Purchased through the Horsham Art Gallery Trust Fund, 1996

30 page bookletlyn pool, maggie mccormack, ewa narkiewicz, kate stones, deborah klein, lyn pool, dianne beevers, gabriella hegyes, olive cotton, bias binding, sally smart, susan morris, anne graham, brenda purtell, jan palethorpe, wendy rew, maggie mccormick, paula lindley, julie rosewarne foster, cowarr art space

Booknon-fictionArising from research for an exhibition of the same name, which toured Australia 1981- 1982 the book covers the work of 45 amateur and professional photographers and their lives as innovators and travellers. Many of the works come from private collections and have not been previously published.self portraiture, self-portraiture, pictorialism, home magazine, studio photography, melbourne society of women painters and sculptors, olive cotton, ruth hollick

non-fictionVisual and written documentation on photography in Australia and its importance.racial, political, social, brenda l. croft, leah king-smith, tracey moffat, brook andrew, destiny deacon, rosemary laing, olive cotton, margaret michaelis, ruth maddison, carol jerrems, fiona hall, patricia piccinni, jacky redgate, anne zahalka, pat brassington, anne ferran

The Australian Giggle Hat was made from jungle green cotton twill and featured a headband for inserting natural camouflage. Early versions were of British manufacture and had large screened air holes. However, from 1968 the Giggle hat was produced in Australia and featured smaller un-screened air holes.Olive green coloured cotton bush hatbush hat, giggle hat, clothing

Olive green, cotton drill suit. Velcro at waist, chest pocket zips. Various pockets on legs and sleeves.Bruce C. starkey 1736666flying suit, dustoff

An olive green cotton wind resistant poplin jacket made longer that normal in order that load carrying equipment does not cover pocketsDSA-100-4491. 8405-082-5568jacket, clothing, mcphail collection

Electro Plated Silver cutlery. Part-set comprising of 2 teaspoons, 1 butter-knife and 1 sugar- tongs in an olive coloured cotton-sateen lined, embossed-paper covered box.EPNSkitchen equipment, cutlery, silverplate, early settlers, pioneers, moorabbin, bentleigh, cheltenham, market gardeners

Typical US Army cold weather cap used in Korean War and post-Korea eraRepresentative US Army cap. This type of clothing was issued to Australian troops during the Korean War Olive Drab cotton and wool peaked Field Cap with imitation alpaca fold-down ear comforters, ends secured by cord. Cotton identification label sewn to liner. Wear instructions cotton label sewn to liner. CAP, FIELD, PILE, O.D., MQ-1 Size 7 ATLANTIC HIGHLANDS MFG. CO. Dated 13 Jan. 1951 Q.M. 9532-OI-10070 Pur.Desc. 1 Nov. 1950 Stock No. 73-C-16376-45 NYQMPA ALPACA 60% WOOL, 40% COTTON LINING 80% WOOL, 20% COTTON plus - wearing instructions "CAP, FIELD,PILE,OD, M-Q1" (sic)

The insignia has two chevrons embroided in gold cotton; positioned one above the other. on a olive drab polyester cotton with an embroidered edgechevron, chevron corporal

The insignia has two chevrons embroided in gold cotton; positioned one above the other. on a olive drab polyester cotton with an embroidered edgechevron, chevron corporal

Standard issue item as used by Australian servicemen during the conflict in Vietnam ( 1962 - 1972). The item belonged to National Serviceman Pte D G Woods, Service no:2783285, who served in 7RAR in 1967.Olive green, army issue, cotton hand towel with faded/broken handwriting in black ink Letters and numbers in black ink near top, difficult to decipherwoods, 7rar, 2783285, towel, cloth

Safe Air Pty Ltd Nomex-Aromatic Polyamide Size 44

Patent No. 407445 Contract No. N67 B57877/39/C.34 (a) Serial No. 9973 Type: Pilot Size: Medium I.A.C-42 10 Sept 1940 A.I.D..8.V.B 11 Sep 1940

Standard issue cotton scrim/ scarf was used by soldiers in Vietnam. Colloquially known as a sweat rag.Olive green loose weave, cotton scarf. Material open square pattern uniform throughout with border in tighter knit on both sides of scarf.scarf, soldier, cotton, sweat rag, uniform, vietnam

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Women's soft beret / toque of full, gathered dome form with low, close-fitting band at base. Crown is constructed in six or eight panels meeting at the centre top, with seams radiating outwards, creating a puffed, slouching effect. The lower band is a narrow, self-fabric roll. The olive green cotton velvet beret style was fashionable for casual and country wear in the 1950s to mid 1960s. Nilberets, headwear, women's clothing

British pattern steel army helmet as used in both WW1 and WW2. This example dates from the WW2 era.British pattern steel helmet, dark olive in colour. Outside of the helmet is covered in dark olive green mesh which is secured with olive green cotton cord. A bolt head is prominent on the crown of the helmet and corresponds to a nut and thread on the inside. This nut and bolt secures a black rubber pad. A sweat band in black synthetic material is secured to the inside rim of the helmet. An adjustable webbing chin strap with brass buckle is attached with clips to each side.Niluniform - army, costume - male, protective headgear

Standard West German Army uniform item for that period.Olive drab woolen forage or side cap with cotton liner. Olive diamond-shaped backing with yellow, red, black embroidered rosette cap badge. Manufacturer's off-white label sewn to lining. Label - red ink stamp 'BAMBERGER MUTZEN INDUSTRIE' black ink stamp 'U5 I 2d/11/15644/0048/8, VII/1968, 56, 8405-12-138-8899' Label over-stamped with large 'A'headgear

Standard West German uniform item for the periodOlive drab woollen forage or side cap with cotton liner. Olive diamond-shaped backing with yellow,red,black embroidered rosette cap badge. Manufacturer’s off-white label sewn to lining.Label inside cap - BAMBERGER MUTZEN-INDUSTRIE (red lettering). US12d/01/07897/001/3 VII/63 _15.12.63 55 8405-12-137-6563forage, german, cap, bamberger mutzen industrie

Uniform issued to "D. HUTCHINSON". Refer also Cat No 10313.3.1. & 2. Jumpers - olive green/Khaki colour, wool/nylon blend fabric. Ribbed design with olive green colour cotton twill fabric, reinforced elbows and shoulders with shoulder epaulettes with Velcro fasteners. 2. Top of sleeves - rank insignia cloth patch, brown and white, two stripes - Corporal. Manufacturers information - white colour cotton label, back of neck ribbing.Manufacturer's details - black ink print.. 1. & 2. ELEGANT KNITTING CO./ PENRITH, NSW, 1989 (1990)/ 8405-66-093-2703/ size; 95-105R ^/ SERVICE NO./ NAME/ 80% WOOL/ 20% NYLON" INCLUDING LAUNDRY INSTRUCTIONS. d. hutchinson, uniform, army, jumpers

Clothing. Dark olive green fabric,(possibly cotton) with a sueded feel, bracelet length gloves. In between the fingers (on the side of the fingers)the gloves have panels of dark olive kid leather. At the top of the glove, on the outer side, the fabric is pleated, to give a rounded effect. A flat bow 6 cms from side to side, trims the curve. The bow is made of the dark olive coloured leather.costume accessories, female, olive green leather trimmed gloves

Collection re Paul Denis AHEARN. No. 331325 Refer Cat No. 11108P for his service details.1.2.3. Polo shirt style with long sleeves. Fabric, front and back of torso, olive green coloured cotton polyester interlock stretch fabric. Collar and long sleeves, DPCU (Disruptive Pattern Camouflage Uniform) with colours, light, dark olive green; dark and light brown, cotton polyester woven fabric. Shirt has collar with 1/4 length nylon and metal zipper front closer, long sleeves have velcro and tape cuff, two large patch pockets with velcro flaps, elbow patches and small pencil pocket on left sleeve. 2. 3. Manufacturer's white coloured cardboard label insitu on zipper, no fabric label.Manufacturer's details - black ink print. "8415-66-161-6257/ ORDER 514096 SIZE S XL/ STYLE 20C222UV COLOUR AMOS/ 145186:01: 0086"ahearn collection, paul denis ahearn, uniform, dpcu, army, polo shirt

Ballarat Technical Art School was a division of the Ballarat School of Mines.373 certificates in 2 boxes. Most appear to be related to subjects undertaken at the Ballarat Technical Art School. Director of education stamped signature Frank Tate.Stamped Ballarat School of Mines No.10 Stamped signature "Frank Tate"ann duke, plain needlework, victor greenhalgh, frank tate, ballarat technical art school, arnold j. allen, florence allen, m.a. ansen, dressmaking, modelling human figure from cast, ruby e. allison, drawing fro memory, nancy b. angwin, maude arberry, douglas w. arch, muriel j. arch, eileen bailey, annie c. baker, percy j. baker, general design, light metal work, bessie m. barbery, commerical arithmetic, decorative needlework, bert bernaldo, drawing from a flat example, lorna m. mccallum, brush drawing, stanley g.a. barnett, millinery, mavis g. beacham, theodore k. beckwith, isabel j. bell, kelva e. bellingham, leslie bennett, olive van berkel, elizabeth e. berry, beatrice m. blake, thomas g. blake, catherine m. bowers, nancy w. bowe, clarice v. branagh, harold r. brown, architecture, modelling the head from life, henry bull, light metalwork, ivan d. brown, thyra j. brown, henry j. bull, leila m. burford, embossed leathwork, lettering, drawing fro dressmakers, irene m. burke, josephine m. callery, modelling, mona r. callow, herbert cameron, lillias cameron, william e. carlyon, doris l. carter, ruth e. catt, hiram e. chamberlain, stephen chambers, jack d. chand, jack d. chard, clara v. clegg, beryl e. coad, john c. collins, keith m. collins, robert g. collins, kathleen m. conway, athol b. cornish, ballantyne cottier, douglas s. cotton, lilith s. christmas, perspective, doreen coughlan, ivy g. crompton, phyllis culliver, joan m. cuthbertson, alan r. cutter, john l. daniel, arthur dansey, katherine d'arcy, dorothy f. darling, myrtle f. darling, reginal a. davey, gwladys h. davies, annie dellaca, henry a. deller, ivy f. denovan, joyce doepel, bessie donacaster, charles o. dowie, horace b. dowsing, walter dunstan, mary dwyer, allan r. egglestone, melville g. ellingsen, hugh o. elliott, beryl r. ellis, cecil f. engish, allan e. evans, matson l. eves, olive j. fairlie, robert j. falla, mavis felstead, lena featherston, albert c. ferguson, alma ferguson, hilda m. ferguson, john f. ferguson, beatrice m. field, clarice f. fisher, philip h. fleischer, building construction, olive p. francis, agnes fraser, essie gale, gilbert foster, pearle fricke, effie gascoigne, enid m. gates, clarice gear, james a. geary, sylvia f. greenhalgh, evelyn f. geddes, thomas j. gibson, wavie b. gilbert, edna m. gilmer, nancy govan, eula h. gower, doris e. gray, lesley j. gower, henry n. graham, victor e. greenhalgh, melva e. gribble, human anatomy, roy k. griggs, jack gullan, robert gullan, alma m. gunn, dorothy j. hallan, lucy hamilton, james hammer, dorothy e. hamond, christopher j. hanlon, catherin hardess, lily haymes, gladys hedges, irene h. hewitt, john hill, victor j. hill, olive hillings, john a. hobill, frances k. holmes, gertrude m. hopkins, alice horan, marjorie hudson, linda m. hughes, lydia hughes, winifred humphreys, commercial english, agnes a. humphries, colin hunt, kathleen hutchinson, francis n. king, jean king, hilda knox, john kopke, isabel a. kopke, hazel jackson, freda jacobi, agnes james, william r. james, alexander johnson, edward j. jones, eleanor w.h. jones, nellie kau, thomas kean, francis kelly, roy k. kelly, thomas g. kierce, theo e. leonard, esther f. leviston, bessie lockett, norman h. long, ena mackay, gwenda e. mann, robert v. maddison, herbert w. malin, dorothy m. marriott, john c. mcarthur, james p. mcculloch, doris mcdougall, cyril mcgibbony, thelma mcgibbony, jean mcgregor, kenneth mciver, constance m. mckenzie, elsie j. mckissock, alexander k.mcleod, grace b. mclean, john f.w. mclean, rebecca mcphan, vera meeny, edna merritt, dougald miller, florence h. mingst, agnes m. monteith, doreen j. montgomery, jean e. montgomery, robert w.p. montgomery, margaret b. moore, harry e. morrish, james mow, gwendoline r. neagle, gerald r. newson, robert j. nicol, helen f. nicholl, george m. norton, edward s. oliver, mavis e. oliver, hector h, osborne, henry parker, norma e. parr, doris m. patterson, elsie pearce, celia pearlman, leslie pearlman, edna pearson, william j. perriman, eulalie perry, ernest b. pinney, charles e. peverill, clarence r. pittock, raymond b. pitts, phyllis polson, cynthia b. power, bessie puzey, john m. punshon, evelyn a.v. ramsay, robert i ramsay, william a. rattray, drawing for builders and artisans, george h. reed, fred reeves, mavis i. regelhuth, george r. renkin, annie e. reynolds, lizzie rice, eileen l. richards, henry c. riegelhuth, gladys m. riley, charles a. rimmington, amy robson, ernest w. robson, florence a. rogers, dorothy rppney, kathleen rooney, hugh n. ross, stella m. rowe, agnes w. ryan, rosaling e. sage, cora sandberg, eric c. sanders, douglas f. scott, sylvia e. selkirk, dorine a. shearer, gladys sheldon, emily e. simper, veri slattery, florence c. smith, hilda m. spencer, rose spiers, mopna g. spiller, alma m. stapleton, joyce w. stark, marcus m. stone, commercial correspondence, beatrice m. stuart, ena v. sullivan, margaret a. sydes, rita tainsh, norman b. tamlyn, arthur w. thane, alma m. thomas, david e. thomas, william h. thompson, william m. thomas, edgatr j.t. tippett, sidnet tippett, gladys tongway, mavis toop, hugh d. trainor, annie e. treloar, john h. treloar, eilleen trumain, linda f. treewk, percival a. trompf, percy trompf, jean tunbridge, ruth e. tunbridge, allan j. twaits, irene m. utting, elizabeth van beek, william a. wade, agnes a. walker, james a. walker, vera v. aller, john walsh, marjorie walters, rex warrillow, edith watson, bernice e. webb, constance i weeks, ina m. westcott, pearl whan, violet wheeler, myrtle d. whitfield, annie whitl, richard l. whitla, charles f. whitla, grace a. wilcock, murray a. wilkie, andrew w. william, arthur williams, baden p. williams, david d. williams, grace f. williams, maude h. williams, mavis m. williams, james williamson, ivy wilson, hector g wilson, frederick w.r. wilson, david s. wood

Used by Peace Keeping Forces in Bougainville, Papua New Guinea in the 90'sYellow United Nations floppy hat with United Nations Peace Monitoring Group Badge on front of hat. The Peace Monitoring Group badge has PEACE in black above the badge and Peace Monitoring Group in black beneath. The badge has a white dove on a blue background with black olive branch. Underneath dove is map of Papua New Guinea. Hat is circular and can be squashed up to fit in baggage. Made in China of cotton material.Has Peace Monitoring Group badge on front. Badge has black writing with white dove on blue sky with green olive branchhat, military, army, royal australian army, australian army, royal australian regiment, rar, united nations, un, cotton, made in china, bougainville, papua new guinea, yellow

The fringed tablecloth is an example of a domestic item brought to Australia by early settlers in the Western District of Victoria as a home comfort.The fringed tablecloth helps tell the story of the arrival of European settlers and the small, light home comforts they brought with them to maintain a meaningful connection to home.Fringed and lined square tablecloth. The front is hand embroidered on brown loose weave fabric, the back a pale yellow polished cotton fabric. The edges on the back have been turned and machine-stitched. Hand-stitching has been used to join the top to the back and to add the fringe around the edges. The embroidery uses tapestry wool in cream, yellow, brown and green tones. The style is possibly an example of European folk-style hardanger embroidery technique. An inscription on a pink ribbon is sewn onto the reverse.“S F . 31303 OLIVER YEA - - [undecipherable]”flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, tablecloth, fringed tablecloth, embroidered tablecloth, european embroidery, hand sewing, domestic object, handmade, textile, silk thread, geometric design, vintage, long-stitch, zigzag design, decorative, home décor, domestic linen, table linen, hardanger embroidery, hardanger