Samuel P Webber was born 1842 in England, ordained into the Methodist Church in 1865, died in Melbourne in 1897. He served as minister of the Gore Street Fitzroy Bible Christian Church for many years.B & W seated studio portrait of Rev Samuel Phillip Webber in carte de visite format.samuel phillip webber, bible christian, methodist, minister, gore street fitzroy

Many of these photographs appeared in the Massey Ferguson Review Publication4650.001 - Massey Ferguson Employees - Mr S. R. Makeham Manager Cane Industry Project Massey Ferguson (Australia) Limited 4650.002 - Massey Ferguson Employees - Alex Hamilton 4650.003 - Massey Ferguson Employees - J. Hackett Director Special Projects Massey Ferguson (Australia) Limited 4650.004 - Massey Ferguson Employees - William 'Bill' Geddes 4650.005 - Massey Ferguson Employees - Ken Steel Director 4650.006 - Massey Ferguson Employees - I. H. Salom Director Of Manufacturing Massey Ferguson (Australia) Limited 4650.007 - Massey Ferguson Employees - E. Wendt Perth Sales Manager Massey Ferguson (Australia) Limited 4650.008 - Massey Ferguson Employees - Unknown 4650.009 - Massey Ferguson Employees - John Rogers 4650.010 - Massey Ferguson Employees - George Johnson Marketing Director Massey Ferguson (Australia) Limited 4650.011 - Massey Ferguson Employees - J. Mason Hobart Branch Manager Massey Ferguson (Australia) Limited 4650.012 - Massey Ferguson Employees - J. Masson Hobart Branch Manager Massey Ferguson (Australia) Limited 4650.013 - Massey Ferguson Employees - Noel Unknown 4650.014 - Massey Ferguson Employees - S. V. Bishop Corporate Plastics Control Co-odinator 4650.015 - Massey Ferguson Employees - Jack Baker Foreman MC Shop 4650.016 - Massey Ferguson Employees - Bob Burns 4650.017 - Massey Ferguson Employees - Unknown 4650.018 - Massey Ferguson Employees - George Johnson, Peter Boyd Brisbane Branch Manager & 3 Unknown People 4650.019 - Massey Ferguson Employees - Unknown 4650.020 - Massey Ferguson Employees - Unknown 4650.021 - Massey Ferguson Employees - Unknown 4650.022 - Massey Ferguson Employees - Unknown 4650.023 - Massey Ferguson Employees - Unknown 4650.024 - Massey Ferguson Employees - M. Bishop 4650.025 - Massey Ferguson Employees - Tom Carroll In Sunshine Engineering Drawing Office 4650.026 - Massey Ferguson Employees - Unknown 4650.027 - Massey Ferguson Employees - Unknown 4650.028 - Massey Ferguson Employees - B. Baxter 4650.029 - Massey Ferguson Employees - Jim Bruce 4650.030 - Massey Ferguson Employees - Howard Clemson (Sunshine Resident) 4650.031 - Massey Ferguson Employees - Tom A. Minahan 4650.032 - Massey Ferguson Employees - A. W. Moffat General Marketing Manager Massey Ferguson (Australia) Limited 4650.033 - Massey Ferguson Employees - Jack Unknown Service Manager W. R. Burrer Preston Dealer In Victoria 4650.034 - Massey Ferguson Employees - Doug Retallick Perth Branch 4650.035 - Massey Ferguson Employees - Doug Retallick Perth Branch 4650.036 - Massey Ferguson Employees - John Plunisrtt 4650.037 - Massey Ferguson Employees - Dennis Potter 4650.038 - Massey Ferguson Employees - James 'Jim' Poole 4650.039 - Massey Ferguson Employees - Ray Stone 4650.040 - Massey Ferguson Employees - Unknown 4650.041 - Massey Ferguson Employees - D. Willshire 4650.041 - Massey Ferguson Employees - Unknown 4650.042 - Massey Ferguson Employees - Brian Unknown Adelaide 4650.043 - Massey Ferguson Employees - Mike B. Allen Adelaide Branch Manager Massey Ferguson (Australia) Limited 4650.044 - Massey Ferguson Employees - J. Anderson Brisbane Sales Manager Northern Division Massey Ferguson (Australia) Limited 4650.045 - Massey Ferguson Employees - L To R Mike B, Allen Adelaide Branch Manager, Unknown, Unknown 4650.046 - Massey Ferguson Employees - Unknown 4650.047 - Massey Ferguson Employees - John Anson 4650.048 - Massey Ferguson Employees - Mr Honautavic 4650.049 - Massey Ferguson Employees - Mr Brockman South Australia Minister For Agriculture 4650.051 - Massey Ferguson Employees - W. B. Allen Perth BranchMassey Ferguson (Australia) Limited 4650.052 - Massey Ferguson Employees - L To R Unknown, T. Thornbrough, Unknown 4650.053 - Massey Ferguson Employees - Bob Ashworth Assistant Manager Hunts Farm Equipment Pty Ltd 4650.054 - Massey Ferguson Employees - Unknown 4650.055 - Massey Ferguson Employees - W. M. Alexander Massey Harris 4650.056 - Massey Ferguson Employees - Mike B. Allen Adelaide Branch Manager Massey Ferguson (Australia) Limited 4650.057 - Massey Ferguson Employees - Unknown 4650.058 - Massey Ferguson Employees - L to R Bob Ross Chairman Of Directos, G. R. Johnson Director Of Marketing, Jack Heirman M.L.C. 4650.059 - Massey Ferguson Employees - Mike B. Allen Adelaide Branch Manager Massey Ferguson (Australia) Limited & John Henderson New Dealer 4650.060 - Massey Ferguson Employees - K. D. Steel Massey Ferguson (Australia) Limited 4650.061 - Massey Ferguson Employees - Unknown 4650.062 - Massey Ferguson Employees - Eric F. Smart West Australia Massey Ferguson (Australia) Limited 4650.063 - Massey Ferguson Employees - E. H. Williams Agent 4650.064 - Massey Ferguson Employees - Unknown 4650.065 - Massey Ferguson Employees - Unknown 4650.066 - Massey Ferguson Employees - Unknown 4650.067 - Massey Ferguson Employees - Unknown 4650.068 - Massey Ferguson Employees - Larry Pomeroy Sunshine Director Of Marketing (Ex Toronto Canada) 4650.069 - Massey Ferguson Employees - George Johnson Director Of Marketing Manager Massey Ferguson (Australia) Limited 4650.070 - Massey Ferguson Employees - John 'Jack' Vance Director Of Finance, George Johnson Director Of Marketing, Tom Mindhan 4650.071 - Massey Ferguson Employees - John 'Jack' Vance Director Of Finance & Mary Danaher 4650.072 - Massey Ferguson Employees - Unknown 4650.073 - Massey Ferguson Employees - L To R George Johnson, Ian McIntosh, Les McIntosh, John Shiner 4650.074 - Massey Ferguson Employees - Ken Spicer Director Of Marketing (Canadian) 4650.075 - Massey Ferguson Employees - Herman Weber Managing Director Addressing Conference. Far Right Alex Hamilton Manager ICM 4650.076 - Massey Ferguson Employees - Paecw Motors Family Partnership 4650.077 - Massey Ferguson Employees - Bill Mullolland 4650.078 - Massey Ferguson Employees - L To R Unknown, Graham Brooks 4650.079 - Massey Ferguson Employees - Unknown 4650.080 - Massey Ferguson Employees - Unknown 4650.081 - Massey Ferguson Employees - B. Sloane & Bruce Sloane Dealers 4650.082 - Massey Ferguson Employees - Unknown 4650.083 - Massey Ferguson Employees - R. T. Weir, Rob Ross Chairman Of Directors, Ian Munroe, G. R. Johnson 4650.084 - Massey Ferguson Employees - Miss Sue Barnett Sales Office Oakbank South Australia 4650.085 - Massey Ferguson Employees - L To R J. A. Taylor, J. Mason, G. L. Roberts, T. L. Roberts, H. B. Weher 4650.086 - Massey Ferguson Employees - Mike B. Allen, Mick C. Trest, C. Peter Prest, H. B. Welsh 4650.087 - Massey Ferguson Employees - Alex Hamilton (Middle) 4650.088 - Massey Ferguson Employees - Unknown 4650.089 - Massey Ferguson Employees - Unknown 4650.090 - Massey Ferguson Employees - Bill Benham Sales Manager, Bob Weidenhofa Parts Manager 4650.091 - Massey Ferguson Employees - Syd Williams Cairns Dealer 4650.092 - Massey Ferguson Employees - Bill Banney (Centre) 4650.093 - Massey Ferguson Employees - J. Morris, T. Minahan, J. Vance, H. Weber, J. Johnsone, G. Davey All Directors Massey Ferguson (Australia) Limited At Wyeera 4650.094 - Massey Ferguson Employees - W. barber, A. Collins, P. Couch, D. Leggw, Allan Doust 4650.095 - Massey Ferguson Employees - Unknown 4650.096 - Massey Ferguson Employees - Unknown 4650.097 - Massey Ferguson Employees - Norm Hazelwood Personal Manager Training 4650.098 - Massey Ferguson Employees - Kevin Day 3rd From Right 4650.099 - Massey Ferguson Employees - Unknown 4650.100 - Massey Ferguson Employees - Eric Thomas (Far Left) 4650.101 - Massey Ferguson Employees - Peter Fieder (Instructing) & Norrie Croker (Standing) 4650.102 - Massey Ferguson Employees - James 'Jim' Poole & Malcolm Scott 4650.103 - Massey Ferguson Employees - A. Collins Training Officer & Herman Weber Managing Director 4650.104 - Massey Ferguson Employees - Harry McPherson Instructing On A Baller To A Group Of Sevicemen 4650.105 - Massey Ferguson Employees - L To Right Kehh Ott, Murray David (MD), Unknown, Mike Allan 4650.106 - Massey Ferguson Employees - Allen Murray Product Training Sunshine 4650.107 - Massey Ferguson Employees - Bon Johnson, Avon Collins, Stan Galbraith, Harry Gregory, Lindsay Baggin 4650.108 - Massey Ferguson Employees - L To R Unknown, Unknown, James 'Jim' Poole 4650.109 - Massey Ferguson Employees - L To R Unknown, Tim Pickett, Unknown, James 'Jim' Poole, Dave Cunningham, Unknown, John Vaughan, Unknown 4650.110 - Massey Ferguson Employees - Unknown, Ron White, Unknown 4650.111 - Massey Ferguson Employees - L To R P. Boyd, J. R. Warmer, G. A. Gemmell-Smith, Herman Weber (MD), G. Cannon, M. Bennett 4650.112 - Massey Ferguson Employees - Sir Dallas Brook Victorian Governor (Standing) & Company Executives & VIPS H.V. McKay Massey Harris 4650.113 - Massey Ferguson Employees - John Vaughan, Noel Clarke Melbourne Branch Manager, Brian Harrod Export Manager 4650.114 - Massey Ferguson Employees - Jack Day, Ivan Leyendekkers, Ken Gaunt, Jack Stokes, Jack Vance, Dick Weir 4650.115 - Massey Ferguson Employees - Jack Vance Director Finance & Ken Gaunt Director Engineering 4650.116 - Massey Ferguson Employees - P. Boyd, R. armstrong, Whittaker, L. Wood, J. K. Gaunt, H. P. Weber, G. Mann, Sir Syd Williams 4650.117 - Massey Ferguson Employees - Unknown 4650.118 - Massey Ferguson Employees - Unknown 4650.119 - Massey Ferguson Employees - L To R Jack Hacket, Unknown, George Johnson 4650.120 - Massey Ferguson Employees - H. P. Weber Speaking 4650.121 - Massey Ferguson Employees - L To R J. J. Jaejar Corporate Engineering, Unknown, Brian Harrod Export Marketing, Unknown 4650.122 - Massey Ferguson Employees - Unknown 4650.123 - Massey Ferguson Employees - Ian Forristor Lectoring, Ales Simpson, Stuart McKay H.V. McKay Massey Harris 4650.124 - Massey Ferguson Employees - L To R Russell Cox, Dennis Potter, Stan Paytoh, Lee Street, Harold Harwood, Graham Hardman, Sandy McColl 4650.125 - Massey Ferguson Employees - L To R Eric Thomas, Unknown, Unknown, Mick Allen 4650.126 - Massey Ferguson Employees - L To R Mollison Sunshine Factory Manager, Unknown, Unknown, Brian Harrod 4650.127 - Massey Ferguson Employees - Shirlene Clancy 4650.128 - Massey Ferguson Employees - Unknown 4650.129 - Massey Ferguson Employees - L. H. Thornborough (Toronto Chairman), John Mitchell, Monty Prichard Perksins 4650.130 - Massey Ferguson Employees - Gus Cargen & John Shiner (Toronto) 4650.131 - Massey Ferguson Employees - H. P. Weber Sunshine Managing Director Speaking 4650.132 - Massey Ferguson Employees - Press Conference 4650.133 - Massey Ferguson Employees - Unknown 4650.134 - Massey Ferguson Employees - Unknown & L. T. Richie Managing Director 4650.135 - Massey Ferguson Employees - Unknown 4650.136 - Massey Ferguson Employees - Herman Weber 4650.137 - Massey Ferguson Employees - A Group In The Conference Room At The Sunshine Factory 4650.138 - Massey Ferguson Employees - Cliff Freer Melbourne Training Manager & Ken Guant Director Engineering 4650.139 - Massey Ferguson Employees - L To R Sir Dallas Brooks Victorian Governor General & Tom Rictchie Managing Director 4650.140 - Massey Ferguson Employees - L To R Tom Carroll, A. Thornbrough, The Hon Harry Hayes Toronto Canada Head Office Opening 4650.141 - Massey Ferguson Employees - Thornbrough Speaking At The Toronto Canada Head Office Opening 4650.142 - Massey Ferguson Employees - L To R George Johnson, Unknown John Shiner Canada Director 4650.143 - Massey Ferguson Employees - Bob Prowse, Alex Hamilton Branch Manager, Peter Boys, Aron Collins 4650.144 - Massey Ferguson Employees - Bill Bedsor, A. Thornbrough, H. Weber 4650.145 - Massey Ferguson Employees - L To R G. M. Taylor, Unknown, Unknown, Unknown, John 'Jack' Vance, Mrs T. Ritchie, Tom Ritchie 4650.146 - Massey Ferguson Employees - Centre Herman Weber Managing Director 4650.147 - Massey Ferguson Employees - L To R Unknown, Unknown, Tom Ritchie, Unknown 4650.148 - Massey Ferguson Employees - M. Weber, Jager, Whittaker, R. Armstrong, J. R. Harner 4650.149 - Massey Ferguson Employees - L To R Sir Dalls Brooks, Bill Moeser, Tom Ritchie, Unknown, Unknown, Harold Holt Prime Minister Of Australia 4650.150 - Massey Ferguson Employees - J. Day, E. French, D. Hudson, H. Weber, J. Hooking, P. Holloway, B. Ramage 4650.151 - Massey Ferguson Employees - Unknown 4650.152 - Massey Ferguson Employees - George Johnson Speaking 4650.153 - Massey Ferguson Employees - Ray Carer WA Dealer & John Shiner From Toronto 4650.154 - Massey Ferguson Employees - L To R W. G. Banks, P. Nagle, A. Wood, J. Morrison, E. Elletson 4650.155 - Massey Ferguson Employees - Unknown 4650.156 - Massey Ferguson Employees - Unknown 4650.157 - Massey Ferguson Employees - Unknown 4650.158 - Massey Ferguson Employees - Unknown 4650.159 - Massey Ferguson Employees - G. R. Johnson On Stage With Norm Boddington & Dean Fisher 4650.160 - Massey Ferguson Employees - Unknown 4650.161 - Massey Ferguson Employees - Unknown 4650.162 - Massey Ferguson Employees - L To R Tom Carroll Being Called To The Dais, A. A. Thornborough & John Mictchel At Toronto, Canada 4650.163 - Massey Ferguson Employees - Unknown At St. Leonards, NSW Dealer Entertainment Night 4650.164 - Massey Ferguson Employees - Unknown At St. Leonards, NSW Dealer Entertainment Night 4650.165 - Massey Ferguson Employees - L To R Albert Thornbough, Unknown, Herman Weber 4650.166 - Massey Ferguson Employees - Farewell To J. F. Plunkett At Perth Branch 4650.166 - Massey Ferguson Employees - Farewell To J. F. Plunkett At Perth Branch Names 4650.167 - Massey Ferguson Employees - National Dealer Meeting Sydney, NSW 4650.168 - Massey Ferguson Employees - W. B. Allen Perth Branch 4650.169 - Massey Ferguson Employees - Tom Carroll With An Early H.V. McKay Harvester 4650.170 - Massey Ferguson Employees - Mr. M. Robson Explains The MF542 4650.171 - Massey Ferguson Employees - Stage Performance 4650.172 - Massey Ferguson Employees - Stage Performance 4650.173 - Massey Ferguson Employees - Stage Performance 4650.174 - Massey Ferguson Employees - Stage Performance 4650.175 - Massey Ferguson Employees - Unknown 4650.176 - Massey Ferguson Employees - Stage Performance 4650.177 - Massey Ferguson Employees - Unknown 4650.178 - Massey Ferguson Employees - Unknown 4650.179 - Massey Ferguson Employees - L To R Unknown, Unknown 4650.180 - Massey Ferguson Employees - L To R Unknown, Keith Storey 4650.181 - Massey Ferguson Employees - Unknownmassey ferguson, sunshine harvester works, employee

Bogong Village, which was known as “The Junction”, is well recorded. The first tent camp was at the junction of Pretty Valley and Rocky Valley streams in the early 40’s. Further downstream were the sawmill, stables and blacksmith’s forge. Horses were the main mode of transport in the early days. The road to Bogong had reached the lookout spur just beyond Roper’s Spur track just before the 1939 fires. The early forties saw rapid growth of the village, with single and married men’s quarters, workshops, mess huts and administrative offices. The facilities necessary for communal living were quickly in place- a post office, police station, co-op store, medical centre, community hall/theatre, tennis courts and school. Much of the temporary accommodation that housed groups such as the Albion Quarrying Company were in the area now under water.This group of photographs are a pictorial record of the early history of the Kiewa Hydro Scheme, the people who worked in the background supplying administrative support and the workers and their families. It also shows a glimpse into how a large group of people from very diverse backgrounds came together to enjoy social activities and share each others companyGroup of 10 black and white photographs and photocopies of original photographs of varying sizes (some official SECV photos) Some Photos are labelled with the date and the names of SECV staff members. Depicting early life at Bogong Village 1. Group photo – Kiewa House Residents 1.8.41 (SECV official photo) 2. Female staff residents 3. Female office staff 4. Kitchen staff – Junction Mess (SECV official photo) 5. Male administration staff Bogong 6. Bogong Social Club fancy dress ball, 1940 7. Wives and children of SECV workers 8. Children in fancy dress 9. Opening of Volunteer Air Observers post 1943 10. Flag raising at opening of Volunteer Air Observers post 1. Printed under photo: STATE ELECTRICITY COMMISSION OF VICTORIA Date: 1.8.41 Time: 12.30pm No:K 435 Kiewa Hydro-Electric Works. Kiewa House Residents Back Row L to R: S.A. Salmon, W. Strachn, T.A Connors, W.J Norman, R.C Grealey, R.D Hegarty, Mrs Hegarty, W.R Morgan, S.A Clarke, P. Morgan, P.J. Harnetty, G.W Crouch. Front Row L to R: W.L Godfrey, R.S Hollands, Pte. R Charlesworth, R.L Dunn, N Caldwell, L.T Davies, I Webber, H.L Kendall, P Tiller, Ricky Hegarty, L.T Guy, M.C Cox, K.F Calder, D.S Gibson 2. Printed on bottom: Staff who lived at Kiewa House and worked in the Administration Office c 1943 Handwritten at bottom Priscilla Johnson (nee Reid) At top of page A GOOD LIFE: WOMEN’S RECOLLECTIONS OF LIFE IN THE UPPER KIEWA VALLEY 3. Printed under photo- Office Staff – Bogong 4. Printed under photo: STATE ELECTRICITY COMMISSION OF VICTORIA Date: 18.5.40 Time: 11.05am No:K 103. Kiewa Hydro-Electric Works. Kitchen Staff- Junction Mess. Opening night of the new staff mess Bogong. 5. Printed under photo -Administration staff Bogong 6. Printed under photo- The social club raised money for patriotic fund from fancy dress nights. (1st Fancy Dress Ball, Bogong 1940) 7. Printed above photo: ---- and family life begins (1942 Bogong) 8. Printed under photo: A favourite photograph 9. Printed under photo: STATE ELECTRICITY COMMISSION OF VICTORIA Date: 24.5.43 Time: 2.8pm No:K 1151 Kiewa Hydro-Electric Works. Bogong- Squadron Leader Leggett speaking at opening of Air Observer’s Post 10. Printed under photo: Raising the flag at the opening of the Volunteer Air Observer’s Post at Bogong - 1943 bogong village; kiewa hydro electric scheme; social activities; community clubs

This Honour Board listing of Fallen and Returned Servicemen contibutes to and is part of a National collection of memorials to honour our armed forces. This large 1914-1918 Honour Board was for many years at the back of the Dumosa and Towaninnie Hall stage.This is believed to be the only existing 1914-18 Honour Board Roll of Honour specifically for Dumosa and Towaninnie servicemen and women.Large First World War Honour Board of Dumosa and Towaninnie,(Wycheproof District). Top part is circular/arched and features appliques of raised grape vine with branches. The 46 military names are incribed in gold leaf in two columns. Nine Fallen locals are marked with a cross.Embossed in gold lettering on Honour Board: SHEPHERD.A./MORRISON.J/MORRISON.H./ HOSKING.F/WHITE.H./+FORRESTER.J./BOHAN.J./HOSKING.M./MCCALMAN.A./MCPHERSON.G./MCPHERSON.NURSE/MCPHERSON.A./BURNS. P./+,MCDONALD.G./WESTCOTT,C./TUCKER. F./CASSIDY.E./HOSKING.J.H./HARDING.T. /HARDING.G.M./ELLIS.C./+MCLEOD.W./ DASHWOOD.C./MURRAY.P./MCCORMICK.J./ WILSON.C./+ROWLEY.N./MILLER.W./JOHNSON,R./+O'BRIEN.R./PEARCE.S./+WEBBER.W.S./ BAXTER.J./MCPHEE.A./MCPHEE.W./HICKEY.J./ ALFRED.W./SHAW.C/+NALDER.J./HOWE.W./ ROOTS.C./+HULL.G./+HOGAN.M.world war one, army, 1914 1918, soldiers, a, nurse, wycheproof, fallen soldiers, dumosa, towaninnie, sevicemen, honour board, shepherd, j morrison, h morrison, f hosking, h white, jim, forrrester fallen, p bohan, v hosking, j bohan, j hosking, m bohan, a mccalman, g mcpherson, mcpherson, a mcpherson, p burns, g mcdonald fallen, c westcott, f tucker, e cassidy, j h, hosking, t harding, g m harding, c ellis, w mcleod, fallen, c dashwood, p murray, j mccormick, c wilson, n rowley fallen, w miller, r johnson, r o brien, s pearce, w s webber fallen, j baxter, a mcphee, j hickey, w alfred, c shaw, j nalder fallen, w howe, c roots, g hull, m hogan fallen

Index, bibliography, ill, p.177.non-fictionThis volume is one of a series that chronicles the rise and eventual fall of Nazi Germanygermany - social life and customs - 1933-1945, national socialism, adolf hitler

Photograph of opening of remodelled auditorium, Red Cross Ball, 24 May, 1938. Some identifiable people are Mr and Mrs W HOWE; Councillor J P CRICHTON; Mrs J P CRICHTON; Mrs Ivy Lavinia WEBER (MLA Box Hill); Councillor H M FENNELL; Councillor J BERTIE, Syd ANDERSON, Town Clerk.local government - city of port melbourne, port melbourne town hall, red cross ball, city engineers, elizabeth branton crichton nee portbury, james peter crichton, sydney sims anderson, fred cook, joseph bertie, henry melville fennell, william howe, mrs w howe, ivy lavinia weber

Document. Connelly, Tatchell & Dunlop. Legal papers. 1 - 1896 - Letter from Kerang Office to Bendigo Office re remittance. 2 - 1896 - Letter from Davidson Jas, Collector of Imposts, re Masonic Lodge, Eaglehawk. 3 - 1896 - Post Office Telegraph from Campbell Colin H, Echuca. 4 - 1895 - Letter from Office of Titles regarding Webber Maria to ? 5 - 1896 - Letter from Office of Titles regarding Bennett Edward to Bennett Mary. 6 - 1896 - Letter from Office of Titles regarding Mathieson Alex to Glass Sarah and Dunleav(e)y John to Stamp Louisa. 7 - 1896 - Letter from Office of Titles regarding Frazer Thomas to Gray William Blair. 8 - 1896 - Letter from Office of Titles regarding Mears Patrick, deceased.cottage, miners, connelly, tatchell & dunlop, davidson jas, masonic lodge eaglehawk, campbell colin h, office of titles webber maria, bennett edward, bennett mary, mathieson alex, glass sarah, dunleav(e)y john, stamp louisa, frazer thomas, gray william b, mears p

In 1949 the HELLENIC PRINCE with its 3 hospitals, 2 cinemas, and air conditioned accommodation was chartered by the International Refugee Organisation to transport displaced persons from Europe to Australia. Its first trip was to Sydney where it arrived with 1000 passengers on 5 December 1949. On the third trip it left Naples on 23 March 1950, and arrived in Fremantle on 20 April 1950, and in Melbourne on 25 April 1950. The men and women were separated for the voyage with my father sleeping on a hammock in a large room with other men, while my mother, my brother, and I had bunks in a shared cabin. On board were displaced persons ex Bagnoli Camp Italy, some of whom later built their bungalows on the grassy and rocky paddocks near Sunshine Victoria, and began to establish a new life in a new country. A few of the families that arrived on the third trip and purchased land in the Dunkeld Ave - Sandford Ave area of North Sunshine (Birmingham Estate) were Janczak, Kolanowicz, Mroz, Pawlak, Rasztabiga, Skrobalak, Szydlowski, Witkowski, and Zielinski. Some friends settled elsewhere in Sunshine. The family Tabaka went to West Sunshine just over the Derby Rd Bridge, while the family Wojcik went to Ardeer. The ship first started service in 1929 for the Royal Australian Navy as the HMAS ALBATROSS. It had a standard displacement of 4,800 tons and was 443 feet 7 inches (135.2 metres) long, and its top speed during trials reached 22 knots (41 km/hr). It was built at Cockatoo Island Dockyard as Australia's first Aircraft Carrier (seaplanes), but the aircraft that it was designed for were retired just before the ship went into service. A new plane specifically designed to work with the Albatross began operations after the ship was decommissioned in 1933, and placed into reserve in Sydney Harbour. Seaplanes continued to operate from the anchored ship. (Click on the Link 'HMAS Albatross (1)' situated above the Object Registration number to view pictures of the HMAS Albatross on the Navy web site). In 1938 the ship was recommissioned and transferred to the Royal Navy as part payment for the light cruiser Hobart. The ship then did military service for the Royal Navy during World War 2. It did patrol and escort duties in the southern Atlantic, and from mid 1942 in the Indian Ocean. By early 1944 the ship was converted so that it could repair landing craft and other support vessels off Sword and Juno beaches. The ship managed to return 132 craft into service and to save 79 others from total loss. On 11 August 1944 Albatross was torpedoed with the loss of either 50 or 66 personnel, but was able to be towed back to Portsmouth. After repairs she did a short service as a minesweeper depot ship, and following that was placed into reserve on 3 August 1945. In August 1946 the ship was sold for commercial use but the plans to convert it into a luxury liner or a floating cabaret fell through. The ship was again sold on 14 November 1948 to the British-Greek Yannoulatos Group, who renamed it HELLENIC PRINCE in recognition of the birth of Prince Charles and his Greek heritage. After conversion into a passenger ship the Hellenic Prince made several trips to Australia transporting displaced persons, however apparently not all trips were pleasant for the passengers. In the on board newsletter 'Kangaroo' dated 5 January 1951, the ship's master P. C. King expressed his indignation about the behaviour of passengers and made accusations of mutiny. According to some immigrants the conditions were appalling and overcrowded with 1200 passengers. Passengers were supposedly required to work and were paid with Woodbine cigarettes. The drinking water ran out, the freezer broke down, and fresh food that was brought on board went to the crew. Sea sickness was rife because the ship was rarely level due to malfunctioning pumps. (The newsletter 'Kangaroo' can be viewed at the Museum Victoria web site by clicking the Link 'Newsletter - Kangaroo'). In 1953 during the Mau Mau uprising the Hellenic Prince was used to transport troops to Kenya, and in 1954 the ship came to an end in a scrap yard at Hong Kong. THE ABOVE INFORMATION WAS COMPILED FROM; (1) http://en.wikipedia.org/wiki/HMAS_Albatross_(1928) (accessed 11/2/2013), (2) An article by Graeme Andrews found at http://www.afloat.com.au/afloat-magazine/2011/july-2011/The_boat_people_of_the _forties_and_fifties#.UuYY6ou4apo (accessed 27/1/14), (3) http://museumvictoria.com.au/collections/items/273166/newsletter-kangaroo-hellenic-prince-5-jan-1951 (accessed 27/1/14), (4) National Archive search starting at; www.naa.gov.au/collection/search/index.aspx (accessed 27/1/14), (5) http://www.flickr.com/photos/41311545@N05/3864781978 (accessed 29/1/14). Hellenic Prince has a significance to Sunshine Victoria because some of the displaced people from Europe, who arrived in Melbourne on Anzac Day 1950, were among the first people to settle in the grassy and rocky paddock areas of North Sunshine. These settlers established a residential suburban area out of the paddocks. In those early days there were no services and the planned roads were basically just drawings on a map. The ship is also significant because it was named in recognition of the birth of Prince Charles. In the ship's former life as the HMAS Albatross the significance is that it was built in Australia as our country's first Aircraft Carrier (seaplanes).New photograph made from a scanned copy of a circa 1950 Post Card featuring the ship on calm water.Hellenic Prince / Hong Konghellenic prince, migrant ship, displaced persons, refugees, international refugee organisation, bagnoli camp, hmas albatross, yannoulatos group

ill, maps, p.52.non-fictionA guide to railway locations for railway enthusiasts visiting Brisbane in Queensland.railroad operations - queensland - history, railroads - queensland - history

ill, maps, p.80.non-fictionA guide to railway locations for railway enthusiasts visiting the south eastern suburbs of Brisbane & the Gold Coast in Queensland.railroad operations - queensland - history, railroads - queensland - history

ill, maps, p.64.non-fictionA pictorial history of the railways around Cairns in Far North Queensland.railroad construction - queensland - history, railroad operations - queensland - history

Ill, maps, p.160.non-fictionA description of the railways west and south of the city of Toowoomba in Queensland in 2015.railroads - queensland - history, railroad travel -- queensland, south west

ill, maps, p.88.non-fictionA guide to railway locations for railway enthusiasts visiting the Brisbane region in Queensland.railroad operations - queensland - history, railroads - queensland - history

Princes Bridge Centenary pylons under construction Possibly taken from Young and Jacksons Hotel (formerly Princes Bridge Hotel) on the corner of Flinders and Swanston streets, Flinders Street Station’s clocks and main entrance dominate, along with its distinctive copper dome and decorative façade. The time on the main clock is 1.40pm, and the sign underneath, reflecting Melbourne’s upcoming Centenary reads, “We must accommodate our Centenary visitors! Citizens! Do your share by taking paying guests.” At left is the original Princes Bridge Station, today the site of Federation Square. The riverside tram terminus advertises a Café/Tobacconist/Refreshment Room selling cigars & cigarettes, fountain drinks & confectionery, and in smaller text: “Leave your boot repairs here”. Nearly everyone is dressed in dark suits, coats and hats. The footpaths are wide and there are no traffic lights. The roadway stretches towards the Shrine of Remembrance, not yet dedicated but very dominant on the skyline. Government House is clearly visible across the wide parkland that would come to be known as Kings Domain and that is an area of deep importance to the people of the Eastern Kulin. Originally, Birrarung was part of a network of swamps and lagoons linked to the course of the river. From 1896, Public Works Department engineer Carlo Catani, oversaw a new channel to straighten the river and the swamps and lagoons were filled with spoil from the channel works. From the same vantage point today, only the top of the tower of Government House would be visible. The photo captures the pylons along Princes Bridge, mid-construction and being installed to mark Melbourne’s Centenary. The pylons were not without controversy. Both The Argus and The Age bemoaned them for being “made almost entirely of imported softwood timber”, denying work to native hardwood timber workers and sawmillers, and leading visitors to think Australia did not have its own exceptional native hardwoods. The pylons were also variously described in their incomplete state, as unimaginative and resembling an oilfield. Published: The Age 5 September 1934 Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Louise McKenzie Photographer notations on slide: "Pylons + St Kilda Rd C57" Published: Age (Melbourne, Vic. : 1854 - 1954), Wednesday 5 September 1934, page 11 Published title: DECORATIONS -- THEN AND NOW. Published caption: "Although not completed yet, some impression of the effect of the decorations on Princes-bridge may be obtained from the first picture which shows the majestic sweep of St Kilda road with the Shrine of Remembrance and Government House dominating the horizon. The area to the left of St. Kilda-road and in front of Government House is portion of the area which it is proposed to call the King's Domain, which extends to Domain-road and Anderson-street..." Description: East-facing, elevated view of Flinders Street Station and Princes Bridge, featuring partially completed pylons erected for Melbourne's Centenary celebrations. The Shrine of Remembrance and Government House can be seen in the distance. In the foreground are trams, cars and trucks, pedestrians, Batman Avenue tram terminus and refreshment rooms. Signage on Flinders Street Station encourages citizens to accommodate Centenary visitors. The Melbourne Centenary was held 1934-35 in celebration John Batman's proclamation that Melbourne "the place for a village". Centenary events included a visit by Prince Henry, Duke of Gloucester. A Centenary Cake measuring 50 feet in height and ten tons in weight was cut into 250,000 pieces and sold at 1 shilling per piece for charity. Spectacular floodlighting of city landmarks, the creation of the Pioneer Women's Memorial Garden, and the MacRobertson Air Race from London, were other notable activities. Research by project volunteer, Louise McKenzie: The photo in The Age collage of 5 September 1934 has a slightly cropped foreground. The original photo has been taken from an elevated vantage point, most probably the roof of the Nicholas Building on the corner of Flinders and Swanston streets. The right foreground is dominated by the main “clocks” entrance to Flinders Street Station, showing its distinctive copper dome and decorative façade. The time on the main clock is 1.40 pm. The main sign on the front of the Station reads, "We Must Accommodate our Centenary Visitors! Citizens! Do your share by taking paying guests. Write to The Official Centenary Accommodation Bureau, 436 Collins St. City. Tel M 4671”. Another sign at eye level at the main entrance says: “Cheap Trips on Sundays”. The sign on the end of the roof along the eastern side of the station reads, “The Babies Need Your Help! Support Broadmeadows Foundling Hospital Appeal. July and August”. Run by the Sisters of St Joseph of the Sacred Heart, St Joseph’s Foundling Hospital was a purpose built infants’ home for up to 300 babies, plus accommodation for expectant mothers, mainly single women. In the early 1930s, the department (Victorian Children’s Welfare Department) contracted St Joseph’s Foundling Hospital to care for an additional 60 infant state wards, and up to 175 non wards at any given time. In 1931 it also operated a mothercraft training school. The centre foreground shows the commencement of Princes Bridge. Beneath the left side of the bridge was the site of the original Princes Bridge Station, by this time incorporated into Flinders Street Station, and today the area is the site of Federation Square. It was linked to Flinders Street station by the railway tracks that ran underneath the northern approach to the bridge. This photo shows a tram terminus which has a Café/Tobacconist/Refreshment Room, selling cigars & cigarettes, fountain drinks & confectionary, and a sign: Leave your boot repairs here. In the foreground is a wide roadway running south/north, comprising two vehicle lanes each heading north/south, and a central section containing two sets of tram tracks. There are cars, buses and delivery vans on the roadway. The trams visible are Glen Iris (Route No. 6; tram no. 448), Toorak (Route No. 8, tram no. 333), ? (No. 7), ? (No. 1), and ? (No. 2A). The footpaths are extremely wide. There is a square newspaper/magazine stand on the eastern side footpath. And also a “Ferry” sign. There are no traffic lights, but a policeman is visible on the roadway. There are pedestrians – men, women, children, a porter with trolley, women with prams. Clothing comprises dark suits, coats and hats for nearly everyone. There are double headed “Collins Street” lights along the side of the roadway, and along the northern riverbank. The roadway in the foreground is an extension of Swanston Street, which becomes Princes Bridge, then St Kilda Road, stretching towards the Shrine of Remembrance, and diverting past it. The Shrine had not yet been officially dedicated, and looks very white and dominant on the skyline. On the LHS of St Kilda Road, Government House is clearly visible across the wide parkland to be known as Kings Domain. The Kings Domain area is important to the people of the Eastern Kulin nation, and also has historical importance for its association with the early settlement of Melbourne and the foundation of British colonial administration in Victoria. On the southern side of the Yarra River (Birrarung) an historic rowing boathouse is visible, located adjacent to the Alexandra Gardens. Originally Birrarung was part of a network of swamps and lagoons linked to the course of the river. From 1896, under the guidance of engineer Carlo Catani* a new channel to straighten the river was created and the swamps and lagoons were filled with spoil from the channel works. The gardens were then created and completed in time for a Royal visit by the Duke of York in May 1901. The gardens are named after Alexandra of Denmark, the wife of King Edward VII. Both these areas, plus the Royal Botanic Gardens Victoria, Shrine of Remembrance Reserve, Sidney Myer Music Bowl, Government House, and the Queen Victoria Gardens together form the Domain Parklands. The extent of the subsequent plantings is evident today, where from the same vantage point only the top of the tower of Government House would be visible. *Catani was born in Florence in 1852, but after arriving in Melbourne worked as a civil engineer for the Victorian Government. His last major project was the reclamation of the foreshore of St Kilda, envisaged in the style of a European resort, complete with a split level esplanade, bathing pavilions, dance halls, amusements and a French-Italian style of landscape complete with palms. The gardens at the end of Fitzroy Street, St Kilda, now bear his name. The historic boathouse visible across the Yarra is another glimpse into Melbourne’s past. “Boathouse Row” comprises 7 amateur rowing clubs, the first established in 1859 (Melbourne University Boat Club). Other Clubs were Richmond, Melbourne, Banks, Melbourne Grammar School, Yarra Yarra and Mercantile. South of the river and west of the bridge is an area today developed into the Melbourne arts precinct of Hamer Hall and the Arts Centre. But at this time it was the home of Wirths Olympia Circus, which comprised Wirths Pleasure Park (an amusement park), a 5,000 seat auditorium – Hippodrome, a roller skating rink, a glaciarium, a cinema, and the Green Mill Dance Hall. Dog shows were also held at Olympia. The Green Mill Dance Hall closed in 1950, and the remainder of the Wirth buildings on site were destroyed by fire in December 1953. The feature of the photo is the pylons erected along Princes Bridge to mark Melbourne’s Centenary in 1934. The sixteen plastered pylons were designed by Roy Prentice, the second person to qualify as an architect at The University of Melbourne’s Bachelor of Architecture degree, in 1933, aged 27. Simon Reeves in his article marking the 100th birthday of Roy Prentice on 20 June 2006 reports that the State Electricity Commission sponsored this work, and the Argus reported that “… the pylons were “illuminated from within to give the effect of soft radiance”. Australia Home Beautiful 1 Oct 1934 reports in a very detailed and comprehensive article: The 10 taller pylons, including flagpole, were 48 ft, with a base of 8 ft. Timber-framed and faced with fibrous plaster and galvanised sheet iron, each structure was securely bolted to a concrete foundation three feet in depth. Panels of glass let into the shaft of each pylon were indirectly lit by 40, 100 watt lamps, and the upper bank of internal lamps were dyed so as to flood the panels with a deep red light. The decorative painted shields and flagpoles/pennants were illuminated by three 200 watt projectors concealed in the roof of each pylon, and were part of an electric night light decoration scheme involving 28 miles of wire to supply more than 20,000 lights. An article in the Argus on 18 October 1934 provided minute detail of the lighting erected in Melbourne for the Centenary, converting it “… into a coloured fairyland by night.” The estimated cost of 10 pounds per hour the lights were on. The display included 800 standard light poles 30 feet high which were tiered with electric bulbs concealed in inverted cones, 138 specially designed “Venetian poles” draped in flags trophies and streamers. The streets included in the electric night light decoration scheme were Bourke Street from Spring to William, the entire length of Collins Street, Flinders Street from Elizabeth to Spring, Lonsdale Street from Elizabeth to Swanston, Swanston and Elizabeth Streets from Flinders to Lonsdale, and parts of Springs and Spencer Streets. Together with the Princes Bridge pylons, approximately 28 miles of wire was required to supply power to the more than 20,000 lights. And that is just in the city of Melbourne. It was estimated the same amount of lighting was duplicated among other local councils. The pylons were not without controversy. The Argus on 28 August 1934 in an article headed “Imported Timber in Pylons” reported that the Princes Bridge pylons are “made almost entirely of imported softwood timber”, and have therefore denied work to native hardwood timber workers and sawmillers. The same day the Melbourne Age ran a similar story, bemoaning the fact that foreign oregon had been used which may lead tourists to think Australia did not have its own exceptional native hardwoods. A Camberwell City Councillor described the pylons as unimaginative, and the Herald reported that skeletons of pylons for the Centenary decorations in their present form led the area to resemble an oilfield! The Yarra River and Princes Bridge have long been a focal point of Melbourne life. In the early days of European settlement in Melbourne a rope-hauled punt carried people across the Yarra River. A surge in population and increased shipping traffic created a need for a bridge. There was difficulty in agreeing on a suitable site for the bridge (options were crossing at Elizabeth, Swanston, Queen or Market Streets), but the NSW Government favoured Swanston Street and the Melbourne Town Council decided on a temporary bridge across the Yarra spanning from the foot of Swanston Street. This first bridge was a single span timber toll bridge designed by Scottish born bridge designer David Lennox, and completed in 1845. It was 120 feet long, had a roadway of 17 feet wide, and a footpath on one side of 4 feet. It was leased to the Melbourne Bridge Company in the name of Robert A Balbirnie. The tollhouse was on the north side of the river and the toll keeper, Patrick Doherty, was credited with saving nine lives during the four years he was in charge of the toll station. The second bridge was stone (completed 1850), and named Prince’s Bridge after the HRH Prince of Wales, later Edward VII. It was designed with an elliptical single arc and an exceedingly small rise in proportion to the span. However, this design created an obstacle for flood waters, and together with Melbourne’s increasing population it was quickly apparent that a new bridge was required. At its opening on 15 November 1850 coincided with the imminent declaration of Victoria as a separate colony, it provided a moment of great celebration for Melbournians and “The opening ceremony was described as the grandest processional display witnessed in the colony.” (ToMelbourne.com.au) Princes Bridge in its present form, as depicted in this photograph, was designed by Jenkins, D’Ebro and Grainger, and constructed in 1886-88 by David Munro. John Grainger (father of Australian composer Percy Grainger) did the majority of the design work for the bridge. The structure was to have three arches each 96 feet wide measured across the river, and the banks on both sides were raised to allow more space for floodwater to flow. St Kilda Road was originally many feet below the current level. The bridge is of architectural significance for its substantial size, giant half columns, extensive use of wrought and cast iron, decorative elements (cast-iron lamps) and the skilled stonemasonry in the construction of the abutments and piers. Its main design features are similar to those of Blackfriars Bridge in London (1870). The bluestones were quarried from Footscray, the Malmsbury stones were from quarries at Kyneton, and the granite from Harcourt. The cost was met by the State of Victoria, City of Melbourne, and six out of seven of its municipalities, and their coats of arms feature on the bridge. The building of the bridge reflected the boom period of Melbourne, including the Victorian gold rush 1851- late 1860s, and its contractor, David Munro, was also responsible for the construction of Queens Bridge and Sandridge Railway Bridge. The Centenary pylons are no longer in place, but today this intersection still plays a major part in Melbourne’s daily life: people still meet “under the clocks” at Flinders Street station, and the route in and out of the city along St Kilda Road is often a feature of parades such as Moomba, the Grand Final Parade, and of course the Anzac Day Parade which commences at the Princes Bridge intersection and finishes at the Shrine of Remembrance. There are many tram routes, which cross the Bridge, and it directs pedestrians towards the Arts Precinct, the various components of Domain Park, plus the Southbank restaurant and rowing precincts. Even though this is a street scene, it feels very intimate; the viewer is instantly immersed in the activity of a Melbourne afternoon, looking down St Kilda Road from a viewpoint near today’s Federation Square. References: DECORATIONS -- THEN AND NOW. (1934, September 5). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Retrieved September 21, 2023, from http://nla.gov.au/nla.news-article205880269 'Flinders Street railway station', Wikipedia, https://en.wikipedia.org/wiki/Flinders_Street_railway_station 'St Joseph’s Foundling Hospital (1901-75)', Finding Records, Department of Health and Human Services, State of Victoria, https://www.findingrecords.dhhs.vic.gov.au/collectionresultspage/St-JosephsFoundling-Hospital-Babies-Home#departmental-administration 'Alexandra Gardens', City of Melbourne, https://www.melbourne.vic.gov.au/community/parks-open-spaces/major-parks-gardens/Pages/alexandra-gardens.aspx 'Wirths Circus', Wikipedia, https://en.wikipedia.org/wiki/Wirth's_Circus 'Roy Prentice: Centenary Architect', Built Heritage Pty Ltd, Simon Reeves, https://www.builtheritage.com.au/downloads/prentice.pdf 'Princes Bridge', Heritage Council Victoria, https://vhd.heritagecouncil.vic.gov.au/places/817 PORT PHILLIP. (1846, April 1). The Sydney Morning Herald (NSW : 1842 - 1954), p. 3. Retrieved September 21, 2023, from http://nla.gov.au/nla.news-article12886251 'Edward VII', Wikipedia, https://en.wikipedia.org/wiki/Edward_VII 'Princes Bridge', ToMelbourne.com, https://tomelbourne.com.au/princes-bridge/ 'Princes Bridge', eMelbourne, https://www.emelbourne.net.au/biogs/EM01189b.htm 'Princes Bridge', Australia for everyone, http://australiaforeveryone.com.au/files/melbourne/princes-bridge.html 'Victorian gold rush', Wikipedia, https://en.wikipedia.org/wiki/Victorian_gold_rush IMPORTED TIMBER IN PYLONS (1934, August 28). The Argus (Melbourne, Vic. : 1848 - 1957), p. 9. Retrieved September 21, 2023, from http://nla.gov.au/nla.news-article10952507 Princes-Bridge Pylons. (1934, August 28). The Age (Melbourne, Vic. : 1854 - 1954), p. 7. Retrieved September 21, 2023, from http://nla.gov.au/nla.news-article205532235 Pylons Appear Near Princes Bridge (1934, August 18). The Herald (Melbourne, Vic. : 1861 - 1954), p. 1. Retrieved September 21, 2023, from http://nla.gov.au/nla.news-article243104375 PRINCES-BRIDGE PYLONS. (1934, September 20). The Age (Melbourne, Vic. : 1854 - 1954), p. 10. Retrieved September 21, 2023, from http://nla.gov.au/nla.news-article205873535 28 Miles of Wire (1934, October 18). The Argus (Melbourne, Vic. : 1848 - 1957), p. 1 (The Junior Argus). Retrieved September 21, 2023, from http://nla.gov.au/nla.news-article10977836 'Historical references for Boathouse Row, Melbourne', http://boathouserowmelbourne.com.au/history/ 'ITALIAN DELEGATION TO HONOUR CARLO CATANI, DESIGNER OF THE ST KILDA FORESHORE, St Kilda Historical Society, 2001, https://web.archive.org/web/20070928061938/http://www.skhs.org.au/~SKHSarticles/articles/Carlo_Catani.html# HISTORY IN LIGHTS (1934, July 12). The Herald (Melbourne, Vic. : 1861 - 1954), p. 16. Retrieved September 21, 2023, from http://nla.gov.au/nla.news-article243172436 'Dressing Melbourne for the Duke', The Australian home beautiful: a journal for the home builder. Vol 12 No. 10 (1 October 1934), page 21, 58. Retrieved September 14, 2023, from http://nla.gov.au/nla.obj-2950922209Photographer notations on slide: "Pylons + St Kilda Rd C57".centenaries, bridges, lighting, flinders street railway station

Published: 7 Dec 1934 Published title: A FIJIAN TROMBONIST. Published caption: Although the young Fijian here for the Eucharistic Congress had no uniform, he did not feel out of it with the members of St. Vincent de Paul’s Band at the Sacre Coeur, East Malvern, this week. Trove article identifier: http://nla.gov.au/nla.news-article205071643 Description: A young Fijian boy sits with young members of the St Vincent de Paul’s Band, all seated on the grass in sunshine. The three young band members are jauntily dressed in braided hats, long pants and smart dark jackets, white shirts, dark bow tie, and dark long trousers and boots. One holds a French horn, one a trumpet. In contrast, the young Fijian boy is shoeless, hatless, and dressed in white – a white shirt, and possibly a white “skirt” as observed to be worn by Fijian policemen in their home country at that time. He carries a trombone, which perhaps belongs to the young band member sitting beside him. Research by project volunteer, Louise McKenzie: A photo in the Argus on the previous day shows “two Papuans, Aloysius and Bernard, … talking to Archbishop O’Shea of Wellington (N.Z.).” In a turn of phrase which would be far from acceptable today, the caption notes that the juxtaposition of the dark skinned boys and the white skinned Archbishop makes “A picturesque Contrast”. The photo is also staged in a way that has the two dark skinned boys (wearing white shirts and white “skirts”, and no hats), standing, looking down on the Archbishop in his elaborate clothing and headcovering. The Age caption advises that they are at Sacre Coeur, East Melbourne. The reason for the event – a garden party – was held as part of the National Eucharistic Congress which took place in Melbourne from Sunday 2 – Sunday 9 December 1934. An initiative of the Roman Catholic Church, it was their contribution to Melbourne’s Centenary Celebrations. At this garden party the Papal Legate, Cardinal MacRory, accompanied by dignatories including the Papal Chamberlain, met Old Girls of Sacre Coeur Convent. The Cardinal’s sister was at one time Mother Superior of this Convent. The featuring of Fijian and Papuan boys in these articles reflected the diverse nature of Catholic Church representatives worldwide who attended the Eucharistic Congress which featured as part of Melbourne’s Centenary celebrations. Notable visitors to the Congress included the Papal Legate, His Excellence Cardinal MacRory, several Monsignors from Rome, the Archbishop of Liverpool representing England, Scotland and Wales, together with representatives from New Zealand, China, South Africa, Ireland, the Islands of the Pacific, India, Malta, USA, and of course from across Australia. St Vincent de Paul “Our History” advises that the Society was founded in France in 1833 by a group of dedicated Catholics who put their faith into action to support the poor in their community. The “Vinnies” website “1854 onwards” sets out milestones of the Society’s close involvement with Melbourne from its infancy in March 1854 up to today. A well researched blog by Jeremy de Korte dated February 28, 2024 – Band Blasts from the Past – Anecdotes, Stories and Personalities, notes: Orphanage bands in Australia were a copy of practices in England where the teaching of music in boys’ institutions was commonplace (Sheldon, 2009). There was, however, a major difference to the outcomes of this musical education between the two countries. Boys who were trained as musicians in English institutions readily found themselves recruited into the bands of the British Army and Navy (Sheldon, 2009). Whereas the musicians that graduated from the Orphanage bands in Australia found themselves positions in the wider band movement. … We know that Orphanage bands in Australia have had a long and distinguished history, as well as enviable reputations. The St. Augustine’s Band from Geelong is probably the most famous of them all, and it is mentioned that by 1898 they were already putting the call out for a new set of instruments (“ST. AUGUSTINE’S ORPHANAGE BAND.,” 1898). St. Augustine’s went on to win many competitions at South Street in Ballarat and toured extensively – in one instance, in 1906 they won the A Grade Championships at South Street (Royal South Street Society, 1906). The band at St. Vincent’s de Paul in Melbourne was no less famous than their counterpart in Geelong and in 1921 they gained the services of Mr. Leslie Hoffman, a graduate of the St. Augustine’s Band, as their conductor (“St. Vincent’s Bandmaster,” 1921). This slide is quite badly damaged, reminding us of the fragility of this photographic form. The colour is washed out across most of the slide, and the left of the slide is badly degraded as if the photographic solution hasn’t quite taken. But the culprits are most likely time and mode of storage. References: A FIJIAN TROMBONIST--SUITE FOR DOLL'S HOUSE--LUNCH TIME AT THE SPORTS--A FULL SLIDE. (1934, December 7). The Age (Melbourne, Vic. : 1854 - 1954), p. 3. Retrieved April 9, 2024, from http://nla.gov.au/nla.news-article205071643 "INTERSTATE TENNIS -- EUCHARISTIC GARDEN PARTY" The Argus (Melbourne, Vic. : 1848 - 1957) 6 December 1934: 9. Web. 9 Apr 2024 Photographer notations on slide: "Boy bandsmen B61".1930-1939, bands, catholic church

Vintage booklet, published as an inspirational guide exploring nursing as a dedicated "voacation" rather than just a profession Insight into nursing as a career in the 1930'sStapled booklet with pink front cover with white print featuring an illustration of a nurse tending to a patient in a hospital bed with a cross in the background.Also detailed are the title, author price and illustrator. On front cover, handwritten at top right, 'P Johnston '40' [black ink]nursing - history, nursing - vocation, nursing ethics

Email from "Heike Dansard" Only two specimens remain in the Bayer archival collection. ref: email in 'Historical Information'.Oiled rectangular thick cardboard box with printed text on paper label on outside containing white crystalline powder. Top of box lifts off as lid.On box top : BAYER BAYER' as a cross with 'Y" as the centre set in a circle in a square margin. side 1. 'CYCLOFORM FabinFabriken orm (?) FRIEDR.BAYER & Co leverkusen a/ Coln a/ Rh pharmaceohscbe.......'. Side 2. ......'CYCLOFORM............BASYER BAYER Brevate et nom depose en Allamagne et dans la pluparet des autres pays industrials'. (translation : Patent name and deposited in Germany and most other industrial countries). Side 3. ' ......Weiderwerkaul..................in...........CYCLOFORM.........MARKE BAYER BAYER..................Name.....MARKE..................und.............ichgeschuzt.........ubrigon.anaesthetic

Chan-Young Choi, minister, religious organization administrator. Ordained to ministry Presbyterian Church Korea, 1952. Chaplain Republic of Korea Army, 1952-1955. Missionary to Thailand Presbyterian Church Korea, 1955-1970. General secretary Bible Societies in Thailand, Bangkok, 1962-1970. Distribution secretary American Bible Society, 1971-1974. Consultant marketing Asia Pacific region United Bible Societies, Manila, 1974-1977, coordinator marketing, 1977-1978, regional secretary Hong Kong, since 1978. Chairman Printing Limited company of United Bible Societies, Hong Kong, since 1987. Vice chairman Amity Printing Limited company, Nanping, Republic of China, since 1987. Missionary to Thailand Presbyterian Church Korea, 1955-1970. General secretary Bible Societies in Thailand, Bangkok, 1962-1970. Distribution secretary American Bible Society, 1971-1974. Consultant marketing Asia Pacific region United Bible Societies, Manila, 1974-1977, coordinator marketing, 1977-1978, regional secretary Hong Kong, since 1978. Chairman Printing Limited company of United Bible Societies, Hong Kong, since 1987. Vice chairman Amity Printing Limited company, Nanping, Republic of China, since 1987. Fraternal delegate Christian Church of Asia., Hong Kong, 1991, others. Speaker, lecturer various professional meetings. Principal Korean school for Korean children, Bangkok, 1962-1966. [https://prabook.com/web/chan-young.choi/203634] Head and shoulders portrait of Rev. Chan Young Choi, who is dressed in suit and tie.Spectator 12/5/1976 p.8presbyterian minister chan-young choi, presbyterian church korea

GEOFFREY RICARDO (1964- ) Born Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Traveled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, National Students Art Prize) Worked in private studios in Gaucin, Spain and New York, USA 1994-95 Master of Fine Arts, Monash University, Melbourne 1995 Guest Lecturer, Victorian College of the Arts, Melbourne Traveled to Europe and America 1996 Guest Lecturer, Royal Melbourne Institute of Technology, Melbourne 1990-98 Sessional Lecturer, Monash University, Melbourne 1998 Traveled to America and Mexico 2001-05 Sessional Lecturer, The Victorian College of the Arts, Melbourne 2003-10 Printmaking Workshops, Warrnambool TAFE, Warrnambool, VIC 2004 Traveled to Europe, Mexico and Cuba 2005 Lecturer, National Art School (Summer School), Sydney Sessional Lecturer, Monash University, Melbourne Lecturer, Institution of Koorie Education, Deakin University, Geelong, VIC SOLO EXHIBITIONS 2012 ‘Collection of Works’ The Art Vault Mildura ‘Deeper Meanings’, The Incinerator Gallery, Melbourne ‘Three Projects’, Australian Galleries, Glenmore Road, Sydney Melbourne Art Fair Stand F33, Australian Galleries, Melbourne 2009 ‘Anno Domino, Antarctica and The Anatomy Lesson’, Australian Galleries Derby Street, Melbourne The Art Vault, Mildura, VIC 2008 MV Orlova (Quark Expeditions), The Drake Passage, Antarctica 2007 ‘Herd’, BMGArt, Adelaide ‘Herd’, Australian Galleries Painting & Sculpture, Sydney 2006 ‘Herd’, Australian Galleries Painting & Sculpture, Melbourne 2004 ‘Recent work’, BMGArt, Adelaide 2003 ‘The Rapunzel Suite and Other New Works’, Australian Galleries Works on Paper, Sydney ‘Recent Works’, Australian Galleries Painting & Sculpture, Melbourne ‘Recent works’, Cowwarr Art Space, Cowwarr, VIC 2002 ‘The Rapunzel Suite’, Australian Galleries Works on Paper, Melbourne ‘Strange Games’, Australian Galleries Works on Paper, Sydney 1999 ‘A Dark City Narrative’, Australian Galleries Works on Paper, Sydney ‘A Dark City Narrative’, Australian Galleries Works on Paper, Melbourne 1998 Cullity Gallery, School of Architecture and Fine Art, University of Western Australia, Perth 1997 Delaney Gallery, Perth Chapman Gallery, Canberra BMGArt, Adelaide ‘Menagerie’, Australian Galleries, Sydney ‘Menagerie’, Australian Galleries, Melbourne 1995 ‘Paintings, Prints and Sculpture’, Australian Galleries, Sydney ‘Prints, Paintings and Sculpture’, Australian Galleries, Melbourne 1994 Lawrence Wilson Art Gallery, University of Western Australia, Perth Graham Galleries + Editions, Brisbane ‘Wishful Thinking, Prints and Sculptures’, Lawrence Wilson Art Gallery, University of Western Australia, Perth 1992 ‘Prints, Sculptures and Watercolours’, Australian Galleries, Melbourne and Sydney 1990 ‘Watercolours, Prints and Small Bronzes’, Australian Galleries, Sydney ‘Paintings, Prints and Sculptures’, Australian Galleries, Melbourne GROUP EXHIBITIONS 2013 ‘Sculpture by the Sea’ Cottlesloe, Western Australia 2012 ‘Brave New World’, Toyota Community Spirit Gallery, Port Melbourne, VIC ‘Sculpture by the Sea’, Bondi, Sydney 2011 ‘Sculpture by the sea’, Aarhus, Denmark ‘Artwork to Tapestry’, Tarrawarra Museum of Art, Healesville, VIC Burnie Print Prize, Burnie Regional Gallery, Burnie, TAS ‘large exhibition of small works’, Australian Galleries, Roylston Street, Sydney ‘large exhibition of small works’, Australian Galleries, Derby Street, Melbourne ‘Nature of the Mark’, Australian Galleries, Smith Street, Melbourne Rick Amor Print Prize, Montsalvat, Eltham, VIC 2010 ‘Summer show’, Australian Galleries, Glenmore Road, Sydney ‘Summer stock show’, Australian Galleries, Smith Street, Melbourne ‘Sub10’, Substation, Melbourne ‘McClelland Sculpture Survey and Award 2010’, McClelland Gallery + Sculpture Park, Langwarrin, VIC ‘Artists’ Prints made with Integrity I’, Australian Galleries, Smith Street, Melbourne Montalto Sculpture Prize, Montalto Vineyard and Olive Grove, Red Hill South, VIC 2009 ‘Artists’ ink: printmaking from the Warrnambool Art Gallery Collection, 1970-2001’, Ararat Regional Art Gallery, Ararat, VIC ‘Lorne Sculpture’ (Winner), Lorne, VIC 2008 ‘Summer Stock Show’, Australian Galleries Smith Street, Melbourne 2007 ARC Biennial (Art, Design and Craft), Queensland University of Technology Art Museum, Brisbane ‘Prints Tokyo: International Print Exhibition’, Tokyo, Japan Seoul International Print, Photo and Edition Works Art Fair, Seoul, Korea Guanlan International Print Biennial, Guanlan, China ‘Summer Stock Show’, Australian Galleries Works on Paper, Sydney ‘Summer Stock Show’, Australian Galleries Painting & Sculpture, Melbourne ‘Summer Stock Show’, Australian Galleries Works on Paper, Melbourne ‘Antipodean Bestiary’, Project Space / Spare Room, RMIT University, Melbourne Montalto Sculpture Prize, Montalto Vineyard and Olive Grove, Red Hill South, VIC McClelland Sculpture Survey and Award 2007, McClelland Gallery + Sculpture Park, Langwarrin, VIC ‘2007: Works from the studio’, Lancaster Press, Melbourne ‘50 - a print exchange portfolio’, Geelong Art Gallery, Geelong, VIC ‘Small Pleasures’, Australian Galleries Painting & Sculpture, Melbourne ‘Stock Show’, Australian Galleries Painting & Sculpture, Melbourne ‘Artists for Kids Culture’, Brightspace, Melbourne 2006 ‘Partnership or perish’, Academy of the Arts, School of Visual and Performing Arts, University of Tasmania, Hobart Libris Awards, Artspace Mackay, Mackay, QLD ‘Summery’, Australian Galleries Painting & Sculpture, Sydney ‘Summer Stock Show’, Australian Galleries Works on Paper, Melbourne ‘Bookish’, Australian Galleries Works on Paper, Melbourne Melbourne Art Fair, Australian Galleries, Melbourne ‘Artists for Kids Culture’, Brightspace, Melbourne ‘50th Anniversary Exhibition’, Australian Galleries Painting & Sculpture, Melbourne 2005 ‘End of Year Group Exhibition’, Australian Galleries Painting & Sculpture, Sydney ‘Contemporary Works on Paper’, Australian Galleries Works on Paper, Melbourne ‘Expansion’, Lancaster Press, Melbourne ‘The Art of Collaboration’, Singapore Tyler Print Institute, Singapore ‘Double take’, Arts Project Australia, Melbourne ‘Small Treasures - 20 emerging and established artists’, TILT Contemporary Art, Melbourne Jacques Cadry Memorial Art Prize, Fox Studios and State Library of NSW, Sydney ‘Tales of the City’, Australian Galleries Painting & Sculpture, Melbourne ‘A Decade of Collecting 1995-2005’, Cairns Regional Gallery, Cairns, QLD ‘Artists for Kids Culture’, Brightspace, Melbourne ‘Surface Tension: 21 Contemporary Australian Printmakers’, University of Tasmania, Launceston, TAS ‘Neo-millenium’, Toyota Community Spirit Gallery, Melbourne 2004 ‘Artists for Kids Culture’, Brightspace, Melbourne ‘Group Exhibition’, Australian Galleries Painting & Sculpture, Melbourne ‘Species’, Australian Galleries Works on Paper, Melbourne ‘In the presence of creatures great and small’, Australian Galleries Works on Paper, Sydney ‘Tapestries from the Victorian Tapestry Workshop’, Australian Galleries, Melbourne ‘Sculpture’, Australian Galleries Painting & Sculpture, Sydney ‘Contemporary Australian Prints’, National Arts Club, New York, USA ‘Contemporary Australian Prints’, Gallery 101, Melbourne ‘Contemporary Australian Prints from the Collection’, Art Gallery of New South Wales, Sydney ‘Bridge’, Toyota Community Spirit Gallery, Melbourne ‘Vivid’, Fortyfive Downstairs, Melbourne Lake Gallery, Paynesville, VIC 2003 ‘Paper matters’, Lawrence Wilson Art Gallery, University of Western Australia, Perth ‘Artists for Kids Culture’, Brightspace, Melbourne ‘Less is more’, BMGArt, Adelaide ‘The ink’s on me: Bill Young master printmaker’, Wangaratta Exhibitions Gallery, Wangaratta, VIC ‘Fantastic and Visionary Art’, Touring: Global Arts Link, QLD; Ipswich Regional Gallery, QLD ; Orange Regional Gallery, NSW; Manning Regional Gallery, NSW; Parramatta Heritage Centre, Sydney; Ballarat Regional Gallery, VIC 2002 Shell Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA ‘Artists for Kids Culture’, Brightspace, Melbourne 2001 Shell Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA ‘Six Degrees of Collaboration’, RMIT Faculty of Art, Design and Communication Gallery, Melbourne ‘Reciprocal Moves’, Warrnambool Art Gallery, Warrnambool, VIC International Print Triennial, Kanagawa, Japan ‘Fantastic Art’, Orange Regional Gallery, Orange, NSW ‘Dancing Made a Man out of Me’, The Switchback Gallery, Monash University, Gippsland, VIC ‘Artists for Kids Culture’, Brightspace, Melbourne ‘Celebration’, Regional touring exhibition, VIC 2000-01 ‘Workings of the Mind: Melbourne Prints of the 1960s to the 1990s’, Touring: Grafton Regional Gallery, NSW; Toowoomba Regional Art Gallery, QLD; Nolan Gallery, Canberra; Bendigo Art Gallery, VIC; PercTucker Regional Gallery, QLD 2000 Shell Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA The Hutchins Art Prize, Long Gallery, Hobart ‘Artists for Kids Culture’, Brightspace, Melbourne 1999 Shell Fremantle Print Award, Fremantle Arts Space, Fremantle, WA ‘We are Australian’, George Adams Gallery, Victorian Arts Centre, Melbourne Rena Ellen Jones Memorial Print Award, Warrnambool Art Gallery, Warrnambool, VIC ‘National Works on Paper’, Mornington Peninsula Gallery, Mornington, VIC ‘Artists for Kids Culture’, Brightspace, Melbourne ‘Pleasure’, Australian Galleries, Melbourne 1998-99 ‘Australian Prints’, Art Gallery of New South Wales, Sydney 1997 ‘KNOCK, KNOCK’, Australian Galleries, Melbourne ‘Woven Colour, The Art of Tapestry’, Dr Earl Lu Gallery, Singapore 1996 M.P.A.C. Print Award, Mornington Peninsula Arts Centre, Mornington, VIC Academy of Art & Culture, Calcutta, India ‘Synergy’, Touring: Lalit Kala Akademi, New Dehli, India; Jehangir Nicholson Gallery, Bombay, India; Birla, India ‘Contemporary Australian Tapestry’, Frederikshavn Kunstmuseum, Denmark; Australia House, London, UK 1995 ‘Interweave - Tapestry A Collaborative Art’, Heide Museum of Modern Art, Melbourne ‘Contemporary Printmakers’, La Trobe Regional Gallery, Morwell, VIC ‘Contemporary Australian Tapestry’, Australian High Commission, Singapore ‘Circus Capers’, Caulfield Arts Complex, Melbourne 1994 M.P.A.C. Print Award, Mornington Peninsula Arts Centre, Mornington, VIC Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA Australian Universities of Visual Art, Australian High Commission, Singapore ‘Prints, Paintings and Sculpture’, BMGArt, Adelaide Fourth Australian Contemporary Art Fair, Royal Exhibition Building, Melbourne 1993 Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA 1992 Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA ‘Transitional Times’, Print Council of Australia, Melbourne ‘Second Kochi International Triennial Exhibition of Prints’, Japan 1991 Henry Worland Memorial Print Prize, Warrnambool Regional Art Gallery, Warrnambool, VIC Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA ‘Table Top Sculpture’, Australian Galleries, Melbourne ‘Art 91’, London Contemporary Art Fair, London, UK 1990 M.P.A.C. Print Prize, Mornington Peninsula Arts Centre, Mornington, VIC Fremantle Print Prize, Fremantle Arts Centre, Fremantle WA ‘The Christmas Show’, Intaglio Printmaker, London, England ‘Australian Contemporary Art’, AZ Gallery, Tokyo, Japan 1989 National Student Art Prize, Mitchell College, Bathurst, NSW Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA City of Doncaster Acquisitive Print Prize, Manningham Gallery, Melbourne ‘Affiliations’, Monash University Gallery, Melbourne 1988 M.P.A.C. Acquisitive Print Prize, Mornington Peninsula Arts Centre, Mornington, VIC Henry Worland Memorial Print Prize, Warrnambool Regional Art Gallery, Warrnambool, VIC 1987 ‘The Comedy Show’, Print Guild, Melbourne ‘Fluxus Art Flow’, Melbourne 1986 Mornington Peninsula Arts Council Acquisitive Print Prize, Mornington Peninsula, VIC Chisolm Institute of Technology, Graduating Students exhibition, Melbourne AWARDS 2013 King Valley Art Prize (printmaking) 2009 Lorne Sculpture Exhibition (Winner), Lorne, VIC 1989 Windsor and Newton International Travelling Bursary, UK Linbrook International First Prize for Printmaking, Australia COMMISSIONS 2005 Tapestry design for Bairnsdale Hospital (woven by the Victorian Tapestry Workshop, Melbourne), Bairnsdale, VIC 1999 Tapestry design ‘Emblem’ (woven by the Victorian Tapestry Workshop, Melbourne), Australia 1995 ‘A Night of Infectious Laughter’ Poster, St Kilda Festival, Melbourne 1994 Tapestry design ‘Elephant Gingham’ (woven by the Victorian Tapestry Workshop, Melbourne), Australia 1993 Tapestry design for the Festival of Perth Official Poster (woven by the Victorian Tapestry Workshop, Melbourne), Perth RESIDENCIES & PROJECTS 2013 ‘Come In Outside’, Collaboration set design for Pocketfool 2011 Mildura Wentworth Arts Festival Project, Mildura, VIC Residency, The Art Vault , Mildura, VIC 2010 ‘Wish’, Collaboration set design for Pocketfool, Artplay, Melbourne The Art Vault (included continuous public flag making workshops which were flown as part of The Wentworth Mildura Art Festival), Mildura, VIC 2009 The Art Vault (included two public printmaking workshops), Mildura, VIC 2008 Artist in residence, MV Orlova, Quark Expeditions, Antarctica 2003 Residency, Bairnsdale Regional Health Service, Bairnsdale, VIC 1998 Residency, School of Architecture & Fine Art, University of Western Australia, Perth 1997 Residency, La Salle/Fia, College of the Arts, Singapore 1996 Artist in residence, Victorian Tapestry Workshop, Melbourne 1993 Reduction Aquatint Workshop & Residency, Graphic Investigation Department, Canberra School of Art, Canberra NB: all residencies have included workshops involving students, children or the general public COLLECTIONS Artbank, Sydney Art Gallery of New South Wales, Sydney Canson Australia Pty Ltd, Australia City of Box Hill, Melbourne City of Whitehorse, Melbourne Downlands College, Toowoomba, QLD Geelong Grammar School, Geelong, VIC Gold Coast City Art Gallery, Gold Coast, QLD Griffith University, Gold Coast, QLD Helensvale High School, Brisbane Holmes à Court Collection, Perth Latrobe Regional Gallery, Morwell, VIC Monash University, Melbourne Mornington Peninsula Arts Council Collection, Mornington, VIC National Gallery of Australia, Canberra National Gallery of Victoria, Melbourne Parliament House Art Collection, Canberra Print Council of Australia, Melbourne Private collections in Australia, Switzerland, USA, UK, Singapore, Germany, Japan, Malaysia, Holland Queen Victoria Museum & Art Gallery, Launceston, TAS Queensland Art Gallery, Brisbane Queensland University of Technology, Brisbane Shire of Diamond Valley, Diamond Valley, VIC Star of the Sea College, Melbourne The Melbourne Club, Melbourne University of Central Queensland, Brisbane University of Technology, Sydney Wagga Wagga Regional Art Gallery, Wagga Wagga, NSW Warrnambool Regional Art Gallery, Warrnambool, VIC BIBLIOGRAPHY PERIODICALS AQ Journal of Contemporary Analysis, Vol. 70, Issue 4, July-August 1998 AQ Journal of Contemporary Analysis, Vol. 70, Issue 6, November-December 1998 AQ Journal of Contemporary Analysis, Vol.71, Issue 7, April 1999 Backhouse, Megan; “Going out of print and back to basics”, The Age, February 2003 Bellamy, Louise; “Renaissance of Western Art”, The Age (A2 section), 26 November 2005 Clabburn, Anna; “Fables and Foibles”, Art Monthly, September 1994 Dutkiewicz, Adam; “Edge of the sublime”, Advertiser, 1 December 2003, p. 76. Erickson, Dorothy; “The Festival that could have been”, The Bulletin, March 1994 Farmer, Alison; “Ricardo makes poster splash”, Sunday Times - Entertainment Extra, 19 September 1993 “Festival taps weaver’s art”, The West Australian, 11February 1994 Fiasco (web-page), March 2003 Jenkins, John; “A Dark City Narrative”, Imprint, Vol. 34, No. 4, 1999 Grishin, Sasha; “Multiplicity – collecting Australian prints”, Australian Art Review, Issue 13, March-June 2007, pp. 52-55 Grishin, Sasha; “Profiles in Print - Geoffrey Ricardo”, Craft Arts International, Issue 76, 2009, pp.1-4 Lloyd, Tim; “The elephant man”, The Advertiser (Review section), December 2007 Manzana Arné, Josep; “De L’Ex-Libris a L’Ex-Webis: Ex-Libris a Internet”, Ex-Libris, Associació Catalana D’Exlibristes, Barcelona, No. 27, July-December 2002, p.11 McDonald, John; “Dreams of hope and menace” The Sydney Morning Herald, 18 March 1995 McMillan, Peter; “Darkness visible”, The Age, 11September 1999 Nelson, Robert; “Circuses can be curated, but not cured”, The Age, 18 January 1995 Nelson, Robert; “Dream Weavers”, The Age, June 1995 Nelson, Robert; “Paen To Ricardo”, Imprint, Vol. 29, No.1, April, 1994 Nelson, Robert; “Revealed: Mother Nature’s vulgar past”, The Age, September 6, 2000 Nelson, Robert; “Riddled with hidden meaning”, The Age, September 8, 1999 Quadrant, April, 1995 Quadrant, Jan/Feb, 1995 Quadrant, October, 1995 Quadrant, November, 1994 “Ricardo’s surreal works at gallery”, Times-Spectator, 25 July 2003, p.7 Snell, Ted; “Art”, The Australian, 18 February1994 Snell, Ted; “Visual arts at the Festival of Perth”, Art Monthly, April 1994 Sunday Arts, ABC TV, 6 May 2007 Timms, Peter; “Geoff Ricardo: emerging from darkness”, Art Monthly, Issue 140, June 2001 Wallace, Dr Carmel; “Ways of seeing Australia”, Asian Art News, May/June 2004 BOOKS & CATALOGUES A Dark City Narrative, Australian Galleries, Melbourne, 1999 ARC Biennial Exhibition (Exhibition catalogue), Queensland University of Technology Art Museum, 2007, pp. 78-79 Clabburn, Anna; “The Collaborative Spirit”, Australian Tapestries: Victorian Tapestry Workshop, 1995, p. 37 Fantastic Art, Orange Regional Gallery, NSW, 2001 Field, Caroline; Herd, catalogue essay, Australian Galleries, Sydney, 2007 Grishin, Sasha; Australian Identities in Printmaking, Wagga Wagga Regional Art Gallery, 2000 Grishin, Sasha; Australian Printmaking in the 1990’s, Craftsman House, 1997 Havighurst, Sophie (Illustrations by Geoffrey Ricardo); When Lester lost his cool, The University of Melbourne, 2007 Kolenberg, Hendrik & Ryan, Anne; Australian Prints, Art Gallery of New South Wales, 1998 Lawrence, Michel; Framed; photographs of Australian Artists, 1998 Modern Australian Tapestries, Victorian Tapestry Workshop, 2000 The Rapunzel Suite, Australian Galleries, Melbourne, 2002 Wallace, Dr Carmel (Essay); Surface Tension, Twenty One Contemporary Australian Printmakers, Gallery 101, Melbourne, 2004 Workings of the Mind : Melbourne Prints of the 1960s to the 1990s, Queensland University of Technology Art Museum, Brisbane, 2000 TELEVISION Sunday Arts, ABC TV, 6 May 2007 Inside Art TV, Channel 31, July 2012 Framed limited edition coloured print showing two men in dinosaur masks, leaning over and heading butting each other. Edition is limited to 30, print is number four.On the left, between print and matting: 4/30 "Naturalists" On the right, between print and matting: signed Ricardo ' 92 On front upper right hand corner pale dark red stain on glass On back, left hand corner, red ink finger prints near where it appears that the backing board has been torn to remove the previous tape. On back, both vertical sides has a number of dents towards the outside of it near the tape. art, artwork, print, limited edition, geoffrey, ricardo, fantasy, colour, available, sport