School Council, Members of Staff, Magazine Committee, List of Full Course Students 1938, Full Course Commercial Students, Editorial, Personal Column, Obituary - Roy S. Hall - F. J. Martell, S.M.B Old Boys' Association, The Literary Society, Centenary Jottings, Fumes from the Lab, Broken Hill, News from Papua, Sidelights on the B.H.P. Cadet Training Scheme, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior Techs, Junior Technical SportingBlack soft covered magazine with yellow font, green and white images. 64 pages including advertisements. Artworks * Lino cut - By Maureen McRae * Lino Cut - By B. Delima * Lino Cut - By Bessie Martin * The dog you's like to kick - By Gordon Yorke * Harry - By Ernest Gribble * Digger - By Ernest Gribble * Lino cut - By Gordon Yorke * Our little girl - By Dorothy Woolcock * Miss W - By Ernest Gribble * Joan - By Ernest Gribble * Roma - By Gladys Bilney * Doing art for t'arts sake - By Gilda Gude * Una - By Dorothy Woolcock * My Bill - By Dorothy Woolcock * The Sec. - By Ernest Gribble * Hassell - By Dorothy Woolcock * Chief Engineer - By Dorothy Woolcock * Rusty - By Ernest Gribble * Lino Cut - By Jeff Wilkinson * Dick - By Dorothy Woolcock * Goosey - By Ernest Gribble * Pen Drawing - By Dorothy Woolcock * Parking 1 - By Max Coward * Miss King - By Dorothy Woolcock * Goal Umpire - By Ernest Gribble * To Prep Girls - Joe - By Ernest Gribble * Dreamy Dolan - By Ernest Gribble * Lino Cut - By Max Coward * Norma - By Dorothy Woolcock * Lino Cut - By A. Janetski * Dorothy - By Patsy Walsh * Jean - By Dorothy Woolcock * Lino Cut - By Joy Martin * Lino Cut - By Max Coward and A.2., * Ben - By Bob McHutchison * Polly - By Ernest Gribble * Dobber - By Ernest Gribble * Francies - By Ernest Gribble * Ad a line not a bite - By Dorothy Woolcock * Dulcie - By Dorothy Woolcock * Joan - By Ernest Gribble * Kitty - By Bob McHutchison * Stumpy - By Elva Brimacombe * Pegleg - By Dorothy Woolcock * Fat - By Gladys Bilney * Dawn - By Dorothy Woolcock * Joy - By Ernest Gribble * Nipper - By Ernest Gribble * Mac - By Ernest Gribble * Puss - By Bob McHutchison * Tinted Lino Cut - By W. Edward * Lino Cut by G.Day ballarat school of mines, magazine, maureen mcrae, b. delima, j. woolcock, herbert j. trevenan, n. palmer, olwyn williams, gordon yorke, bob mchutchinson, w. edward, keith heriot, sylvia wyres, jeff wilkinson, peter richards, d. gordon, f. morris, mr proctor, ernest gribble, dr. j. r. pound, muriel boyd, george downing, roy s. hall, f. j. martell, d. v. shore, ken wilkie, eoin macdonald, g. berriman, dorothy woolcock, russell h. s. ewins, v. e. greenhalgh, max coward, shelia moss, frank t. jelbart, neil crouch, graham white, mr cornell, francis hollioke, k. vaughan, david j. jelbart, arthur g. veale, bill walters, richard menhennett, james redford, w. monteith, mr hillman, john t. graham, james w. thomas, keith. walter, james m. martin, lyle s. dimsey, jean birch, margaret turner, lesley stapleton, marjorie day, una kersey, jean lonie, coral robertson, norma rowe, jean bridges, jean cox, a. janetski, d. ditchfield, j. harrison, gladys james, j. brimacombe, sheila moss, r. mathews, joy martin, joan ellsworth, e. salter, a. spence, m. may, f. coulson, i. clow, h. tonkin, l. taylor, s. harris, k. gingell, g. jones, william t. paterson, f. harland, w. harrison, j. pike, a. mcmillan, m. lee, e. mccann, j. harris, a. clack, f. osborne, e. stephens, s. nicol, d. eltringham, j. hosie, v. burt, w. rowe, wm. c. edward, j. donald, m. cox, n. dalton, gladys bilney, gilda gude, patsy walsh, elva brimacombe, g. day, francis hollyoake, centenary, betty brown, alan nye, victor greenhalgh, alan gilpin, george edward, e.h. schache, john dulfer, max bayley, eric rumpff, henry kum yuen, fred j. martell, old boys' association, literary society, j.a. wilkie, cyril callister, g. yorke, broken hill, papua, e. macdonald, j. wilkinson, bhp cadet training scheme, g.r. crouch, salt lake city, utah, photography, photographic class, r.h.e. ewins, f. jelbart, n. crouch, g. white, f. hollioake, p. richards, d. jelbart, a. veale, w. walters, e. gribble, r. mchutchison, r. menhennett, i. redford, k. heriot, j. graham, j. thomas, r. ewins, k. waller, j. martin, j. king, bena lamb, j. birch, m. turner, l. stapleton, m. day, u. kersey, j. lonie, c. robertson, n. rowe, j. bridges, m. mcrae, o. williams, j. cox, g. james, s. moss, b. martin, junior technical school old boys' association, des marks, cornell's little liver pills, ballarat wattle tea rooms, the modern dairy

The Ballarat Teachers' College is a preecessor institution of Federation University AustraliaFramed photographic photograph of the class photo for the Ballarat Teachers' College Class of 1949ballarat teachers' college, john hogan gervasoni, peter fryar, w.f. lord, monica miller, t.w.h. turner, alan sonsee

Class photo of 1932 Grade VI B at Sunshine State School no 3113. Date is thought to be 1932 from inscription on photograph. See also cat no 24Sunshine S.S. 3113 Grade VI Bsunshine state school, state school, sunshine, class photograph

sunshine technical school, technical school, sunshine, student

This card was most probably sent from Harry Holmes to a family member in Ascot, Victoria during his overseas service during World War One.Black and white postcard with a photographic impression of London including Trafalagar Square. The postcard has writing on the back. This card was purchased by an Australian soldier, probably Henry Smerdon Holmes, during World War One and sent to his sister, Mary Coghill HolmesLondon 16.4.17 Dear Mary Received your welcome letter a few weeks back, pleased indeed to hear from you & to know that you were OK. Sorry I have been so long in answering it, but I suppose it is better late then never. Still in the same old job at present, but all 'A' class chaps are to go back to the units 20 per weeks, so it may not be very long before I will be having a move on, Girls seem to be taking the vacant gaps. chatham-holmes family collection, world war one, ascot, trafalgar square, london, holmes

The mining class visited the Last Chance on the afternoon of Thursday, 8th June, under the guidance of Mr Kirby, the mine manager. Mr Campbell, the photographic instructor, also dared the perils of the deep in order to take some flashlight photos. As this was Mr Campbell's first visit below, several difficulties which he did not now existed prevented success. The students all ranged themselves in poetic and heroic attitudes for the first flashlight, but the development of the plate showed only the light from the candles and the moisture on the lens. The next two tries were better, but were under-exposed, and of no value, except as experience. Two gentlemen from England also went below with the students, but history repeated itself and Australia won the "test." The Englishmen left early. Mr Hart secured a fine specimen of arsenopyrite and indicator slate; also a bootlace, the property of a much-vexed miner, whose boots Mr Hart had borrowed. Horrors! Mr Hart steal a bootlace! Impossible! However, a tragedy was averted by the miner securing a new lace, and he was at once all smiles - so were the students. Mr Campbell took a photo of the students dressed for the occasion, and some were flattered, and some looked very like the universal "Weary Willie". (Ballarat School of Mines Students' Magazine, July 1899, p.2.)Over 24 men pose for a photograph outside the Last Chance mine. Some of the men are members of the visiting Ballarat School of Mines mining class. Thomas Hart (beard) stands at the back right. Verso: Copied from Annual report 1898, Thomas Hart - back Row, 2nd from right with beard.ballarat school of mines, last chance, thomas hart, john rowe, hart, mining, mining alumni, rowe, charles campbell

This book was most probably used at the Ballarat School of Mines during Photography classes. 32 page soft covered book with photographic formulae for students of photography.photography, albumen, albertype, collotype, photolithograph, gelatine plates, xylography, l. hart, photographic equipment

This image shows six older Chinese men standing in a row with two younger non-Chinese men outside a small wooden business or official building in the Beechworth region, circa 1900. The two non-Chinese men are wearing clothes of the period that indicate relative prosperity (such as three piece suits, top hats, and a pocket handkerchief), whereas most of the Chinese men are wearing Western-style working clothes of the era. One Chinese man at the far right of the image is wearing similar garments to the non-Chinese men, including a bowler hat and longer, more tailored suit jacket. Chinese miners were a significant cultural group in Beechworth's gold rush period. Carole Woods' history of Beechworth, 'A Titan's Field', details that there were approximately 60 Chinese people in the area in 1855, more than 1000 in 1856 and 4700 (a quarter of the population) in 1857, despite the introduction in 1855 of official policies such as additional taxes formulated by the Victorian Government to limit access by Chinese immigrants. Most Chinese miners in the region came from southern China and had formerly worked as merchants, mechanics, farmers and shop-keepers. Chinese people were subjected to a 'protectorate' system, ostensibly to minimise the potential for conflict with other groups; this system required Chinese people to live in designated 'hygienic' camps with paid Chinese headmen who supervised the village and enforced the protectorate's rules. Chinese people were required to purchase an annual protection ticket to fund this system. The protectorate system was abolished in 1861, before this image was taken in approximately 1900, but it may still provide insight into social stratification or relationships between and within cultural groups in Beechworth resulting from such practices. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's cultural and social relationships in the early Twentieth Century, in particular the experiences of Chinese miners. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides, chinese, chinese miners, protectorate system, protection licence, immigration, racism, classism, social groups, cultural groups, taxes, hygiene camps

This image of a man on horseback is thought to have been taken in Beechworth in approximately 1900. The man pictured may be Chinese. Chinese miners were a significant cultural group in Beechworth's gold rush period. Carole Woods' history of Beechworth, 'A Titan's Field', details a rapid increase in the Chinese population beginning in 1856 that led to Government discrimination and hostility from other miners. Many Chinese people who came to the Victorian goldfields had formerly worked as merchants, mechanics, farmers and shop-keepers. The pictured individual is wearing Western-style clothes indicating prosperity, such as a top hat, so may have held an official position or provided services to the community rather than working as a miner. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's cultural and social relationships in the early Twentieth Century, in particular the experiences of Chinese people. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides, chinese, chinese miners, immigration, racism, classism, social groups, cultural groups, horse riding, horses, equestrian, horseback

The Ballarat Teachers College held a 45 year Reunion for the class of 1971 on the 5 & 6 November 2016. All students plus their four teachers were invited. Three sticky notes are attached to the poster to identify famous persons.This is a photographic collage poster featuring many mug-shot style photographs of the members of the class of 1971, with a note to identify which classroom they were a part of. Sticky notes with hand-written labels identify three members of the group with a personal achievement. A poem titled 'Extra Muros' is displayed verso inbetween two logos of the Ballarat Teachers College.Ballarat Teachers College logo as part of a flag.ballarat teachers' college, denis spielvogel, marg heffernand, joy dunstan, rachel smith, alumni, reunion, john mildren, ian fryar, ian gribble, geoff mcrea

Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 20 November 1986 to 14 February 1987.Book with blue cover, front, spiral bound.courses available, tertiary orientation program, t o p, teaching positions advertised, smb programs, fashion of the future, clare schreenan, lisa willison, mary anne rowe, smb staff join protest, wool classing exams, smb secretarial program, women graduate with trades skills, linda bland, julie baulch, tracey coleman student, royal horticultural society of victoria, garden tools for field officers, helen mclennan course teacher, writing for pleasure, book launch "wednesday's words"june griffiths, nan gale, averil macklin, smb applied science grant, atomic absorption spectrophotometer, julie baulch encourages women to break with tradition, family centre space in tippett building, mellissa bone win photographic award, smb computer world's best, sue dennis, school's in for adults, smb vocational programs, university of the third age, ken flecknoe managing director courier retires

The Working Men’s College was founded in 1881 by a prominent grazier and philanthropist, The Hon. Francis Ormond, who donated £5000 towards the establishment of the college. The Council of the Melbourne Trades Hall then matched Ormond's initial donation by rallying its members. On 4 June 1887, the college opened in its purpose-built building on the corners of Bowen Street and La Trobe Street in Melbourne, with a gala ceremony. It became the third official provider of higher education in the new Colony of Victoria (the Melbourne Athenaeum was founded in 1839 and the University of Melbourne in 1853). The college was the predecessor to the current-day Royal Melbourne Institute of Technology (RMIT University). Adjoining the college in the 1890s were the Supreme Court of Victoria (later the Melbourne Magistrates' Court) and the Melbourne Gaol - both which are now part of RMIT today. A list of Scholarship Governors and Life Governors is included. The former have donated 250 Pounds Sterling and upwards, the later have donated 20 Pounds and over but less than 250 Pounds Sterling. The Patron of The Working Men's College was His Excellency The Right Honourable Lord Brassey. The President of the Council was Professor W C Kernot. The majority of classes were at night and on Saturdays. Tan soft covered book of 112 pages. The thirteenth edition of the Working Men's College (later Royal Melbourne Institute of Technology [RMIT]). It inlcudes the following photographic images: Main Building, Assaying, 1899 council (W.C. Kernot, W.H. Embling, Thomas smith, F.H. Bromley, John Reid, R.H. Solly, E. Findley, D. McIvor, James Robb, John Hancock, C.E. Oliver, A.J. Arnot, James Smith, Joseph Nixon, R.L.Jellery. C.S. Paterson), UNveiling the Ormond Statue, Victorian Lead and Shot Works, Francis Ormond, Telegraphy room, Lecture Theatre, photography, painting class, wool sorting, plumbing, Remington typewriter, W. Ison, H.D. Evans, library, Verdon prize, Denton Hat Mills. working men's college melbourne, rmit, w.c. kernot, w.h. embling, ormond statue, f. ormond, electricity, surveying, architecture, photography, assaying, dressmaking, veterinary science, plumbing, letterpress printing, w. ison, h.d. evans, library, denton hat mills, literary and commercial department, typewriting department, languages, telegraphy, department of music, department of mathematics, department of engineering, 'department of architecture, department of art and applied art, department of mining and metallurgy, department of chemistry, department of household economy, department of agriculture and rural industries, woodworking, carpentry and joinery, turning and fitting, coachbuilding and carriagedrafting

Emily Ann Hanson Stitfold was born in Ballarat in 1866 to Thomas Stitfold and Sarah Stitfold (Hanson). There were six children, one boy and five girls. Emily attended photography classes at Ballarat School of Mines in 1896 (Grade !) and 1898. Photography was a new course offered and she was one of the first students to attend. She became a member of the Ballarat Amateur Photographic Association. Emily died in 1948 and is buried in the Ballarat Old Cemetery. (BN Section 19 Grave 9). Her parents, Thomas and Sarah are also buried in the Old Cemeterywomen of note, ballarat school of mines, emily stitfold, photography, student, ballarat amateur photographic association, ballarat old cemetery, thomas stitfold, sarah stitfold

The Ballarat Teachers' College is a predecessor institution of Federation University Australia.A photograph in a cover of the Ballarat Teachers' College Class of 1948 50 Year Reunion held at the Midlands Golf Club in 1998.ballarat teachers' college, reunion, class of 1948, aurita rowland, aurita perry, anniversary, lee morison, joan mackley, joan petering, maisie cunningham, judith ahyee, judith westwoof, jean guley, jean forrest, merle learey, merle williams, dawn mckenzie, dawn hunt, kathleen richmonst, myrtle ainsworth, iris chaston, rita perry, rita rowlands, carmel hanrahan, kelvin edwards, noel watkins, j.a. moncreiff, les morrison

Ballarat Teachers' College is a predecessor institution of Federation University Australia.A photograph in a cover of the Ballarat Teachers' College Class of 1948 60 Year Reunion held in 2008.ballarat teachers' college, reunion, class of 1948, aurita rowland, aurita perry, anniversary, robert clark, ray boatman, gordon guley, heather mckenzie, heather greening, lois macinnes, marion barber, rita perry, elga mannic, mavis wollin, kathleen richmond, jean guley, jean forrest, joan caotes, joan coard, bill birthisel, maisie cunningham, lorna lyon

Harland & Wolff Heavy Industries is a heavy industrial company, specialising in shipbuilding and offshore construction, located in Belfast, Northern Ireland. Harland & Wolff is famous for having built the majority of the ships intended for the White Star Line. Well known ships built by Harland & Wolff include the Olympic Class trio: RMS Titanic, RMS Olympic and RMS Britannic, the Royal Navy's HMS Belfast, Royal Mail Line's Andes, Shaw Savill's Southern Cross, Union-Castle's RMS Pendennis Castle, and P&O's Canberra. Harland and Wolff's official history, Shipbuilders to the World, was published in 1986.Two photographic postcards showing the new gantries, Harland & Wolffs, Belfast, Irelandchatham family archive, belfast, ireland, new gantries, harland & woffs

Used in the Photography Class at SMB TAFEEnlarger on stand mounted on a board. F.N. 23559 T. 8766 V. 220 W. 250 Hz. 50tafe, smb, photography, enlarger, magnifier, varioscop, photographic magnifier, developer

Colour photograpic montage of art class Colour photographs adhered to cardboardon verso 'Hockney inspired'photographic montage, colour photograph, art class, betty collier, val d'angri, alistair heighway

This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns

Records various events involving Watsonia High School from the very beginnings of the school at the Nepean Street Greensborough site during the years 1961 through to 1964.Actual record of student, staff and committee activities in the early 1960's.Approx 100 Kodak slides of WHS events in the early 1960s - includes 1961 Committee, 1962 Sports Events, 1962 Staff and individual Classes, 1962 and 1963 school excursions, 1964 Classes and eventsProcessed by Kodak using Kodachrome Transparency technology.watsonia high school, kodak slides

James Leslie Pell RAN No 35213 Stoker mechanic, served on HMAS Bataan, (D9/I91/D191) a Tribal-class destroyer during the Korean War 1951-52. He later served on HMAS Melbourne, a Majestic-class light fleet aircraft carrier later in the 1950's. These photographs are from his personal album, and portray events and place to which he would have been witness. Refer to catalogue item 5455 for his service details. Black and white photographs from official government sources. They are part of a collection of over 200 photographs housed within an archive folder.hmas melbourne, hmas bataan, korean war, royal australian navy, james leslie pell

James Leslie Pell RAN No 35213 Stoker mechanic, served on HMAS Bataan, (D9/I91/D191) a Tribal-class destroyer during the Korean War 1951-52. He later served on HMAS Melbourne, a Majestic-class light fleet aircraft carrier later in the 1950's. These photographs are from his personal album, and portray events and place to which he would have been witness. Refer to catalogue item 5455 for his service details. Copies of shipboard certificates depiction the voyages and action s in which HMAS Bataan was engaged during the Korean War. They are part of a collection of over 200 photographs housed within an archive folder.hmas melbourne, hmas bataan, korean war, royal australian navy, james leslie pell

James Leslie Pell RAN No 35213 Stoker mechanic, served on HMAS Bataan, (D9/I91/D191) a Tribal-class destroyer during the Korean War 1951-52. He later served on HMAS Melbourne, a Majestic-class light fleet aircraft carrier later in the 1950's. These photographs are from his personal album, and portray events and place to which he would have been witness. Refer to catalogue item 5455 for his service details. These photographs depict the Bataan and sister ships in the 1950's. They are part of a collection of over 200 photographs housed within an archive folder.hmas melbourne, hmas bataan, korean war, royal australian navy, james leslie pell

James Leslie Pell RAN No 35213 Stoker mechanic, served on HMAS Bataan, (D9/I91/D191) a Tribal-class destroyer during the Korean War 1951-52. He later served on HMAS Melbourne, a Majestic-class light fleet aircraft carrier later in the 1950's. These photographs are from his personal album, and portray events and place to which he would have been witness. Refer to catalogue item 5455 for his service details. These photographs depict flight operations on HMAS Melbourne in the 1950's. They are part of a collection of over 200 photographs housed within an archive folder.hmas melbourne, hmas bataan, korean war, royal australian navy, james leslie pell

James Leslie Pell RAN No 35213 Stoker mechanic, served on HMAS Bataan, (D9/I91/D191) a Tribal-class destroyer during the Korean War 1951-52. He later served on HMAS Melbourne, a Majestic-class light fleet aircraft carrier later in the 1950's. These photographs are from his personal album, and portray events and place to which he would have been witness. Refer to catalogue item 5455 for his service details. These photographs depict informal photographs of shipmates aboard HMAS Bataan and Melbourne. They are part of a collection of over 200 photographs housed within an archive folder.hmas melbourne, hmas bataan, korean war, royal australian navy, james leslie pell

Photograph of British battle-class destroyer HMS Armada. Launched 1943 and commissioned 1945. the ship served as a destroyer escort in WWII. This photograph pictures the ship in Port Melbourne in 1946. Part of the Meade Collection. See Cat No. 10785P for details of service for "Ernest James Meade" No. 2112.Black and white photograph of a ship tied to a wharf. Ship is flying the Union Jack from a mast on bow. Plimsol line on bow is visible. "R14" painted on port side in white. A second ship is visible behind R14.meade collection, ernest james meade, hms armada, ww2

Black and white photographic printInscribed on rear 'Photography in the 'Stables' late 1970s to early 1980s'classes, eltham living and learning centre, photography class