Galen Catholic College in 2012 put on a junior school production of Peter Pan. These photos show the performers during the production itself, as well as the musicians and backstage crew. galen catholic college, galen college, school theatrical productions, peter pan, students, 2012, musicians, crew

galen catholic college, galen college, peter pan, school theatrical productions, 2018, junior school

A fancy red button with a metal carving of Peter Pan on it blowing a horn, the carving seems to be bent slightly to the right. This was discovered by QC Binks whilst he was out metal detecting for gold.bendigo, gold mining, qc binks, peter pan, button.

This book was owned by Julia Flegeltaub who attended Ballarat's Grenville College.Green, cloth covered book.peter pan, arthur rackham, julia flegeltaub

non-fiction2024, 452, peter pan written by robbie nicholson macsen lawlor ryan purdy, directed by robbie nicholson and sean tessari, htc, heidelberg theatre company inc, youth production

'Peter Pan' Cadbury Bourneville Cocoa Card. Pencilled reverse, from M HerringIssued by Cadbury , Bourneville , Engcottage, miners

galen catholic college, galen college, peter pan, school theatrical productions, musicians, performers, backstage, 2021

A white programme with red and blue print. ' Peter Pan by J.M. Barrie. Hamilton Theatre Players.' On the inside is the programme in blue print. The back contains advertisements for Thomson's, Hamilton's Leading Store and Walkers of Hamilton Pty. Ltd. Mannett, Printer Hamilton.performing arts, elocution, drama, lydia chancellor, collection, drama, event, programme, program, event. entertainment, ephemeral, hamilton theatre players, theatre, performing arts

1986, 238, director alice bugge, youth production, heidelberg theatre company inc.

2005, 347, youth production, izzi mason, rose connors dance

Small sewing machine for a toy or travel kit with clamp to attach to table/bench edge

Toy metal sewing machine with wheeled turning mechanism with wooden handle. Incorporates most of the mechanism of a full size machine.Peter Pantoys, mechanical, handcrafts, equipment

From Box Hill Historical SocietyEmpty Peter pan cigarette box. Green background with drawing of Peter Pan on left hand side. Peter Pan cigarettes Airy Fairy Charming Sweet. The manufacturers of Peter Pan cigarettes exercise the greatest care in selecting only the choicest of light Virginia tobaccos thus assuring a uniformly high quality.as abovepersonal effects, smoking accessories

Part of the McNamara collectionLace 'Peter Pan' collar with cotton binding.lace, collar

Australians from every branch of our armed forces in WWII found themselves captives in Hitler's notorious prisoner of war camps.Cover - soft cardboard,black, cream & white print on front, spine & back. Background photo in black, white & red of soldiers in uniform sitting & standing. 523 pages, cut plain white paper. Illustrated with black & white photos & maps.books-military-history, pow's, reich

Bibliography, index, ill (b/w) (maps), p.492.non-fictionFollows Australia's participation through nine wars and the battles from 1860 Maori Wars to Long Tan Vietnam. Titleaustralia - history - military, australia - history- armed forces

Unknown. Found in Paddy's market (Guild).Black silk purse on a gold metal frame, decorative knob to close. Floral embroidery is petit point.embroidery, silk, peter pan

Clare Maud Field married George Thomas Magrath, 24th August 19381938 cream wedding gown, long sleeves, small train, roulette trim on peter pan collarwedding dress, clare maud field, george thomas magrath, 1938, marriage, nhill

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Children’s moss green knitted jumper with a peter pan collar, centre back zip and raglan sleeves.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Clothing: salmon pink bed jacket. Lacy pattern overall, with peter pan collar and tie neck. No identifying label on garment. Possibly Hanro ?female, bed jacket, women's clothing, bed jacket, night attire.

Black officers dress mess jacket. 4 pockets on jacket - all with flaps. Peter Pan collar - epaulettes on shoulders, white detachable collarCard in top right hand pocket which says" Mastertailers Minh Chau" 43 Tran Hung Dao Hue. South Vietnamjacket, clothing

See photo NP1832 of Doris Alma Morgan & Cecil Rowland Evans on their wedding day, arriving at 22 Cassella Street for afternoon tea. Doris's father had died 1 month before, and the wedding had been postponed. The wedding took place at Christ Church, Church of England, Mitcham on 24/12/1938.Cream satin long wedding dress with back train. 'Peter Pan' collar and long sleeves with cuff. Photo of dress on wedding day, see NP1832.costume, female

These samples are thought to have been made by students of Dressmaking at the Ballarat Technical Art School.Two samples of garment construction using calico .1) sample collar with looped buttonholes, bodice includes gathering and smocking. .2) sample Peter Pan collar garment construction, needlework, costume, dressmaking, textiles, ballarat technical art school

Purchased in Melbourne (probably from Georges) in 1962.Pale pink dacron dress with a fine self stripe. It has a white Peter Pan collar and is decorated with coloured embroidery and applique. The sleeves are interesting as they allow for growth of the child.OREM 100% dacron. Baby wear, Handmade in Madeira - Portugal Size 16embroidery, garments - childs, 1960-80, madeira, madeira work

Donated by Margaret Mayer, a friend of Mrs Browne who made childrens wear for Georges of Collins Street Melbourne. Dress made for donors grand daughter but has not been worn.Blue floral child's dress, smocked to the waist. Peter Pan collar embroidered along a scalloped edge. Extra label (Georges) stitched onto dress by catalogue number.Georges of Melbournecostume, children's

1935 Advertising Calendar P. E. Gilbert. Gilberts Furniture Arcade Main Street Stawell. Shows Peter Pan winning the 1934 Melbourne Cup and Archer the 1862 Cupstawell

Used at a number of christenings over two generations.Cream silk crepe de chine with a Peter Pan collar. Front edges and hem are scalloped with a fine crochet edge. Front and hem edges are decorated in cream silk embroidery. Ribbon ties have been replaced.embroidery, garments, surface stitchery, 1920-40, australia

An excellent example of 1960's fashionc 1960s Black and white check houndstooth A line overcoat with Peter Pan collar. Two metal leather covered clasps down front. One hidden button at hip level. Black silk lining throughoutMORNESSA made in Englandcostume, female

Made by donor for her children in the 1950sA cream viyella coat with Peter Pan collar, smocking on either side of press-stud opening with buttons. Smocking in cream with pink and blue rosebuds below yoke. Long sleeves have shaping darts and smocking at wrist.costume, infants'