Mrs John Davies is Mrs Patricia Davies (formerly Boyd).Thick cream coloured card in envelope inviting "Mr and Mrs John Davies" to the 80th Birthday party of Sir Zelman Cowen, October 9th 1999.ohm2022, ohm2022_41

Mrs John Davies is Mrs Patricia Davies (formerly Boyd).Handwritten thank you note in envelope addressed to Mrs John Davies. Note on Stationery from Cruden Farm, Langwarrin - written by Elisabeth Murdoch, dated February 19th, 1999.ohm2022, ohm2022_41

From Yvonne Boyd (wife of Robin Boyd's first cousin, painter Arthur Boyd ) in London, to Patricia Boyd regarding their upcoming visit to London.ohm2022, ohm2022_41

A red Fiat 500 was replaced by a 1961 Truimph Herald Coupe as Patricia Boyd's car. Later the Truimph was replaced by an Alfa Romeo Coupe.Documentation for purchase of a 1961 model Triumph Herald Coupe (2 seats) in sebring white with mauve (not red, as invoice reads) trim, Registration number HKO 492. Four documents, one white, three blue. Deposit paid to Standard-Triumph two days earlier.Deposit has handwriting on reverse by Patricia Boyd.ohm2022, ohm2022_6

In the June 1968 Queen’s Birthday Honours, Mrs Zara Holt was made a Dame of the Order of the British Empire. This telegram thanks Mr and Mrs Robin Boyd for their warm telegrams of congratulations.ohm2022, ohm2022_41

Suzy was the youngest of the Boyds’ three children - this is one of her childhood books.Hardcover book with dust jacket."S. Boyd III S" written in the inside cover.walsh st library, ohm2022, ohm2022_40

Suzy was the youngest of the Boyds’ three children - this is one of her childhood books.Hardcover book.walsh st library, ohm2022, ohm2022_40

Suzy was the youngest of the Boyds’ three children - this is one of her childhood books.Hardcover book.Glued-in bookplate - "ABC TV Partyland First Prize April Competition Award to Suzy Boyd".walsh st library, ohm2022, ohm2022_40

Suzy was the youngest of the Boyds’ three children - this is one of her childhood books.Softcover book."Suzy Boyd" written inside the front cover.walsh st library, ohm2022, ohm2022_40

In 1960 when he was 11 years old, Penleigh Boyd, Patricia and Robin's son, created this 'Survey on Melbourne’ as a school project. He went on to study architecture at the University of Melbourne and the University of Sydney. He has worked as an architect in Canberra since 1976.Notebook with handwritten notes in blue ink and newspaper clippings (which open), paper cover.walsh st library, ohm2022, ohm2022_37

This was bought by Robin and Patricia Boyd. There was once another green squat one. The Boyd family think it may have Mexican origins and purchased from either Georges (Collins St, Melbourne) or Gillam Quigley (Toorak Rd, South Yarra).Yellow glass bottle. Hand blown with bubbles. Narrow neck, bulbous centre, narrows into base. Slanted opening. walsh st furnishings, robin boyd, ohm2022, ohm2022_12

A mid-century design classic, these chairs were designed by Harry Bertoia and produced by furniture maker Knoll.Four white wire mesh chairs on black metal framewalsh st furnishings, robin boyd, ohm2022, ohm2022_21

This Beco lamp was designed by Donald Brown, a pre-eminent Australian lighting designer in the '50s and '60s. Robin Boyd often specified BECO lighting, including elsewhere in his own home. This was originally a bedside reading lamp in the upper living room, as seen in the Mark Strizic 1958 photograph in Robin Boyd's book Living in Australia p129.Beco 720 lamp, with black stand base with switch and white glass shadeBrown Evans & Cowalsh st furnishings, robin boyd, ohm2022, ohm2022_25

This extension table was used as the dining table in the Boyd's Camberwell home. The legs were cut to create a coffee table when it was moved to the Walsh Street house. It was placed along the west facing windowall in the study in Children's Pavilion. Mandie, Penleigh and Suzy Boyd used to watch televison on the set placed on this coffee table.Timber table (expandable). Top surface slides off to reveal two extra flaps.walsh st furnishings, robin boyd, ohm2022, ohm2022_34

Boyd designed the exhibition for the opening of the Australian Chancery in Washington DC held in June 1969. He designed six cylindrical clear acrylic display cases. One of these exhibits used an anamorphic optical illusion, using compressed images which had normal proportions when viewed through a lens of the half-cylindrical display cases. The bookends (item F157) were designed as a small scale model for the Chancery exhibition. Placing this disc underneath the adjacent two half-cylindrical bookends demonstrates how the bookends behave as a lens. This model was created for the House of Ideas exhibition, made by a University of Melbourne, Melbourne School of Design Masters student.Anamorphic image on circular discaustralian chancery, robin boyd, ohm2022, ohm2022_3

Suzy was the youngest of the Boyds’ three children - this is one of her childhood books.Softcover book.french language, walsh st library, ohm2022, ohm2022_40

Robin Boyd owned a Standard 8 after the war, followed by this blue Citroen DS (Goddess). Subsequently, he owned a silver Citroen DS, two Studebaker Hawks (without fins) and finally a white hardtop Dodge Phoenix. Documentation for the purchase of a 1957 Citroen DS (Goddess), Registration GSO 126. Carbon copy, blue paper. Robin Boyd writing on top in blue pen.citroen, robin boyd, ohm2022, ohm2022_6

In 1961 Robin Boyd designed the Tower Hill Reserve Visitors Centre to fit naturally within the surrounding terrain. The building’s shape reflects a volcanic cone. The windows allow a 360-degree view of the park. The Centre opened just after Robin Boyd’s death in October 1971. Project: Tower Hill Lake Reserve Museum drawn by Robin Boyd of Grounds, Romberg & Boyd. Drawing no 2. General view and external perspective. Watercolour on dyeline. tower hill, robin boyd, ohm2022, ohm2022_15

In 1961 Robin Boyd designed the Tower Hill Reserve Visitors Centre to fit naturally within the surrounding terrain. The building’s shape reflects a volcanic cone. The windows allow a 360-degree view of the park. The Centre opened just after Robin Boyd’s death in October 1971.Project: Tower Hill Lake Reserve Museum drawn by Robin Boyd of Grounds, Romberg & Boyd. Drawing no 3. Watercolour on dyelinetower hill, robin boyd, ohm2022, ohm2022_15

Two invoices to Robin Boyd for the windowalls and additional door frames at 290 Walsh Street. The three windowwall items are drawn with specifications. In 1952-53, Robin Boyd designed the Stegbar ‘Windowall’ - a prefabricated, structural framing/glazing system - to create a wall of windows. These ‘Windowalls’ were used extensively in domestic architecture across Australia from the 1950s to the 1970s. Boyd also designed the factory and showrooms for Stegbar Limited. The Walsh Street Archive holds exterior and interior perspectives of the building. Two foolscap pages. stegbar, windowall, ohm2022, ohm2022_35

This audio tape consists of sound effects used in the over 25 exhibit boxes which were attached to the Space Tube designed by Robin Boyd for the Australian Pavilion at Expo '70 in Osaka. The sound effects included are wind, fire, orchestra, scientific instruments, kettle whistling, transport, thunder, pop music, jazz, abc theme music, crowds talking, singing in the shower, racing car, laughing and applause.Reel tape (175mm) with labels. Duration: 11:18 minutesexpo 70, robin boyd, ohm2022, ohm2022_31

This audio tape consists of music for two of the temporary displays (Fashion; Tourism and Industry) in the Australian Pavilion's Exhibition space at Osaka's Expo 70. Robin Boyd was appointed Exhibits Architect for the Australian Pavilion.Reel tape with labels. Duration: 26:50 minutesexpo 70, robin boyd, ohm2022, ohm2022_8

Project: Domain Park from office of Grounds Romberg and Boyd. Perspective of Penthouse. The Domain Park flats (1959-62) were designed by Robin Boyd and were among the first high-rise blocks of ‘luxury’ flats constructed in post-war Melbourne. This exterior perspective highlights the unparalleled views available from the penthouse apartment.Aerial Perspective, Tracing Paperdomain park, robin boyd, ohm2022, ohm2022_14

Robin Boyd met architect Neil Clerehan at the end of 1943 when they were both in the army. They worked together on Victorian Small Homes Service and were friends.Watercolour of a mining building in an outback landscape.On the reverse side "Neil Clerehan, 1945" on top left in blue pen, and "No 8" on bottom right in pencil.neil clerehan, robin boyd, ohm2022, ohm2022_29

These two chairs are Grant Featherston prototypes of the 1947 Relaxation Chairs. These chairs came from the Boyd family's Camberwell home (666 Riversdale Road, Camberwell, formerly 158 Riversdale Road) and were originally upholstered with webbing. The fixings were modified in the final product Relaxation chairs. Robin Boyd designed the Ivanhoe home of Grant and Mary Featherston (1967).Dark orange with black fine check woven wool. Nine self-covered buttons. Laminated timber legs and arms (no frame). Three visible timber pegs/bolts connect arms to the body.walsh st furnishings, robin boyd, grant featherston, ohm2022, ohm2022_33

The Boyd family recall how Robin Boyd loved gadgets for their beautiful industrial design and their functionality.Juice-O-Mat. Metal handle on right-hand side, metal squeezer on top. Cream coloured body to hold cup. When the handle pulled back the fruit can be inserted.On base: SINGLE-ACTION Juice-O-MAT. US CAT NO 462-C. Rival MFG. CO Kansas City MO. U.S.A.gadget, walsh st appliances, robin boyd, ohm2022, ohm2022_11

The Boyd family recalls how Robin Boyd loved gadgets for their beautiful industrial design and their functionality.An ice-crusher with a metal handle with plastic black knob on right. Top contains vessel for ice with 5 blades. Metal lid has spokes to hold ice in vessel. Left Hand side has a dial with C, M, F push in buttons. Plastic tray in middle to hold crushed ice, black, removable. White painted metal body. Screw at front. Four rubber stops (one missing)Ice O-Mat TRADEMARK. Made under License to Rival MFG. Manufactured by C.C. Engineering INDS. INDS Sydney Australiagadget, walsh st appliances, robin boyd, ohm2022, ohm2022_11

Robin Boyd had the sound system put in by a friend who ran the iconic Thomas’ Music in the city of Melbourne. The Boyd family thinks that Robin designed the facade and logo for Thomas’ Music. Penleigh Boyd recalls "there was no 'hi-fi' record player in the living room until about 1963. Robin always had the speaker holes in the floating joinery unit but couldn’t afford the necessary equipment till years after we had moved into the house. Apparently one time some guest looked at the speaker holes (they had matchstick blind screening) and asked Robin what type of equipment he had. That was enough for Robin, and he immediately had a system installed - the one that is still there." (See also the amplifier item F030.)Turntable without lidthomas' music, sound system, walsh st house, ohm2022, ohm2022_8

This small suitcase belonged to Patricia Boyd. Several documents, such as 'Robin Boyd's 'University of the Air' scripts (items D184-D193) were found in this suitcase.Brown vinyl with synthetic lining with tapering rounded shape.Tag written in Robin Boyd Boyd's handwriting: Mrs Robin Boyd, Melbourne, Australia P.A.A.patricia boyd, patricia davies, robin boyd, ohm2022, ohm2022_28

Boyd designed the exhibition for the opening of the Australian Chancery in Washington DC held in June 1969. He designed six cylindrical clear acrylic display cases. One of these exhibits used an anamorphic optical illusion, using compressed images which had normal proportions when viewed through a lens of the half-cylindrical display cases. These bookends were designed as a small scale model for the Chancery exhibition. Placing the disc (item F158) underneath the adjacent two half-cylindrical bookends demonstrates how the bookends behave as a lens.Two half cylindrical acrylic prismsaustralian chancery, walsh st furnishings, robin boyd, ohm2022, ohm2022_3