Car audio student William Irvine, receives scholarship from John Graham Pioneer Electrics Australia [Undated, circa 1990s]A record of this presentation.Photograph of two men in black frame with gold stripe on frame. Typed caption taped to front of frame : "Car audio student receives scholarship from John Graham Pioneer Electrics Australia."northern melbourne institute of tafe, william irvine, john graham, pioneer electrics australia, nmit,

Skippy and Toni St Elmo were responsible for early developments at the Falls Creek resort and for promoting a love of skiing. They left Melbourne in 1945 and settled at Falls Creek and moved into the first building constructed of corrugated iron and timber at Falls Creek in 1946. They were Falls Creek’s first workers with Toni employed by the State Electricity Commission to record weather-related data up to the construction of the Kiewa Hydro-Electric Scheme. In 1957, Toni was involved in building the first rope tow called Nissen on the same route as the Summit Quad. He also established the Nissen Ski School with ski instructor Milan Kovacic and was involved in the building of the resort’s first ski club Bogong in 1949. Toni taught Skippy to ski and she practised on the High Plains where she and her husband lived. Skippy St Elmo won many ski races during the 1950’s and represented Australia in New Zealand.Skippy and Toni St Elmo were pioneers of the Falls Creek area, promoting local ski sports and tourism. The played an important role in opening up the Falls Creek area and developing its sporting potential by establishing the first ski school, ski lifts and early lodge facilities. Skippy and Toni St Elmo were honoured at the Alpine Village at Falls Creek on November 17 2006, with the spreading of their ashes at the place which played such an important part in both their lives.Set of 8 black and white photographs of Skippy St Elmo and other skiers 1. Skippy and 3 others in New Zealand 1951 2. Skippy and 5 others Falls Creek 1955 3. Cake celebrating 20 years of sport at Nissen Lodge 4. Skippy and friend outside Nissen Lodge 5. Skippy on the ski slopes 6. Skippy on the ski slopes 7. Albury Ski Club team New Zwealand 1957 8. The Bogong Ski Club 1950 Written on back of photos 1. Bob Howe Albury, Skippy New Zealand 1951 – 942H 2. Falls Creek 1955. Skippy St Elmo: H Devonassore; Margaret ?; ?; Tony St Elmo; Olive? 3. Written on cake Nissen Alpine Club. 20 years of sport. FRED 4. Skippy St Elmo 5. Skippy 6. Skippy 7. Bob Howe (Albury) Skippy New Zealand 1957. Albury Ski Club Team raced in NZ 8. The Bogong Ski club, Coronet Park, 1950. M Denham (Capt); B Wiltshire; R Roberts; Skippy St Elmo; Gwen Morris; J Frazer; J Smith; L Piera; Manager & Coach Toni St Elmo. J D Knowles Photographer Box 188, Queenstown. 744B falls creek, skiing, bogong high plains

The City of Moorabbin Historical Society was formed c 1960 by a group of Moorabbin residents who were concerned that the history of the area should be preserved. A good response to a call for items related to the historical area of Moorabbin Shire brought donations of a wide variety of artefacts which are now preserved by the current members of CMHS at Box Cottage Museum . Helen Stanley, Secretary of CMHS, began producing a Newsletter for members in April 2007 to provide current information and well researched items of historical interest. Helen Stanley has produced a bi-monthly Newsletter, 2007 - 2013, for the members of the City of Moorabbin Historical Society that contains well researched interesting historical items, notification of upcoming events, current advice from Royal Australian Historical Society , Museums Australia Victoria and activities of Local Historical Societies. The Newsletter is an important record of the activities of the CMHS. The Blackman family were early settlers in Moorabbin Shire A4 paper printed both sides x1. Issue 8 of the bi-monthly, City of Moorabbin Historical Society Newsletter produced by Society member and Secretary, Mrs Helen Stanley in August 2008. Notices of a talk by Dorothy Booth, “ The Historic Mentone Railway Gardens’ on August 31st and a request for volunteers to begin an Inventory of the Box Cottage artefacts and to assist at upcoming Open Days. An excerpt from the CMHS Newsletter March 1965 ‘ Three Pieces of Paper’, by Mrs Nance Blackman, a member, describing items from “The Moorabbin News” ‘ 1907 that included The Cheltenham Butter Factory, and advertisements aimed at the local people and their occupations. Note is made of 3 businesses run by Women – butcher, milk delivery and a ‘delicatessen’ - and an ‘Oriental Laundry’ in Cheltenham, as well as the trading hours for shops and weekly wages. Gas light and candles were in common use because Electricity did not come to Bentleigh until 1916 and several Fire Brigades were formed in the Shire. A photocopied photograph of an Electric Power pole c1930.CITY of MOORABBIN HISTORICAL SOCIETY / AUGUST 2008 NEWSLETTER city of moorabbin historical society, stanley helen, melbourne, moorabbin, mentone, mordialloc, cheltenham, ormond, bentleigh, market gardeners, farmers, dairymen, confectioner, pioneers, early settlers, moorabbin shire, blackman nance, box cottage museum, highett, booth dorothy, mentone railway station gardens, cheltenham butter factory, beazley hannah, redstron mrs., bickerton mrs., oriental laundry cheltenham, biehl mr., matthews mr., gas-light, electric light, smith j.l., journeaux james, king george, grommann’s hotel mordialloc, telephones, fire brigades

Made in Australia by Middy's Used by a pioneer family in Moorabbin. Manufactured by Middy's: Arriving in Australia at age 19 by ship at Port Melbourne, Dutch immigrant Petrus Cornelis Nicolaas Middendorp (1891-1963) settled in Melbourne to apply his trade as a cigar maker for the British American Tobacco Co. Retiring from the cigar industry and following his work as an honorary orderly tending WW1 Australian casualties in Paris and Melbourne, Petrus began selling Dutch manufactured light globes, vacuum cleaners and other electrical products imported from Holland and England. Warehousing and sales of the goods were undertaken from 1928 by the ‘Middendorp Goods Supply Company’ initially located in Flinders Lane in Melbourne’s CBD, then moving to McKillop Street, followed by a basement store at 148 Queen Street. During the 1940s a manufacturing plant known as ‘Middendorp and Sons’ was established in the Melbourne suburb of Preston, where Petrus’ three teenage sons Peter, Nick and Hugh joined him. Peter and Hugh worked with a small team of staff to produce rubber plug tops, extension sockets, double adaptors and a small range of bakelite accessories, whilst Nick became the first sales rep calling on customers and construction sites. The products were sold under the brand name of ‘Middy’. A name change of the distribution business took place in the late 40s and Middendorp Electric Company Pty Ltd was officially registered in 1948. The manufacturing operation ceased during the late 50s due to the introduction and acceptance of plastic and injection moulding. However, the Middendorp family had positioned itself to further establish its electrical wholesale business with the first branch and Head Office opening in 1956, located at 520 Latrobe Street, Melbourne. By 1962 there were five trading branches, growing to 25 in 1986 and 101 by 2018 Australia wide. Middendorp Electric, more commonly known as Middy’s and readily identified by its trademark colour of Middy’s pink, has developed into the largest privately owned Electrical Wholesaler in Australia. In 2015 Middy’s acquired Mekolec lifts fire and electrical adding presence and sector expertise in Melbourne’s inner south. In Sep 2018 Middy's acquired Salmon Brothers Electrical, with 5 Branches in Sydney's Metro region and in 2019 they acquired Goulburn Electrical Wholesalers greatly adding to Middy's location coverage in NSW and providing Middy’s the ability to better service NSW contractors. Bakerlite electrical fittingMiddy - Made in Australiamiddy's, moorabbin pioneers, electrical, bakerlite

The first commercially available, Australian-made domestic refrigerator to operate without ice was produced by Edward Hallstrom in 1923. It used kerosene as a power source and was promoted as ideal for outback stations where ice was not available. According to Museum Victoria, Hallstrom introduced the 'Silent Night' which ran on electricity or gas in 1935. However, Hailstorm's great-grandson, stated that the Silent Night refrigerator was introduced in 1928. Although Australians were among the pioneers of refrigeration in the 1850s, the technology wasn't adapted for domestic use until many decades later. The first domestic electric refrigerator was sold in America in 1913. It had an air-cooled refrigeration unit mounted on top of an ice box. The Frigidaire and Kelvinator brands date from 1918 when the first self-contained fridges were sold. Before this food safes were used as well to keep food away from flies and to keep items cool.A significant item used from the late Victorian era until around 1940 when people were beginning to be able to afford domestic refrigerators. After the second world war, most households had replaced their food storage cupboards or safes with refrigerators. The subject item gives a snapshot of domestic life from this time.Wooden kitchen safe with 3 metal perforated panels & 2 shelves inside. Was painted light Green but has been restoredflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, refrigeration, refrigerator, food storage, food safes, edward hallstrom

The first commercially available, Australian-made domestic refrigerator to operate without ice was produced by Edward Hallstrom in 1923. It used kerosene as a power source and was promoted as ideal for outback stations where ice was not available. According to Museum Victoria, Hallstrom introduced the 'Silent Night' which ran on electricity or gas in 1935. However, Hailstorm's great-grandson, stated that the Silent Night refrigerator was introduced in 1928. Although Australians were among the pioneers of refrigeration in the 1850s, the technology wasn't adapted for domestic use until many decades later. The first domestic electric refrigerator was sold in America in 1913. It had an air-cooled refrigeration unit mounted on top of an ice box. The Frigidaire and Kelvinator brands date from 1918 when the first self-contained fridges were sold. Before this food safes were used as well to keep food away from flies and to keep items cool.A significant item used from the late Victorian era until around 1940 when people were beginning to be able to afford domestic refrigerators. After the second world war, most households had replaced their food storage cupboards or safes with refrigerators. The subject item gives a snapshot of domestic life from this time.Wooden kitchen food safe, 2 door with wire mesh at sides. Raised back panel has shaped edges and includes a shelf above bench area that has turned legs. The safe has 4 plain legs.Noneflagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, food safe, kitchen safe, kitchen furniture, food storage

Hecla produced a wide range of appliances for domestic use, beginning with heaters and later branching out to a wider range of kitchen appliances Hecla was established by Clarence William Marriott, a young Melbourne metal worker. He began manufacturing Australia's first carbon filament electric radiators in 1899. He originally worked for his father James Marriott who commenced business in Melbourne as an art metal worker in 1872 and was, in 1907, appointed as the official art metal worker to the Victorian Government producing items including the ornate iron gates and gas lamp standards outside Melbourne's Parliament House. With the invention of nickel chromium wire after 1900, C.W. Marriott began making more efficient heating elements using this new material in 1916. After being influenced by the eruption of Mount Hekla in Iceland, on 19 December 1918, Clarence registered the brand name "HECLA" with an erupting volcano as its logo. The company Hecla Electrics Pty Ltd was officially registered in 1922. In 1928 the company adopted the advertising slogan, 'By Hecla, it's Good'. The Hecla range rapidly expanded to include electric heaters and radiators, electric foot warmers, electric kettles, ceramic & metal electric jugs, immersion hot water elements, electric fans, electric coffee percolators, electric toasters, electric grillers and stoves, electric irons and electric frypans, clocks and curling wands. Electric blankets were introduced shortly after WWII.In 1930, a controlling interest in Hecla Electrics Pty Ltd was acquired by General Electric Corporation. Clarence William Marriott died in June 1967 in Melbourne, Victoria.This item is representative of a common domestic appliance used throughout Australia. It was manufactured by a pioneering Australian company.A small chrome steel toaster manufactured by Hecla Australia. It has a door on either side which flips down to insert or remove a slice of bread on each side, Each door has two black Bakelite knobs. The electric element is placed down the centre of the cavity. A detachable electric cord is included.240 Volts, 600 Watts. Cat. No. T4 Submitted to Electrical Approval Board Ref Application A1/AD01 SECV 240 Volt 600 Watt MANFED. IN AUSTRALIA SOLID BRASSelectrical appliances, hecla corporation australia, clarence william marriott, domestic appliances

This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 22. General View of Works from New South Wales end, Looking Upstream. Features: At the left, part of the North Wing Wall, the highest part of which is 26 feet below its ultimate height. Below in the foreground is the portion of the dam where provision is to be made for hydro-electric generation. The tubes, three in number, 13 feet in diameter, will be laid on the level shown and an early start will be made in laying them. The level for the other four regulating outlets, 9 feet in diameter, together with a part of the spillway section of the dam, is underwater at this stage and it may be remarked that at one point, about half way across the channel where the water is now flowing, the concrete foundations are about 80 feet below the level of the water. The broken surface of the water is due to the large “plums” in the concrete. The still water in the right foreground is the stilling pool over the concrete floor of which there is now more than 20 feet of water and by means of which the discharge from the outlet pipes will be quelled. The trestlework on the upstream side of the dam carries the concrete belt conveyor. It extends from the concrete mixer house, which is out of the picture, behind the wing wall, along almost the entire length of the concrete portion of the dam. The concrete is discharged from the belt at any desired point by means of trippers, one of which may be seen over the second trestle. On the other side of the flowing water is the coffer dam. A channel 300 feet wide involving about 140,000 cubic yards of excavation and dug for the temporary diversion of the river as it is flowing now. To the right top of the view beyond the Coffer Dam is the earth embankment being thrown across the major part of the valley by the Victorian Constructing Authority. The Mitta Mitta River flows into the Murray at the far end of the reach of water on the left. August 1927.hume reservoir australia, river murray waters scheme, hume reservoir construction

This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 29. View from Top of Tail Tower Pillar - Concrete Dam. This was taken from the top of the Tower described in the preceding photograph looking towards New South Wales. (WHS 00722) First is the part of the spillway being built inside the Coffer Dam, then over the Coffer Dam the submerged portion of the Spillway and outlet sections for the river diversion, beyond that the situation for the hydro-electric turbo passages bounded by the North Wing Wall. The gap may be seen in wing wall for the passage of the belt conveyor and half of the concrete mixer house behind. This gives a general view of the New South Wales Township. The Quarry is on the side of the hill showing up beyond the Township. New South Wales, August 1927.hume reservoir australia, river murray waters scheme, hume reservoir construction

Four metal blades painted brown on stem mounted on plastic egg shaped base. There is a switch in the centre of the base. The fan has a wire safety guard surrounding the blades. Cotton covered electric cord and plug attached. Each blade is attached with five rivets.Mistral 230V AC only. 50 - Kempthorne Australia

Early form of home heating and because of the copper dish was considered one of the better models|Manufacturing History Museum Victoria|Commentary: Australian manufacturing history Philip Wollen|Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good.'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good.'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Pedestal radiator. Base is cast iron with three feet with rose design on each. Pedestal supports a copper spherical reflector plate which has an electrical connection box at its base. The connection box is joined to the pedestal by a screw and nut to enable the reflector to be tilted. The element is cone shaped and is in the centre of the plate. The element is protected by a wire guard.Hecla Firedomestic items, heating

Used by Colin Sach during his employment as Manager of the Chemistry Dept. at the University of Melbourne over a period of forty years.Manufacturing History Museum Victoria Commentary: Australian manufacturing history Philip Wollen Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good1'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good1'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Square metal box with electrical elements inside. Used to stand on or to put feet on when sitting. Elaborate pattern in centre with inscription.Hecla Foot Warmerdomestic items, heating

Manufacturing History Museum Victoria Commentary: Australian manufacturing history Philip Wollen Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good1'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good1'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Early electric iron with turned wood handle and detachable brown and white electrical cord. Stamped with name HECLA. Cord has a two pin connector where it plugs into iron and a standard three pin plug at the other. Thumb rest for right hand.On plug near pins - Made in Australia -Cat No 100 - 240V 10 Adomestic items, irons, electrical technology, appliances & accessories

Manufacturing History Museum Victoria|Commentary: Australian manufacturing history Philip Wollen|Many years ago, when I was an ambition young man, I took over a company called Hecla. This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good.'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good.'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Large electric heater with two radiator bars and a protective grille at the top and false coals at the bottom.Replacements for this fire - Elements No. F314 - Illuminators No. 3P. Berry's Electric Ltd - Volts 230 - 240 -Watts 2000 V/AD/Cat No. 454 . Made in Australia by Hecla Electrics Pty Ltd Melbournedomestic items, heating

Raynham (Ray) Cook started his pottery in 1946 in the garage in the back yard of 218 Murrumbeena Rd East Bentleigh Victoria and moved to a factory in North Rd East Bentleigh in 1948. The company was named Raynham Ceramic Pty. Ltd. after his first name and produced all sorts of light weight slipware. some speckled lustreware vases. He had a second pottery at 237 East Boundary Rd East Bentleigh and also operated from Carey St East Bentleigh after buying out Guy Boyd. Ray was a pioneer in Australia of the electric pottery kiln which was very novel in the 1940's Ray's greatest attribute was probably his design skills. All Raynham pottery was his designs. One of his key employees was "Paddy" McDonald who undertook the majority of the thrown pottery. Ray Cook sold the company to Bendigo Pottery in the early 1970's who continued to use the Raynham brand for a short time. Most examples by that company have the same form but are unmarked. A small cylindrical vase. The external surface has a pink metallic shimmering finish (lustreware) with an indentation of a flower and a small, damaged cream coloured stick-on label - Raynham. The inside is pink smooth gloss surface and a small red stick-on label - GUARANTEED Raynham PRODUCTION AUSTRALIA The vase is slightly wider at the top than its base. Markings on the base - Raynham 27, From Marge & Rex Sa.... Birthday 1962ray cook, raynham ceramic pty. ltd., slipcast vases, paddy mcdonald, bendigo pottery

Raynham (Ray) Cook started his pottery in 1946 in the garage in the back yard of 218 Murrumbeena Rd East Bentleigh Victoria and moved to a factory in North Rd East Bentleigh in 1948. The company was named Raynham Ceramic Pty. Ltd. after his first name and produced all sorts of light weight slipware. some speckled lustreware vases. He had a second pottery at 237 East Boundary Rd East Bentleigh and also operated from Carey St East Bentleigh after buying out Guy Boyd. Ray was a pioneer in Australia of the electric pottery kiln which was very novel in the 1940's Ray's greatest attribute was probably his design skills. All Raynham pottery was his designs. One of his key employees was "Paddy" McDonald who undertook the majority of the thrown pottery. Ray Cook sold the company to Bendigo Pottery in the early 1970's who continued to use the Raynham brand for a short time. Most examples by that company have the same form but are unmarked. A large boat shaped vase with a pink metallic shimmering finish (lustreware) and a pink smooth gloss internal surface. There are scrolls on both ends. It's on a squat pedestal in the same mould. Markings on the base illegible, possibly Raynham and a number.ray cook, raynham ceramic pty. ltd., slipcast vases, paddy mcdonald, bendigo pottery

Raynham (Ray) Cook started his pottery in 1946 in the garage in the back yard of 218 Murrumbeena Rd East Bentleigh Victoria and moved to a factory in North Rd East Bentleigh in 1948. The company was named Raynham Ceramic Pty. Ltd. after his first name and produced all sorts of light weight slipware. some speckled lustreware vases. He had a second pottery at 237 East Boundary Rd East Bentleigh and also operated from Carey St East Bentleigh after buying out Guy Boyd. Ray was a pioneer in Australia of the electric pottery kiln which was very novel in the 1940's Ray's greatest attribute was probably his design skills. All Raynham pottery was his designs. One of his key employees was "Paddy" McDonald who undertook the majority of the thrown pottery. Ray Cook sold the company to Bendigo Pottery in the early 1970's who continued to use the Raynham brand for a short time. Most examples by that company have the same form but are unmarked. A fan shaped vase with a pink textured non gloss external surface and a pink smooth gloss internal surface. Vertical ridges in a v shaped indention on both sides. It's on a squat pedestal in the same mould. Markings on the base in blue print - Raynham 86k.ray cook, raynham ceramic pty. ltd., slipcast vases, paddy mcdonald, bendigo pottery

Raynham (Ray) Cook started his pottery in 1946 in the garage in the back yard of 218 Murrumbeena Rd East Bentleigh Victoria and moved to a factory in North Rd East Bentleigh in 1948. The company was named Raynham Ceramic Pty. Ltd. after his first name and produced all sorts of light weight slipware. some speckled lustreware vases. He had a second pottery at 237 East Boundary Rd East Bentleigh and also operated from Carey St East Bentleigh after buying out Guy Boyd. Ray was a pioneer in Australia of the electric pottery kiln which was very novel in the 1940's Ray's greatest attribute was probably his design skills. All Raynham pottery was his designs. One of his key employees was "Paddy" McDonald who undertook the majority of the thrown pottery. Ray Cook sold the company to Bendigo Pottery in the early 1970's who continued to use the Raynham brand for a short time. Most examples by that company have the same form but are unmarked. A fan shaped vase with a white textured non gloss external surface and a white semi-gloss internal surface. There are no markings.ray cook, raynham ceramic pty. ltd., slipcast vases, paddy mcdonald, bendigo pottery

Raynham (Ray) Cook started his pottery in 1946 in the garage in the back yard of 218 Murrumbeena Rd East Bentleigh Victoria and moved to a factory in North Rd East Bentleigh in 1948. The company was named Raynham Ceramic Pty. Ltd. after his first name and produced all sorts of light weight slipware. some speckled lustreware vases. He had a second pottery at 237 East Boundary Rd East Bentleigh and also operated from Carey St East Bentleigh after buying out Guy Boyd. Ray was a pioneer in Australia of the electric pottery kiln which was very novel in the 1940's Ray's greatest attribute was probably his design skills. All Raynham pottery was his designs. One of his key employees was "Paddy" McDonald who undertook the majority of the thrown pottery. Ray Cook sold the company to Bendigo Pottery in the early 1970's who continued to use the Raynham brand for a short time. Most examples by that company have the same form but are unmarked. A small basket shape, the exterior is a deep red colour with white patches on the handle, the interior is cream coloured. There are floral designs impressed into the vase. It has shiny gloss finish. Red printing on the base - Raynham and a black number 36ray cook, raynham ceramic pty. ltd., slipcast vases, paddy mcdonald, bendigo pottery

Raynham (Ray) Cook started his pottery in 1946 in the garage in the back yard of 218 Murrumbeena Rd East Bentleigh Victoria and moved to a factory in North Rd East Bentleigh in 1948. The company was named Raynham Ceramic Pty. Ltd. after his first name and produced all sorts of light weight slipware. some speckled lustreware vases. He had a second pottery at 237 East Boundary Rd East Bentleigh and also operated from Carey St East Bentleigh after buying out Guy Boyd. Ray was a pioneer in Australia of the electric pottery kiln which was very novel in the 1940's Ray's greatest attribute was probably his design skills. All Raynham pottery was his designs. One of his key employees was "Paddy" McDonald who undertook the majority of the thrown pottery. Ray Cook sold the company to Bendigo Pottery in the early 1970's who continued to use the Raynham brand for a short time. Most examples by that company have the same form but are unmarked.White semi- circular small vase with a metallic shimmering finish (lustreware) . A fine seven centremetre crack in it. 208 in pencil on the baseray cook, raynham ceramic pty. ltd., slipcast vases, paddy mcdonald, bendigo pottery

Raynham (Ray) Cook started his pottery in 1946 in the garage in the back yard of 218 Murrumbeena Rd East Bentleigh Victoria and moved to a factory in North Rd East Bentleigh in 1948. The company was named Raynham Ceramic Pty. Ltd. after his first name and produced all sorts of light weight slipware. some speckled lustreware vases. He had a second pottery at 237 East Boundary Rd East Bentleigh and also operated from Carey St East Bentleigh after buying out Guy Boyd. Ray was a pioneer in Australia of the electric pottery kiln which was very novel in the 1940's Ray's greatest attribute was probably his design skills. All Raynham pottery was his designs. One of his key employees was "Paddy" McDonald who undertook the majority of the thrown pottery. Ray Cook sold the company to Bendigo Pottery in the early 1970's who continued to use the Raynham brand for a short time. Most examples by that company have the same form but are unmarked.A tall cylindrical white vase curves in from the top then bulges out near its base with two horseshoe shaped handles on the bulge. It's on a squat pedestal in the same mould. It has a white metallic shimmering finish (lustreware). The inside has numerous cracks. Markings on the base - 904ray cook, raynham ceramic pty. ltd., slipcast vases, paddy mcdonald, bendigo pottery

Raynham (Ray) Cook started his pottery in 1946 in the garage in the back yard of 218 Murrumbeena Rd East Bentleigh Victoria and moved to a factory in North Rd East Bentleigh in 1948. The company was named Raynham Ceramic Pty. Ltd. after his first name and produced all sorts of light weight slipware. some speckled lustreware vases. He had a second pottery at 237 East Boundary Rd East Bentleigh and also operated from Carey St East Bentleigh after buying out Guy Boyd. Ray was a pioneer in Australia of the electric pottery kiln which was very novel in the 1940's Ray's greatest attribute was probably his design skills. All Raynham pottery was his designs. One of his key employees was "Paddy" McDonald who undertook the majority of the thrown pottery. Ray Cook sold the company to Bendigo Pottery in the early 1970's who continued to use the Raynham brand for a short time. Most examples by that company have the same form but are unmarked. A fan shaped vase with a pink metallic shimmering (lustreware)external surface and a pink smooth gloss internal surface. indentions on both sides. It's on a squat pedestal in the same mould. Markings on the base - 199 and a damaged silver sticker Rayray cook, raynham ceramic pty. ltd., slipcast vases, paddy mcdonald, bendigo pottery

Raynham (Ray) Cook started his pottery in 1946 in the garage in the back yard of 218 Murrumbeena Rd East Bentleigh Victoria and moved to a factory in North Rd East Bentleigh in 1948. The company was named Raynham Ceramic Pty. Ltd. after his first name and produced all sorts of light weight slipware. some speckled lustreware vases. He had a second pottery at 237 East Boundary Rd East Bentleigh and also operated from Carey St East Bentleigh after buying out Guy Boyd. Ray was a pioneer in Australia of the electric pottery kiln which was very novel in the 1940's Ray's greatest attribute was probably his design skills. All Raynham pottery was his designs. One of his key employees was "Paddy" McDonald who undertook the majority of the thrown pottery. Ray Cook sold the company to Bendigo Pottery in the early 1970's who continued to use the Raynham brand for a short time. Most examples by that company have the same form but are unmarked. A tall fan shaped vase with a white metallic shimmering (lustreware) external surface and a white gloss internal surface. Vertical curved indention on both sides with matching curves around the oval shape at the top of the vase. The base of the vase is a circle smaller than the top. There five semi-spherical extrusions reducing in size down each side of the ends of the oval opening. It's on a squat round pedestal in the same mould. Markings on the base in black print - Raynham 7ray cook, raynham ceramic pty. ltd., slipcast vases, paddy mcdonald, bendigo pottery

Raynham (Ray) Cook started his pottery in 1946 in the garage in the back yard of 218 Murrumbeena Rd East Bentleigh Victoria and moved to a factory in North Rd East Bentleigh in 1948. The company was named Raynham Ceramic Pty. Ltd. after his first name and produced all sorts of light weight slipware. some speckled lustreware vases. He had a second pottery at 237 East Boundary Rd East Bentleigh and also operated from Carey St East Bentleigh after buying out Guy Boyd. Ray was a pioneer in Australia of the electric pottery kiln which was very novel in the 1940's Ray's greatest attribute was probably his design skills. All Raynham pottery was his designs. One of his key employees was "Paddy" McDonald who undertook the majority of the thrown pottery. Ray Cook sold the company to Bendigo Pottery in the early 1970's who continued to use the Raynham brand for a short time. Most examples by that company have the same form but are unmarked.A cream coloured vase with an external textured surface and indented curved marks. The inside is a smooth cream coloured surface. The vase is an oval shape which is smaller at the base. It's on a squat pedestal in the same mould. Markings on the base - 3 02ray cook, raynham ceramic pty. ltd., slipcast vases, paddy mcdonald, bendigo pottery

Raynham (Ray) Cook started his pottery in 1946 in the garage in the back yard of 218 Murrumbeena Rd East Bentleigh Victoria and moved to a factory in North Rd East Bentleigh in 1948. The company was named Raynham Ceramic Pty. Ltd. after his first name and produced all sorts of light weight slipware. some speckled lustreware vases. He had a second pottery at 237 East Boundary Rd East Bentleigh and also operated from Carey St East Bentleigh after buying out Guy Boyd. Ray was a pioneer in Australia of the electric pottery kiln which was very novel in the 1940's Ray's greatest attribute was probably his design skills. All Raynham pottery was his designs. One of his key employees was "Paddy" McDonald who undertook the majority of the thrown pottery. Ray Cook sold the company to Bendigo Pottery in the early 1970's who continued to use the Raynham brand for a short time. Most examples by that company have the same form but are unmarked.A white vase with an external textured surface and indented curved marks. The inside is is a smooth glossy yellow. The vase is an oval shape which is smaller at the base. It's on a squat pedestal in the same mould. Markings on the base - Raynham 51Bray cook, raynham ceramic pty. ltd., slipcast vases, paddy mcdonald, bendigo pottery

Raynham (Ray) Cook started his pottery in 1946 in the garage in the back yard of 218 Murrumbeena Rd East Bentleigh Victoria and moved to a factory in North Rd East Bentleigh in 1948. The company was named Raynham Ceramic Pty. Ltd. after his first name and produced all sorts of light weight slipware. some speckled lustreware vases. He had a second pottery at 237 East Boundary Rd East Bentleigh and also operated from Carey St East Bentleigh after buying out Guy Boyd. Ray was a pioneer in Australia of the electric pottery kiln which was very novel in the 1940's Ray's greatest attribute was probably his design skills. All Raynham pottery was his designs. One of his key employees was "Paddy" McDonald who undertook the majority of the thrown pottery. Ray Cook sold the company to Bendigo Pottery in the early 1970's who continued to use the Raynham brand for a short time. Most examples by that company have the same form but are unmarked. A tall asymmetrical centrepiece vase with flared fluted opening, the base is two scrolls. The external surface and the upper part of the internal surface has a pink metallic shimmering finish (lustreware) Marking on the base - Raynham 330ray cook, raynham ceramic pty. ltd., slipcast vases, paddy mcdonald, bendigo pottery