The Ovens pottery operated from 1881 to1892 they had taken over H L & E pottery at Beechworth in 1888 but mounting debts forced the Ovens company to close in 1892. During their short ten years of operation they produced stoneware garden urns, vases, cheese dishes, ginger beer bottles, butter coolers, water filters, wine and spirit barrels, bread plates, jugs, teapots, storage jars, pots, tiles, flower pots, spittoons, basins, bowls, demijohns, lidded crocks, pipes and bricks.A significant item made by an early Australian pottery in Beechworth Victoria, this company made many utilitarian items for the Victorian domestic market. It gives us today a snapshot into early Australian companies that were unable to sustain manufacturing their products into the 20th century, due in part to the rising imports of cheaper items from overseas.Red terracotta butter cooler comprising, round base with ridged lip, and bell shaped, domed lid with spherical handle on topMarked "Ovens Pottery, Co Ltd, Patd 1890, Beechworth" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, cooler, terracotta cooler, utensil, kitchen ware, terracotta, food container, food preservation, butter cooler, ovens pottery

Wooden shield with emblem, gold bordered ships crown, kiln oven and aboriginal weapons below.Motto: Silence is Golden"plaque, aboriginal

Book on Ovens & Murray Football League 1893-1954, with off white cover with Premiership Cup displayed"Price 2/6"football, football teams, ovens and murray footbal league, afl

The photograph depicts a rocking chair, a kerosene lamp, a bottle holder, and two epergnes.The photograph contains historical and research significance of domestic life in Beechworth. Through the depiction of the historical rocking chair, the kerosene lamp, the bottle holder and the epergnes, the picture displays some of the everyday objects that would have been found within a Beechworth house. Although kerosene lamps and bottle holders are no longer in widespread use, this photograph not only acts as historical document and depiction of both, but it also displays the evolution of everyday tools. The interpretive capacity of the photograph extends its significance as it contains the potential to reveal information regarding the domestic life of Beechworth residents. Moreover, it also has protentional to demonstrate the shifting designs of rocking chairs, kerosene lamps, bottle holders and epergnes.Black and white rectangular photograph printed on paper.Reverse: BMM A03328/ 1997.3132/ 28 1/2 ems/ E32k491/ THE OVENS AND MURRAY ADVERTISERrocking chair, chair, lamp, kerosene lamp, bottle holder, burke museum, beechworth

I conceive my work as unfinished fragments of memory and childhood rituals, and through the art making process, I build and then peel back the layers of these memories and early influences, to reveal my personal dreamscape. Through the fusion of colour, texture, mark making and rubbing back, my intuitive rendering of the media creates layers that like memories, can be stacked up, hidden, peeled away, rubbed out, etched back in, and the process of layering and building up of a tactile textured surface, reflects memory itself; with its elusiveness and hard to grasp impressions that are more like ingrained watermarks. As I work, layering the surface then taking it back; rebuilding, adding marks and burnishing back, I feel into the textures, and through this tactile rendering I often discover something unintended and the end result is not quite how I perceived it in the planning. Perhaps something of a happy accident, which again reflects the arbitrariness of memory. I see my artworks less as paintings, but assemblages, with the layering technique creating a sculptural effect that reflects my great interest in the landscape and its beautiful and varied colours, shapes and textures. Part of my process is to take long drives into the country where I grew up, photographing along the way, to create a visual documentary that then informs my practice. The wide paddocks of the Victorian wheatbelt, beneath the endless blue of the horizon evokes very early memories so that a singular Bullock, a fencepost, a hay roll or corrugated iron wall, is so uniquely resonant to me, I am compelled to create this in my work. My connection to the land, to farming practices; the poplars, oaks and elm trees of my childhood holidays, is a mindscape that I return to again and again as I try to recreate that early sense of wonder, love and familiarity, grief and joy, that forms my unique vision. Veronica DRUM (1967 - ) Born Donald, Victoria A student at Federation University Arts Academy from 2015 until 2019, Veronica Drum is committed to establishing regular studio practice. Veronica Drum made this work in the final studio semester of the Bachelor of Visual Arts at the Federation University Arts .Academy.Framed Mixed media artwork depicting the Ovens Rivers, Victoria. Artists' Statement: Through the fusion of colours, textures, mark-making and a 'rubbing back' process, my intuitive rendering of the chosen media creates layers in my artwork that reflect and build upon cherished childhood memories. This work won the 2019 Federation University DVC 2D Art Acquisition Award.veronica drum, mixed media, alumni, oven river, dvc art acquisition award, trees, landscape, treescape

Building of new Bakehouse Oven in Thompson Avenue, Cowes. In front of wooden building and to right is part of erection of brick walls. H E West is standing mid photo on platform holding bricks. Harold West is sitting cross legged, a barrel to his right. To the left of photo and in conversation with the Wests is D H Robb. He is surrounded by bricks, barrow, platform and large pile of sand.Building of Bakehouse Oven - Thompson Avenue, CowesBuilding new Bakehouse Oven. D H Robb, H E West, Harold West.local history, photographs, bakehouse oven, cowes, phillip island, black & white photograph, mary robb

White flag with a green and red OC logo on the left and large text reading Ovens College on the rightOvens College

White yearbook with a green header and a two red stripes separating two images of crowds of ovens college students. There is white writing in the header reading Geronimo OVENS COLLEGE 2006. The OC logo is in the bottom right cornerGeronimo OVENS COLLEGE 2006

ill, maps, p.75.non-fictionA short history of the Victorian Railway's branch line from Wangaratta to Yackandandah in Victoria.railroad construction - victoria - history, railroads - victoria - wangaratta - history

Voters' Rolls for the Shire of Bright 1986The Shire of Bright includes towns in the Kiewa Valley with residents names and addresses which are of historical interest.4 books of Voters' Rolls in the Shire of Bright 1986 covering 4 different areas. White paper with the Shire's logo and printed in black on the cover. Bound with green shiny tape. Alphabetical listing of residents and addresseskiewa riding, bright riding, shire of bright, ovens riding, mt beauty riding

Photograph included in book "Victoria: Gold and Minerals" issued by Mines Department Victoria, 1935Photographvictoria, mt buffalo, ovens valley

Edward Hulme - artist's early landscape of Stanley Village overlooking the plateau and hills. There are 3 miners in the foreground washing the gravel by a cradle with 2 tall eucalypts to the left. Outlying dwellings and a water-race also feature.E.Hulme clel & lith. Ladd and Carr. imp. Reproduction company for National Library, Australia

Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Caltex-Victorian Government Art Fund, 1982

waveroo, waywurru, bangerang, taungorung, taungurung, george augustus robinson, moieties, victorian history

Rural City of Wangaratta CollectionA landscape of a river crossing painted in oil using shades of green, brown, blue, and white.J. Colin Angus/ (bottom right corner)wangaratta art gallery, j colin angus, john colin angus, landscape painting

Rural City of Wangaratta Collection. Gift of the Wangaratta Y's Men's Club.A river landscape painted with oils in shades of green, blue, brown, and grey.Obverse: MARY WATSON/ (bottom right corner) WINNER - PAIR SMALL PAINTINGS/ 1988 WANGARATTA ART SHOW/ Presented By WANGARATTA Y'S MEN'S CLUB/ (plaque mounted on frame)wangaratta art gallery, mary watson, landscape, painting, ovens river

ill, maps, p.160.non-fictionA short history of the Victorian Railway's branch line from Wangaratta to Bright in Victoria.railroad construction - victoria - history, railroads - victoria - bright - history

non-fictionA biographical dictionary of key pioneers and identities in the Ovens and Beechworth area of Victoriapioneers victoria, pioneers beechworth, pioneers ovens river

The photo shows "William Clarke" who owned and operated the first commercial Punt across the Ovens River during the goldrush daysthe photograph shows "William Clarke" who was one of the first pioneers of the township of Wangaratta as it is now known. He also built one of the first hotels in Wangaratta.Brown wooden framed photograph, greyish background with silver surround around photo of William Clarke, one of Wangaratta's foundation pioneers. The wood is from the first punt. He was the owner of the first punt to cross the Ovens river, which he had built for 500 pounds. It was sunk in 1855 after the first bridge across the Ovens river was built.William Clarke1 1839 Wangaratta William Clarke 11 William Clarke 111(my father) Nell Clarke 1884-1965 William Clarke 1 Pioneer of Wangaratta Vic. 1839 This frame is made of oak from the punt he operated over the Ovens River during the goldrush days to Beechworthclarke family, punt, sydney hotel

Blue landscape yearbook with a full page photo of Ovens college students. An OC logo is in the top left and along the bottom is an Australian flag, and white text reading GERONIMO 2001Ovens College GERONIMO 190129012001 2001

White yearbook with a blue header bar and four colour images of OC students on outdoor field trips. the OC logo is in the top right and there is blue text reading OVENS COLLEGE GERONIMO > 2004 in the top left cornerOVENS COLLEGE GERONIMO > 2004

White yearbook with yellow trim and a large full page image of a football stadium and an inset image of OC students standing in front of an Australian flag. There is black text along the top reading Geronimo Ovens College 2000Geronimo Ovens College 2000

Black yearbook with a full art cover exhibiting the covers of past Geronimo magazines. Black writing across the collage reads Geronimo '02 Ovens College Golden jubileeGeronimo '02 Ovens College Golden jubilee

White yearbook with a black and white image in the cover of a girl in a white dress standing on her toes with her arms out looking out over Wangaratta. Black text reads Geronimo Ovens college 1999 at the top middleGeronimo Ovens College 1999

Colour photograph of the Ovens College student forum sitting on logs and rocks in the school grounds, mounted on white backing with a black plastic frame. on the backing is text reading:OVENS COLLEGE STUDENT FOURM 2002 PRINCIPAL Mr John Pech

Depicted is an unidentified male performer dressed in women's clothing. He is positioned on a stage and in front of a microphone. The photograph appears to have been taken by a reporter from the Ovens and Murray Advertiser; a weekly newspaper published in Beechworth.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: THE OVENS AND MURRAY ADVERTISER /entertainment album, entertainment, 1950s, performance, theatre, theatrical group, arts, the ovens and murray advertiser, newspaper, beechworth, actor