Showing 92 items matching "olive cotton"
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Horsham Regional Art GalleryPhotograph, Olive COTTON, Teacup ballet, 1935
... Olive COTTON...Teacup ballet Photograph Olive COTTON ...Purchased through the Horsham Art Gallery Trust Fund, 1996 -
Federation University Historical CollectionBook, Education Department Certificates 1908 - 1922
... ...Olive Cotton...Bull Arthur Burge Olive Cotton Gertrude F Coxon Alice Culph Curtain R.L. ...School of Mines Ballarat was a predecessor of Federation UniversityBlack cloth covered book with handwritten pages and loose foolscap pages at the front and sticer on front cover with CERTIFICATES written on it.education department, school of mines ballarat, leslie bennett, eulali perry, hector osborne, doris mcdougall, mary mullins, john mclean, mary morrish, francis kelly, robert gullan, henry bull, clara clegg, john david, albert ferguson, ina westcott, vera walker, agnes walker, eileen tremain, florence smith, lizzie pier, annie reynolds, charles peverill, william pearson, doris patterson, rebecca mcphan, constance mchenry, jean mcgregor, florence mingst, gwen mann, roz kelly, edward jones, freddi jacobi, percy baker, doris carter, stephen chambers, ruth catt, arthur dousey, d'arcy, bessie doncaster, alan eggleston, lena featherstone, clarice fisher, sylvia williams, james walker, annie treloar, shearer, cora sandberg, elsie pearce, jan mcgregor, cyril mcgibbon, margaret moore, thomas kierce, william james, alice horan, lucy hamilton, beatrice blake, catherine bowers, mona callow, lillian cameron, joyce dopel, iva denovan, william thompson, irene hewitt, catheriine kardens, beatrice stuart, hugh ross, mavis regelhuth, isabelle bell, melba perriman, vera muny, alan bernaldo, kathleen conway, dorothy darling, walter dunston, mary dwyer, agnes fraser, enid gates, maude williams, violet wheeler, jean tunbridge, maud auberry, john b. allen, rose c. andrews, willie banagwanath, john n. bennett, alfred bayley, geo h. blake, ida bolte, allison brown, eva brown, harold r. brown, henry f. bull, arthur burge, olive cotton, gertrude f coxon, alice culph, curtain, r.l. cutter, florence davis, w.m davies, helen dempster, ed dopel, l.c.m. dovey, ernest duncan, hugh elliott, nelson h. ferguson, mary featherstone, amelia field, david cochrane, phyllis polson, frederick proctor, geoff richards, bessie robertson, catherine ronald, cora saudberg, mary sheppard, scott smith, leonard steele, j.b. suttcliffe, nellie thornhill, vernon fisher, gordon fletcher, elsie ford, constance furness, grace m. geddes, ada giacometti, mary gleeson, v. hall, harold herm, dorothy hambley, clemence hill, evelyn hodgson, annie holmes, glynis humphreys, augus henderson, joseph james, queenie johnson, harold jolly, francis n. king, william knott, mary kinnear, adelaide leash, doris lonie, a lilbourne, f.j. llewellyn, herb malui, muriel mathew, nellie moloney, mabel morris, ernest morshead, w.k. moss, winifred moyley, eileen mcinerney, jack mclean, chas mcnamara, maryanne medwell, alice osbourne, elsie pitts, percy trompf, basil tunbridge, david walker, ruby walton, annie whitla, kenneth whittle, walter wilberforce, alb e williams, masie wise, amy wolff, olive wunhym, beryl atkins, hector ashby, geo banagwanath, g.n.j. barker, marion r. bailey, kathleen bowe, lelia brough, cecil campbell, basil craddock, ida chapman, iris campbell, una campbell, eileen cleary, reg m.l. cuttter, lyle eves, violet elston, eric embling, violet evans, f.l. ellsworth, vera fisher, una fowles, colin graham, victor greenhalgh, clarence grose, dororthy hall, margaret hannaby, leslie henderson, harold herbert, effie holmes, herbert hopkins -
Women's Art RegisterWomen's Art Register Bulletin, Women's Art Register Bulletin No. 24 - October 1995
... ...Olive Cotton...Lyn Pool Maggie McCormack Ewa Narkiewicz Kate Stones Deborah Klein Lyn pool Dianne Beevers Gabriella Hegyes Olive Cotton Bias Binding Sally Smart Susan Morris Anne Graham Brenda Purtell Jan Palethorpe Wendy Rew Maggie McCormick Paula Lindley Julie Rosewarne Foster Cowarr Art Space 30 page booklet Women's Art Register Bulletin No. 24 - October 1995 Women's Art Register Bulletin ...30 page bookletlyn pool, maggie mccormack, ewa narkiewicz, kate stones, deborah klein, lyn pool, dianne beevers, gabriella hegyes, olive cotton, bias binding, sally smart, susan morris, anne graham, brenda purtell, jan palethorpe, wendy rew, maggie mccormick, paula lindley, julie rosewarne foster, cowarr art space -
Women's Art RegisterBook, Barbara Hall and Jenni Mather, Australian Women Photographers 1840 - 1960, 1986
... ...Olive Cotton...Complements other material held in The Women's Art Register on women photographers. self portraiture self-portraiture pictorialism Home magazine studio photography melbourne Society of Women Painters and Sculptors Olive Cotton Ruth Hollick Arising from research for an exhibition of the same name, which toured Australia 1981- 1982 the book covers the work of 45 amateur and professional photographers and their lives as innovators and travellers. ...Arising from research for an exhibition of the same name, which toured Australia 1981- 1982 the book covers the work of 45 amateur and professional photographers and their lives as innovators and travellers. Many of the works come from private collections and have not been previously published.Booknon-fictionArising from research for an exhibition of the same name, which toured Australia 1981- 1982 the book covers the work of 45 amateur and professional photographers and their lives as innovators and travellers. Many of the works come from private collections and have not been previously published.self portraiture, self-portraiture, pictorialism, home magazine, studio photography, melbourne society of women painters and sculptors, olive cotton, ruth hollick -
Women's Art RegisterBook, Helen Ennis, Photography and Australia, 2007
... ...Olive Cotton...Croft Leah King-Smith Tracey Moffat Brook Andrew Destiny Deacon Rosemary Laing Olive Cotton Margaret Michaelis Ruth Maddison Carol Jerrems Fiona Hall Patricia Piccinni Jacky Redgate Anne Zahalka Pat Brassington Anne Ferran Visual and written documentation on photography in Australia and its importance. ...Visual and written documentation on photography in Australia and its importance.non-fictionVisual and written documentation on photography in Australia and its importance.racial, political, social, brenda l. croft, leah king-smith, tracey moffat, brook andrew, destiny deacon, rosemary laing, olive cotton, margaret michaelis, ruth maddison, carol jerrems, fiona hall, patricia piccinni, jacky redgate, anne zahalka, pat brassington, anne ferran -
National Vietnam Veterans Museum (NVVM)Headwear, Bush Hat
... Olive green coloured cotton bush hat...cotton twill and featured a headband for inserting natural camouflage. Early versions were of British manufacture and had large screened air holes. However, from 1968 the Giggle hat was produced in Australia and featured smaller un-screened air holes. Bush hat Giggle hat Clothing Olive ...The Australian Giggle Hat was made from jungle green cotton twill and featured a headband for inserting natural camouflage. Early versions were of British manufacture and had large screened air holes. However, from 1968 the Giggle hat was produced in Australia and featured smaller un-screened air holes.Olive green coloured cotton bush hatbush hat, giggle hat, clothing -
National Vietnam Veterans Museum (NVVM)Uniform, Flying suit
... Olive green, cotton drill suit. Velcro at waist, chest pocket zips. ...Flying suit Dustoff Bruce C. starkey 1736666 Olive green, cotton drill suit. Velcro at waist, chest pocket zips. ...Olive green, cotton drill suit. Velcro at waist, chest pocket zips. Various pockets on legs and sleeves.Bruce C. starkey 1736666flying suit, dustoff -
Tatura Irrigation & Wartime Camps Museum
Accessory - Handbag, 1940's
... Bone coloured macrame handbag, lined with olive green cotton material. Diamond knobbly pattern 2 handles...Used by internee at Camp 3 handbag hoefer family camp 3 tatura ww2 costume accessory female handcrafts macrame Bone coloured macrame handbag, lined with olive green cotton material. Diamond knobbly pattern 2 handles Accessory Handbag ...Used by internee at Camp 3Bone coloured macrame handbag, lined with olive green cotton material. Diamond knobbly pattern 2 handleshandbag, hoefer family, camp 3, tatura, ww2, costume, accessory, female, handcrafts, macrame -
National Vietnam Veterans Museum (NVVM)Uniform - Uniform, Army, Jacket
... An olive green cotton wind resistant poplin jacket made longer that normal in order that load carrying equipment does not cover pockets...Jacket Clothing McPhail Collection DSA-100-4491. 8405-082-5568 An olive green cotton wind resistant poplin jacket made longer that normal in order that load carrying equipment does not cover pockets Jacket Uniform Uniform, Army ...An olive green cotton wind resistant poplin jacket made longer that normal in order that load carrying equipment does not cover pocketsDSA-100-4491. 8405-082-5568jacket, clothing, mcphail collection -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Domestic object - Kitchen Equipment, cutlery
... Part-set comprising of 2 teaspoons, 1 butter-knife and 1 sugar- tongs in an olive coloured cotton-sateen lined, embossed-paper covered box....Part-set comprising of 2 teaspoons, 1 butter-knife and 1 sugar- tongs in an olive coloured cotton-sateen lined, embossed-paper covered box. ...Electro Plated Silver cutlery. Part-set comprising of 2 teaspoons, 1 butter-knife and 1 sugar- tongs in an olive coloured cotton-sateen lined, embossed-paper covered box.EPNSkitchen equipment, cutlery, silverplate, early settlers, pioneers, moorabbin, bentleigh, cheltenham, market gardeners -
Montmorency–Eltham RSL Sub BranchUniform - Cap, US Army, Cold Weather, Korean War, Cap, US Army, Korean War, 1959
... Olive Drab cotton and wool peaked Field Cap with imitation alpaca fold-down ear comforters, ends secured by cord. ...Dated 13 Jan. 1951 Q.M. 9532-OI-10070 Pur.Desc. 1 Nov. 1950 Stock No. 73-C-16376-45 NYQMPA ALPACA 60% WOOL, 40% COTTON LINING 80% WOOL, 20% COTTON plus - wearing instructions "CAP, FIELD,PILE,OD, M-Q1" (sic) Olive Drab cotton and wool peaked Field Cap with imitation alpaca fold-down ear comforters, ends secured by cord. ...Typical US Army cold weather cap used in Korean War and post-Korea eraRepresentative US Army cap. This type of clothing was issued to Australian troops during the Korean War Olive Drab cotton and wool peaked Field Cap with imitation alpaca fold-down ear comforters, ends secured by cord. Cotton identification label sewn to liner. Wear instructions cotton label sewn to liner. CAP, FIELD, PILE, O.D., MQ-1 Size 7 ATLANTIC HIGHLANDS MFG. CO. Dated 13 Jan. 1951 Q.M. 9532-OI-10070 Pur.Desc. 1 Nov. 1950 Stock No. 73-C-16376-45 NYQMPA ALPACA 60% WOOL, 40% COTTON LINING 80% WOOL, 20% COTTON plus - wearing instructions "CAP, FIELD,PILE,OD, M-Q1" (sic) -
Beechworth RSL Sub-BranchInsignia Rank Corporal
... The insignia has two chevrons embroided in gold cotton; positioned one above the other. on a olive drab polyester cotton with an embroidered edge...chevron chevron corporal The insignia has two chevrons embroided in gold cotton; positioned one above the other. on a olive drab polyester cotton with an embroidered edge Insignia Rank Corporal ...The insignia has two chevrons embroided in gold cotton; positioned one above the other. on a olive drab polyester cotton with an embroidered edgechevron, chevron corporal -
Beechworth RSL Sub-BranchUniform - Insignia Rank Corporal
... The insignia has two chevrons embroided in gold cotton; positioned one above the other. on a olive drab polyester cotton with an embroidered edge...chevron chevron corporal The insignia has two chevrons embroided in gold cotton; positioned one above the other. on a olive drab polyester cotton with an embroidered edge Uniform Insignia Rank Corporal ...The insignia has two chevrons embroided in gold cotton; positioned one above the other. on a olive drab polyester cotton with an embroidered edgechevron, chevron corporal -
National Vietnam Veterans Museum (NVVM)Equipment - Hand towel
... Olive green, army issue, cotton hand towel with faded/broken handwriting in black ink ...Woods 7RAR 2783285 towel cloth Letters and numbers in black ink near top, difficult to decipher Olive green, army issue, cotton hand towel with faded/broken handwriting in black ink Equipment Hand towel ...Standard issue item as used by Australian servicemen during the conflict in Vietnam ( 1962 - 1972). The item belonged to National Serviceman Pte D G Woods, Service no:2783285, who served in 7RAR in 1967.Olive green, army issue, cotton hand towel with faded/broken handwriting in black ink Letters and numbers in black ink near top, difficult to decipherwoods, 7rar, 2783285, towel, cloth -
Moorabbin Air MuseumClothing (item) - RAAF Flying Suit Olive Green
... RAAF flying suit, olive green, cotton, size 44, one piece long sleeved. ...Safe Air Pty Ltd Nomex-Aromatic Polyamide Size 44 RAAF flying suit, olive green, cotton, size 44, one piece long sleeved. ...Safe Air Pty Ltd Nomex-Aromatic Polyamide Size 44 -
National Vietnam Veterans Museum (NVVM)Uniform - Scrim, sweat rag
... Olive green loose weave, cotton scarf. Material open square pattern uniform throughout with border in tighter knit on both sides of scarf....Scarf Soldier Cotton sweat rag uniform Vietnam Olive green loose weave, cotton scarf. ...Standard issue cotton scrim/ scarf was used by soldiers in Vietnam. Colloquially known as a sweat rag.Olive green loose weave, cotton scarf. Material open square pattern uniform throughout with border in tighter knit on both sides of scarf.scarf, soldier, cotton, sweat rag, uniform, vietnam -
Bendigo Military MuseumHeadwear - HELMET, STEEL - BRITISH PATTERN, c. WW2
... Outside of the helmet is covered in dark olive green mesh which is secured with olive green cotton cord. A bolt head is prominent on the crown of the helmet and corresponds to a nut and thread on the inside. ...Outside of the helmet is covered in dark olive green mesh which is secured with olive green cotton cord. A bolt head is prominent on the crown of the helmet and corresponds to a nut and thread on the inside. ...British pattern steel army helmet as used in both WW1 and WW2. This example dates from the WW2 era.British pattern steel helmet, dark olive in colour. Outside of the helmet is covered in dark olive green mesh which is secured with olive green cotton cord. A bolt head is prominent on the crown of the helmet and corresponds to a nut and thread on the inside. This nut and bolt secures a black rubber pad. A sweat band in black synthetic material is secured to the inside rim of the helmet. An adjustable webbing chin strap with brass buckle is attached with clips to each side.Niluniform - army, costume - male, protective headgear -
Montmorency–Eltham RSL Sub BranchHeadwear - Forage Cap, German, Post-war, 1968
... Olive drab woolen forage or side cap with cotton liner. Olive diamond-shaped backing with yellow, red, black embroidered rosette cap badge. ...Headgear Label - red ink stamp 'BAMBERGER MUTZEN INDUSTRIE' black ink stamp 'U5 I 2d/11/15644/0048/8, VII/1968, 56, 8405-12-138-8899' Label over-stamped with large 'A' Olive drab woolen forage or side cap with cotton liner. Olive diamond-shaped backing with yellow, red, black embroidered rosette cap badge. ...Standard West German Army uniform item for that period.Olive drab woolen forage or side cap with cotton liner. Olive diamond-shaped backing with yellow, red, black embroidered rosette cap badge. Manufacturer's off-white label sewn to lining. Label - red ink stamp 'BAMBERGER MUTZEN INDUSTRIE' black ink stamp 'U5 I 2d/11/15644/0048/8, VII/1968, 56, 8405-12-138-8899' Label over-stamped with large 'A'headgear -
Woodend RSLHat, 1963
... Olive drab woollen forage or side cap with cotton liner. Olive diamond-shaped backing with yellow,red,black embroidered rosette cap badge. ...US12d/01/07897/001/3 VII/63 _15.12.63 55 8405-12-137-6563 Olive drab woollen forage or side cap with cotton liner. Olive diamond-shaped backing with yellow,red,black embroidered rosette cap badge. ...Standard West German uniform item for the periodOlive drab woollen forage or side cap with cotton liner. Olive diamond-shaped backing with yellow,red,black embroidered rosette cap badge. Manufacturer’s off-white label sewn to lining.Label inside cap - BAMBERGER MUTZEN-INDUSTRIE (red lettering). US12d/01/07897/001/3 VII/63 _15.12.63 55 8405-12-137-6563forage, german, cap, bamberger mutzen industrie -
Bendigo Military MuseumUniform - JUMPERS, ARMY, Elegant Knitting Co, 1989
... Ribbed design with olive green colour cotton twill fabric, reinforced elbows and shoulders with shoulder epaulettes with Velcro fasteners. 2. ...Ribbed design with olive green colour cotton twill fabric, reinforced elbows and shoulders with shoulder epaulettes with Velcro fasteners. 2. ...Uniform issued to "D. HUTCHINSON". Refer also Cat No 10313.3.1. & 2. Jumpers - olive green/Khaki colour, wool/nylon blend fabric. Ribbed design with olive green colour cotton twill fabric, reinforced elbows and shoulders with shoulder epaulettes with Velcro fasteners. 2. Top of sleeves - rank insignia cloth patch, brown and white, two stripes - Corporal. Manufacturers information - white colour cotton label, back of neck ribbing.Manufacturer's details - black ink print.. 1. & 2. ELEGANT KNITTING CO./ PENRITH, NSW, 1989 (1990)/ 8405-66-093-2703/ size; 95-105R ^/ SERVICE NO./ NAME/ 80% WOOL/ 20% NYLON" INCLUDING LAUNDRY INSTRUCTIONS. d. hutchinson, uniform, army, jumpers -
Bendigo Historical Society Inc.Clothing - MAGGIE BARBER COLLECTION: OLIVE GREEN LEATHER TRIMMED GLOVES, 1920-1930'S
... Dark olive green fabric,(possibly cotton) with a sueded feel, bracelet length gloves. ...Dark olive green fabric,(possibly cotton) with a sueded feel, bracelet length gloves. ...Clothing. Dark olive green fabric,(possibly cotton) with a sueded feel, bracelet length gloves. In between the fingers (on the side of the fingers)the gloves have panels of dark olive kid leather. At the top of the glove, on the outer side, the fabric is pleated, to give a rounded effect. A flat bow 6 cms from side to side, trims the curve. The bow is made of the dark olive coloured leather.costume accessories, female, olive green leather trimmed gloves -
Woodend RSL
Webbing Anklet (Gaiter), 1953
... Olive drab woven webbing anklet. The anklet is made of a rectangular strip of fabric which is straight along one edge and curved to fit an ankle along the other side. Outside of anklet: two buckles are stitched on with straps of woven cloth, one placed near the top of the anklet, one near the base. The opposite end of the anklet has two black leather straps which may be attached to buckles when worn. Leather straps are stitched on with black thread. Inside of anklet: lower third has a cotton...Olive drab woven webbing anklet. The anklet is made of a rectangular strip of fabric which is straight along one edge and curved to fit an ankle along the other side. Outside of anklet: two buckles are stitched on with straps of woven cloth, one placed near the top of the anklet, one near the base. The opposite end of the anklet has two black leather straps which may be attached to buckles when worn. Leather straps are stitched on with black thread. Inside of anklet: lower third has a cotton ...This anklet dates to 1953 and may be associated with the Korean War (1950-1953). This anklet web is an example of Australian military uniform dating back to the mid twentieth century. Olive drab woven webbing anklet. The anklet is made of a rectangular strip of fabric which is straight along one edge and curved to fit an ankle along the other side. Outside of anklet: two buckles are stitched on with straps of woven cloth, one placed near the top of the anklet, one near the base. The opposite end of the anklet has two black leather straps which may be attached to buckles when worn. Leather straps are stitched on with black thread. Inside of anklet: lower third has a cotton, olive drab lining. Two leather attachments are stitched in along the edge of anklet to reinforce the curved seam.J.1953 VOG. 4024 S.2 Australian military marking of D (arrow) D. L (arrow) 18 anklet, web, military, army, way, fashion, outfit, uniform, gaiter. -
Bendigo Military MuseumUniform - POLO SHIRT, DPCU, ARMY, Australian Defence Industries. ADI, Unknown
... Fabric, front and back of torso, olive green coloured cotton polyester interlock stretch fabric. ...Fabric, front and back of torso, olive green coloured cotton polyester interlock stretch fabric. ...Collection re Paul Denis AHEARN. No. 331325 Refer Cat No. 11108 for his service details.1.2.3. Polo shirt style with long sleeves. Fabric, front and back of torso, olive green coloured cotton polyester interlock stretch fabric. Collar and long sleeves, DPCU (Disruptive Pattern Camouflage Uniform) with colours, light, dark olive green; dark and light brown, cotton polyester woven fabric. Shirt has collar with 1/4 length nylon and metal zipper front closer, long sleeves have velcro and tape cuff, two large patch pockets with velcro flaps, elbow patches and small pencil pocket on left sleeve. 2. 3. Manufacturer's white coloured cardboard label insitu on zipper, no fabric label.Manufacturer's details - black ink print. "8415-66-161-6257/ ORDER 514096 SIZE S XL/ STYLE 20C222UV COLOUR AMOS/ 145186:01: 0086"ahearn collection, paul denis ahearn, uniform, dpcu, army, polo shirt -
Southern Sherbrooke Historical Society Inc.
Textile - Helen Gibson collection - material, cottons, etc
... Machine cotton- 1 navy and 1 light olive. -1 Brooks Machine Cotton- Steel Blue. ...Machine cotton- 1 navy and 1 light olive. -1 Brooks Machine Cotton- Steel Blue. ... -
Frankston RSL Sub Branch
Helmet, Australian M1, circa 1960's
... Standard issue United States M1 pattern steel helmet, olive drab in colou, stretch cotton cargo type net, with fibreglass liner. ...Standard issue United States M1 pattern steel helmet, olive drab in colou, stretch cotton cargo type net, with fibreglass liner. ...Standard issue United States M1 pattern steel helmet, olive drab in colou, stretch cotton cargo type net, with fibreglass liner. On the inside of a strap in the liner '8415-153-6671' is printed in black ink. This number would appear to be the "Federal Stock Number (FSN)" which was used 1949 to 1975 when ti was replaced by "National Stock Number (NSN)' by additional of 00 after the first 4 numbers. this would indicate that it was made in USA. The chin strap and liner are both complete and fully operable. These helmets were first issued in 1941 to the United States Armed Forces. They were adopted after the Korean War by the Australian Defence Force. In the 1990s they were replaced by the Kevlar based Personnel Armour System-Ground Troop (PASGT) type helmet. However, as evidenced by this helmet, some M1 Steel helmets were not replaced in-service by the PASGT helmet and survived into the early 21st Century. Used by Royal Australian Army in Vietnam in areas where mines were significnat, such as Long Hai's mountains (together with US flak jackets), and also by Royal Australain Navy.An example of an Australian Army issue M1 steel battle helmet complete with fibreglass liner. This helmet type was issued to Australian defence personnel during the Vietnam conflict. The inner line has a transfer on the front " Australian Military Forces" with rising sun badge. The steel outer has an olive green elastic cover (similiar to cargo net) to hold camouflage material. The M1 is two "one-size-fits-all" helmets: an outer shell made of metal and a hard hat-type liner that is nestled inside the shell and contains the suspension system that would be adjusted to fit the wearer's head. Helmet covers and netting would be applied by covering the steel shell with the extra material tucked inside the shell and secured by inserting the liner. The helmet is 7 inches in height, width is 9.5 inches and length is 11 inches. The weight of a World War II era M1 is approximately 2.85 pounds including the liner and chinstrap. (From Wikipepedia) the inner line has a transfer on the front " Australian Military Forces" with rising sun badge.steel helmet -
Federation University Historical CollectionCertificate, Education Department, Victoria, Victorian Education Department Certificates, 1916-1928
... cotton...lilith s. christmas...perspective...doreen coughlan...ivy g. crompton...phyllis culliver...joan m. cuthbertson...alan r. cutter...john l. daniel...arthur dansey...katherine d'arcy...dorothy f. darling...myrtle f. darling...reginal a. davey...gwladys h. davies...annie dellaca...henry a. deller...ivy f. denovan...joyce doepel...bessie donacaster...charles o. dowie...horace b. dowsing...walter dunstan...mary dwyer...allan r. egglestone...melville g. ellingsen...hugh o. elliott...beryl r. ellis...cecil f. engish...allan e. evans...matson l. eves...olive...Ballarat Technical Art School was a division of the Ballarat School of Mines. ann duke plain needlework victor greenhalgh frank tate ballarat technical art school arnold j. allen florence allen m.a. ansen dressmaking modelling human figure from cast ruby e. allison drawing fro memory nancy b. angwin maude arberry douglas w. arch muriel j. arch eileen bailey annie c. baker percy j. baker general design light metal work bessie m. barbery commerical arithmetic decorative needlework bert bernaldo drawing from a flat example lorna m. mccallum brush drawing stanley g.a. barnett millinery mavis g. beacham theodore k. beckwith isabel j. bell kelva e. bellingham leslie bennett olive van berkel elizabeth e. berry beatrice m. blake thomas g. blake catherine m. bowers nancy w. bowe clarice v. branagh harold r. brown architecture modelling the head from life henry bull light metalwork ivan d. brown thyra j. brown henry j. bull leila m. burford embossed leathwork lettering drawing fro dressmakers irene m. burke josephine m. callery modelling mona r. callow herbert cameron lillias cameron william e. carlyon doris l. carter ruth e. catt hiram e. chamberlain stephen chambers jack d. chand jack d. chard clara v. clegg beryl e. coad john c. collins keith m. collins robert g. collins kathleen m. conway athol b. cornish ballantyne cottier douglas s. cotton lilith s. christmas perspective doreen coughlan ivy g. crompton phyllis culliver joan m. cuthbertson alan r. cutter john l. daniel arthur dansey katherine d'arcy dorothy f. darling myrtle f. darling reginal a. davey gwladys h. davies annie dellaca henry a. deller ivy f. denovan joyce doepel bessie donacaster charles o. dowie horace b. dowsing walter dunstan mary dwyer allan r. egglestone melville g. ellingsen hugh o. elliott beryl r. ellis cecil f. engish allan e. evans matson l. eves olive j. fairlie robert j. falla mavis felstead lena featherston albert c. ferguson alma ferguson hilda m. ferguson john f. ferguson beatrice m. field clarice f. fisher philip h. fleischer building construction olive p. francis agnes fraser essie gale gilbert foster pearle fricke effie gascoigne enid m. gates clarice gear james a. geary sylvia f. greenhalgh evelyn f. geddes thomas j. gibson wavie b. gilbert edna m. gilmer nancy govan eula h. gower doris e. gray lesley j. gower henry n. graham victor e. greenhalgh melva e. gribble human anatomy roy k. griggs jack gullan robert gullan alma m. gunn dorothy j. hallan lucy hamilton james hammer dorothy e. hamond christopher j. hanlon catherin hardess lily haymes gladys hedges irene h. hewitt john hill victor j. hill olive hillings john a. hobill frances k. holmes gertrude m. hopkins alice horan marjorie hudson linda m. hughes lydia hughes winifred humphreys commercial english agnes a. humphries colin hunt kathleen hutchinson francis n. king jean king hilda knox john kopke isabel a. kopke hazel jackson freda jacobi agnes james william r. james alexander johnson edward j. jones eleanor w.h. jones nellie kau thomas kean francis kelly roy k. kelly thomas g. kierce theo e. leonard esther f. leviston bessie lockett norman h. long ena mackay gwenda e. mann robert v. maddison herbert w. malin dorothy m. marriott john c. mcarthur james p. mcculloch doris mcdougall cyril mcgibbony thelma mcgibbony jean mcgregor kenneth mciver constance m. mckenzie elsie j. mckissock alexander k.mcleod grace b. mclean john f.w. mclean rebecca mcphan vera meeny edna merritt dougald miller florence h. mingst agnes m. monteith doreen j. montgomery jean e. montgomery robert w.p. montgomery margaret b. moore harry e. morrish james mow gwendoline r. neagle gerald r. newson robert j. nicol helen f. nicholl george m. norton edward s. oliver mavis e. oliver hector h, osborne henry parker norma e. parr doris m. patterson elsie pearce celia pearlman leslie pearlman edna pearson william j. perriman eulalie perry ernest b. pinney charles e. peverill clarence r. pittock raymond b. pitts phyllis polson cynthia b. power bessie puzey john m. punshon evelyn a.v. ramsay robert i ramsay william a. rattray drawing for builders and artisans george h. reed fred reeves mavis i. regelhuth george r. renkin annie e. reynolds lizzie rice eileen l. richards henry c. riegelhuth gladys m. riley charles a. rimmington amy robson ernest w. robson florence a. rogers dorothy rppney kathleen rooney hugh n. ross stella m. rowe agnes w. ryan rosaling e. sage cora sandberg eric c. sanders douglas f. scott sylvia e. selkirk dorine a. shearer gladys sheldon emily e. simper veri slattery florence c. smith hilda m. spencer rose spiers mopna g. spiller alma m. stapleton joyce w. stark marcus m. stone commercial correspondence beatrice m. stuart ena v. sullivan margaret a. sydes rita tainsh norman b. tamlyn arthur w. thane alma m. thomas david e. thomas william h. thompson william m. thomas edgatr j.t. tippett sidnet tippett gladys tongway mavis toop hugh d. trainor annie e. treloar john h. treloar eilleen trumain linda f. treewk percival a. trompf percy trompf jean tunbridge ruth e. tunbridge allan j. twaits irene m. utting elizabeth van beek william a. wade agnes a. walker james a. walker vera v. aller john walsh marjorie walters rex warrillow edith watson bernice e. webb constance i weeks ina m. westcott pearl whan violet wheeler myrtle d. whitfield annie whitl richard l. whitla charles f. whitla grace a. wilcock murray a. wilkie andrew w. william arthur williams baden p. williams david d. williams grace f. williams maude h. williams mavis m. williams james williamson ivy wilson hector g wilson frederick w.r. wilson david s. wood Stamped Ballarat School of Mines No.10 Stamped signature "Frank Tate" 373 certificates in 2 boxes. ...Ballarat Technical Art School was a division of the Ballarat School of Mines.373 certificates in 2 boxes. Most appear to be related to subjects undertaken at the Ballarat Technical Art School. Director of education stamped signature Frank Tate.Stamped Ballarat School of Mines No.10 Stamped signature "Frank Tate"ann duke, plain needlework, victor greenhalgh, frank tate, ballarat technical art school, arnold j. allen, florence allen, m.a. ansen, dressmaking, modelling human figure from cast, ruby e. allison, drawing fro memory, nancy b. angwin, maude arberry, douglas w. arch, muriel j. arch, eileen bailey, annie c. baker, percy j. baker, general design, light metal work, bessie m. barbery, commerical arithmetic, decorative needlework, bert bernaldo, drawing from a flat example, lorna m. mccallum, brush drawing, stanley g.a. barnett, millinery, mavis g. beacham, theodore k. beckwith, isabel j. bell, kelva e. bellingham, leslie bennett, olive van berkel, elizabeth e. berry, beatrice m. blake, thomas g. blake, catherine m. bowers, nancy w. bowe, clarice v. branagh, harold r. brown, architecture, modelling the head from life, henry bull, light metalwork, ivan d. brown, thyra j. brown, henry j. bull, leila m. burford, embossed leathwork, lettering, drawing fro dressmakers, irene m. burke, josephine m. callery, modelling, mona r. callow, herbert cameron, lillias cameron, william e. carlyon, doris l. carter, ruth e. catt, hiram e. chamberlain, stephen chambers, jack d. chand, jack d. chard, clara v. clegg, beryl e. coad, john c. collins, keith m. collins, robert g. collins, kathleen m. conway, athol b. cornish, ballantyne cottier, douglas s. cotton, lilith s. christmas, perspective, doreen coughlan, ivy g. crompton, phyllis culliver, joan m. cuthbertson, alan r. cutter, john l. daniel, arthur dansey, katherine d'arcy, dorothy f. darling, myrtle f. darling, reginal a. davey, gwladys h. davies, annie dellaca, henry a. deller, ivy f. denovan, joyce doepel, bessie donacaster, charles o. dowie, horace b. dowsing, walter dunstan, mary dwyer, allan r. egglestone, melville g. ellingsen, hugh o. elliott, beryl r. ellis, cecil f. engish, allan e. evans, matson l. eves, olive j. fairlie, robert j. falla, mavis felstead, lena featherston, albert c. ferguson, alma ferguson, hilda m. ferguson, john f. ferguson, beatrice m. field, clarice f. fisher, philip h. fleischer, building construction, olive p. francis, agnes fraser, essie gale, gilbert foster, pearle fricke, effie gascoigne, enid m. gates, clarice gear, james a. geary, sylvia f. greenhalgh, evelyn f. geddes, thomas j. gibson, wavie b. gilbert, edna m. gilmer, nancy govan, eula h. gower, doris e. gray, lesley j. gower, henry n. graham, victor e. greenhalgh, melva e. gribble, human anatomy, roy k. griggs, jack gullan, robert gullan, alma m. gunn, dorothy j. hallan, lucy hamilton, james hammer, dorothy e. hamond, christopher j. hanlon, catherin hardess, lily haymes, gladys hedges, irene h. hewitt, john hill, victor j. hill, olive hillings, john a. hobill, frances k. holmes, gertrude m. hopkins, alice horan, marjorie hudson, linda m. hughes, lydia hughes, winifred humphreys, commercial english, agnes a. humphries, colin hunt, kathleen hutchinson, francis n. king, jean king, hilda knox, john kopke, isabel a. kopke, hazel jackson, freda jacobi, agnes james, william r. james, alexander johnson, edward j. jones, eleanor w.h. jones, nellie kau, thomas kean, francis kelly, roy k. kelly, thomas g. kierce, theo e. leonard, esther f. leviston, bessie lockett, norman h. long, ena mackay, gwenda e. mann, robert v. maddison, herbert w. malin, dorothy m. marriott, john c. mcarthur, james p. mcculloch, doris mcdougall, cyril mcgibbony, thelma mcgibbony, jean mcgregor, kenneth mciver, constance m. mckenzie, elsie j. mckissock, alexander k.mcleod, grace b. mclean, john f.w. mclean, rebecca mcphan, vera meeny, edna merritt, dougald miller, florence h. mingst, agnes m. monteith, doreen j. montgomery, jean e. montgomery, robert w.p. montgomery, margaret b. moore, harry e. morrish, james mow, gwendoline r. neagle, gerald r. newson, robert j. nicol, helen f. nicholl, george m. norton, edward s. oliver, mavis e. oliver, hector h, osborne, henry parker, norma e. parr, doris m. patterson, elsie pearce, celia pearlman, leslie pearlman, edna pearson, william j. perriman, eulalie perry, ernest b. pinney, charles e. peverill, clarence r. pittock, raymond b. pitts, phyllis polson, cynthia b. power, bessie puzey, john m. punshon, evelyn a.v. ramsay, robert i ramsay, william a. rattray, drawing for builders and artisans, george h. reed, fred reeves, mavis i. regelhuth, george r. renkin, annie e. reynolds, lizzie rice, eileen l. richards, henry c. riegelhuth, gladys m. riley, charles a. rimmington, amy robson, ernest w. robson, florence a. rogers, dorothy rppney, kathleen rooney, hugh n. ross, stella m. rowe, agnes w. ryan, rosaling e. sage, cora sandberg, eric c. sanders, douglas f. scott, sylvia e. selkirk, dorine a. shearer, gladys sheldon, emily e. simper, veri slattery, florence c. smith, hilda m. spencer, rose spiers, mopna g. spiller, alma m. stapleton, joyce w. stark, marcus m. stone, commercial correspondence, beatrice m. stuart, ena v. sullivan, margaret a. sydes, rita tainsh, norman b. tamlyn, arthur w. thane, alma m. thomas, david e. thomas, william h. thompson, william m. thomas, edgatr j.t. tippett, sidnet tippett, gladys tongway, mavis toop, hugh d. trainor, annie e. treloar, john h. treloar, eilleen trumain, linda f. treewk, percival a. trompf, percy trompf, jean tunbridge, ruth e. tunbridge, allan j. twaits, irene m. utting, elizabeth van beek, william a. wade, agnes a. walker, james a. walker, vera v. aller, john walsh, marjorie walters, rex warrillow, edith watson, bernice e. webb, constance i weeks, ina m. westcott, pearl whan, violet wheeler, myrtle d. whitfield, annie whitl, richard l. whitla, charles f. whitla, grace a. wilcock, murray a. wilkie, andrew w. william, arthur williams, baden p. williams, david d. williams, grace f. williams, maude h. williams, mavis m. williams, james williamson, ivy wilson, hector g wilson, frederick w.r. wilson, david s. wood -
Lara RSL Sub BranchHat, Yellow United Nations Peace Monitoring Group Bougainville, 1996 (estimated)
... olive branch. Underneath dove is map of Papua New Guinea. Hat is circular and can be squashed up to fit in baggage. Made in China of cotton...olive branch. Underneath dove is map of Papua New Guinea. Hat is circular and can be squashed up to fit in baggage. Made in China of cotton ...Used by Peace Keeping Forces in Bougainville, Papua New Guinea in the 90'sYellow United Nations floppy hat with United Nations Peace Monitoring Group Badge on front of hat. The Peace Monitoring Group badge has PEACE in black above the badge and Peace Monitoring Group in black beneath. The badge has a white dove on a blue background with black olive branch. Underneath dove is map of Papua New Guinea. Hat is circular and can be squashed up to fit in baggage. Made in China of cotton material.Has Peace Monitoring Group badge on front. Badge has black writing with white dove on blue sky with green olive branchhat, military, army, royal australian army, australian army, royal australian regiment, rar, united nations, un, cotton, made in china, bougainville, papua new guinea, yellow -
Flagstaff Hill Maritime Museum and VillageDomestic object - Tablecloth
... Flagstaff Hill Warrnambool Maritime Village Maritime Museum Flagstaff Hill Maritime Museum & Village Shipwreck Coast Great Ocean Road Tablecloth Fringed tablecloth Embroidered tablecloth European embroidery Hand sewing Domestic object handmade textile silk thread geometric design vintage long-stitch zigzag design decorative home décor domestic linen table linen hardanger embroidery hardanger “S F . 31303 OLIVER YEA - - [undecipherable]” Fringed and lined square tablecloth. The front is hand embroidered on brown loose weave fabric, the back a pale yellow polished cotton fabric. ...The fringed tablecloth is an example of a domestic item brought to Australia by early settlers in the Western District of Victoria as a home comfort.The fringed tablecloth helps tell the story of the arrival of European settlers and the small, light home comforts they brought with them to maintain a meaningful connection to home.Fringed and lined square tablecloth. The front is hand embroidered on brown loose weave fabric, the back a pale yellow polished cotton fabric. The edges on the back have been turned and machine-stitched. Hand-stitching has been used to join the top to the back and to add the fringe around the edges. The embroidery uses tapestry wool in cream, yellow, brown and green tones. The style is possibly an example of European folk-style hardanger embroidery technique. An inscription on a pink ribbon is sewn onto the reverse.“S F . 31303 OLIVER YEA - - [undecipherable]”flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, tablecloth, fringed tablecloth, embroidered tablecloth, european embroidery, hand sewing, domestic object, handmade, textile, silk thread, geometric design, vintage, long-stitch, zigzag design, decorative, home décor, domestic linen, table linen, hardanger embroidery, hardanger -
Glenelg Shire Council Cultural Collection
Domestic object - Patchwork Quilt, MRS OLIVE WILLIAMSON'S GRANDMOTHER, 19TH CENTURY PATCHWORK QUILT, n.d
... Large patchwork cotton quilt with numerous swatches of fabric (predominantly rose and white in colour), with hand-stitching. 19TH CENTURY PATCHWORK QUILT Domestic object Patchwork Quilt MRS OLIVE WILLIAMSON'S GRANDMOTHER ...On loan to, and, displayed at the Steam Packet Inn from mid 1980s.Large patchwork cotton quilt with numerous swatches of fabric (predominantly rose and white in colour), with hand-stitching. -
Geelong RSL Sub BranchMachete, There are no makers names, Mid 20th Century
... There is an olive green scabbard made of cotton material oil impregnated. ...There is an olive green scabbard made of cotton material oil impregnated. ...These machete's were issued to military personnel posted in jungle like conditions.The machete would have been used by military personnel during WW2 and during the 1950s.Steel blade machete with wooden double sided handle. The handle is attached to the wood with four steel rods. There is an olive green scabbard made of cotton material oil impregnated. The scabbard has a pocket on the front to hold a sharpening stone and has steel on the top opening to keep the opening firm, there is a steel catch for attachment to webbing and a cloth loop with press stud to hold the handle of the machete in place when in the scabbard. There is a cotton fabric loop through the handle.On the handle of the machete MA67. The item number on the scabbard is not readable.army, military, machete.
