The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Stereograph of two black and white images showing a man standing in front of the ruins of Pompeii.14,651. MAJESTIC RUINS OF THE CITY OF POMPEII, ITALY. Destroyed by Volcanic Eruption / of Mt. Vesuvius A.D. 79, and Excavated about 1764.stereographs

To provide an image of the central marble statue in the Gardens' Statuary Pavilion, '"Flight From Pompeii".Clear image of significant central item in the Statuary Pavilion and Sculptor recorded as Giovanni Maria Benzoni. 1809-1873.Photographed marble statue. Clearly delineated in copy of photograph Heading on Photograph: Giovanni Benzoni, Italian, 1809-1873. Flight From Pompeii, 1873Possibly photocopied on paper already used. Background lettering Art Institute, Chicagojohn garner collection, garner, dr, flight from pompeii, photo, ballarat botanical gardens, ballarat, gardens, benzoni, statuary pavilion, benefactor

Pattison Collection This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much - loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Last Days of Pompeii Author: Lord Lytton Publisher: Ward Lock & Co Date: 1911 1st Published: 1834The label on the spine with the typed text PAT FIC LYT Pastedown front endpaper has a sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service Flyleaf has a stamp from Warrnambool Mechanics Institute shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, the last days of pompeii, lord lytton

Details of inscription on base of "Flight from Pompeii" statue.john garner collection, garner, dr, statues, flight from pompeii, inscription, ballarat botanical gardens, ballarat, gardens

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. House of the Faun, Pompeii, ItalyPompeii / House / dn / A.A (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Ancient Roman house with oleanders and Vesuvius in the distance, Pompeii, ItalyPompeii / House / With Vesuvius & Oleandors (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

Notes, ill, p.393.In ancient Pompeii an evil magician attempts to prevent a young woman from marrying the young man she loves. They escape as the volcano destroys Pompeii. pompeii - destruction, pompeii - fiction

Index, ill, p.179.non-fictionA travellers guide to Pompeiipompeii - description, pompeii - travel

An original, cardboard mounted, photograph of the sailing ship 'Southern Cross' under full sail at sea.Realism, historical, colour photograph, fishing boat, slipwayColour photograph of the fishing boat 'Pamlorie' at the slipway at QueenscliffeOn the reverse - 'Pamlorie Queenscliffe slipway - built by Pompeii Bros - Modialloc - 1985 - owner Harris Bros - Apollo Bay'fishing boat 'pamlorie'

Fortuna Villa was initially commenced as a modest single storey home in 1861 next to the 180 Mine by Theodore Ballerstedt, who sold the mine and house to George Lansell in 1869. Lansell already owned the adjacent Fortuna Mine, and through deeper mining techniques greatly expanded the mine's operation, his personal wealth, and the house and grounds. Lansell was soon known as the 'Quartz King', Australia's first gold mining millionaire and credited as the driving force behind much of Bendigo's prosperity. He continuously added to and expanded the villa, decorating it extravagantly with the finest of artworks and materials, into a sprawling mansion with extensive landscaped grounds, to create a house and grounds of a size and grandeur with few rivals in Australia. After his death in 1907, his second wife Edith carried on with improvements, creating a house and grounds developed over 50 years. The attached mine also contributes to its significance, being one of the richest mines in Bendigo, and at one stage probably the deepest gold mine in the world at 3176 feet. The 1875 crushing works are attached directly to the mansion, and the mine's tailings and settling ponds (turned into ornamental lakes) represent a direct link between George Lansell's wealth and its source. Fortuna was compulsorily acquired by the Commonwealth in 1942 as the Cartographic Headquarters of the Australian Survey Corps during World War II, and many ancillary structures were added while preserving the main house and ornamental grounds. Victorian Heritage Database Report https://vhd.heritagecouncil.vic.gov.au/places/68334/download-reportConservation report for the Pompeii Fountain & Adjacent Structures at "Fortuna" Chum Street, Golden Square, Victoria. Prepared for Fortuna Historical Committee. March 1996.Halina Eckersley, Architect & Conservation Planner, Kewpompeii fountain, greenhouse, fortuna lake, gardens

The use of cookie cutters dates back to at least Roman times, as some were found in the ruins of Pompeii. They were buried by the eruption of Mount Vesuvius in 79 AD.Cookie cutters have been used to create attractive shaped biscuits and cakes for many years.Five round metal pastry cutters with serrated edges, the largest one with a handle. None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, cookies, cutters, biscuits, cakes

The use of cookie cutters dates back to at least Roman times, as some were found in the ruins of Pompeii. They were buried by the eruption of Mount Vesuvius in 79 AD.Cookie cutters have been used to create attractive shaped biscuits and cakes for many years.Set of five metal cookie cutters.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, cookies, cutters, biscuits, cakes

This procession was conducted in Sturt Street. The picture insert is of the statue 'Flight from Pompeii'. Some of the buildings seen in the photo are Mechanics Institute, Town Hall and the Unicorn Hotel.celebrations, 8 hours day, streetscape, buildings, commerical, public, town hall, mechanics' institute, unicorn hotel, statue, flight from pompeii, sturt street, ballarat

Ruth was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. the artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Ruth is in a seated position with a loosely draped dress.Ruthruth

Modesty was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Modesty standing with right arm folded over chest, robed and with veil over face.Modestymodesty

Susannah designed and carved by Charles Francis Summers and accompanies four statues in the Statuary Pavilion in the Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.The artwork is of historic and aesthetic significance to the people of Ballarat White marble statue, female seated with cloth draped over lower body.Susannahsusannah, summers

This is a set of nine photographs of personnel delivering new gym equipment at the Army Survey Regiment, Fortuna, Bendigo in 1990. The photos were taken inside the transport compound, outside Lithographic Squadron and behind the Pompeii Fountain before the gym equipment was installed inside the Stables.This is a set of nine photographs of personnel delivering new gym equipment at the Army Survey Regiment, Fortuna, Bendigo in 1990. The photographs are on 35mm negative film and were scanned at 2400 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1990. L to R: unidentified, CPL Peter Smyth. .2) & .3) - Photo, black & white, 1990. All unidentified. .4) - Photo, black & white, 1990. L to R: CPL Peter Smyth, remainder unidentified. .5) - Photo, black & white, 1990. All unidentified. .6) - Photo, black & white, 1990. L to R: unidentified, SGT Peter Tuddenham, unidentified, SPR Russ Brodie, SPR Trevor King. .7) - Photo, black & white, 1990. All unidentified. .8) - Photo, black & white, 1990. L to R: SPR Trevor King, unidentified. .9) - Photo, black & white, 1990. L to R: SSGT Bob Garritty, SPR Trevor King – behind equipment, CPL Peter Smyth.There are no personnel identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna

Printed full colour postcard titled "Ballarat Botanical Gardens Victoria Australia". Features photos of BTM No. 26, Lake Wendouree, Statuary, Flight from Pompeii and the Robert Clark Centre. On rear is places for correspondence, stamp, barcode, address and rose image. Has the name of the publisher "Rose Stereograph Co. Glen Waverley Victoria" and name of photographer, Stephen Cutts". Rose Series No. 4070. trams, tramways, btm, wendouree parade, gardens

These are anecdotal notes from a visit by John and Helen McEwen 25 February 2008. John recalled that he repaired the statue on the "Pompeii Fountain" located at Fortuna Villa after it had been shot believed to be by an unknown National Serviceman using a .303 rifle. The document describes what is believed to be information surrounding the shooting incident and the damaging of several other statues in the 1960s.Two A4 pages of typed textroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Fortuna Villa is associated with the 180 Mine on the New Chum Reef. Historically ‘Fortuna’ is significant for the record it provides from 1855 to 1871 of Christopher and Theodore Ballerstedt, Australia’s first mining magnates and from 1871 to 1935 of the Lansell family, George Lansell (The Quartz King) being one of Australia’s most successful and adventurous nineteenth century gold mine owners and speculators. The photo album depict the ornamental lake, garden, Roman bath and Pompeii fountain, all features of the house. Bound blue cloth family photo album. Nineteen brown card 'pages' each with photograph adhered to both sides. Total of thirty eight black and white photographs depicting interior and exterior of Fortuna as well as the Lansell family, friends and pets. Photographs attributed to W. Ninnis. Photographs of FORTUNA Bendigofortuna villa, w. ninnis, george lansell, edith lansell

There is evidence of the game of marbles in the ruins of Pompeii and the tombs of Egyptians as well as early American Indians. The earliest marbles were simply rounded stones which had been polished but this was refined to handmade versions made of clay, stone and glass. It was in the late 19th century that mass production began and it gives testament to the popularity of the game that the Dyke factory of Ohio could produce 1,000,000 marbles a day. It was around 1915 that the mass production of glass marbles began. The game reached the height of popularity in the 1920-1930’s. Many were prized for their designs.The game of marbles was one of the most common games played universally, from childhood hence has a strong link with people of all ages and cultures. Five marbles in glass jar. All are various sizes ranging from large yellow streaked with red and blue, black striped with white, marbled tan, clear with multi coloured streaks and bright blue. Shapes are roughly spherical. Materials range from glass to glazed and stone. Three have pontil marks either on end.The lid of the jar has Nestle vacuumed sealed for extra protection. Use special key to open. Old sticker on base with 173 written in black lead pencil. toys, marbles, children's games, warrnambool, handmade marbles, glass marbles, clay marbles, agate marbles

Interior and exterior views showcase Fortuna's unique design elements.Notable features include the Pompeii fountain with detailed sculptures such as a boy on a pillar, Neptune, and a lion's head. Exquisite stained glass in the music room. Rooftop putti (cherubic figures) that add timeless appeal. Beverley Carter is the author of the document and is a retired secondary school teacher, part-time journalist, reviewer, and editor. She is a member of Bendigo's Lansell family and is currently writing a comprehensive history of her family, covering their European and English origins and their role in Bendigo's development. Carter's 'Fortuna Glimpses' series focuses on the life of mining magnate George Lansell and his home, Fortuna Articles - "Fortuna Details" May 15 2009 The Bendigo Advertiser by Beveley Carter, picture by Julian Prowd This item contains the following: 11217.40a Colour Photo of "Boy on a Pillar". 11217.40b Colour Photo of "Pompei Fountain Detail" 11217.40c Colour Photo of "Pompei Fountain Detail" 11217.40d Colour Photo of "Pompei Fountain Lions Head" 11217.40e Colour Photo of Stained glass from the music room, and ornate plaster. 11217.40f Colour Photo of roof top putti. 11217.40g Colour Photo of Etched and ruby glass panels on the conservatory 11217.40h Part of Page 16 - "Fortuna Details - Fortuna Glimpes"non-fictionbendigo, fortuna, george lansell, beverley carter

The photo shows a large crowd on an 8 hours (Labour Day) gathered in the eastern end or lower end of Sturt St. The 8-hour memorial or monument is in the centre of the photograph. Has one double-deck horse tram in view along with many other horse-drawn vehicles. On the Ballarat Mechanics Institute building is an advert for "Morrey & Tyler, the Cash Drapers" at 11 Bridge St Ballarat. Also in the view are Ribble, Suttons, E Payne, the Ballarat Gas Co. building and a dentist along with other buildings. In the bottom right-hand corner is an insert photo of the statue "The Flight from Pompeii". In the bottom left hand corner is "Crisp Photo Process F W Niven & Co.Yields information about an 8 hour celebration day in the lower end of Sturt St.Illustration cut from a journaltramways, trams, sturt st, horse tram, 8 hour day monument, labour day

Bendigo Advertiser ''The way we were'' from 2000. Fortuna villa: originally a resplendent villa of two storeys comprising six rooms in the ground floor and five on the second. It was situated beside the New Chum line of reef and was of 350 square metres. In 1887 Fortuna was enlarged with the addition of a mansard between the billiard and music rooms. The entrance hall was demolished and replaced with the hall which stands today. Work continued until 1904 by which time Fortuna was three storeys high. The building was befitting any prince, and soon became an entertainment centre for notable visitors to Bendigo. The spacious gardens adorned with a Pompeii-style fountain and three lakes made Fortuna an idyllic mansion. The clip is in a folder.newspaper, bendigo advertiser, the way we were

James Russell Thompson (1818-1886) a successful mining investor and stockbroker of the Ballarat Stock Exchange, gifted the pavilion and the statues within, as a 10,000 pound bequest to the City in his will. The pavilion, designed by architect T.E. Molloy on an octagonal plan with a convex curved roof, was constructed in 1887, and houses the statues Flight from Pompeii, Rebekah, Susannah, Modesty and Ruth. The pavilion is a major feature of the Ballarat Botanical Gardens, and unique in Victoria. It is a favourite subject for photographers, and Mrs Strange has captured it surrounded by massed small begonias. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. botanical gardens, lake wendouree, james russell thompson, statuary pavilion, weighing machine

This set of 12 photographs of the Army Survey Regiment’s Fortuna Villa and surrounding facilities was taken circa 1987 to 1989. The photos feature much of Fortuna’s exterior and most of the out-buildings spread over the property’s fifteen acres of grounds. After Defence took possession of Fortuna in 1942, the Q-store and engineering workshops were added during the wartime period. Soldiers were accommodated in tents during WW2 for 20 years next to the parade ground before the construction of accommodation buildings in 1962. In 1990 most of the weatherboard buildings in the Q-store area were replaced. A climate-controlled building was also constructed to house a map library and digital data media. This photo set also includes the exterior of Air Survey Squadron’s Building 16 and two modular buildings -16A and 16B that were added in the early 1980s to accommodate map production and technical services. See item 6456.30P for more photos of Fortuna Villa and its surrounding facilities. This set of 12 photographs of the Army Survey Regiment’s Fortuna Villa and surrounding facilities was taken circa 1987 to 1989. The photographs are on 35mm negative film and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1987-1989. Fortuna Villa – front view. .2) - Photo, black & white, c1987-1989. Fortuna Villa – view of lake towards tennis courts. .3) - Photo, black & white, c1987-1989. Fortuna Villa – view of lake towards OR’s Barracks. .4) - Photo, black & white, c1987-1989. Fortuna Villa – back view. .5) - Photo, black & white, c1987-1989. View of Fortuna Villa from Air Survey Squadron’s Building. Technical Services, Building 16B at right. .6) - Photo, black & white, c1987-1989. Fortuna Villa – view of lake towards tennis courts. .7) - Photo, black & white, c1987-1989. Fortuna Villa – Pompeii Fountain in front garden. .8) - Photo, black & white, c1987-1989. Fortuna Villa – statue on top of the Pompeii Fountain’s pillar. .9) - Photo, black & white, c1987-1989. Fortuna Villa – view of Litho buildings and newly constructed Wayzgoose Hall Print Building from rooftop. .10) - Photo, black & white, c1987-1989. Fortuna Villa – view of sequoia trees and lake from rooftop. .11) - Photo, black & white, c1987-1989. Fortuna Villa – balcony view of Q-store and transport compound from rooftop. .12) - Photo, black & white, c1987-1989. Fortuna Villa – playground with tennis courts in background.There are no annotations.royal australian survey corps, rasvy, fortuna, army survey regiment

This is a set of 23 photographs taken at the combined Officer, Warrant Officer and Sergeant’s Mess Summer Ball held at the Army Survey Regiment (ASR), Fortuna Villa on the 25th of February, 1995. The Summer Ball was one of the last large scale formal functions held at Fortuna Villa before ASR’s closure the following year. Photos of personnel and their guests was taken on their arrival near the Pompeii Fountain in the gardens at the front of the main building. The Ball and Dinner was held at the rear of Fortuna Villa in temporary 20’ x 30’ Army tents set up on the roadway in front of the transport compound. SERCO contract staff provided the catering and the ASR’s Other Ranks performed stewarding and kitchen hand duties. Refer to item 6347 for information on the administrative file held in the collection and items 6371.33P, 6372.25P and 6373.36P for additional photographs taken at the Summer Ball.This is a set of 23 photographs taken at the Officer, Warrant Officer and Sergeant’s Summer Ball held at the Army Survey Regiment, Fortuna Villa on the 25th of February, 1995. The colour photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, colour, 1995. Wolfgang and Ros Effenberg .2) to .4) - Photo, colour, 1995. Unidentified civilian guests. .5) - Photo, colour, 1995. Jan and Kevin Doyle. .6) - Photo, colour, 1995. Unidentified civilian guests. .7) - Photo, colour, 1995. Dennis and Cheryl Learmonth. .8) - Photo, colour, 1995. Unidentified civilian guests. .9) - Photo, colour, 1995. Unidentified civilian guests. .10) - Photo, colour, 1995. John and Glenda Stear. .11) - Photo, colour, 1995. Carol and Maurie Sharkey. .12) - Photo, colour, 1995. Vik and Julia Sabaliauskas. .13) - Photo, colour, 1995. Glenys and Patrick Thwaites. .14) - Photo, colour, 1995. Unidentified civilian guests. .15) - Photo, colour, 1995. L to R: Glenys and Patrick Thwaites, unidentified civilian guests. .16) - Photo, colour, 1995. Unidentified civilian guests. .17) - Photo, colour, 1995. Bruce and Jenny Reid. .18) - Photo, colour, 1995. Bob and Kath Rogister. .19) - Photo, colour, 1995. L to R: Tony and Rhonda Spurling, unidentified civilian guests. .20) - Photo, colour, 1995. Ken Crouch and partner. .21) - Photo, colour, 1995. L to R: Andrew Balsillie MBE and partner Greta, unidentified civilian guests. .22) - Photo, colour, 1995. Colin Proud and partner. .23) - Photo, colour, 1995. Unidentified civilian guests..1P to .23P There are no personnel or civilians identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

This is a set of 33 photographs taken at the combined Officer, Warrant Officer and Sergeant’s Mess Summer Ball held at the Army Survey Regiment (ASR), Fortuna Villa on the 25th of February, 1995. The Summer Ball was one of the last large scale formal functions held at Fortuna Villa before ASR’s closure the following year. Photos of personnel and their guests was taken on their arrival near the Pompeii Fountain in the gardens at the front of the main building. The Ball and Dinner was held at the rear of Fortuna Villa in temporary 20’ x 30’ Army tents set up on the roadway in front of the transport compound. SERCO contract staff provided the catering and the ASR’s Other Ranks performed stewarding and kitchen hand duties. Refer to item 6347 for information on the administrative file held in the collection and items 6370.23P, 6372.25P and 6373.36P for additional photographs taken at the Summer Ball.This is a set of 33 photographs taken at the Officer, Warrant Officer and Sergeant’s Summer Ball held at the Army Survey Regiment, Fortuna Villa on the 25th of February, 1995. The colour photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, colour, 1995. Darren Radford and partner. .2) - Photo, colour, 1995. L to R: Craig Hersant and partner, Mrs & Mr Foster. .3) - Photo, colour, 1995. Stan and Maureen Vote. .4) - Photo, colour, 1995. Gordon (Muddle) Muir and partner. .5) - Photo, colour, 1995. John South and partner. .6) - Photo, colour, 1995. Bill and Jan Griggs. .7) - Photo, colour, 1995. John Bath and partner. .8) - Photo, colour, 1995. John Bath and Tara Bucknall. .9) - Photo, colour, 1995. Roger Grose and partner. .10) - Photo, colour, 1995. L to R: John Bath and partner, Roger Grose and partner. .11) - Photo, colour, 1995. Peter Crabbe and Jodi Cuskelly. .12) - Photo, colour, 1995. Marianne and Colin Cuskelly. .13) - Photo, colour, 1995. L to R: Peter Crabbe and Jodi Cuskelly, Marianne and Colin Cuskelly. .14) - Photo, colour, 1995. L to R: Maria and Tony Harder with daughter. .15) - Photo, colour, 1995. Brenton and Marg McDonald. .16) - Photo, colour, 1995, L to R: unidentified guests, Brenton McDonald and partner. .17) - Photo, colour, 1995. Frank Franceschini and partner. .18) - Photo, colour, 1995. Mick and Cathy Banham. .19) - Photo, colour, 1995. Ross Jenkins and partner. .20) - Photo, colour, 1995. L to R: Vik and Julia Sabaliauskas, Ross Jenkins and partner. .21) - Photo, colour, 1995. L to R: Noel and Jenny Coulthard. .22) - Photo, colour, 1995. A. Carrol-Keys (RACT) and partner. .23) - Photo, colour, 1995. Peter Cates and partner. .24) - Photo, colour, 1995. Terry and Sharon Lord. .25) - Photo, colour, 1995. Dave and Sue Stephenson. .26) - Photo, colour, 1995. Unidentified member and partner. .27) - Photo, colour, 1995. Simon Lemon and partner. .28) - Photo, colour, 1995. Glen Swiney and Don Swiney MBE. .29) & .30) - Photo, colour, 1995. Sandra and Duncan Burns. .31) - Photo, colour, 1995. L to R: Duncan and Sandra Burns, unidentified member and partner. .32) - Photo, colour, 1995. L to R: Unidentified member and partner, Matt Jackson CSM and partner. .33) - Photo, colour, 1995. L to R: Glen Swiney, Simon Lemon, Dave Stephenson and partner, Simon Lemon’s partner, Andy Cordova (USA Exchange), Don Swiney MBE.1P to .33P There are no personnel or civilians identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr