a large hole in the back wall. The other photo shows the back wall where bricks were removed in the 1950-60s. This second photo shows four people looking at the hole in the wall.Stawell 1988 Geoff Oates P.O. Box 402 Stawell.stawell

Police Superintendent’s Horse Stables. Photos showing the hole in the back wall. People in the second photo from left to right are Gillian Walker, Alan Kingston, Geoff Austin (Heritage Vic.) and Dorothy King. The top photo was taken in 1988. The bottom photo a side view from Griffiths St taken in 1999.Colour photos of red brick building, once Police Superintendent's Horse stables. First photo shows the building with holes in the roof and a large hole in the back wall. The other photo shows the back wall where bricks were removed in the 1950-60s. This second photo shows four people looking at the hole in the wall. (Also, 3 photos in Album 13 p 64 taken 04.03.2004)Stawell 1988 Geoff Oates P.O. Box 402 Stawell.stawell

Coloured photo McKellar Building c 1876. The colour photo was taken in 1992. The information in Album 4 page 40 states the building was built after fires of c 1866 & 1874. Mr. George Inskip was the architect of the McKellar building.Two colour copies of the McKellar building taken by Geoff Oates in 1992. The two identical photos just show the upper two stories of the building. Stawell 1876 Building Gold Reef Mall. Nov 1992 stawell business

Photograph of Stawell Shire Hall taken 1988. 1988 view of the Stawell Shire Hall. Photo taken from the other side of the road. The decoration on top of the building is missing. The tree on the right hand side is losing its leaves and 2 cars are parked on the right, behind the tree. Stawell Shire Hall 1988 Geoff Oates P.O. Box 402 Stawell.stawell