The Grave of Humphrey Peers (died 10/06/1868) and Mary Peers (died 21/09/1924), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, peers family

Peers Family Grave. Sacred to the memory of Humphrey Peers late of Bedford England died June 19 1868 aged 52 years.. also Mary his beloved wife died September 21 1924 aged 93 yearsBorn Digitalst katherine's church, st helena, cemetery, peers

The Bendigo based Sander family business Sander and Sons, were producers of eucalyptus oil/extract in the 19th and 20th centuries. Carl Sandner established Sander and Sons Eucalyptus Distillery in 1875. It operated until 1967Advertising card. The top half has a black and white illustration of a young woman peering between curtains. Printed in black and purple "I use Superba Skin Food. That's the secret of my beauty. Have you tried it."advertising, sander, sandner

Its twisted old trunk is gnarled, its disembowelled carcass plump with cement and now, like many outback legends, its cadaverously pale and very dead. It has stood, an unmolested leafy sentinel, over Barcaldine’s Railway Station depot since the 1880s. It was a living Australian Labor Party memorial and heritage-listed. The double centurion, Oak Street’s most senior resident, was respectfully nursed into its dotage by Barcaldine’s faithful. Countless thousands of travellers photographed it, patted it and peered up at its bushy green tops with dutiful reverence. ... And then, by an act of craven foul play, it was murdered. Allegedly. Cold, hard forensic science pronounced death by poisoning. Sometime around May Day 2007 they reckon. (Australian Travellor, November 25, 2007.)Photograph of Philip and Elizabeth under the Barcaldine Tree. It was in the shade of this tree the Australian workers rallied and the Australian Labor Party was formed after the ramifications of the great shearers strike in 1891.barcaldine tree, australian labor party, chatham-holmes family collection

194 p.; 23 cmnon-fictionMaie Casey wrote this book describing different happenings at Stoney Park, Mount Macedon and 37 Collins Streetannesleigh homestead, coolart run, john jones peers

This is an image of the Rotunda Hospital in Dublin. Established as the Dublin Lying-In Hospital in 1745, it moved to its current location in 1757 and remains there to this day. This image was first published in Malton's 'A Picturesque and Descriptive view of the City of Dublin' in 1791.This print has a colour engraving of a white building with a red roof. A tower, topped by a dome, rises above the middle of the building. There are four decorative columns on the front of the building, and the entrance to the building is surrounded by a metal fence. There are various figures in the foreground of the image. On the left, there is a well-dressed family group consisting of three adults and a child. At left of centre, a figure is riding a horse, which is being preceded by a dog. At the centre, in the middle background, there is one tall and one short figure standing next to the metal fence surrounding the building and they are peering inside. At right of centre, a figure is driving a two-horse buggy. On the far right, the shadowed figure of a beggar is holding out their cap. There is a smaller building to the left-hand side of the featured building, and additional buildings are visible in the right-side background. Clouds are visible behind the buildings. Text below image reads 'Lying in Hospital'. The print is mounted and framed in a black wooden frame with gold trim. A display label for this print is attached to the back of the frame. Handwritten inscriptions on the back of the frame of the artwork read 'Rotunda Lying in Hospital/Dublin // 19th British Congress RCOG 1971' and 'Original engraving/James Malton. London,/December 1795.' There is a sticker attached to the bottom right of the back of the frame featuring a printed image of a stork in read and the text 'FRIENDS OF THE ROTUNDA HOSPITAL'. There are two hooks and a wire attached to the back of the frame for hanging.The print is mounted and framed in a black wooden frame with gold trim. A display label for this print is attached to the back of the frame. Handwritten inscriptions on the back of the frame of the artwork read 'Rotunda Lying in Hospital/Dublin // 19th British Congress RCOG 1971' and 'Original engraving/James Malton. London,/December 1795.' There is a sticker attached to the bottom right of the back of the frame featuring a printed image of a stork in read and the text 'FRIENDS OF THE ROTUNDA HOSPITAL'. There are two hooks and a wire attached to the back of the frame for hanging.

Brian was born in Ayr on the West Coast of Scotland. Brian lived in Mernda Street Sunshine West. Brian was an artist who painted in water colours. His paintings won prizes at the Royal Melbourne Show, Sunbury Show, Bacchas Marsh Show and at the Ballarat Society of Artists Awards. Brian became good friends of John Willaton, a S&DHS member and former City of Sunshine Town Clerk. During a trip to Scotland by John & his wife Dorothy to research Dorothy's family tree, the pair stayed at Brian's brother's in-law Bed & Breakfast accommodation. Brian gave this painting to John & Dorothy in memory of their trip to Scotland.Water colored painting of the Brigde over the River Doon, Scotland mounted in cardBrig O' Doon|To John From Brian Lawrence in memory of your trip to the Brig O' Doon (Bridge over River Doon) B. Lawrence 98brig o' doon, scotland, brian lawrence

This photograph, taken during Jacana Primary School’s 1990 Christmas picnic, captures a dynamic moment of outdoor play, likely held at Greenvale Reservoir—a popular recreational site in Melbourne’s northern suburbs. The image shows an adult mid-kick, sending a football into the air, while other children look on or participate in the activity. The open grassy field and surrounding trees reflect the relaxed, natural setting typical of school-organised community events of the time. Such gatherings were a key part of Jacana Primary School’s end-of-year traditions, designed to celebrate the festive season and foster a sense of belonging among students, families, and staff. The inclusion of informal sports and games highlights the school’s emphasis on physical activity, social interaction, and inclusive celebration. As part of the school’s visual archive, this photograph offers insight into the recreational culture of suburban Melbourne in the early 1990s. It illustrates how schools used public spaces like Greenvale Reservoir to create memorable experiences that strengthened community ties and enriched student life beyond the classroom.This photograph is a significant visual record of Jacana Primary School’s 1990 Christmas picnic, believed to have taken place at Greenvale Reservoir, a well-known recreational site in Melbourne’s northern suburbs. It captures a lively moment of outdoor play, with an adult mid-kick sending a football into the air, surrounded by peers in a relaxed park setting. The image reflects the school’s commitment to fostering student well-being through physical activity and informal social interaction. Events like this picnic were central to Jacana Primary’s end-of-year traditions, promoting community spirit and inclusive celebration among students, families, and staff. As part of the school’s visual archive, this photograph contributes to a broader understanding of how public education in Victoria supported holistic development and community engagement. It stands as a testament to the enduring value of shared experiences in shaping school culture and the social fabric of suburban Melbourne in the early 1990s.A glossy colour photograph portrait formatPH18289 (crossed out) PH-4209 (crossed out) PH-4868jacana primary school, christmas picnic, 1990, jacana, education

This photograph, taken during Jacana Primary School’s 1990 Christmas picnic, captures a quiet and heartfelt moment between two children embracing in a park setting. Believed to have taken place at Greenvale Reservoir—a popular recreational destination in Melbourne’s northern suburbs—the image reflects the informal, community-focused nature of end-of-year school celebrations during this period. Events like this picnic were a hallmark of Jacana Primary School’s commitment to fostering a strong sense of belonging among students and families. Set against a backdrop of open grassy spaces and trees, the photograph illustrates the relaxed and inclusive atmosphere that characterised school-organised gatherings in the late 20th century. As part of the school’s visual archive, this image offers insight into the social and cultural fabric of suburban Melbourne in the early 1990s. It highlights the role of public schools not only as centres of learning but also as places where meaningful relationships and community bonds were formed and celebrated.This photograph, believed to have been taken at Greenvale Reservoir during Jacana Primary School’s 1990 Christmas picnic, is a meaningful visual record of the school’s role in fostering social connection and community spirit. It captures a tender moment between two children embracing in a park setting, surrounded by peers and families engaged in outdoor activities. The image is significant for its representation of the informal and inclusive nature of school-organised events in suburban Melbourne during the early 1990s. Such gatherings were central to Jacana Primary School’s educational philosophy, which valued not only academic achievement but also emotional development, friendship, and community engagement. As part of the school’s visual archive, this photograph contributes to a broader understanding of how public education supported the social fabric of diverse communities in Victoria. It stands as a testament to the enduring importance of shared experiences in shaping childhood memories and strengthening local identity.Colour Photograph on glossy paper in portrait formatPH18289 (crossed out) PH-4209 (crossed out) PH-4868/this paper/manufactured/by Kodakjacana primary school, christmas party, 1990, jacana

This photograph captures a festive moment from the 1990 Jacana Primary School Christmas picnic, likely held at Greenvale Reservoir Park—a popular recreational destination north of Melbourne known for its open spaces and family-friendly amenities. The image features students enjoying an end-of-year celebration, reflecting the school’s tradition of fostering community spirit and marking milestones with shared outdoor events. Jacana Primary School, established in 1959, served as a vital educational and social hub for the suburb of Jacana until its closure in the early 2000s. Events like the annual Christmas picnic were integral to the school’s culture, offering students opportunities to build friendships, celebrate achievements, and connect with their peers and teachers outside the classroom. The choice of Greenvale Reservoir Park underscores the school’s connection to local landscapes and its emphasis on accessible, communal experiences. This photograph stands as a visual testament to the values of inclusiveness, joy, and community that defined Jacana Primary School during a formative period in the suburb’s development. It also contributes to the broader narrative of how public education in Melbourne’s outer suburbs supported social cohesion and identity across generations.This 1990 photograph of Jacana Primary School’s Christmas picnic, likely held at Greenvale Reservoir Park, offers a compelling visual record of community celebration and student life in Melbourne’s northern suburbs. Featuring Grade 5 and 6 students, the image captures a moment of joy, social connection, and tradition at the end of the school year. Events like this picnic were central to the school’s culture, fostering a sense of belonging and reinforcing relationships among students, staff, and families. Jacana Primary School, established in 1959 and closed in the early 2000s, played a vital role in shaping the identity of the Jacana community. This photograph reflects the school’s commitment to inclusiveness, wellbeing, and shared experience, while also illustrating broader patterns of public education and suburban development in late 20th-century Victoria. As part of the school’s visual legacy, the image contributes to our understanding of how educational institutions supported social cohesion and community life across generations.Photograph on glossy paper of a group children in the park.PH18289 (crossed out) PH-4209 (crossed out) PH-4868jacana primary school, christmas picnic, 1990, jacana, christmas party

This photograph captures a joyful moment from the 1990 Jacana Primary School Christmas picnic, likely held at Greenvale Reservoir Park—a well-loved recreational area north of Melbourne known for its open spaces and family-friendly atmosphere. The image features younger students participating in an end-of-year celebration, highlighting the school’s tradition of fostering community spirit through shared outdoor events. Jacana Primary School, established in 1959, was a cornerstone of the Jacana community until its closure in the early 2000s. Annual events such as the Christmas picnic played a vital role in the school’s culture, offering students—particularly those in the early years—a chance to build friendships, celebrate the school year, and engage with their peers and teachers in a relaxed, natural setting. The use of Greenvale Reservoir Park reflects the school’s connection to local landscapes and its emphasis on accessible, inclusive experiences. This photograph serves as a visual record of the values that defined Jacana Primary School: joy, inclusiveness, and community. It also contributes to a broader understanding of how public education in Melbourne’s outer suburbs supported social cohesion, identity, and intergenerational connection during a formative period in the region’s development.The archive documenting the 1990 Jacana Primary School Christmas Party, likely held at Greenvale Reservoir Park, holds cultural and historical value as a record of community life and educational practice in Melbourne’s northern suburbs. Featuring younger students in a festive outdoor setting, the collection reflects the school’s commitment to fostering joy, inclusion, and social connection through shared experiences beyond the classroom. Jacana Primary School, established in 1959 and closed in the early 2000s, played a vital role in shaping the identity of the Jacana community. Events such as the annual Christmas picnic were central to the school’s ethos, offering students opportunities to celebrate milestones, build friendships, and engage with their environment in meaningful ways. The use of Greenvale Reservoir Park highlights the school’s connection to local landscapes and its emphasis on accessible, family-oriented activities. This archive contributes to a broader understanding of how public education supported social cohesion, community identity, and intergenerational connection during a formative period in suburban development. It stands as a testament to the enduring impact of school traditions in shaping collective memory and local heritage.Photograph on glossy paper of a group children in the park.PH18289 (crossed out) PH-4209 (crossed out) PH-4868jacana primary school, christmas picnic, 1990, jacana, christmas party

This photograph captures a joyful scene from Jacana Primary School’s 1990 Christmas picnic, likely held at Greenvale Reservoir Park—a popular recreational destination north of Melbourne, celebrated for its wide open spaces and welcoming, family-friendly atmosphere. The image showcases younger students enjoying an end-of-year celebration, reflecting the school’s commitment to nurturing community spirit through shared outdoor experiences. Founded in 1959, Jacana Primary School was a vital part of the local community until its closure in the early 2000s. Events like the annual Christmas picnic were central to the school’s culture, offering students—especially those in the early years—opportunities to form friendships, celebrate their achievements, and connect with peers and teachers in a relaxed, natural setting. The choice of Greenvale Reservoir Park underscores the school’s strong ties to local landscapes and its dedication to inclusive, accessible activities. This photograph stands as a visual testament to the values that defined Jacana Primary School: joy, inclusiveness, and a deep sense of community. It also contributes to a broader understanding of how public education in Melbourne’s outer suburbs fostered social cohesion, local identity, and intergenerational connection during a formative period in the region’s development.This photograph from the 1990 Jacana Primary School Christmas picnic, likely held at Greenvale Reservoir Park, is a valuable visual record of community life and educational culture in Melbourne’s northern suburbs during the late 20th century. It captures the joyful participation of younger students in a cherished annual event, reflecting the school’s emphasis on inclusiveness, celebration, and connection to local natural spaces. Jacana Primary School, established in 1959 and closed in the early 2000s, played a pivotal role in shaping the social fabric of the Jacana community. Events such as the Christmas picnic were integral to the school’s identity, fostering friendships, strengthening ties between families and educators, and promoting a sense of belonging among students. The use of Greenvale Reservoir Park highlights the school’s commitment to accessible, outdoor learning environments and its engagement with the surrounding landscape. This image is significant not only for its depiction of school traditions but also for its broader representation of how public education in Melbourne’s outer suburbs contributed to social cohesion, local identity, and intergenerational connection. It stands as a testament to the enduring values of joy, community, and inclusivity that defined Jacana Primary School and its legacy.Photograph on glossy paper of a group children in the park.PH18289 (crossed out) PH-4209 (crossed out) PH-4868jacana primary school, christmas picnic, 1990, jacana, christmas party

The Teenager, His Family and His Peers was a paper presented to the 1968 Federal Conference of the Legacy Clubs of Australia by Legatee John Hall of Melbourne Legacy (held in Ballarat from 7th to 10th November 1968). By resolution of the Conference it was printed by Legacy Co-ordinating Council for distribution upon their request to Legacy Clubs. It was stored with another paper presented at the 1968 Conference 'The Fundamentals of Legacy' which had the notation H51 in blue pen to show that it was part of the archive project that was trying to capture the history of Legacy. An example of the type of subject matter that Legatees shared at annual conferences. Brochure on white paper with black type about the role of Legacy with teenagers and families x 16 pages.history, conference

The Saxon Merino, as can be seen with Sir Lindsay, is physically the smallest of the Merino strains, cutting the lowest weight of wool (3-6kg); however, the Saxon Merino is without peer in the quality of fine wool produced (14 to 18 microns). This wool is prized by the textile industry, producing the highest quality cloth resulting in strong financial returns. The Saxon Merino was first imported into Australia by Eliza Forlonge. She and her family didn’t even live in Australia when she travelled to Germany to select prime Saxon sheep in preparation for her move to Tasmania in 1830. In doing so she played a fundamental role in developing Australia’s fine-wool industry.A Saxon Merino stud. Small size body and short legs with white fleece. Two horns protruding from skull. sheep, south australia, corriedale

Piers Bateman was a local artist, held in very high esteem by his peers and community. He was born in Perth in 1947, moving to Eltham in 1955 as a young child with his family. In 1966 Bateman moved to London for eighteen months to develop his craft. In 1969 he settled in St Andrews, where he built a studio. The St Andrews locale is said to have been a strong influence on his work. Bateman’s talent was such that he was promoted and mentored by such ilk as Charles Blackman, Clifton Pugh and Arthur Boyd, among others. Bateman’s work is an intimate dialogue with the environment, renowned for his paintings of the outback, wilderness frontiers and the sea. He spent a year in the mid-seventies sailing the Greek Islands and the French canals to Amsterdam. In 1980 Bateman and Marcus Skipper embarked on a trans-Australian venture to the red centre and across northern Australia from Cairns to Broome. In the mid-eighties Bateman returned to the Mediterranean, before returning to the Australian outback in the late-eighties. His international career continued on an upwards trajectory between the Australian outback and European seas, providing a unique contrast throughout the course of his career. Bateman's work questions our relationship with the natural world, and in particular, reconciling our colonial heritage with our indigenous past. This line of questioning and his genuine response to place is the key to Piers Bateman’s work, for which he is lauded and celebrated. On September 4th 2015, Piers Bateman died in a boating accident on the NSW coast line. Piers Bateman was an instinctive painter whose inspiration came from nature. He reworked and scraped off the paint, moving it around until forms and colours of the landscape took shape. Although Bateman lived in Spain and Italy, his time in Europe made him aware of the contrast between the two continents and the bright clear light that defined the Australian landscape. At the time of this work, Bateman was living in St. Andrews, but travelled regularly to New South Wales and South Australia on painting trips. The ‘Grass Tree’ Xanthorrhoea johnsonii (commonly known as ‘blackboy’) is indigenous to these areas. It is a uniquely Australian, slow growing plant with twenty-eight species growing within Australia. Old examples of this tree are survivors of many wild fires, which can cause their blackened trunk, of one to two metres, branch into two or more heads. These heads consist of thick, rough corky bark, surrounded by long, wiry leaves and flowers that produce seed capsules with hard black seeds. The tree’s ability to be one of the first to flower after a wild fire ensures a food source for many insects and birds.Oil on canvas painting. Detail of three grass trees resting on the side of a mountain/hill. Green and gold palette throughout depicting the colours and light of the Australian landscape. Hand written, low right in capitals: 'BATEMAN'bateman, grass trees, xanthorrhoea johnsonii, landscape

Lynette Nee Butler Kutschewski 1942 –1987 As a young musician Lynette had beaten Roger Woodward in piano competitions, before deciding to specialise in singing she trained as an artist in Melbourne. Given the choice of distinction in three different careers Lynette chose the most difficult, that of a singer. The repertoire in which Lynette chose to specialise – the period of the Baroque and above all the works of Johann Sebastian Bach – demanded a high degree of technical virtuosity, fine musicianship and elegance of style, in all of which she excelled. Yet she equally at home in Grand Opera, Lieder, and Operetta and gave some of her most memorable performances in the most diverse aspects of the vocal repertoire. Her own special quality was one of inner radiance when she sang, which added to the beauty of her voice, made her performances especially moving, and which led to her being sought out as a performer of the great German works within Germany itself. It seems so fitting that Lynette’s last public performance should have been in Beethoven’s Ninth Symphony, with its magnificent “Ode to Joy”. This took place in Paris in the Salle Pleyel on October 25th 1985. In the series of Concerts that season, Lynette’s name stood beside those of Danial Barenboim and Jessie Norman, Rostropovich, Nicholas Harnoncourt and Zubin Mehta. At this last performance Lynette truly stood at the peak of her profession This was part of Lynette Nee Butler Kutschewski Eulogy by Mary Ryan 30 – 10 –1987 Family history of Lynette Nee Butler Kutschewski: Herbert Vivian Butler 1915 - 1999 Bert grew up living on the family farm at Rockbank. He walked three miles to school and was one of 12 students. He attended Essendon High School and after the culture shock of being a country bumpkin, he soon earned respect of his peers through his sporting ability and academic excellence. Bert became Head Prefect in his final year at Essendon High School. He became a Primary School teacher working in inner suburban schools while living in Hawthorn. During the war years he went to Melbourne University at night obtaining a Bachelor of Arts degree. His main teaching methods were geology and geography. In 1939 Bert married Marjorie G Myers of ‘Burnbank Melton. Marjorie was already a talented pianist in her teenage years achieving her L.Mus.A. her fourth qualification by the age of 18 years. She attended the Conservatorium of Music Melbourne studying pianoforte and later with a singing scholarship and won numerous competitions from Ballarat to Bendigo She started her teaching career after leaving Melton State School. She taught many students throughout district including Edna Butler, the young sister of Bert. While living in Hawthorn their children Adrian and Lynette were born. Their son Max was born in Bacchus Marsh while Bert was teaching at the High School and in 1950 was appointed to Numurkah HS. In 1953 the family moved to Frankston HS. In 1958 he was appointed foundation Principal of Ashwood HS at the age of 43, the youngest to achieve this level of seniority. He was also Principal at Huntingdale, Mordialloc/Chelsea, and Mornington until his retirement in 1975. Football - Melton aged 17 - 3 seasons. Carlton signed in1935. Played forward pocket 2nd rover in1938. During the war years Carlton 2nd s Captain, played his last senior game in 1944. In 1944 he was Captain coach of Bacchus Marsh Team, a President and Life Member. Club Champion for three years for Numurkah. Marjorie Gretchen Myers Born at Melton on the 21st of February 1912 Attended Melton State School No 430 1917 and left school to become a music teacher. A pupil of Miss Ross the Music teacher at Melton she advanced rapidly and achieved her A.L.C.M. (Associate of the London College of Music) at the age of 12 years. At 14 years she gained her L.L.C.M. (Licentiate of the London College of Music). At the age of 16 she was awarded a part scholarship in 1928 to the to the Melbourne Conservatorium of Music studying pianoforte under Miss Elsie Fraser. She gained her A.Mus.A. at the age of 17 and her L. Mus. A. at the age of 18 years. In 1935 she won a full scholarship given by Madame Elsie Ashton for singing. The “Australian Musical New” Mr Thorald Waters the adjudicator found her outstanding qualities as a musician an added reason for singling out Miss Myers with her voice being the most promising of those heard. Cousins Wendy Barrie and Lynette Butler in the backyard of Butler's houselocal identities

Mabel Beatrice Josephine Tully was born to John Patrick Tully and Mary Elizabeth Dole at White Hills on 16.07.1896.. Mabel lived in the family home at 61 Charleston Rd. Bendigo and was employed as a saleswoman until she married John (Jack) Killeen in 1925. Jack was a junior postal worker. Mabel's father John Tully died on 11.08.1926. In 1927 Mabel and Jack were living at 70 Abbott Street Bendigo. Mabel did home duties and Jack was employed as a postal linesman. In 1931 Mabel and Jack were living back at 61 Charleston Rd Sandhursr East. In 1937 Jack was working as a barman, and as a fruiterer in 1943. Mabel's mother died 11.01.1941. Mabel's husband Jack Killeen died on 22.06.1975 aged 79 years. Mabel died on 7.01.1987 aged 90 years. She is buried in the White Hills Cemetery.Margaret Tully Collection: Four novelty postcards 11123.7 A - coloured sketch shows a woman standing and singing at a piano, with a policeman peering through the window. Postcard sent with a red !! penny stamp. Postcard sent to Mrs Tully wishing her family a "Bright Xmas" and a Happy New Year (Date not defined), senders name is not clear. Message: Upon the piano she pounds And makes the most deafening sounds And the uproar that reigns The policeman complains Keeps him mightily awake on his rounds 11123.7 B - An advertising postcard shows a man holding his daughter in his hands. The message is "Holding My Own with the best assortment of Tasmanian Souvenirs and Novelties A. A. CAstley, Brisbane Street, Launceston, Tas. The postcard has not been mailed, but the message is addressed to Mabel. 11123.7 C - This coloured card has a sketch showing a young child and a dog smiling with the message "Cos I likes to be happy - I wish meself "Heralf" then I has a good larf - an shakes hand with meself". The rear is dated August 1937, wishing Mum many happy returns for her eightieth birthday and greetings from all at McKinnon. 11123.7 D - The postcard shows a coloured parrot with the message "I COULD SWEAR you've forgotten all about me - and that's why you don't write. The card has the simple message on the rear "From Albert to Mabel"A handwritten message mabel tully, diverse postcards