Showing 41 items
matching painted arch
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Uniting Church Archives - Synod of Victoria
Photograph, Sale Methodist Church, c.1960
... Painted Arch... of the apse with font, communion table and wall painted arch "Worship... of the apse with font, communion table and wall painted arch "Worship ...The Sale Methodist Church was opened in 1865. It was replaced with a new church in 1965.B & W interior view of the Sale Methodist Church. View of the apse with font, communion table and wall painted arch "Worship the Lord in the beauty of Holiness".sale, methodist church, apse, painted arch -
Uniting Church Archives - Synod of Victoria
Photograph, Sale Methodist Church, c.1960
... Painted Arch... of the apse with font, communion table and wall painted arch "Worship... of the apse with font, communion table and wall painted arch "Worship ...The Sale Methodist Church was opened in 1865. It was replaced with a new church in 1965.B & W interior view of the Sale Methodist Church. View of the apse with font, communion table and wall painted arch "Worship the Lord in the beauty of Holiness".sale, methodist church, apse, painted arch -
Uniting Church Archives - Synod of Victoria
Photograph, Sale Methodist Church, c.1960
... Painted Arch... church in 1965. Sale Methodist Church Apse Painted Arch ...The Sale Methodist Church was opened in 1865. It was replaced with a new church in 1965.B & W exterior view of the Sale Methodist Church. sale, methodist church, apse, painted arch -
Bendigo Historical Society Inc.
Photograph - BENDIGO HOTEL COLLECTION: RIFLE BRIGADE HOTEL
... trim. Two storey verandah, lacework painted white. Arched... painted white. Arched windows on bottom storey. On top storey ...Colour image: two storey hotel, dark green façade, white trim. Two storey verandah, lacework painted white. Arched windows on bottom storey. On top storey on pediment 'Rifle Brigade Hotel' in white paint. Hotel located in View Street, Bendigo. Appears to be late 1970's?bendigo, hotel, rifle brigade hotel -
Ballarat Clarendon College
Honour board, Dux of College
These were the first honour boards created by Ballarat College to honour the top academic student of each year. The first award was given in 1868 four years after the school opened. The boards were one display in the Assembly Hall (Sturt Street building north wing). Two of the boards are featured in 1918 photographs of the Assembly Hall. The three boards cover the following years: 1868 - 1895 (partially defaced), 1896 - 1921 (completely defaced) and 1922 - 1952 (complete). New boards replacing these boards were created prior to the centenary celebration in 1964 and hung in the Memorial Hall. At amalgamation (1974) and because the Senior students moved to the Mair Street campus) these boards were co-opted to honour Middle School Dux and Junior Captains. In 2012 the school undertook a major project and created three new boards. One board honours Ballarat College Dux (1868 - 1973) and School Captains (1914 - 1973); another board honours Clarendon Presbyterian Ladies' College Dux and Head Prefect (1919 - 1973). These boards resemble the 1950 re-creation. A third board was instituted in 2012 to honour Ballarat Clarendon College Dux and School Captains (1974 - )Academic excellence and leadership are significant values for the current school and its two predecessors. These boards emphasize the great honour that is afforded to students who excell individually in these areas. Three wooden boards with decorative wood framing and arched or curved top edges and white lettering. Two boards are painted black. One board has mahogany timber stain. ballarat-college, clarendon-presbyterian-ladies-college, ballarat-and-clarendon-college, school-captain, prefect, honour-board, 1968, 1964, 1974, 1973, leadership, dux -
Warrnambool and District Historical Society Inc.
Functional object - Newcombe timber company Seal, Mid to Late 19th century
Newcombe and Co traded as timber merchants And iron mongers in Koroit Street in the later part of the 19th century and early 20th century. It was destroyed by fire in March 1918.A commonly used office item which is well linked to a long established business in Warrnambool.Cast iron rectangular base with arch form leading to handle. Painted black and decorated with gold scroll work. Orange line around rectangular base. The seal is operated by pushing down the handle which stamps on paper which would be placed between the circular stamp and the base plate.warrnambool, company seal, embossing seal, newcombe timber company, koroit street -
Warrnambool and District Historical Society Inc.
Letter copying press, Late 19th century
A letter copying press was first developed by James Watt in 1780. Copying clerks were employed in the late 19th and early 20th centuries to copy letters and documents. In this press a sheet of oiled paper was inserted next to a dampened piece of tissue in the copying book. An unblotted letter written in special copying ink was then inserted with its face up against the back of the tissue. The book was then put into the press and screwed down tightly for a few minutes, depending on how many copies were being made. Many of these old letter books with important historical information still clearly legible survive today. This letter copying press is of great interest as it shows how letters and documents were duplicated in the late 19th and early 20th centuries. It is of relevance to the Warrnambool and District Historical Society as its historical collection includes many letter books with copies of letters and documents relating to our local history.This is a metal letter copying press. It has a rectangular base with an over-arching curved metal piece and a handle which was able to be turned around to screw down a book. The press has been painted black at some stage but is now partly corroded. vintage letter books, history of warrnambool -
Friends of Westgarthtown
Functional object - Brush
Elongated oval-shaped wooden brush with arched handle and brown bristles made of natural fibres. Body painted blue.No visible markingsdomestic items, cleaning, brush, bristle -
Benalla Art Gallery
Print, Conrad MARTENS, View of Sydney. NSW, 1855
Born: London, England 1801; Arrived: Sydney, New South Wales, Australia 1835; Died: Sydney, New South Wales, Australia 1878ColonialBennett Bequest, 1999 Hand-coloured lithograph depicting industrial waterscape with rocky shoreline and ships and buildings in background. Black painted timber frame with off white arched window mount and gold brushed internal window edgeRecto: Not signed, not dated, not titled print, waterscape, sea, harbour, land, figures, boats, tress, sydney harbour, buildings -
National Wool Museum
Tool - Grinder, 1960-69
Cooper S.E. Ball Bearing Grinder made and guaranteed by Sunbeam Corporation Limited. Grinders like this example have been made the same since the early 1900s, with this grinder thought to have been produced in the 1960s. It is belt driven, with the other end of the belt being attached to an engine; the same engine that would have powered the overhead shearing equipment in shearing sheds. It was common for shearing teams to bring their own equipment, especially pre-1960 as most shearing sheds were not connected to power, and shearers preferred to work with their own equipment. The engines that powered the shears and grinder were typically fuelled with kerosene or petrol. The large circular disks are attached to the bolt that protrudes from the grinder and fastened tightly with a nut. An example of seeing a similar grinder in action can be found on the following link - https://www.youtube.com/watch?v=O7eimI_Gm9o. Inventor Frederick Wolseley made the world's first commercially successful power-shearing system in Australia in 1888. US company Cooper, which had been founded in 1843 as a maker of sheep dip, began selling Wolseley equipment in the USA in 1895. The Chicago Flexible Shaft Company successfully entered the power-shearing market a few years later and entered a joint venture with Cooper. It set up a branch in Sydney and sold shearing sets, and engines to power them, into the Australian market. In 1921 the US parent company, realising it needed to make products whose sales were not as seasonal as those of shearing equipment, made its first household appliances and branded them Sunbeam. In 1933, changes in exchange rates and taxes led the company to manufacture engines and shearing equipment in Australia via subsidiary Cooper Engineering, which changed its name to Sunbeam in 1946. Although most Australians know of this company as a major manufacturer of household appliances, its rural division flourished and retained the Sunbeam name for shearing equipment even after it was taken over by New Zealand company Tru-Test in 2001. The grinder is formed from a central arch shaped block of green painted metal. Much of this paint has been lost to age, leaving the grinder in a ‘farm used’ condition with much surface oxidation present. On the front of the arch is a specification plate, reading “Cooper S.E. ball bearing grinder. Made and guaranteed by Sunbeam”. At the foot of the arch, three bolt holes are found for securing the grinder to the base of a solid wooden surface. Two of the bolt holes are found on the front of the grinder, with another found on the rear. From the central arch, a bolt protrudes to the right of the grinder. This large bolt is for securing a grinding plate to the grinder. Above the central arch is a pendulum which holds the comb / cutter that is being sharpened. From the pendulum, a large arm extends down (not pictured) to meet and strike the plate spinning at a rapid speed. On the left-hand side of the central arch of the grinder, a wheel is found which a belt is attached to for power. This belt is then attached to a separate engine, spinning the wheel and hence powering the grinder. The wheel is partially covered with a section of protective bent tube, designed to provide protection from the rapidly spinning wheel. Below this wheel is the belt shifter. It is designed to move the protective bent tube from one side of the grinder to the other, to accommodate the grinder in the setup of different shearing sheds. The two separate grinding plates are identical. They have a slight slope for sharpening the comb and cutters in the correct method, with a slight bias towards the base, or “tooth”, of the equipment. The disks have a large central bolt for attaching to the grinder. They have tags on the horizontal axis of the grinding plates, for securing the plates in transportation, and to help with initial alignment when setting up the grinder. The reverse of these grinding plates has the same green painted metal finish found on the grinder. This paint is also in a ‘farm used’ condition, with surface oxidation present. The grinder would be provided from the factory with a comb holder, shifter for securing the grinding plates, emery cloth and emery glue. The emery cloth is what does the actual grinding and is applied to the grinding disks, replacing once well worn. These items can be seen in the final images in the multimedia section, showcasing advertising for this grinder. Plate. Inscribed. “Cooper / S.E. BALL BEARING GRINDER / MADE AND GUARANTEED BY / Sunbeam / CORPORATION LIMITED / SYDNEY MELBOURNE / ADELAIDE BRISBANE ”sheep shearing, shearing equipment, sunbeam, grinder -
Williamstown Historical Society Inc
Honour board, T.K. Cox & Co. Pty Ltd, 1918
Williamstown Football club honour board 1914-1917 of those members who served in the Great WarTeal coloured wooden board surrounded by arch showing two crossed Lee-Enfield 303 rifles. On a background of 10 gum leaves and two clusters of gum nuts. The title and names appear on a board in gold paint. The board is flanked by two tapered columns.Great European War 1914 Roll of Honour 1917 Members of the Williamstown Football club who served in the Great Warwilliamstown football club great war honour board -
Wangaratta RSL Sub Branch
Framed print, Menin Gate at Midnight
The original art piece was painted by Australian artist Will Longstaff after he attended the unveiling ceremony of the Menin Gate memorial at the entrance of the Belgian town of Ypres in 1927. It was purchased in 1928 for 2000 guineas and presented to the Australia Government by British Philanthropist Lord Woolavington The memorial is inscribed with the names of 54,000 British and Commonwealth soldiers killed in Flanders with no known grave, over 6000 are Australians.The image commemorates those soldiers with no marked graves who died on the Western Front during the First World War.Dark wooden frame with gold gilt inner edge containing cream mount over a dark blue print with large cream coloured arched monument in distance.menin gate, will longstaff, lord woolavington -
City of Ballarat
Sculpture - Public Artwork, Inge King, Grand Arch by Inge King, 2001
... King Large steel sculpture painted matt black Grand Arch ...Grand Arch is a five-metre by five-metre steel sculpture by Inge King placed as the centrepiece of Alfred Deakin Place, part of a redevelopment in conjunction with the State Government, City of Ballarat, University of Ballarat and Art Gallery of Ballarat. Grand Arch is representative of King's sophisticated style of abstraction that reflected animal and plant forms through to planets and the cosmos. King was a German-born Australian sculptor who created many significant public commissions including the well-loved Forward Surge (1974) at the Arts Centre, Melbourne. She was at the forefront of the development of non-figurative sculpture in Australia and held more than 26 solo exhibitions and participated in more than 60 group exhibitions in Australia, New Zealand, London and New York over almost 70 years as a practicing artist. The artwork is of artistic significance to the people of BallaratLarge steel sculpture painted matt blackgrand arch, inge king, australian modernism -
Hume City Civic Collection
Photograph, Early 1970s
The Macedon Street Bridge over Jacksons Creek is important because it was built on one of Victoria's first important roads. It replaced a smaller lighter bridge in 1857 and continued to be used until the early 1970s.A black and white photograph of a two arched bluestone bridge over a creek. A wooden post and rail fence painted white has been constructed in front of the original stone wall of the bridge.bridges, bluestone bridges, jacksons creek, macedon street, george evans collection -
Hume City Civic Collection
Photograph, Late 1980's
The granite coach house and kitchen are part of the Glen Loeman complex which is situated on Loemans Road in Bulla. Most of the buildings on the estate were constructed in the 1850's. The first owner of the property was Michail Loeman and his wife Isobella.A coloured photograph of outbuildings. The pitched roof is slate clad and is partly moss covered. The grey stone chimney stack at the end of the building is finished with a simple cornice. The stone walls are constructed in a random rubble pattern. There are two doorways. The wider doorway has black timber doors and is finished with an arched stone lintel and the smaller doorway has a straight stone lintel. The twelve paned sash window has a white painted frame and stone lintel and sill.granite, coach house, burns, joseph, loeman, michael, glen loeman, george evans collection -
Hume City Civic Collection
Photograph, early 1990s
The Sunbury Memorial Hall was originally the Mechanic's Institute which was built on the present site in 1885. The hall was remodelled in 1922 and renamed the Sunbury Memorial Hall. The building was used until the 1960s as the meeting place by the Shire of Bulla Council. Over the years it has continued to be used for community activities.A coloured photograph of the front view of the Sunbury Memorial Hall with a view of the portico with a front window on either side. The portico has a rounded iron roof and the two front windows are arched. The rendered front of the hall has been painted cream with grey and maroon trim. There are trees growing on either side of the hall and a car is parked on the RHS of the photograph. Part of the village green is visible on the LHS of the photograph.sunbury memorial hall, returned serviceman's league, mechanics institute, shire of bulla council, george evans collection -
Warrnambool and District Historical Society Inc.
Artefact, Model of Church, C1900
This model of St. John’s Presbyterian Church in Warrnambool was made by Johan Carl August Landmann (1826-1920). August Landmann and his wife, Christina came from Silesia to Australia in 1854. They settled in Warrnambool where August made a living as a carpenter and joiner. At first he rented shops in Timor Street and then built a two-storeyed shop and residence in Henna Street. Landmann built many of the early commercial buildings and residences in Warrnambool and he and his family were associated with the management of the Warrnambool Western Brewery. When he retired in 1900 he built another residence in Mickle Street and it was at that time that it is believed he made the model of the Presbyterian Church and the model of the Ozone Hotel (which is in the Warrnambool Art Gallery today). St. John’s Presbyterian Church, designed by Andrew Kerr, was built in the English Gothic style and opened in 1875. It was destroyed by fire in 1920 but was rebuilt to a similar style. This model is of great significance for two reasons: 1. It was made by a prominent early Warrnambool carpenter and joiner, Johan Carl August Landmann. 2. It is the only known model of the Warrnambool St. John’s Presbyterian Church which was destroyed by fire in 1920.This model is on a wooden stand or base which is painted black with metal screws. The edging of the stand contains straw which is now brown but was originally green to resemble grass or lawn. The church is a wooden structure (hollow inside) with some sections painted to resemble sandstone. The roof is slanted and painted grey and has six dormer windows or ventilation pieces on each side. The main body of the church has a nave with dual arched windows, the west end has dual arched windows and a door with louvre ventilation and the east end has a door and dual arched windows and two conical-shaped finials. The windows, some of which are triangular, have frosted decorated glass. Some of the glass in the windows is missing. The main tower is square-shaped with four conical-shaped finials. The upper part has four sets of louvres and two arched windows. The centre and lower sections have rosette patterns and several sets of dual arched windows with frosted decorated glass panels. The north east corner has a smaller tower.johan carl august landmann, st. john’s presbyterian church, warrnambool, warrnambool history -
Moorabbin Air Museum
Document (item) - Folder of Federal Standard Colours, Federal Standard Colors No. 595A, January 2 1968
Provides painting reference for any objects painted using Federal Standard colours during the period the publication was still valid. -
Port Melbourne Historical & Preservation Society
Photograph - Boundary Rovers (football) and Rising Sun Cricket Club, Premiers, Allan Studio, 1948
Large framed presentation of two photos of Rising Sun Hotel's Sunday League Premiership football and cricket teams ('Boundary Rovers' and 'Rising Sun Cricket Club' 1947-48, handlettered with details, including names of players. Brown frame (painted over beige-painted frame), beige surround, blue and black letterings. Ref item 1336 for matching program.Lettering blurred at toparchibald (arch) todd, sport - australian rules football, sport - cricket, hotels, societies clubs unions and other organisations, rising sun hotel, boundary rovers football club, rising sun cricket club, c mcauley, v butler, p darcy, w gibbons, r forrest, j thornhill, j williams, v coy, a pettiona, l boyce, c bulpitt, w payne, g pettiona, p johnson, tommy lahiff, j white, e byrce, t gibbs, william coy, a ferris, g sykes, jim coy, h florence, t duffy, w stuart, j millar, j pettiona, n gent, k marshall, a harrison, l dickson, s bulpitt, g sager, w pitts, g winchcombe, w ahale, w bowers, j collins, r murray, r trainer, j sawtell, s harrison, g beaton, j dobson, t brosnan, a martini, r harrison, m maher, a keeping, a 'nappy' ollington -
Stanley Athenaeum & Public Room
Furniture - Display Stand, Wooden Reading Stand
White painted, lockable. Two double doors with glass panels on sloped base. White base, 4 arched legs. -
Charlton Golden Grains Museum Inc
Photograph, Charlton Presbyterian Church and Hall mid-1980s
The Presbyterian Church was built in 1871 by local contractor and grazier James Patterson of Nardoo Park, Woosang. The Presbyterian and Methodist Churches formed combined Parish in 1969. The buildings were demolished in 1989.Colour photograph of Charlton Presbyterian Church and Hall. The white-painted brick church building is on the right. The letters A . D 1871 in black are on the front of the church. There is also a bell tower, a small gothic arched window and a small round leadlight window on the front wall. The church hall is a white weatherboard building with blue trim. Red brick pillars stand at the entrance to the church and the hall. A large electricity pole is in front of the hall. charlton presbyterian church, james patterson -
Parks Victoria - Mount Buffalo Chalet
Honour Board
Was located in the stables at Mount Buffalo Chalet. It was used to record the names of horses that were ridden by Chalet guests when they were holidaying at the Chalet. 'Admiring the rugged beauty of the Buffalo Plateau and exploring its scenic attractions ...quickly became part of the Mount Buffalo Chalet tourist experience...The Chalet facilitated the experience by hosting guided tours, including trail rides on horseback...the horses remained at the Chalet for decades, and have been remembered with great affection, as demonstrated by the honour roll for Chalet horses and various commemorative plaques.' (Pg 98. Historica) Many of these horses are still remmbered by former guest of the Chalet. Granite and Punka were legendary and plaques in their honor are mounted on the large granite boulders in the stableyards.Listed in Draft Inventory of Significant Collection items. Appendix A.3, Snow sports equipment and other recreational items. (Pg 166 Historica).Wooden plaque with names painted onto strips of leather fixed to a board. The board is made of two sections of wood and is arched at the top and squared at the base. The piece at the top that appears to be earlier and has gold painted inscriptions with decorative scrolling around the edge. The board has leather strapping around the edge and two stirrups threaded onto leather at the base. The upper section of the board has all the names painted onto leather strips. The lower section of the board has some names painted onto strips but also some names are scratched directly onto the wood.At top of plaque, "ROLL OF HONOUR /TO / OUR FRIENDS - / THE CHALET HORSES, / WHO GAVE US MANY HAPPY HOURS / BUT WHO HAVE SINCE MOVED / "DOWN THE HILL". FROM THE / TIME OF "PUNKA" / WHO SERVED / FAITHFULLY FOR 20 YEARS" Underneat this are the names of the individual horses starting with , "PUNKA....." -
Ballarat Heritage Services
Photograph, Entrance to the Former Reid's Guest House, Ballarat, 23/09/2016
... , hand-painted ceiling and grand entrance arch. It features hand... ceiling and grand entrance arch. It features hand painted murals ...Built in 1886, this Victorian classical building was once the site of Reid's New York Bakery. The verandah was added 10 years later. The building boast a grand facade, Edwardian balcony, hand-painted ceiling and grand entrance arch. It features hand painted murals, leadlight windows, and an outstanding timber staircase. The former coffee palace is part of the temperance movement of the 19th century and was one of the last in Victoria. In 2019 the former Reid's Coffee Palace went through restoration.A colour photograph of the entrance to Reid's Guest House, at 128 Lydiard Street South, Ballarat.reid's guest house, ballarat, new york bakery, lydiard street north -
Wodonga & District Historical Society Inc
Memorabilia - Souvenir Plate Pollard Arch, Wodonga, Victoria, C. 1960s
A wide range of souvenirs have been produced to commemorate Wodonga and its landmarks over time. These items document key changes in Wodonga and its heritage. The arch is named in honour of Cr Charles Pollard, a foundation member of the Wodonga Show Society and former Wodonga Shire councillor and president. The arch is 29 metres wide and 15 metres high and consists of two boomerangs coming together to form an archway. Originally spanning across a single carriageway of the Lincoln Causeway, the arch was opened by Princess Alexandra of Kent in 1959 and was built for £1230. When the Country Roads Board said the causeway would have to be duplicated in 1973, a new home was required for the arch. At the request of the Wodonga Show Society, the arch was moved to the entrance of the showgrounds in 1982. After development of the precinct in 2015, the Pollard Arch was erected on Hamilton Smith Drive Wodonga.Small china pieces carrying scenic views of holiday destinations were a popular kind of souvenir during much of the 20th century. These items have local and social significance as they reflect the landmarks or local features valued by the community over time.Fine china round plate, white with image of the Pollard Archway in Wodonga, Victoria in the bottom third of the plate. Inscription below the image.On bottom of image "Pollard Archway, Wodonga, Vic". Manufacturer's mark on back "St Kilda/ Fine China/ Australia / Hand Painted"souvenir, wodonga, victoria, pollard archway, landmarks wodonga -
Parks Victoria - Point Hicks Lightstation
Corbel
In architecture a corbel serves a decorative as well as structural function as a solid piece of stone, wood or metal that is built into a wall and juts out like a bracket to carry a weight. The smoothly shaped corbel was formerly built into the external wall of the lighthouse facing the sea. It consists of two cupped, rounded forms, one bigger than the other, which are attached to a damaged flat base. Made of cast concrete, it is the same fabric as the lighthouse and shows evidence of white paint on its surface. An early architectural drawing of the tower shows the corbel as a projecting, decorative moulding underpinning the balcony floor associated with the auxiliary light. It indicates the original corbel was a much larger architectural feature which started as a solid rectangular block and terminated with a smaller block and then two tapering, rounded forms. Prepared in mid-1888, the architectural drawings for the lighthouse by Victorian Public Works Department architect, Frederick Hynes, were amended in 1888-89 to provide for an auxiliary light, which comprised an arched opening and door in the tower wall below the lantern room and small balcony. In the late nineteenth century all of Victoria’s lightstations installed a red auxiliary light to serve as a danger warning to mariners sailing too close to shoare. Existing lightstations, like Cape Otway, built a pavilion below their lighthouse facing out to sea, but newly constructed towers like Point Hicks and Split Point incorporated them into their designs. The efficacy of auxiliary lights became a controversial issue and all were discontinued on 1 January 1913. The Point Hicks balcony was removed from the face of the tower in 1971 after it was found to be badly rusted. This resulted in the complete removal of the corbel, from which the rounded moulding and part of the base survives. The auxiliary light and door were subsequently removed in 1975 and glass blocks now fill the opening. Cape Schanck Lightstation retains four cast iron brackets from its auxiliary light balcony which are currently stored in the lighthouse on the ground floor. No other architectural fabric associated with the auxiliary light has been identified at Point Hicks Lightstation. The fragment of corbel has first level contributory significance for its historic and architectural values as a relic of the auxiliary light and as an original moulding from the fabric of Victoria’s first concrete lighthouse.A masonary corbel. -
Glenelg Shire Council Cultural Collection
Award - Honour Board - Portland Old Boys Fraternity Honour Board, 1944
Displayed in History House.Wooden honour board in arched shape listing names in gold and black paint. -
Glenelg Shire Council Cultural Collection
Painting, Phillip Petrie, Langley's Bridge, 1990
Depiction of a bridge over a creek edged with trees. On left are the branches of a tree with grey-green leaves. The creek fills the lower centre area of the image, painted in pale blue, grey, highlights of white and darker areas of dark blue. The wooden rail bridge curves in an even arch in centre of image. On right is a bank rising from the creek, with large tree with pale grey-green foliage and a tree with darker olive foliage. The background shows what could be hills and the sky is very pale blue. Mounted in a double matt (white on orange), framed under glass in wooden frame with gold details.Front: Phillip Petrie 90 (lower left) (grey paint). Back: "Langley's Bridge" watercolour. 570 x 420 mm $150.00 -
Glenelg Shire Council Cultural Collection
Plan - Ship Plan / Mould, n.d
Wooden pattern for mould for boat fitting. Arch shaped, flat base. Smaller arch shaped piece attached to front and back. Centre section shaped narrower at top, small wooden cylinder through centre. Traces of white paint. -
J. Ward Museum Complex
Functional object, Old Ararat Gaol - Padlock
This padlock provides conceptual knowledge regarding the padlocks used in Victorian goldfield gaols. Brass padlock under brown paint. Dents and scratches. No key. Open shackle. "JACKSONS" engraved in arch across keyhole. Smeared fingerprints in paint. gaol, prisoner, padlock -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, The Light of the World, 1926
This window, in memory of Alfred Gurney Goldsmith, was unveiled on 9 February 1927 by Archdeacon Hayman along with the brass tablet in the Mission's hall. (AR 1927). It was created by George H. Dancey from Brooks, Robinson & Co, at a cost of £57. Arched windowsaltar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, reverend alfred gurney goldsmith, kobe, william holman hunt, the light of the world, george dancey (1865-1922)