Black and white photograph of 3 C.R.T.S. Graduates standing behind a table which is displaying their pressed plant collections. Catalogued elsewhere as well."David Hughan, Casilda Webster, Ken Hunter." T H Kneen crts, graduates, david hughan, casilda webster, ken hunter, e. m. gibson collection, commonwealth reconsteruction training scheme, pressed plants, graduation

Black and white photograph. C.R.T.S. Students Graduation Day. 2 copies. 3 students standing in front of their pressed plant collections.On reverse of 1 copy, "L to R. Dave Hughan, Casilda Webster, Ken Hunter, C.R.T.S. Trainees 6th August 1948 Shown with Botanical Collections."students, graduation day, dave hughan, casilda webster, ken hunter, c.r.t.s., 1948, commonwealth reconstruction training scheme, student botanical collection, pressed plants

Burnley student assessment pressed plant collection 1954-55Collection of pressed plants bound in hard photo album covers. Burnley student 1954-55 Fred Stephenson hand painted and inked inscriptions for hand pressed specimens generally one or two per page.Burnley Student 1954-55 Fred Stephenson LATER PROP. WATTLEVIEW GARDENS FERNTREE GULLY COLLECTION OF PLANTS COMPRISING 14 FAMILIESpressed plants, fred stephenson, wattleview gardens, burnley student, assessement, plant collection, artifact

The Beauglehole Collection is held in the FedUni Science Herbarium (Mt Helen Y Building). Cliff Beauglehole (1920-2002) was an orchardist at Portland, Victoria. Over his lifetime he collected over 90,000 plant specimens as part of a comprehensice study of Victoria's plans, and wrote thirteen books under the title "The Distribution and Conservation of Vascular Plants in Victoria. Originally held by the Ballarat Field Naturalists Club, this set of herbarium specimens are from Cliff Beauglehole's collections in the Ballarat area. The club decided to hand over the plant collection to the University of Ballarat (now Federation University). They were freeze-dried to kill unwanted insects and are now house in a climate conrolled room, and available to students, staff and others for scientific study. Listing of specimens held in the Federation University Cliff Beauglehole Collection, and interpretation poster. herbarium, botany, botanical, text panel, cliff beauglehole, beauglehole collection, ballarat field naturalists club, plant specimens

The sheet of photocopied A4 size paper shows an aerial photograph of the Bendigo East State School and the location of significant trees on school property. The trees have been numbered and colour-coded. Blue: Avenue of Honour Sugar Gums, Green: Commemorative Sugar Gums planted on school grounds. Red: Indigenous trees which are not associated with commemorative plantings. Gemma Starr Collectionbendigo east state school, bendigo schools, gemma starr collection, school avenue of honour

Case of Plant Slides (Teaching Resource).Plant Anatomy glass slide collection. Incomplete - glass slides 25 x 75mm housed in wooden drawer set. 2 cabinets with drawers marked 6 - 18.Six sets of wooden drawers containing microscope slide sets for use in classes at the VSF.Anatomy Collection. Reproduction Collection. Classification Collection. Pauline Heinrich

Collector says - "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him." Note from collector-"For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Tan and brown plaid fringed travel rug. Albany Woollen Mill/Travel Rug/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, rug, albany, albany woollen mills

Collector says: I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Fringed plaid travel rug, brown, yellow and blue Onkaparinga/washing instructions/use A.W.C. approved wool detergent/warm machine wash on short gentle cycle/or warm hand wash/DO NOT BLEACH/warm rinse well on gentle cycle/normal spin/DO NOT TUMBLE DRY/dry in shade - gently pull to shape/dry cleanable (A) - in emblems: The Woolmark pure new wool, Woven in Australia, F 472wool, blanket, blanket fever, travel rug, onkaparinga

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him."Collector's note- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. "Fringed travel rug, red, blue, green and blackOnkaparinga/washing instructions/use A.W.C. approved wool detergent/warm machine wash on short gentle cycle/or warm hand wash/DO NOT BLEACH/warm rinse well on gentle cycle/normal spin/DO NOT TUMBLE DRY/dry in shade - gently pull to shape/dry cleanable (A) - in emblems: The Woolmark pure new wool, Woven in Australia, F 472wool, blanket, blanket fever, travel rug, onkaparinga

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him." Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. "Fringed travel rug, teal and brownAn Onkaparinga 100% pure wool production. In emblem: Made in Australiawool, blanket, blanket fever, travel rug, onkaparinga

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Plaid travel rug, double-sided , fringed , brown and orangeThe Seal of Quality/"Onkaparinga" /Pure Wool/Manufactured in Australia by Onkaparinga Woollen Co.Ltd/Owner___wool, blanket, blanket fever, travel rug, onkaparinga

THE AUSTRALIAN TRUST OF CONSERVATION VOLUNTEERS, ONE OF 14 INDIVIDUALS AND ORGANIZATIONS, TO RECEIVE UNITED NATIONS ENVIRONMENT AWARD NAIROBI, 1 June 2000 - The United Nations Environment Programme (UNEP) announced today that the Australian Trust of Conservation Volunteers of Australia (ATCV), has been elected to the prestigious ranks of its Global 500 Roll of Honour for outstanding contributions to the protection of the environment. ATCV is one of 14 individuals and organizations to receive this honour in 2000. Founded in 1982, ATCV is a national, not-for-profit community organization, whose mission is to attract and manage a force of volunteers in practical conservation projects for the betterment of the Australian environment. ATCV completes more than 4000 week-long conservation projects in urban, regional and remote areas of Australia each year. Activities range from bush regeneration, tree planting, seed collection, endangered species protection, weed control, flora and fauna surveys, walking trail construction, fencing, environmental monitoring and the protection of world heritage areas. ATCV community participation has resulted in more than 1.8 million trees being planted in 1999, and in more than 7.3 million trees planted over the past 10 years. Community involvement totalled 200,000 project days in 1999 and more than 700,000 days since 1989. To encourage the involvement of young people, ATCV developed and manages the federal government-funded programme Green Corps. Green Corps is a six-month traineeship for 17 to 20 year-olds, which incorporates conservation projects and accredited training. Since 1997, more than 4,000 trainees have completed the Green Corps programme. ATCV is a founding member of the International Conservation Alliance, which brings together organizations working in conservation volunteering, and is a member of the World Conservation Union (IUCN). " The award will be presented in Adelaide, Australia, at the World Environment Day ceremonies on 4 June 2000. World Environment Day, which is celebrated in some 120 countries around the world on 5 June, was established by the United Nations General Assembly in 1972 to focus global attention and action on environmental issues. Some 701 individuals and organizations, in both the adult and youth categories, have been honoured since UNEP launched the Global 500 award in 1987. Among prominent past winners are: French Marine explorer Jacques Cousteau; Sir David Attenborough, producer of environmental television programmes; Gro Harlem Brundtland, former Prime Minister of Norway; Anil Aggarwal, the prominent environmentalist from India; Ken Saro-Wiwa, the environmental and human rights activist from Nigeria who was executed for leading the resistance of the Ogoni People against the pollution of their Delta homeland; the World Wide Fund for Nature (WWF), Jimmy Carter, former President of the United States; Jane Goodall of the United Kingdom whose research on wild chimpanzees and olive baboons provided insight into the lives of non-human primates; and the late Chico Mendes, the Brazilian rubber tapper who was murdered during his fight to save the Amazon forest. To forge global links and to implement ideas, which can contribute to a more sustainable future, a network of all Global 500 laureates has been formed. Information about this unique network can be obtained at http://www.global500.org. The winners of UNEP's Global 500 Roll of Honour are members of a broad and growing environmental movement that is flourishing around the world. They have taken the path that most of us hesitate to take for want of time or caring," says UNEP's Executive Director, Klaus Toepfer. "In honouring the Global 500 laureates, UNEP hopes that others will be inspired by their extraordinary deeds."Certificatecva, conservation volunteers, conservation volunteers australia, conservation volunteers new zealand, colin jackson, better earth, environmental conservation, volunteers, volunteering, corporate volunteering, education – environmental, carbon footprint, climate change, ballarat, safety, training, partnerships, victoria, vic, nsw, queensland, act, australian capital territory, nt, northern territory, western australia, wa, south australia, sa, tasmania, new zealand, california conservation corps, atcv, unep, unep honour roll, united nations environment program

Various short pieces of writing, some dated, earliest 1971, latest in 1997. Gwen Baker (1928-2005) was a foundation member of EDHS. See Also Newsleter 162, May 2005 GWENDOLINE MARGARET BAKER NEE BOWES 1928- 2005 Gwen Baker as we knew her, often used her full name in her writings and even acknowledged her maiden family name as a means of reinforcing her own personal identity. Gwen died on 28 Februrary 2005 and has been buried at Arthurs Creek Cemetery in accordance with her wishes. It is typical of her humour that after visiting the site she wrote: "I have seen the Cemetery, so if I wake in sleep it has a nice view" Gwen was a foundation member of our Society. We remember her mainly for her contribution to our meetings, her witty comments or questions to our speakers and, of course, her collection of plants that she contributed to help the finances of our Society. Her friends in the Society also remember her cards and brief letters on a wide range of subjects. Gwen's wide range of interests included pottery, poetry and of course her gardening. She was an active member of many organizations including the Red Cross, Catholic Church, Nillumbik Garden Club and the former Eltham Arts Council. Her small self- published booklet of poems and writings starts with tins item written at 2am on Easter Sunday 1975. THOUGHT The seeming steady stillness of this quiet night has varied sound to one who sits and thinks of life. Of times of your of pleasant things and if the future has in store a place to be - a reason to exist. One hears a bird upon the roof scratching at his mate while in the distance a car goes by returning home quite late. A neighbours dog goes forth and bark! then stillness once again, like sunshine after rain. and so the thinker having heard and thought, carefully turns out the light and goes to bed. 41 pages (20 A4 pages cut in half). Folder 76 from Harry Gilham Collectionpoetry, creative writing, gwen baker

cactus, cacti, clematis, orchard redevelopment, r. hall, geoff olive, pruning garden, field station, vcah, university of melbourne, burnley, jill kellow, field station redevelopment, field nursery, student gardens, turfgrass, grassy woodland, chris findlay, phil tulk, grasslands, herbaceous border, car park, native garden, restoration native garden, john rayner, hilda kirkhope rockery, herb garden, rainforest garden redevelopment, plant lists, shady walk, salvia, trees, tai-haku cherry, tree management, tree lists, david aldous, grey border

These birds’ eggs were collected by Charles Brittlebank before 1910 but at this stage it is not known from which area they came. English-born Charles Brittlebank was a naturalist interested in ornithology, geology and mycology. He was the Government Plant Pathologist for Victoria from 1913 to 1924. He was the first to discover evidence of glaciation in the Werribee Gorge and published many papers on this subject and other aspects of natural history. It is not known when Charles Brittlebank was in the Warrnambool area or the origin of the birds’ eggs but it a very interesting (and perhaps rare) historical collection. .1 Birds’ Eggs - There are 27 eggs, either whole or partial specimens, contained in a box with home–made cardboard partitions. Ten are intact and the rest are broken. Eight are white and the remainder are speckled. The eggs are resting on a turquoise-coloured piece of material .2 Nest – This is woven from hair and fine twigs and is filled with white wool-like fragments .3 Letter – These are two sheets of writing paper with handwritten information in blue ink. .4 Envelope - This is a small envelope which contained the sheets of paper (.3 above) and the front has handwritten material in blue ink..3 ‘To whom it may concern – I hereby declare that these eggs were collected before 1910, and were part of a collection of the late Charles Brittlebank which is now in the Melbourne Museum. Fred. A. Shirrefs.’ .4 ‘To whom it may concern’ charles brittlebank, history of warrnambool

In the early 1990s the KVHS applied for a grant to create the Mt Beauty Heritage Centre / Discovery Centre. This involved employing consultants and further research.This collection includes a lot of detail of the Kiewa Valley area.1. Bogong - The Alpine Discovery Centre 2. Heritage Centre - black folder 3. Heritage Centre - manila folder 4. High Country Heritage Centre - 1991 - green spiral folder 5. Six Heritage Centre - Matt Viney & Associates - white spiral folders 6. Landscape Consultants - Susan Campbell & son - red spiral folder 7. Plant List - Upper Kiewa Valley Water Supply Catchment 8. Geological Survey of Vic., Plates, Bulletin No. 44 - in battered paper 'bag' with front cover list of contents - 15 plates 9. Geological Survey - A3 photo copies of pages 106-117 10. Geological Survey of Vic. - Report of Progress No VII 1884 - bound book 11. Geological Survey of Vic. Bulletin 56 - includes nth east Vic. 1958 - bound book with green cloth spine 12. Department of Mines Report Vic. 1906 - booklet held with two staples 13. Royal Society of Vic book - The Geology of the Kiewa Area 1961 14. Miscellaneous papers - Geological Survey, Reports of Fossil Specimens and maps of local area 15. Gold - Appendix K and Appendix 111, Part C - photocopied pages from Vic Mining Registrars Report 1888 - manila foldermt beauty heritage centre, mt beauty discovery centre, geological surveys

The State Electricity Commission of Victoria constructed the Kiewa Hydro Electric Scheme (KHES) which included the construction of the towns of Mt Beauty and Bogong from the late 1940s to 1961. The Mt Beauty Fire Brigade was formed to protect the towns and the surrounding areas including the area of the KHES.The KHES changed the Kiewa Valley from a rural community to a construction community. The Mt Beauty fire brigade competed with neighbouring fire brigades to practice their skills and to meet other fire fighters.Small black and white photos of Kiewa Hydro Electric Scheme, including Mt Beauty Fire Brigade competing against other local brigades in the 1950s. Photos include: 1. Junction Dam 6 photos 2. Early Mt Beauty, Fire fighting, Kiewa River, Early Kiewa Scheme Plan, surveying, fire tower 6 photos 3. Lake Guy 2 photos, Clover Power station, Bogong Village, Rocky Vally Flying Fox 2 photos 6 photos altogether 4. Tunnelling 6 photos 5. Bogong, Clover etc 6 photos 6. Bogong Creek Raceline 4 photos 7. Concrete Plant 3 photos 8. High Plains 6 photos 9. Mt Beauty Fire Bridgade 1 & 2 . 8 photos altogether 10. Engineer Michael Walter 1 & 2. 4 photos altogetherNOTE: KVHS has photos for media on USB but won't load onto VIC Collectionskhes, mt beauty fire brigade, engineer michael walter

The celebration of people's lives was important in the small community of Mt Beauty.Ron White was a popular resident of Mt Beauty. See KVHS 1282Memorial Service papers for Kiewa Valley residents with the surname of Newbound; McCullough; Peart; Addinsall; Hartley; Hamilton; Brown; Lebner; Hughes; Clutterbuck; Deans; White; Plant; Symons; Renshaw; Sauervein; Gray; Edmondson; Crowther; Peers; Crosby; Walter; Wilson; Moorman; La Fontaine; Sisarich; Talbot; Damm; Connors; Mills; McLean; Beissbarth; Churton; Sharpe; Prismall; Rogash; Clarke; Holford; Bates; Cooper; Glew; MacPherson; Napier; Mills; Ranton; Couch; Tye; Simsen; Hutchings/Plenderleith and for other celebrations:- Of the churches; baptisms; marriages; ron white, mt beauty community, funeral services

Photograph of farmhouse with family members on front veranda. Inscription on the back reads: 'To dear Emma with love from Lizzy'. Emma is possibly Emma Augusta Nightingale (nee Thompson) b 1859; d 1949. Lizzie is possibly Elizabeth Anna Thompson (nee Fleming) b 1874; d 1954 information sourced from Nightingale Family History folder Clear photograph depicting country farmhouse with large family on front veranda, very good example of charming country cottage garden with plants easily recognisable Sepia photograph mounted on brown card'To dear Emma with love from Lizzy'thompson collection, nightingale

The Emerald Garden Club operated from 1960 to 2025 with monthly meetings throughout the year and annual garden shows in August. The last garden show was in 2008 although monthly meetings with competitions, biannual plant sales, and working bees continued. The Club was forced to close in 2025 due to an ageing membership. This is a collection of photographs taken at their Winter Show, held at the Emerald Hall on 29 Aug-31 Aug 2008. It was donated to the Museum on the closure of the Club.This is a photographic record of some of the flowers, herbs and produce that was being grown at Emerald in August 2008.Ninety-nine photographs of exhibits at the Emerald Garden Club Winter Show 2008.emerald garden club, winter show, 2008

We have been unable to find a brand name or identify any identical items online or in other collections, indicating that this may be a custom-made tool designed specifically for use on a nursery - potentially C.A. Nobelius' nursery. It appears to be a foot-pedal operated hole punch, designed to reliably puncture metal pots for orchard trees. In the 1940s, the Nobelius nursery began to lift trees from the ground and sell them in pots rather than as bare-rooted plants; at this time, plastic was not yet widely available and many discarded biscuit or fruit tins were reused as pots. Potted trees required regular watering, and holes in the bottom of the pot for water to run out from; this hole punch may have facilitated an easier potting process until the popularisation of plastic pots in the 1960s.This item was a tool used in nursery practices in the 1940s, potentially including on the Nobelius nursery. Similar items are rare or difficult to find.This item rests on a cross base, with holes in each of the cross arms to allow it to be secured. The lower third of the central shaft is hollow, allowing for a foot pedal to descend through it. The middle third of the shaft is also hollow, with a loose central section affixed to the foot pedal moving up and down within it. In the upper third of the shaft, the hollow outer layer ends, and the mobile inner shaft is wrapped in a spring and affixed to the crossbar at the top of the item. Four small fixed crossbars also emerge from the sides of the middle third, attached to vertical rods through a rotating joint; the vertical rods attach with another rotating joint to pieces emerging through through the upper crossbar surface and ending with sharp points. The base and central shaft was painted yellow, and the upper crossbar head is painted red, though both are heavily faded. Together, these parts form a contraption that, when the foot pedal is pressed down, pulls the head downwards, in the process rotating the pointed pieces inwards to puncture the item placed on the head. When pressure is released, the spring returns the head to its initial position.N/Anursery, tools

The Ballarat Junior Technical School Pine plantation was a 32 acre sight at Nerrina wehre several thousands of pine trees were planted over three years. Information from the Victorian Education Department in regards to the Ballarat Junior Technical School Pine Plantation. Also includes newspaper articles on the Nerrina Pine Plantation. A letter was addressed t o teh Old Boys Association, Junior Technical School, amd addressed the question of a subsidy for fencing.ballarat junior technical school, pine plantation, endwoment plantation

Albert E. Williams was a teacher at the Ballarat Technical Art School.Framed Study in Colour of a Flowering Plant from Naturealbert e. williams, art gallery design, art teachers' certificate, a.e. williams, ballarat technical art school, staffmember, flora, aqualegia, available

A trail travels through the Arboretum where you may see resting kangaroos and wallabies, crosses a creek that holds a vulnerable colony of frogs commonly known as Victorian Smooth Froglet (Geocrinia victoriana), and admire the grass trees (Xanthorrhea australis) that grow on the campus behind accommodation. In 2018 2000 native trees planted by State Library Victoria and Federation University in the Arboretum .Planted with the help of locals, students, and kindergarten children as part of the joint project the plantings included indigenous trees, shrubs and grasses native to Ballarat. Federation University student Clancy Meaney is managing the tree planting project as part of her studies. “The arboretum is a fantastic resource that is used extensively by Federation University students as an outdoor classroom,” Ms Meaney said. “Being situated in between two main forests, our campus is also an important connection for native animals. These new trees will help migrating wildlife to move from one forest to the other.” State Library Victoria Project Management Office Director, Sarah Slade said the project was a wonderful opportunity to work with Mount Helen residents and the University to help protect the native landscape. “We’re thrilled to be able to give back to students, local residents and native flora and fauna through this valuable environmental initiative,” Ms Slade said. The tree planting project is a result of State Library Victoria’s ongoing partnership with Federation University. Construction of the Library’s second state-of-the-art storage facility, BOSS2 (Ballarat off-site store 2), is currently underway on the Federation University site. The existing storage facility at the Mount Helen Campus already holds more than half of the State Library’s collection, including newspapers, books, journals, textiles, paintings, architectural drawings, furniture and photographic glass plate negatives. In addition to State Library collection, BOSS2 will also provide two dedicated storage areas for the University’s collection. When completed, BOSS2 will provide additional storage of 25-30 linear kilometres, the equivalent of driving from Ballarat to Clunes or running 175 lengths of the MCG. The Mount Helen Campus Arboretum was established c1992.arboretum, mt helen campus arboretum, graeme ambrose, mt helen campus