Showing 102 items
matching ochre
-
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Grindstone and Ochre, 25/12/2015
Photograph of a Grindstone and Ochre on display at the Tower Hill Interpretation Centre.tower hill, grindstone, ochre, aboriginal, aborigines -
Wangaratta Art Gallery
Textile, Tim Gresham, Resonance in Ochre, 2012
Wangaratta Art Gallery Collection. Acquired with the assistance of The Robert Salzer Foundation.A small hand-woven tapestry featuring a jagged line pattern in shades of blue on a ochre coloured background.tim gresham, tapestry, weaving -
Emerald Museum & Nobelius Heritage Park
Book, Yarra Ranges Regional Museum, Oil Paint and Ochre, The incredible story of William Barak and the de Purys, 2015
This book tells the story of William Barak and the de Pury family, where descendants of both sides still live today. It also has national significance as a story that explores the complex, first generation negotiations between Aboriginal and European people. Also the establishment of Coranderrk Aborignal Station at Healesville and the growth of the wine industry in the Yarra Valley. William Barak was a Wurundjeri leader and the de Purys' were a wine making family. The book complemented and exhibition called Oil Paint and Ochre 29 Aug - 22 Nov 2015.Soft cover paperbackwilliam barak, de purys, corranderk -
Melbourne Tram Museum
Ephemera - Ticket/s, City of Box Hill, replicate paste board, ochre colour, tickets for the Doncaster and Box Hill Electric Road Co., Ltd, Oct. 1989
Blue cardboard box containing a set of replicate paste board, ochre colour, tickets for the Doncaster and Box Hill Electric Road Co., Ltd, Day Return - Box Hill Doncaster - price 9d with individual numbers in black. On rear are details of the Centenary Exhibition at the Box Hill Town Hall 19-28 October 1989. Nos. 0673, 74, 0697 - 0700 (5 No. ) Nos. 3667 - 3700 (34) Nos. 3701 - 3719 (19) Nos. 3724 - 3735 (12) 3738 and 3739 (2) See also Reg Item 2847trams, tramways, box hill, centenary, exhibitions, tramways, doncaster, city of box hill -
Ararat Gallery TAMA
Artwork, other, Nancy Duggan, Jacaranda XXX – Ochre 1, 1991
-
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Simpson Colin, Adam in Ochre, Inside Aboriginal Australia, 1951
An expedition of scientists to the Aboriginal Reserves of Arnhem Land and to islands north of Darwin to gain knowledge and understanding of the Australian Aboriginal people of those regions, illustrated.aboriginals -
Federation University Historical Collection
Ethnographic Material, Flat Stone
Flat stone with ochre and black markings.aboriginal, stone, ochre, sacred -
Bunjil Park Aboriginal Education & Cultural Centre
grinding stone, Double sided grinding stone with multiple hollows
Grindstones like this were not carried but hidden in special places with subtle indicators known only to the same tribe or nation. The small and deep nature of the pits suggests this rock may have been used for ochre with the smaller pits being used for water or fat to mix with the pigments. The very hard and dense nature of the rock means materials would not be contaminated during the grinding process.This rock is likely to be very old and is potentially significant from ceremonial perspective. Stones like this have been known to be passed on through multiple generations and been in use for hundreds and possibly thousands of years.This grindstone has hollows on both sides. One large hollow on one side measures approximately 7 cm across and 2 cm deep. The opposite side is distinguished by 3 pits, one large (5 cm wide by 3 cm deep) and two small indentations 2cm by 1cm. The hollows have been chipped and smoothed. The base rock is in the shape of a flattened and slightly elongated sphere, it appears to have been water worn.The side with three pits also bears recent scratches believed to be cut by a disk plough. It also appears to have a capital "W" inscribed in the largest pit.jaara, hidden, grindstone, ochre, quartzite, multiple hollows, pits, aboriginal food and art -
Vision Australia
Certificate - Text, Eight Biennial John Muir Medical Film Festival - Vision Victoria: A Feeling for Life, unknown
Vision Victoria's film 'A Feeling for Life' was a finalist at the Eight Biennial John Muir Medical Film Festival.1 cream page with mounted on ochre cardboardAt the top: Into the Heart of Wisdom The John Muir Medical Film Festival seeks to recognise the finest productions on health and medical issues, those that offer knowledge and compassion. The production named exemplifies the confluence of knowledge and compassion into a Heart of Wisdom.association for the blind, awards -
Melbourne Tram Museum
Poster, Melbourne & Metropolitan Tramways Board (MMTB), "Minimum Fare sixpence", c1950
Set of two posters or notices - possibly drafts - to advise potential passengers of the minimum fare that was to be charged of 6d. One has a decorative border and the other uses drop caps.Demonstrates two different poster layouts for a minimum fare poster.Poster or notice printed on ochre paper in black type.Pencil marks in bottom right hand corner.Largertramways, notices, fares, posters -
Stawell Historical Society Inc
Memorabilia - Realia, c1950's
English Maroon and Ochre Coloured Vase with Marble Effect Patternstawell -
Burrinja Cultural Centre
Aboriginal painting - Jack Wherra, Jack Wherra, Ancestral Spirit Dancers: Djumba, 1982
Two Djumba figures, both male on black background. Ochres on Canvas. -
Federation University Historical Collection
Book - Report, 'gettin em n keepin em': Report of the Indigenous Nursing Education Working Group, 2002, 09/2002
Soft covered book with an indigenous artwork featuring ochre, blue and yellow.non-fictionsue turale, nursing, indigenous nursing, aboriginal, indigenous nursing education, recruitment, retention, population, health, remote area nurses, royal commission ito aboriginal deaths in custody, life expectency, national aboriginal health strategy -
Mission to Seafarers Victoria
Manual - Manual, Ship engineering, PLIBRICO, Plibrico Modern Boiler Settings, 1960s
Mariner Duncan had a particular regard for the Mission to Seafarers. A plate for display on a commissioned new table at the MTSV acknowledges his bequest and the material donated. Collectively the G W Duncan material includes: photographs, professional data memorabilia and written and commercially printed resources. The memorabilia relates to his career at sea and in particular the role of an engineer, including a handwritten manual of notes and references relating to the mechanical and engineering aspects and areas of responsibility for maintenance. A stapled book with black cover and the word PLIBRICO in ochre printed at top centre.mariner manuals, manual, boilers, maintenance, engineers, engine rooms, george winfield duncan (1922-2017), ship engineer, s.s. athenic -
Phillip Island and District Historical Society Inc.
Shield, Unknown
Hardwood Shield ornamented with red ochre zig zag grooves on outer side.australian aboriginal history, aboriginal artifact, hardwood shield -
Federation University Historical Collection
Book, Walata Tyamateetj: A guide to government records about Aboriginal people in Victoria, 2014, 2014
Ochre and yellow covered book of 87 pages with quality photgraphs of public records.non-fictionaboriginal mission stations, plan, aboringal, aborigine, aboriginal records, public record office victoria, national archives of australia, jim berg, port phillip, assimilation, chief protector of aborigines, aboriginal protectorates, board for the protection of aborigines, native police corp, edward stone parker, goulbourn river protectoratewesternport district, gunai-kurnai, coranderrk aboriginal station, lake tyers aboriginal station, antwerp primary school, wimmera river, framlingham aboriginal station, william thomas, map, charles tyers, f.p. strickland, ebernezer -
Stawell Historical Society Inc
Ceremonial object - Realia, Carved Aboriginal Shield
Believed to have come from Hopwood Property near Mt Egerton Near Gordon Western Plains Carved Curved Shield with handgrip, front has parallel groves covered in Ochre. Parallel groves on face -
The Beechworth Burke Museum
Geological specimen - Marble, Unknown
A granular metamorphic rock, marble is derived from limestone or dolomite and composed of calcite or dolomite interlocking grains. Heat and pressure from overlying sediments form it from limestone buried deep in Earth's crust. Graphite, pyrite, quartz, mica, and iron oxides can affect rock texture and colour. This specimen was found in Carrara, Italy. Carrara marble is the most common marble found in Italy, and it gets its name from the region where it is located. The marble was also called Luna marble and was used as a decorative element in buildings and sculptures. It has been quarried since Roman times in the Lunigiana, the northernmost tip of Tuscany, just outside the city of Carrara in the province of Massa and Carrara.Marble is one of the most popular and expensive rocks used in sculpture, architecture, interior decorations, statues, table tops, and novelties. It is available in various colors and textures depending on the chemical composition. The strength of the rock and its ability to hold finer details have made it a favorite among designers. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid hand sized Marble (metamorphic rock) predominantly white with specks light grey and ochre geological specimen, geology, geology collection, burke museum, beechworth, marble, carrara marble, italian marble, marble specimen, tuscany -
Greensborough Historical Society
Passbook cover, Commonwealth Savings Bank of Australia, 1950s
Passbook covers were "Issued to enable you to protect a good friend - your passbook"Two passbook covers, one ochre, black print, one light green, blue printbank passbook cover, commonwealth bank of australia -
Orbost & District Historical Society
fossil, 10-20 million years BP
This limestone rock containing many marine fossils, crustacean imprints and embedded shells, bivalves, and two imprints of spiny oyster, Pelecypos and Spondylus from the Miscene Age 10-20 million years BP. It was collected in the Orbost region, possibly at Newmerella when the railway was being constructed in 1915-16. An example of marine fossils, collected near Orbost. this fossil is part of the geological history of the Orbost area.A large piece of yellow/ochre coloured rock (East Gippsland limestone) containing many marine fossils. marine-fossils miscene-fossils east-gippsland-fossils -
Coal Creek Community Park & Museum
Cleaning ochre
Unopened cardboard package wrapped in red product label. Labl depicting brick fireplace with directions for use and other product details on sides and rear.Apex Packaging Coy. Pulverised Red Ochre. Specially prepared for household purposes. Handwritten price. -
Benalla Art Gallery
Painting, John LONGSTAFF, Portrait of Elizabeth Coles c. 1934, c. 1935
Born: Clunes, Victoria, 1861; Died: Melbourne 1941InterwarGift of Mrs Irwin Bright, 1992Figure depicting female child in blue dress in front of landscape image. Gold gesso painted frame. Recto: Signed and dated “J Longstaff 1934” in ochre paint m.r. edge of composition; Not titledportrait, child, garden, landscape, rural, australian art -
Yarrawonga and Mulwala Pioneer Museum
Indigenous Collection - Bull Roarer, Not known
Not knownThin wooden shape- smooth. Cord attached to top for swingingSerpent type snake painted on front in black,white,ochre,olive and brown with initials”GMH” -
Yarrawonga and Mulwala Pioneer Museum
Indigenous Collection— 3 aboriginal Tapping Sticks, Not known
Indigenous culture3 Wooden Tapping Sticks with a high gloss varnish. Appears to be commercially made.Sticker “An original work of art” Painted black white ochre . Dots and stripes on one end. -
Phillip Island and District Historical Society Inc.
Boomerang, Unknown
Boomerang - ornamented with red ochre and lined with grooves on obverse side. Non returning type used for hunting or fighting.local history, aboriginal artifact, boomerang, hunting & fighting implement -
Kew Historical Society Inc
Footwear - Pair of Tri-tone Leather Slingbacks, Moya, 1970s
The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. A pair of wide shaped and heeled women’s leather slingback shoes designed by Moya in shades of brown, red and ochre.women's shoes, moya -- shoes, footwear -
Brimbank City Council Art Collection
Screenprint, Chistine Dennis, Pattern Piece, 1985
Local artist, involved in Sunshine Art Advisory Committee.Watercolour pattern piece made by ochre wash over a heavy card stencil, then each square developed as panel. -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Nan’s Spirit Watching over me (Rita Dalton) Cloak, 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future. The white ochre was used to create the feather pattern. White ochre is deeply connected to spirit or ‘murrup’ as we call it in language. The ochre is used on our bodies in ceremonies to paint our body up and is also placed on graves when someone passes. The white ochre is our most sacred connection to our ancestors and is used to celebrate both life and death. I source the white ochre from the You Yangs and only take what I need for ceremony and my painting.White and black feather motif with yellow eye design on outer clock, brown feather motif in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak -
Federation University Historical Collection
Pamphlet, University of Ballarat Aboriginal Education Centre, 2013
A bifold pamphlet with browns and ochres on the frant, with a photographic portrait of a woman. It includes information on the Aboriginal Education Centre, entrance policy, and a Reconciliation Statement.aboriginal education centre -
Phillip Island and District Historical Society Inc.
Grinding Mill, 1800 - 1900 (Estimated)
"A veritable powder puff of the stone ages and one of the most interesting relics of the Aborigines yet found on Phillip Island. A Grinding Mill for the soft red stone used for decorating the body. It was picked up by Mr H. R. Balfour of Hopetown Road, Toorak, in November 1904 and was kindly given to a member of the Phillip Island & Western Port Historical Society. Although used for the last ime more than 100 years earlier, some of the ground stone adheres to the surface that has been smoothed by much use." Taken from the label associated with this object. This label is a typed version of the original label.Grinding mill, oval shaped, stone is very regular and smooth with a textured surface. One side is worn flat and smooth and has traces of red ochre on it.local aboriginal history, aboriginal artifact, stone tool, aboriginal grinding mill