7045 White Weatherboard hosue with Iron roof with Vernadah Brown Trim 7045-1 Smae house with white trim, with four people two adults and 2 children.7045 On reverse: St 85 Ann St. 7045-1 On reverse: Sept. 28 1988 Oates Homestead Stawell Ann Streetoates

7045 White Weatherboard hosue with Iron roof with Vernadah Brown Trim 7045-1 Smae house with white trim, with four people two adults and 2 children.7045 On reverse: St 85 Ann St. 7045-1 On reverse: Sept. 28 1988 Oates Homestead Stawell Ann Streetoates

Photograph of Mrs Oates and Archbishop Dann in Archives.The mitre was made for the consecration of the Anglican Archbishop, the Rt. Rev. Robert Dann. The front, embroidered by Morna Sturrock represents the resurrection. The back, embroidered by Mrs Oates, represents the cave, crucifixion and burial. The mitre is meant to be worn at Easter. The background fabric for the embroidery is a gold silk colour, the lining is blue. The mitre was considered very avant-garde for it's time.embroidery, mitre, australia, gold work, metal thread

This fan was embroidered by Mrs Ethel Oates (O.B.E.) It is a leaf fan made of coffee organza and lace with shadow work embroidery of flowers and an insect.embroidery, fans

Green wood base housed in perspex cover. Historical information adhered to wooden base. Model has rotating parts. U.S.S monitor 1=100 Groham.W.Oates 2005 Stamp: G.W & A.K Oates/ Fdrington park Village/ 2916 M???? Park Drive/ Berwick 3806/ Tel 9768 9246

Embroidered by Mrs Ethel Oates and given to the donor.Pale pink organza with pink and blue shadow work in the centre panel, with side panels of lace insertion. Threaded with blue ribbon.embroidery, shadow work, small articles, australia, 1960-80

Load of Oats 205 bags 140 on truck 65 on trailer 29-12-70Colour photograph of Red Cab Truck with trailer loaded with bags in open fieldfarming

"Made in 1970's by Mrs Ethel Oates when in her 80's. "The fan was made as a gift for Mrs Dulcie Grice who donated it to the collection.Leaf fan made of very pale flesh coloured organza with floral design in shadow work and lace. Edge is finished with pink cord and val lace. The handle is finished with a tassel of glass beads and pearls.embroidery, fans, shadow work, 1960-80, australia

ill, maps, p.95.non-fictionA history of the railways in the Dubbo District of New South Wales.railroad construction - new south wales - history, railroad operations - new south wales - history

The first recorded discovery of gold in Moliagul was in September 1852 and, before long, the area was flooded with over 4,000 miners. Two of those miners, John Deason and Richard Oates, had arrived in Bendigo in 1954 seeking their fortune. After eight years of little success, the friends moved to Moliagul and pegged a puddling claim. On 05 February 1869, Deason discovered a nugget near the roots of a tree, just 3cm beneath the soil. With the help of Oates, he uncovered the largest recorded alluvial gold nugget – known as the Welcome Stranger. The 61cm x 31cm nugget was taken to Dunolly to be measured on the bank’s scales, however at 69kg the gold needed to be broken on an anvil to actually fit on the scales.Photograph of the monument for the Welcome Nugget, a large gold nugget found by John Deason and Richard Oates at Moliagul.Obelisk inscription Welcome Stranger Nugget On this spot the largest nugget of gold in the world was discovered on the 5th February 1869 by John Deason and Richard Oates. Weight 2316 oz, Value £9553 Erected by the Mines Department 1897 Henry Foster Minister of Mines, D. J. Duggan M.L.A. Member for Dunollywelcome nugget, welcome nugget monument, john deason, richard oates

Lists languages under areas and language classification; records location, previous research, degree of urgency of research and assessment of total linguistic knowledge; index of variant language names.Mapslinguistics

Colour photograph of Major Max Oates sitting next to unidentified civilian at Formal Dinner, Wangaratta, 20 June 1992oates, wangaratta

Ecru linen square mat stitche4d in pulled thread work around all four sides, then over stitched in a floral design in chain stitch. Fine satin stitch hem. Silk threadembroidery, pulled thread, mat

Designed and worked by Mrs Ethel Oates.Made for the George's (Melbourne) 1972 exhibition.Cross mounted on gold silk. Gold embroidery using gold purl. Jap gold and gold kid. Framed in silver metal frame.embroidery, ecclesiastical, panels, 1960-80, australia, goldwork

Harvest Scene at Concongella (Altmann’s) The oat crop was in a paddock adjoining Concongella Cemetery. Two Children are Roy and Joyce Altmann. c 1930'sBlack and white photograph of a harvest scene. The photo is of a reaper & binder striping an oat crop in the Concongella district.stawell agriculture

GALVANISED IRON TANK RIG ORR OAT BIN MIRAPHOTOGRAPH OF GALVANISED IRON OAT BIN WITH ONE MAN SITTING ON RIM OF TANK ANOTHER MAN STANDING ON WOODEN LADDER AGAINST THE TANK.photographs, weickhardt, tank, oat bin

Photograph of Elizabeth Oates Wearne as child. She married John Johns Cowling and was the first to wear petticoat worn by four generations of brides.Digitally reproduction image of photograph of Elizabeth Oates Wearne. Elizabeth was the first bride to wear the petticoat when she married John Johns Cowling.cowling, wearne, black and white photograph

Photo of the oat crop. Markings: Oat crop. Used as a teaching aid.PERUTZfarm, crop, wimmera, oat crop, mouat crawford collection

Shows the oat silos at the wharf at Portland, the wharf and the entrance to the wharf. Markings: Oat Silo at Portland. Used as a teaching aid.Pertuzwimmera, oat silos, portland wharf, mouat crawford collection

Dry foods for domestic use were packaged in cloth bags from the late 19th century to the mid 20th century. As the bags contain the name Parsons' it could be presumed that they were oat bags as the Parsons Company packaged a variety of groceries for the Australian market including oats. The bags provide an example of calico bags used to store dry goods. Being presented as a ‘Farm Animal Series’ gives them added value as a collectable item and may have been an advertising ploy used by the company.A set of two calico bags from the Parsons' company - most likely bought as oat bags. The two are: No 1. (Clydesdale) and No 3. (Suffolk) from the Parsons' Farm Animal Series. Each bag has a multicoloured ink picture and written information about the horse described on the bag.8650.1 PARSONS' FARM ANIMAL SERIES No. 1, CLYDESDALE, The Clydesdale originated in the valley of the Clyde, Scotland. The main characteristics of the Clydesdale are ability to acclimatise in all parts of the world and perform all types of draught work. Clydesdale breeders lay emphasis upon bone, quality, weight, and action. The feet must be proportionate to the size of the horse, the hoof-head should have a full crown, with heels wide and quarters strong. 8650.2 PARSONS' FARM ANIMAL SERIES No. 3, SUFFOLK, The Suffolk, often known as the Suffolk Punch, originated in the County of Suffolk, England and is noted for its hardiness. From 15 to 16 hands in height, the Suffolk in general is smaller than the Clydesdale. The head is rather coarse, with the neck short. The body long, deep and wide with a round full appearance. The croup is straight, the legs short and free from feather. The invariable colour is chestnut, varying from light to dark.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, calico, domestic object, textile, food storage, parsons' farm animal series, oats, clydesdale, suffolk

The oat and grain store was positioned opposite Emerald's original police station at 15 Kilvington Drive, on what is now the railway property near Puffing Billy Playground. The grain store was first built in the 1920s, used by Clyde Stapleton in the 1940s, and demolished not long after this photograph was taken in 1961.Oat and grain stores were important to horse-based transportation, the agriculture industry, and food supply until the mid-20th century.The main item is the black and white photograph, with a printed annotation pasted to the reverse; there is also a larger sepia copy. Both depict a stone or painted brick building by the side of the road, with a wooden annexe at the rear. There is no door on the building, which stands beside a road. In the background are several trees. The reverse of the sepia version has Kodak logos and handwritten pen annotations; the black and white copy has, besides the printed annotations, a handwritten title and accession number.Black & White, Reverse: "165 Oat & grain Store / P00529 / 165 Oat and grain store, built in the 1920s opposite the police / station (site of [crossed out: present playground] [handwritten: railway property]): [crossed out: Clive] [handwritten: Clyde] Stapleton used to come / from the city to shoe horses here in the 1940s/ The phootgraph was / taken in 1961 before the store was demolished. / [crossed out, handwritten: Legges used it as a store]" Sepia, Reverse: "Gary Steven's gave me this photo. 1961. / Original Oat & Grain Store / Clive Stapleton shod horses here / when he came up from Town. / Opposite Police Station (where the playground is)"agriculture, transport, 1960s, stapleton family

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain.Rectangular copper stencil plate, ribbed edging; Anderson's Mill trademark (circular saw) in centre; some lettering is difficult to read due to corrosion / breaking of this section; some green surface corrosion; red paint around central trademark saw and lettering."FLAKE / ANDERSON'S / OAT MEAL / SMEATON"

small sheet of film 1858 Mac DONALD E TO 1858 OAT Ubirth, family, register

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with colour image and black text. Image shows a full length brown horse with bridle.Front: PARSONS FARM ANIMAL SERIES No.3 \ SUFFOLK \ The Suffolk, often known as the Suffolk Punch, originated in the County of Suffolk, England \ and is noted for its hardiness. From 15 to 16 hands in height. The Suffolk in general is smaller than \ the Clydesdale. The head is rather coarse, with the neck short. The body long deep and wide with \ a round full appearance. The croup is straight and legs short and free from leather. The invariable \ colour is chestnut, varying from light to dark.wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen