Moved from 191 Para Road Greensborough to current address 20 Sherbourne Road in 2013.Business card, printed in blue and red on whiteBrett Rooff, Assistant manager business cards, plaster

Guide on Building a new home. Designs- Interior and exterior illustrations Presented with compliments of Fibrous Plaster manufacturers' Association of Victoria Paper book Guide to building a home Presented by Fibrous Plaster Manufacturers' Association of Victoria Coloured illustration of interior and exterior Methods of Home ConstructionWhen You Buildhome building, australia

Dalmas was a British company, established in 1933 which produced pharmaceutical supplies in London and Leicester. Small grey metal box designed to hold waterproof first-aid dressings. The design on the front includes a hand with a raised finger, indicating where the 'plasters' might be used. Waterproof / Stays clean / Does not fray / Dalmas plaster first-aid dressings / Made at Dalmas Ltd - Leicester & London - England / Estd 1833 / Cat. No. 905fpharmaceutical supplies, bandages, dalmas ltd

David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Plaster casts of a Puma footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore Collectionaustralian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, puma, plaster cast, footprint, mythical, myth, folklore

David Pepper-Edwards used a number of plaster cast footprints made at Taronga Zoo in the identification of Big Cat sightings in the bush.David Pepper-Edwards used a number of plaster cast footprints made at Taronga Zoo in the identification of Big Cat sightings in the bush.australian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, plaster cast, footprint

The cast of a captive African Lion was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. This cast was taken in deep mud to demonstrate the abnormal shape of such casts. Sometimes cats claws are clearly visible from such casts and so being confused with that of a large dog. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Plaster cast of a Lion footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. The plaster has remnant straw like material attached. Australian Animal Folklore Collectionaustralian animal folklore collection, pepper edwards, david pepper edwards, big cats, mythical, myth, folklore

David Pepper-Edwards used a number of plaster cast footprints made at Taronga Zoo in the identification of Big Cat sightings in the bush.Plaster casts of big cat footprints. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore Collectionaustralian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, plaster cast, footprint, mythical, myth, folklore

This is a cast of unknown origin and was probably made commercially. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Two plaster casts of a Bob Cat footrpint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore CollectionversoL Bob Cataustralian animal folklore, david pepper edwards, pepper edwards, bob cat, big cat, cat, footprint, cast

The cast of a captive Alpine Dingo was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Plaster casts of an Alpine Dingo Footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore CollectionVerso: TZ, Alpine Dingo, 4/04australian animal folklore collection, david pepper edwards, pepper edwards, alpine dingo, dingo, plaster cast, footprint, mythical, myth, folklore

The cast of a captive Clouded Leopard was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Two plaster casts of a male Clouded Leopard. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore CollectionVerso: TZ, 3/04/male/Clouded Leopardaustralian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, clouded leopard, plaster cast, footprint, mythical, myth, folklore

The cast of a captive Golden Cat was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Three plaster casts of a Golden Cat footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore CollectionVerso: TZ, Golden Cat, male, 5/04australian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, golden cat, plaster cast, footprint, mythical, myth, folklore

The cast of a captive Alpine Dingo was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Two plaster casts of a Tropical Dingo footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore CollectionVerso: TZ, Tropical Dingo, 4/04australian animal folklore collection, david pepper edwards, pepper edwards, tropical dingo, dingo, plaster cast, footprint, mythical, myth, folklore

The cast of a captive female African Lion aged 5 months was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Two plaster casts of a Lion footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore Collectionverso: TZ, lion, male, 04/04australian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, lion, plaster cast, footprint, mythical, myth, folklore

The cast of a captive male Snow Leopard was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Three plaster casts of a male Snow Leopard footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore CollectionVersoL TZ, Snow Leopard, Male, 3/04australian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, snow leopard, plaster cast, footprint, mythical, myth, folklore

The cast of a captive male Golden Cat was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Plaster casts of a male Snow Leopard showing front and rear footprints. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore CollectionVerso: TZ, Snow leopard, male, 27/7/03, front + rearaustralian animal folklore, david pepper edwards, pepper edwards, snow leopard, big cat, cat, footprint, cast

The cast of a captive male Sumatran Tiger aged 5 months was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Two plaster casts of a five month old male Sumatran tTiger footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore Collectionverso: TZ, Sumatran Tiger, males, 5 months, 3/04australian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, sumatran tiger, plaster cast, footprint, mythical, myth, folklore

The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces, with TAFE students reportedly drawing from it into the twenty-first century. This plaster hand is inscribed “Waschatz, Modeller, Melbourne.” Otto Waschatz was a German plasterer who opened a plaster business in the Melbourne suburb of Richmond, and was responsible for the invention of the first true fibrous plaster - using a layer of hemp laid between plaster to create light and strong panels. By 1912 Waschatz's Lottoid Pty Ltd was a thriving and creative business, and possessed over 5,000 moulds for all kinds of plasterwork. The business closed in 1915, as the result of anti-German sentiment during World War One. Plaster cast of a hand used as a teaching aid at the Ballarat Technical Art School. The Victorian Education Department courses required art students to create studies based on ancient sculptures so copies of famous works were purchased as teaching aids. Among these courses were 'Drawing the Human Figure from Cast' and ‘Drawing from the Antique’. Waschatz, Modeller, Melbourneballarat school of mines, art, arts academy, ballarat technical art school, vikki nash, plaster cast, otto waschatz, lattoid pty ltd, school of mines, plaster copy, drawing from the antique, drawing the human figure from cast

Evelyn LAMB Evelyn Lamb was a student of an early Ballarat Art School. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two drawing of plaster casts depicting fruit. art, artwork, evelyn lamb, plaster cast, fruit, alumni, ballarat technical art school, unframed

Hand-made mask that may have inspired some of Mirka Mora's paintings and may have been made by her. It was sold at an auction of the artist's personal effects on 3 March 2019. A small plaster mask, with cut out eyes and red lipsmirka mora

Digital images of the plaster ceiling at St Brigid's Catholic Church, Crossley, Victoria. victoria, crossley, st brigid's crossley, st brigid's, catholic church, catholic, church, religion, ceiling, decorative plaster, art nouveau

Cast Private Nesbitt, Plaster cast of injured soldier pre-operative from Sidcup Collectionroyal australasian college of surgeons

Black and white photo of Site of Blackburn Fibrous Plaster Works, Canterbury Road, Blackburn South.blackburn fibrous plaster works, blackburn, canterbury road

Black and white photo of Site of Blackburn Fibrous Plaster Works in Main Street, Blackburn South.blackburn fibrous plaster works, nth blackburn

Black and white photo of Rubbish from Blackburn Fibrous Plaster Works, Main Street, Blackburn South.blackburn fibrous plaster works, blackburn, factory

Advertisement in the local paper for J.A. Donald - Plaster, Briar Hill (1954), also trading as Briar Hill Plaster.Part of a collection of historic advertisements from local newspapers, showing local businesses from the mid 20th century.Digital copy of 2 newspaper advertisements.j a donald, briar hill plaster

The Criterion Hotel was located on the western side of Kepler Street near the corner of Lava Street. John Tate of Woodford was the first licensee of the Criterion Hotel in 1873. The Humm family and the McGennan families were licensees for a considerable amount of time in the late 19th and 20th centuries. It was one of the last venues in the town to host live music. The last publican, John Palmer remembered it as a workers pub popular with local truckies and football clubs, in particular, Bushfield, Russell’s Creek and South Rovers. The Criterion closed in 2008 with the aim of turning it into office space but it was burnt beyond repair in 2010 and the remains were demolished in 2013.The Criterion Hotel was one of the earliest and longest licensed hotels in Warrnambool. As such it has local historical significance. The original building was an impressive landmark and the hotel itself has significant social importanceWhite plaster fragment with floral pattern enclosed within two plain borders. It is roughly five sided but edges are broken.criterion hotel, history of warrnambool, warrnambool hotels

Before the advent of fibreglass casts in the 1970's plaster of paris was used to immobilize fractures, this boooklet provides illustrated guidence of techniques for application and removal of plaster for common injuriesNurses assisted with the applicaton and removal of plasterIllustrated stapled booklet with blue cover. On the front cover there is an Xray of a human hand and wrist with title in white print above. Two holes have been punched at leftAbove title the previous catalogue number is handwritten [black ink] along with a black stamp reading 'Operating Theatres/Alfred Hospital' .This stamp also appears on the title page and page three. On the title page 2/5 Theatre Alfred Hospital, has been handwritten [blue ink] at top rightplaster of paris, fracture treatment

'Ordsall', renamed 'Southesk' in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Cullis Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.Rare, and possible unique fragment of a plaster cornice from one of the most architecturally distinctive houses in Kew, demolished 1970.Section of plaster cornice removed from Southesk on the corner of Charles Street and Cotham Road, Kew, when it was demolished in 1970 by the City of Kew. The cornice has a narrow layer of previously coloured plaster which is now overlaid with a grey distemper. The foundation of the cornice is moulded cement. Remnant flowers moulded in the central band of the cornice include a rose and a sunflower. The plaster decoration was probably located in the entrance hall, dining room or ballroom, all of which were created in the 1870s by Michael Hennessy and decorated by the firm of art decorators, Cullis Hill & Co in 1882.Nilordsall, south esk, cullis hill, plasterwork, cornices, victorian interiors

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.A series of drawings undertaken by Alice Watson when she was studying "Drawing From the Plaster Cast" at the Ballarat Technical Art School. Some drawings are double sided.plaster casts, drawing, ballarat technical art school, alice watson, edith alice watson, alumni, visual arts