The story of the Olympic Village Heidelberg during the Olympic Games 1956.184 p., black and white text and photographsSigned by the authorolympic village, 1956 olympic games

Stories of people who lived in the Olympic Village West Heidelberg in the years between 1956 and 1999.38 p., black and white text and photographsolympic village, west heidelberg

Description of the Olympic Village of 1956 comparing what is seen in 2000 with what would have been seen in 1956.2 p. typescriptolympic village, 1956 olympic games

A short history of the West Heidelberg Olympic Village built to accommodate participants in the Melbourne Olympic Games 1956. It also looks at the Village in 1995.23 pages, black and white illustrations.1956 olympic games, west heidelberg, olympic village

Speros Defteros represented Greece in the wrestling team at the 1956 Melbourne Olympics. He is pictured at the Olympic Village in Heidelberg posing with a team member on his shoulders .A black and white photograph of two athletes posing on a sport's field. One athlete has the other one on his shoulders. There is a two storey building in the background.

Speros Defteros represented Greece at the 1956 Melbourne Olympic Games and was stayed at the Olympic Village in Heidelberg where he was doing a training run. He competed as a wrestler in the freestyle wrestling team.A black and white photograph of a man in a track suit running in a sports field. There are some buildings in then background.

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8133.1 - The front of the short sleeved shirt has four colour blocks. The bottom two quadrants of the shirt are yellow and cream, the top two are red, above the cream, and green, above the yellow. The collar of the shirt is cream and the cuffs of the shirt are yellow. The back of the shirt is solid green. There are seven buttons with small amounts of colour on them to do up the shirt, and a motif of Australia made up of curving, crosshatching lines on the left of the shirt, sitting over the line between the red and cream colours. 8133.2 - The front of the short sleeved shirt has four colour blocks. The bottom two quadrants of the shirt are yellow and cream, the top two are red, above the cream, and green, above the yellow. The collar of the shirt is cream and the cuffs of the shirt are yellow. The back of the shirt is solid green. There are seven buttons with small amounts of colour on them to do up the shirt, and a motif of Australia made up of curving, crosshatching lines on the left of the shirt, sitting over the line between the red and cream colours. The bottom hem of the shirt is asymmetrical with the back of the shirt longer than the front. 8133.3 - Red fabric sample. 8133.4 - Red fabric sample. 8133.5 - White fabric sample with permanent marker writing "F22630." This sample also has the tag attached. 8133.6 - White fabric sample. 8133.7 - White fabric sample. 8133.8 - Green fabric sample.8133.5 - On tag - "Allan Robison Textiles Design F22853 82m 30 Wangaratta St Richmond Victoria, 3121, Australia Tel 429 - 9600 Fax 427 - 0594"1992 barcelona olympics, sport, athletes, fashion, design, uniform

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8134.1 - The shirt is coloured with stripes of olive green and cream. There are several panels on the shirt, majority of the panels have the stripes running vertically but two panels over the left breast have the stripes running horizontally. Over the horizontal stripes is the Australian emblem with the Olympic rings and "Barcelona 1992," underneath. On the reverse of the shirt there is only one panel and the stripes all run vertically. Along the shoulders of the reverse of the shirt are four velcro dots from the object being previously displayed. 8134.2 - The shirt is coloured with stripes of olive green and cream. There are several panels on the shirt, majority of the panels have the stripes running vertically but two panels over the left breast have the stripes running horizontally. Over the horizontal stripes is the Australian emblem with the Olympic rings and "Barcelona 1992," underneath. On the reverse of the shirt there is only one panel and the stripes all run vertically.8134.1 - BARCELONA 1992 8134.2 - BARCELONA 19921992 barcelona olympics, sport, athletes, fashion, design, uniform

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Cream full length trousersolympics, 1992 barcelona olympics, olympic uniforms, trousers, wool, wendy powitt

Olympic Village November 1956Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, shire of eltham, 1956-11, heidelberg-kinglake road, olympic village, west heidelberg

Cutting of an article by Alan Tate, from The Herald, January 27, 1981. It was mooted that the Olympic Village for the 1988 Olympic Games (which may have been held in Melbourne) was proposed for the grounds around VCAH Burnley. The principal, Mr Davis, is stated to have been keen about the prospect because of the huge influx of money there would have been for the college. There are 2 photos, one of the main college building with the caption: "Burnley Horticultural College... at the centre of an Olympic Games village plan" and the second with the caption: "Burnley Horticultural College principal Mr Jim Davis shows where the Games village could be built." alan tate, the herald sun, olympic games, 1988, vcah, burnley gardens, olympic village, jim davis, principal

Advertisement insert in The Age newspaper around the opening of the 1956 Olympic Games promoting Briar Hill Timber's association with the Olympic Village Project being suppliers of all building materials including Flush Panel Doors, Mouldings and Joinery. Briar Hill Timber owned by F. Squire and the Squire family owned a lot of land around Briar Hill and land for forest at Flowerdale. Operations ranged from logging of trees, to milling to manufacture of joinery and housing frames.Poster approximately A2 in sizebriar hill timber, f. squire, olympic village, 1956 olympic games, timber mill, flowerdale, briar hill, h.v. plowman, logging, advertisement

Briar Hill Timber was associated with the Olympic Village Project being suppliers of all building materials including Flush Panel Doors, Mouldings and Joinery. Briar Hill Timber owned by F. Squire and the Squire family owned a lot of land around Briar Hill and land for forest at Flowerdale. The 16 mm film photographed by H.V. Plowman (converted to DVD) shows all aspects of the operations of Briar Hill Timber from logging of trees, to milling to manufacture of joinery and housing framesMP4 00:13:12; 247MB Converted from DVD converted from VHS video converted from 16mm colour filmbriar hill timber, f. squire, olympic village, 1956 olympic games, timber mill, flowerdale, cinematography, briar hill, h.v. plowman, logging, video recording

Small square green silk souvenir scarf with 1956 logos, venues, olympic rings and map of AustraliaMelbourne Australia 1956 Olympic Games. Olympic Park, Olympic Village, Olympic Swimming Pool, and Main Olympic Stadium.scarves

Colour digital images taken by W. J. Llewelyn of the Ballarat Olympic Village, Gillies St Ballarat, Nov. 1956 See http://trove.nla.gov.au/newspaper/article/71649913 (accessed 11/6/2017) for details of the location and its prior use as a migrant hostel. trams, tramways, civic functions, olympics, ballarat

Pamphlet titled "Short Trips around Melbourne and Suburbs by Tram and Bus", two colour printed document folded into 4 on buff coloured paper, featuring 14 various trips around Melbourne, with a detailed description of each route, time, fare and notes. Probably late 1950's given that it has a suggested tour of the Olympic Village. 2 copies held. See also Reg Item 343 for a later version.trams, tramways, mmtb, tourist trips, fares

The Banyule Banner is published bi-monthly by Banyule City Council to advertise upcoming events in the City of Banyule and to report on past events. This edition contains reports on the 1956 Olympic Village in Heidelberg West, Eltham copper butterfly and Bellfield Project.A record of events within the City of Banyule.32 pages, colour illustrations. 2 copies.banyule banner, banyule council

This photo is from the opening ceremony of the 1964 Tokyo Paralympics. The Opening Ceremony was held at the Oda Field located within the Olympic village, as nearly 5,000 spectators looked on. The patrons of the Games, His Imperial Highness Prince Akihito and Princess Michiko, were in attendance.Black and white photo from the opening ceremony of the 1964 Paralympic Games held in Tokyo, Japan.Reverse side of the photo has "243 19" written on it.1964 paralympics, paralympics

This photo is from the opening ceremony of the 1964 Tokyo Paralympics. The Opening Ceremony was held at the Oda Field located within the Olympic village, as nearly 5,000 spectators looked on. The patrons of the Games, His Imperial Highness Prince Akihito and Princess Michiko, were in attendance.Black and white photo from the opening ceremony of the 1964 Paralympic Games held in Tokyo, Japan.Reverse side of the photo has "242 17" written on it.1964 paralympics, paralympics

This photo is from the opening ceremony of the 1964 Tokyo Paralympics. The Opening Ceremony was held at the Oda Field located within the Olympic village, as nearly 5,000 spectators looked on. The patrons of the Games, His Imperial Highness Prince Akihito and Princess Michiko, were in attendance.Black and white photo from the opening ceremony of the 1964 Paralympic Games held in Tokyo, Japan. Prince (and later Emperor) Akihito is pictured with his wife, Princess Michiko with an athlete.Reverse side of the photo has "Tokyo 1964" written on it.1964 paralympics, paralympics

Set of three colour photocopies on A4 sheets of documents issued to MMTB Traffic staff at the time of the 1956 Olympic Games in Melbourne. Titled "A Special message to all members of the Traffic Staff on the occasion of the XVIth Olympiad at Melbourne" - title page - General information page - about welcoming visitors to the city, information location, recognition of visitors - Ticket or passes - including an illustration and details of free travel badges. Also includes information on bus services to the Olympic village and sight seeing trips.trams, tramways, olympics, mmtb, tickets, passes, badges, buses

A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Village/Travel Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The village clothing was designed to be a highly visible garment meaning that it was easy to "Spot the Aussies" and helped to contribute to a good team spirit. Blocks of contrasting colours were a feature of the pure wool shirts. A newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8118.1- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic women's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts with a yellow and green printed, striped shirt, cinched at the waist by a brown woven belt. At the bottom of the page is a detailed drawing of the weave of the belt with an Australia shaped belt buckle. A small drawing to the right of the main image also details a small bag/pouch that attaches to the belt. 8118.2- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic women's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts paired with a block colour shirt in green, red, white and yellow with a symbol in the shape of Australia on the right side of the shirt. There are small detail images of shorts and a skirt to the left of the main image and a detail drawing of a brown leather shoe to the right.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform

A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Village/Travel Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The village clothing was designed to be a highly visible garment meaning that it was easy to "Spot the Aussies" and helped to contribute to a good team spirit. Blocks of contrasting colours were a feature of the pure wool shirts. A newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic men's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts, a green and yellow striped shirt with the Australian emblem on the right breast of the shirt and a brown leather woven belt. The top of the page shows a detailed drawing of the belt weave with a symbol of Australia as the belt buckle. To the right of the main image is a detailed drawing of the shorts as well as a drawing of a leather pouch that is attached to the belt.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform

Events that occurred during the year : two day 'Olympic Fair' held at Ormond Hall, opening of a Community Mart at 382 Chapel St in conjunction with School for the Deaf, Alfred and Prince Henry hospitals, Penny Serenade program conducted by John Best on 3KZ and Janet Irving a Penny Serenade Ball has increased funds, six concerts held at Melbourne Town Hall, resignation of Country Concert Party director John Broadway and succeeded by Alban Whitehead, two stalls operated at Royal Agricultural Show, Easter Scout Camp at Gilwell Park, visit to Olympic Village, matinee performance by Dame Margot Fonteyn, opening of St Paul's School for Blind has decreased enrolments and two ex-pupils (Joan Ryan and Hugh Jeffrey) are on staff there, Keith Smith, Joan Ryan and Margaret Russell completed their university courses, and plans for Box Hill site have had to be re-drawn given decreased numbers due to opening of St Paul's - resulting in a delay to the start of building.1 volume of text and illustrationsannual reports, royal victorian institute for the blind

Held in Melbourne from the 22nd November to 8th December, the 1956 Summer Olympics, officially known as the Games of the XVI Olympiad or the Melbourne Olympics were the first held outside of Europe or the USA. This programme was originally enclosed with book 'Australia, Land of the Southern Cross' as is a visitors guide to Australian states and cities.Colour printed programme. 15, [1] pages. Illustrated. Colour printed front and back cover based on the Olympic ring colours. Inside pages printed in red and black. Contents include an official programme listing all the events, venues and dates; photograph and map of Olympic grounds and Village; a guide to facilities and services available to visitors during the Olympic Games and lists of Australian cities and towns with brief statistics and description for each listing. Includes an introduction by Frank Selleck, Lord Mayor of Melbourne ; Maurice A. Nathan, Chairman, Olympic Civic Committee.melbourne olympic games, olympic games 1956, city of bendigo tourism