Schwerkolt Cottage Land Ownership from 1858 to 1964.land titles, riley patrick, schwerkolt johann audust, schwerkolt louis, kruse john, jackschowsky mary, schwerkolt cottage, public trustee

Documents concerning Legacy having a legal hold over land owned by Sir Stanley Savige in Balnarring in order to erect permanent camp buildings. 00253.1 and .2 Report of Meeting of sub committee considering the questions of title re permanent camp building at Balnarring. Meeting held at Hotel Austalia 2nd October 1929. Legatees Armstrong, Carleton, Tregent, Hall and Massey in attendence. 00253.3 Signed letter from Charles H. Peters to Brian Armstrong, Messers Plante and Henty Solicitors. 00253.4, .5, .6, .7, .8 Report on Balnarring Camp Property. Same as collection item 00250 but with different corrections and additional notes. 00253.9 Cover letter to L Armstrong signed from Dudley Tregent. 00253.10 Letter to Blatchford, Deputy Chairman Junior Legacy Club from unknown author. 00253.11, .12 Minutes of Meeting of Board of Management. Camp Premises Agreement and negotiations mentioned on page 3. Melbourne Legacy provides camps for junior legatees. The camps gave the children an opportunity of a summer beach holiday with other Legacy children. It started with camps on the property of Legacy founder, Legatee Stan Savige, who had a place in Balnarring, close to the beach. Permanent camp buildings were built in 1930. These documents relate to those buildings. Legacy Somers Camps continued intermittently at Stan's property until it was decided in 1951 to make other arrangements for holidays. Including two other camps in the Somers area: Lord Somers Camp and the Somers School Camp (owned by the Education Department). Camps provided for junior Legatees have been very important from early in Legacy's history. In the 1920s Legacy started camps at Stan Savige's property at Balnarring. By the 1930s a permanent camp kitchen and building had been built at Somers Camp. These documents relate to the official status of the property.White paper with black type x 12 pages relating to land ownership and lease questions around the Balnarring Camp. Six sets of documents kept together. Total of twelve pages, some double sided.land transfer, deed of trust, option to purchase, properties, savige property, legacy somers camp

Ownership history of 4 Austin Street, Mitcham between 1873 to 2019, including the plan of the Mellorton Estate, Mitcham (1923), showing some lots priced at one hundred and forty-five pounds and the Charlesworth Estate ((1913). The Austin Street house was purchased by Martin and Shirley Gleeson 1956 and sold in 2019. Subdivision map of area south of Burnett Street to Harrison Street. non-fictionOwnership history of 4 Austin Street, Mitcham.drake real estate, charlesworth estate mitcham, mellorton estate mitcham, austin street mitcham no4, ainger frank

Document outlining the change of ownership of a Quartz Claim, all machinery and buildings at Spring Hill near Creswick, Victoria. This ownership transfer was between Misters Ferguson and others to Misters Lamble and McCallum. Each person mentioned signed the document. All machinery and parts thereof are listed, plus any buildings, tools, blacksmith's shop and tools, ropes and paints/tar, etcLarge cream coloured thick paper, Hand written in black ink. Twenty-four seals Signatures of owners.james ferguson, edward david, thomas barnett, edward jones, james archibald, john phelan, william innis, james collins, dick collier, charles talbot, joseph stevens, x (his mark) william thomas, x (his mark) thomas walters, john powell, thomas collier, a bach, e milligan, thomas knowles, x (his mark) john edwards, x (his mark) david davies, john evans, william lamble, james mccallum, james faulkner, evan sloyd

Families include: Mayger, Lecky, Britnell, Garthwaite, Green, Beale, Coulstock, Sherwin, Batey, Cobham, Partington, Catchpole, Whatmough.Contains transcript of land ownership in Greensborough area 1840-1906.One page of details transcribed from Land ownership 1840-1906.Land ownership notes are hand written.greensborough

Family details collected and transcribed from various sources: rolls, directories, insolvency lists, etc. Families include: Mayger, Lecky, Britnell, Garthwaite, Green, Beale, Coulstock, Sherwin, Batey, Cobham, Partington, Catchpole, Whatmough. Item 365 contains transcript of land ownership in Greensborough area 1840-1906.One page of details transcribed from various rolls and directories. Also Item 365 Land ownership 1840-1906.Land ownership notes are hand written.greensborough, mayger, lecky, britnell, garthwaite, green, beale, coulstock, sherwin, batey, cobham, partington, catchpole, whatmough.

‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Quilt featuring block pieces in tones of grey, blue, tan and brown, graduating in light to dark tones from top to bottom. The top third features a house with a verandah.quilt, wagga, home, house, housing affordability, design

Critique of Davis and Prescott Aboriginal frontiers and boundaries in Australia and map, Davis, S. Australias extant and imputed traditional Aboriginal territories; uses anthropological and linguistic evidence to expose inaccuracies and lacunae in book and map; appended are comments on the Davis map by regional specialists.Maps, colour photographsindigenous land boundaries

Armytage Family - Ada E Armytage - Obituary ; Family owners of Como ; Reference for RoutAda E Armytage - armytage, ada e armytage, beaconsfield, stanley rout, stanley rout reference, obituary, armytage obituary

Shows changes in ownership of various parts of Richmond Park and Burnley Gardens including University of Melbourne, Amrad, Melbourne City Link, etc. from gazettal in 1873 to 1996Photocopy of plan of Richmond Park and Burnley Gardens with University of Melbourne land acquisition 13.10.1994 hand drawn on it, dates Act revoked and Gazette numbers. Based on plan of Parish of Jika Jika R 19 (3)"Changes to ownership & boundaries of Gardens" in inkpublic parks, recreation reserve, richmond, parish if jika jika, burnley gardens, horticultural society of victoria

This plate was attached to the buggy (0254.2) which acted similarly to a number plate in denoting ownership. As such it is the only one of its kind. Estimated date of manufacture was late 19th or early 20th Century.This object is of primary significance. Its significance relates to the buggy (0254.2), belonging to Alfred Ziebell, to which it was attached.Metal hand painted ownership plate. Black background with yellow writingA. Ziebell Thomastownbuggy, number plate, alfred ziebell, ziebell's farmhouse, friends of westgarthtown

Record of ownership of 216 Nepean Street Greensborough 1916-1997, Grace Park areaPhotocopies of four Certificates of Title and other land documents, with summary of land ownership 1916-1997nepean street greensborough, grace park

Used by the librarian in the mid 20th Century to stamp each new book at the Stanley Athenaeum, the stamp identified the library's ownership of the books in the library. The stamp is still used today when new books are acquired by the Stanley Athenaeum. This item is historically significant as part of the Stanley Athenaeum collection and can be used to identify the age of books and when they were acquired by the Stanley AthenaeumWooden block with wooden handle and inscribed rubber stamp on front faceInscribed relief in elliptical shape with words and stars in reverse. "Stanley Athenaeum" stanley, stanley athenaeum, stamp, ownership

240 p.fictionThe tale of a journey to Australia and life in gold rush Victoria. There is a good account of arrival in Melbourne in the 1850s.gold discoveries victoria, gold rush

‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Folio page depicting three items attached to a black card background. One item is a title written in black ink on white background, another is a photograph of a quilt, the third shows a hand drawn sketch of a house with a verandah.Front: [handwritten] 95 / Judy Turner / The fading dream of / Australian Home Ownership. / Initial sketch while / deciding how to depict / the Fading Dream of / Australian Home Ownership.quilt, wagga, home, house, housing affordability, design

Used to clear scrub and undergrowth. Straight blade was useful when clearing road embankmentsHeavy Brush cutter Colour on handle indicates FCV district ownershipforests commission victoria (fcv), hand tools

Certificate of payment to John Donaldson, vol 1519 folio 303692, memorials of instruments and titles office record of subdivision.3 pages of copies of original paperwork relating to J Donaldson ownership of land.john donaldson, vol 1519 folio 303692, memorials of instruments, titles office record of subdivision, certificate of payment

Book with an index or table of contents, listing all the documents relating to the establishment of the Ballaarat Tramways (the horse tram operator) including, references to Legislation and orders in council, original tender conditions, the contract between the Council and Edward Thomson, Specifications for the construction, delegation to the operator, and plan of routes. Last document dated 17/1/1888.Yields information about the establishment of the Ballarat horse trams, Councils and the operator.Bound book, with end papers, 20 pages, patterned covers, titled with a label on the front cover - "Ballaarat Tramways"Has an old ownership note on the inside front cover.secv, tramways, horse trams, city of ballaarat, ballaarat tramway company, tenders, specifications, operations, maps

A brief outline of transfers of ownership of parklands -Walker Park, Morton Park, Nunawading Park, Vermont Park.A brief outline of transfers of ownership of parklands -Walker Park, Morton Park, Nunawading Park, Vermont Park.parks and reserves, walker park, blackburn, keogh, james, national trustees executors and agency co of australia, delhi street, mitcham, morton park, woods, john, freehold investment and banking company of australia ltd, blackburn and tunstall property co, nunawading park, orr, joseph, kelly, mary ann, john james, bridget, vermont park, camm, henry arnold and co ltd, davies, matthew henry, sir, gascoigne investment co ltd, leonard, william howard, thorn, henry

Republication of a novel first published by Hurst & Blackett, London, 1864. The novel is of interest in its depiction of Victorian society of the time, in particular the rights of impoverished young female immigrants.420 p., paperback.Ownership label: M.L. & L. J. Guenther on preliminary page.australian literature

Embroidered by hand. Top edged in gathered, coffee coloured lace, 4.5 cm wide. An opening at the base is also edged in the same patterned lace.Four metal press-studs close the shoulders and neck of the cover. Padded and lined with art-silk featuring butterflies and floral designs in dark - grey and white. The initials M.B. are satin stitched on the back, while fine running stitches outline a pattern on the front, emphasising the padded effect.Hand stitched, the initials M.B. give the only indication of ownership.manchester, trimmings, pink satin hot water bottle cover

The undated clipping, possibly from the Rutherglen Sun or Border Morning Mail, refers to the purchase of the property in 1955 by R.K. Knight, and the plans for him to sell it to a consortium from Melbourne called Mt. Ophir Pty. Ltd.Newspaper clipping, mounted on yellow paper, describing a change of ownership of Mt Ophir winery, and a proposal to develop it as a tourist resort.mt ophir, mount ophir, wine industry