Membership certificate of the Australian Photographic Society of George Rogers, one of the three sons of Dorothy Rogers.This work forms part of the collection assembled by the Rogers family, that was donated to the Kew Historical Society by John Rogers in 2015. George Rogers, to whom the certificate was issued, photographed the houses described in his mother's ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A Certificate of Membership of the Australian Photographic Society issued to G.H. Rogers in 1965. The membership dated from the previous year. The certificate is signed by the then President; Vice President and Secretaryaustralian photographic society, dorothy rogers, george rogers

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Photographic album compiled by John Chapman about the Kew Heights Sports Club.A PHOTOGRAPHIC RECORD OF KEW HEIGHTS FOLLOWING ITS FORMATION IN MAY 1998 / PRESENTED BY JOHN CHAPMANkew heights sports club - 397 barkers road - kew (vic), john chapman

Article About W.J. Chapman From page 263 to Page 268, contains Portrait of W.J. Chapman, and five photographs Kept by the Rees Family because of the photo by Mr. Chapman of William Reeswhite Paper Cover with inset black border containing B/W Photograph and text.stawell photography

Four widows at Legacy House. Second from left is the President, Billie Sims and on the right is the Secretary, Vera Lang. Other names are unknown. It is believed that the date was 1991 due to the reference number from the photographic studio 911030C-15 means 30 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00651, 00661 to 00666.Photos of the committee members of Widows clubs were taken by a professional photographer.Black and white photo of 4 Legacy widows at Legacy House and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030C-15 and 5 in pencil.widows, widows club

Taken in Beechworth 1867, this photograph depicts the Bank of Victoria on the corner of Camp and Ford Street. This building was erected in 1867 to replace the former bank that was destroyed by a fire on the same site. This classical style structure was designed by architects Smith and Johnson who designed many of the public buildings in Melbourne and Victoria. Arthur Ebden Johnson, 1821–1895 and Alfred Louis Smith, 1830–1907 were appointed as the Bank of Victoria's architects who, in-conjunction with the Branch in Beechworth, also completed branches in Wangaratta and Bendigo. This photograph was taken and produced by the American and Australasian Photographic Company which was founded by Beaufoy Merlin joined by his assistant, Charles Bayliss and Augustus Clinton, and operated between 1866-1873. The company traveled throughout Victoria and New South Wales before establishing a portrait studio in Sydney. There is no apparent connection to America. Sepia rectangular photograph. Image is printed on matte photographic paper and has a white border.Reverse: 1997.2727 (in pencil) Bank of Victoria / Beechworth / 1877 (in pen) Harvey Collection American & Australasian / Photographic Company / Victoria Branch / C. Bayless, Manager No 56beechworth, bank of victoria, american and australasian photographic company, 1877, c.bayless, harvey collection, arthur ebden johnson, alfred louis smith, smith and johnson

Taken in Beechworth c1870, this photograph depicts Ford Street taken from Church Street looking towards the Old Beechworth Gaol. This photograph was taken and produced by the American and Australasian Photographic Company which was founded by Beaufoy Merlin joined by his assistant, Charles Bayliss and Augustus Clinton, and operated between 1866-1873. The company traveled throughout Victoria and New South Wales before establishing a portrait studio in Sydney. There is no apparent connection to America. Black and white rectangular postcard. The image is printed on matt photographic paper and mounted on cardboard. Obverse: NO INSCRIPTION Reverse: 5570 33 Beechworth about 1870 American & Australian Photographic Company. Victoria Branch. C. BAYLISS, Manager No. 62 Extra Copies may be had by sending Number to present Address. beechworth, ford street, old beechworth goal

Taken in Beechworth 1875, this photograph depicts the Camp Street intersection looking east. This photograph was taken and produced by the American and Australasian Photographic Company which was founded by Beaufoy Merlin joined by his assistant, Charles Bayliss and Augustus Clinton, and operated between 1866-1873. The company traveled throughout Victoria and New South Wales before establishing a portrait studio in Sydney. There is no apparent connection to America. Black and white rectangular postcard. The image is printed on matte photographic paper and is mounted on cardboard. Obverse: NO INSCRIPTION Reverse: 1997.2726 A02726 BEECHWORTH ABOUT 1875 Harvey Collection American & Australasian Photographic company. Victoria Branch. C. BAYLISS, Manager. NO.59 Extra copies may be had by sending Number to present Address.beechworth, burke museum, camp street, 1875, charles bayliss

In 1891​ The Melbourne and Metropolitan Board of Works (MMBW) was formed and became responsible for Melbourne's water supply. Melbourne had grown to a city of half a million people. To provide water to this rapidly growing city (especially the eastern suburbs), and to supplement the 1857 Yan Yean Reservoir, Melbourne's first water supply, the Watts River (near Healesville) was tapped. It supplied water to Melbourne, via the Maroondah aqueduct.​ In May 1892 the MMBW's first engineer-in-chief, Mr William Thwaites began construction on Melbourne's sewerage system. A treatment farm was built at Werribee and a pumping station was built at Spotswood (now the site of the Scienceworks Museum) to send the city's waste to Werribee. The first Melbourne homes were connected to the sewerage system in 1897. This book showcases the MMBW's infrastructure achievements and documents costs, requirements and key personnel involved in the development of the water supply and sewerage schemes.The introduction states "The water supply sources and headworks are in many cases situated in remote places and the sewerage works are chiefly underground. The Board has therefore resolved that these photographs of some of the scenes and works should be collected and bound for general information. August 1908" This book is in excellent condition and provides a detailed insight into the previous 17 years of work and the Board personnel of the MMBW leading up to 1908. It is of historical importance to the history of Melbourne for the photographic documents of places that were not generally open to the public, and for Melbourne Water in its detailed history of the MMBW in the early twentieth century. Photographic view book with hard khaki coloured cardboard cover and blue fabric binding. 120 Pages. Glossy paper with black and white plates and text about the MMBW, and scenic views and places of interest in association with the MMBW. The Melbourne & Metropolitan Board of Works - Water Supply, Sewerage etc. ...Photographic Views...mmbw, board members, sewerage, water supply, historic views, photographs

Four Legacy widows from the Caulfield Legacy Widows Club.It was used in an issue of The Answer. From the name badges, they are (L to R): Shirley Cornish - Vice President, Mavis Major - Committee Member, Illegible - President, and Pauline Thompson - Secretary. It is believed that the date was 1991 due to the reference number from the photographic studio 911030B-28 means 3 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00651. Photos of the committee members of different Widows clubs were taken by a professional photographer.Black and white photo of four Legacy widows and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030B-28. Pg 3 in and "Caulfied" in pencil.widows, widows club, committee

Photographic portrait of then St Kilda Town Clerk WH Greaves taken c.1960'sBlack and white photograph of WH Greaves on photographic paperwh greaves collection, greaves, city of st kilda

Photograph of David Cull. He was Chief Executive Officer in the 1990s. It is a professional photo taken for use in publications. A black and white copy of this photo is also in the collection. Photo was taken in 1991 taken by Keesing Photographic Pty Ltd.A record of the past employees or office holders of Melbourne Legacy.Colour photo x 2 of David Cull.Label on back from Keesing Photographic.staff, david cull

Two Legacy widows, from Essendon, Tess Bendon and Lorna Tozer. Keesing Photographers took a series of photos on the same day of various ladies and some were committee members at different clubs. Presumably there had a been a meeting at Legacy House of members from the many clubs (including Hampton, Highett, Caufield). The photo was used in an issue of The Answer in May 1992. It is assumed that the date was 1991 due to the reference number from the photographic studio 911030B-15 could mean 3 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00650, 00651 and 00661 - 00666. Photos of the committee members of Widows clubs were taken by a professional photographer in 1991.Black and white photo of two Legacy widows and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030B-15. Pg 3 in and "Tess Bendon, Lorna Tozer" in pencil.widows, widows club, committee

Photograph of David Cull. He was a staff member for many years, as Chief Executive Officer in the 1990s. It is a professional photo taken for use in publications. Colour copies of this photo have been found with a sticker of the Keesing Photographic Studio on the back, taken in 1991.A record of the past employees or office holders of Melbourne Legacy.Black and white photo of David Cull.Label on back from Keesing Photographic.staff, david cull

This photograph shows the Lower Light at Flagstaff Hill, Warrnambool, in 1895, part of the Lady Bay Lighthouse Complex. The photograph is part of the Western Victoria collection produced in 1891 by Brookes' Photographic Union in Victoria. Brookes' Photographic Union was a collaboration of two brothers, Frederick Augustus Brookes and his brother Albert Edward Brookes. Frederick arrived in Victoria in the early 1880's. He and Albert formed the organisation to produce collections of photographs including the districts of Geelong, Gippsland and the Western Victoria. This photograph was taken and published just after the construction of the Warrnambool Breakwater. The image records a snapshot of the construction of the Warrnambool Breakwater, a construction that changed the history of the Port of Warrnambool, It is also a record of the Flagstaff Hill area and at that time.Photograph, sepia coloured rectangular shape, mounted between two sheets of cream card. Border of photograph is decorated with pen lines and design in corners. Subject is the Warrnambool Harbour, with a lighthouse on a hill in the foreground, a light coloured picket fence, the harbour with a moored vessel and a jetty. Produced by the Brookes' Photographic Union, and with the heading of Western Victoria. Inscriptions are on the reverse, on two stickers, a printed white label and a handwritten name.Stickers: "F.PA 60/2-74" "138" Label: "WESTERN VICTORIA / BROOKES' PHOTOGRAPHIC UNION / WARRNAMBOOL HARBOUR / (FROM THE BATTERY) Hand written in black: "B. Fisher"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, western district, western victoria, brookes' photographic union, frederick brookes, albert brookes, photograph, warrnambool harbour, warrnambool history, lady bay, port of warrnambool, b. fisher, 1895, maritime history, breakwater, warrnambool jetty

A widows' function, possibly a craft exhibition (some of the same ladies are in 00654 and 00655) or a time when craft items are sold on trading tables. Second from left is Billie Sims, president of the Widows Club in the early 1990s, the lady on the left is Vera Lang (see 00664), other names are unknown. The date is assumed as 1992 due to the reference number from the photographic studio 920609 could mean 9 June 1992.Legacy provided the opportunity for many gatherings of widows to enjoy social interaction and companionship.Black and white photo of 4 Legacy widows at Legacy House with craft items exhibited on tables and a proof sheet.Label on the back from Keesing Photographic with Reference No: 920609A-19.widows, widows club, activities

Two Legacy widows from the Highett Legacy Widows Club. On the left is Mary Brooks the vice president and Jean Wolstencroft the secretary. Keesing Photographers took a series of photos on the same day of various ladies and some were committee members at different clubs. Presumably there had a been a meeting at Legacy House of members from the many clubs (including Hampton, Highett, Caufield). It is assumed that the date was 1991 due to the reference number from the photographic studio 911030B-14 could mean 3 October 1991, along with 00646, 00648, 00649, 00650, 00651. Photos of the committee members of different Widows clubs were taken by a professional photographer.Black and white photo of two Legacy widows from the Highett Legacy Widows Club and a proof sheet 911030B.Label on the back from Keesing Photographic with Reference No: 911030B-12.widows, widows club, committee

Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Black and White photograph of Thomas Pearce. Taken on July 22nd 1878 by the Photographic Society of Victoria. Registered copyright July 24th 1878. Reverse has printed maker’s information.Printed green text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / SECRETARY” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, thomas pearce, loch ard, photographic society of victoria

Widow club secretary Vera Lang and another lady at a trading table. The items include Christmas puddings. The Widow clubs often ran trading stalls of goods and handcrafts. Keesing Photographers took a series of photos on the same day of various ladies. It is assumed that the date was 1991 due to the reference number from the photographic studio 911030C-15 could mean 30 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00651, 00661 to 00666.Photos of the committee members of Widows clubs were taken by a professional photographer.Black and white photo of 2 Legacy widows at a trading table and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030C-30A and 6 in pencil.widows, widows club

This photograph was taken in the winter of 1875 from the Telegraph Station looking up Ford Street towards the Church of England. Picture is a horse and wagon walking towards the camera. Black and white rectangular postcard. The image is printed on matt photographic paper and mounted on cardboard. This photograph depicts Ford Street looking south C 1875 in Beechworth.Obverse: NO INSCRIPTION Reverse: 5570 35 Beechworth about 1875 American & Australian Photographic Company. Victoria Branch. C. BAYLISS, Manager No. 61 Extra Copies may be had by sending Number to present Address. beechworth, ford street, 1875, horse, wagon, horse and wagon, church of england, burke museum, winter

Two Legacy widows posing for a picture. They are possibly Widow club committee members like other photos by this photographer with similar reference numbers. Their names are unknown. It is assumed that the date was 1991 due to the reference number from the photographic studio 911030B-4 could mean 30 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00651, 00661 to 00665.Photos of the committee members of different Widows clubs were taken by a professional photographer.Black and white photo of 3 Legacy widows and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030B-4. Pg 3 and "A" in pencil.widows, widows club, committee

Six ladies at Legacy house. They are believed to be the kitchen lady, Audrey, and her volunteer helpers. Audrey is known to be seated on far left, Sue Sargent is a known volunteer helper and she is standing in the centre. One lady has a name badge of Jean. Other names are unknown. It is assumed that the date was 1991 due to the reference number from the photographic studio 911030C-15 could mean 30 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00651, 00661 to 00666.Photos of the Widows clubs were taken by a professional photographer and the importance of Audrey the kitchen coordinator and her helpers is vital to running the widows rooms.Black and white photo of 6 ladies at Legacy House and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030C-26 and 9 in pencil.widows, widows club

Professional photos taken by Keesing Photographic of Charles Munnerley, Joan Miller, a group of widows in the Widows' Club rooms sorting stamps and Beryl Billings, who coordinated the sales of used stamps. Some of these photos were used in editions of The Answer. Charles was the Committee Chairman in the 1990s and compiled editions of The Answer (see 00850). Joan Miller was the Widows Committee Coordinator for many years, with a regular column in The Answer (see 00849). The photo of Beryl Billing with the bags of mail is at 00633. Handwritten on the proof sheet is 910319 which is assumed to be the date 19 March 1991.A record that professional photographers took photos for use in publications.Black and white proof sheet of Charles Munnerley, Joan Miller and Beryl Billing.Hand written on back "200%" in red pen. Label of Keesing Photographic on the back.widows, charles munnerley, joan miller, beryl billings, staff

A close up photo of a lady drinking a cup of tea. The photo featured in the March 1992 edition of the Widows' Newsletter which names her as Sue Sargent - Volunteer Helper. The date is assumed as 1991 due to the reference number from the photographic studio 911030 could mean 30 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00651 and 00661 - 00666.Keesing Photographers took a series of photos on the same day of various ladies and some were committee members at different clubs. Presumably there had a been a meeting at Legacy House of members from the many clubs (including Hampton, Highett, Caufield).Black and white photo of a Legacy widow with a cup of tea and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030C-24. Pg 3 C in pencilwidows, widows club

This photograph is of Tom Pearce, one of only 2 survivors from the shipwreck LOCH ARD. Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Coleman Jacobs composed the music “The Young Hero Schottische” and dedicated it, by permission, to Mr. Thomas R. (Tom) Pearce. The sheet music was published in 1878 by the Messieurs Roberts, professors of dancing etc. Melbourne. It was on sale for 3/- (3 shillings) and in aid of the “LOCH ARD” fund. [This is Coleman Jacobs’ only surviving musical work Coleman Jacobs, accomplished pianist, musical performer, singer, composer, professor of music and music teacher, was born in 1827 and died on 4 July 1885, aged 58 years. Coleman Jacobs was buried in the Melbourne Cemetery (grave 461, Church of England section).] The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of Mr Tom Pearce dressed in a uniform with a medal pinned on it. Standing with his arm resting on a masonry pillar. Reverse has piece of tape centre top and bottom. Also has printed maker’s information. Printed by the Photographic Society of Victoria, Melbourne.Printed green text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 1878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / SECRETARY” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, loch ard shipwreck, tom pearce, thomas r pearce, eva carmichael, mutton bird island, loch ard survivor, loch ard hero, coleman jacobs, the young hero schottische, photograph of tom pearce

Colour photos of Joan Miller, a Legacy widow and volunteer that was actively involved in Legacy over many years. Between 1985 to 1998 she was the Widows' Club Co-ordinator, organising many events and functions for the widows. This photo was published in the regular column she wrote in editions of The Answer. The article was published in 2018 and is a good summary of her important work. Photo reference 910319 on the proof sheet (00851) is assumed to mean the date was 19 March 1991.A record that professional photographers took photos for use in publications.Colour photo x 2 of Joan Miller.Label of Keesing Photographic on the back. staff, joan miller

This photograph records the making and placing of the concrete blocks for the construction of the Warrnambool Breakwater in the Warrnambool Harbour, completed in 1890. Each block weighed 20 to 30-plus tons. The huge Titan steam powered crane in the photograph played a massive role in the construction. It was able to lift the concrete blocks with its overhanging, counterbalanced arm and roll on its wheels along the rails to the required position. It then lowered the blocks into position on the concrete foundation already laid on the seabed. There are many details in the photograph that help to tell other aspects of Warrnambool's history. It appears that the photograph was once owned by B. Fisher. The photograph is part of the Western Victoria collection produced in 1891 by Brookes' Photographic Union in Victoria. Brookes' Photographic Union was a collaboration of two brothers, Frederick Augustus Brookes and his brother Albert Edward Brookes. Frederick arrived in Victoria in the early 1880's. He and Albert formed the organisation to produce collections of photographs including the districts of Geelong, Gippsland and the Western Victoria.This photograph was taken during the construction of the Warrnambool Breakwater and published the year after it was completed. The project began with the Government of 1874 approving the plan, and was completed in 1890. The image records a snapshot of the construction of the Warrnambool Breakwater, a construction that changed the history of the Port of Warrnambool, Photograph, sepia coloured rectangular shape, mounted between two sheets of cream card. Border of photograph is decorated with pen lines and design in corners. Subject is the Warrnambool Breakwater construction with the Titan steam crane on rail lines, concrete blocks, a windmill and tanks, sheds, and a multi-storey building in the background. Produced by the Brookes' Photographic Union, Western Victoria. Inscriptions are on the reverse, on two stickers, a printed white label and a handwritten name.Stickers: "137" "F.Pn 61/2-74" Label: "WESTERN VICTORIA / BROOKES' PHOTOGRAPHIC UNION / HARBOUR WORKS, / WARRNAMBOOL." "The subject of this picture is the making of concrete blocks for the Breakwater. These blocks weigh from 20 to 30 tons each, and are lifted about by the large piece of machinery seen in the picture." Hand written: "B. Fisher"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, western district, western victoria, brookes' photographic union, frederick brookes, albert brookes, photograph, warrnambool harbour, harbour works, concrete bolcks, breakwater, warrnambool history, breakwater history, 1891, lady bay, port of warrnambool, b. fisher, titan crane, steam crane, concrete blocks