Showing 58 items matching "portland landscape"
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Glenelg Shire Council Cultural CollectionPainting, Travis Webber, Greenmount from the rear, c. 1955
... ...Portland Landscape...His work is held in several large galleries. oil painting Greenmount Landscape Portland Landscape Front: Travis Webber (brown paint, lower left) Back: Geelong Picture Framers, 211 Moorabool Street, Gelong. ...Travis Webber was born in South Australia in 1900. He died in 1968. He studied at the South Australian School of Arts where he went on to teach. Webber established himself as one of the Australia's most prolific landscape artists. His work is held in several large galleries.Bluestone building with a shingle roof. In foreground right is a wooden fence. A carriageway cuts through centre of building, and above this is a window filled in with corrugated iron. The right side of building has large cracks. A tree is growing against the building in image centre, and bushes at image left and right. Framed in wooden frame.Front: Travis Webber (brown paint, lower left) Back: Geelong Picture Framers, 211 Moorabool Street, Gelong. Ph: 97805 (blue ink stamp, lower centre).oil painting, greenmount, landscape, portland landscape -
Glenelg Shire Council Cultural CollectionPhotograph - Photograph - view of Discovery Bay, n.d
... Portland... landscape...Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road Glenelg Shire Council Records Discovery Bay Portland landscape Back: Portland Development Committee Inc. ...Glenelg Shire Council RecordsView of long curving beach - Discovery Bay, Portland.Back: Portland Development Committee Inc. (blue stamp, centre). Portland Studios/11 Julia St., Portland 3305/Tel. 232224 (black ink stamp, lr. centre).discovery bay, portland, landscape -
Glenelg Shire Council Cultural CollectionWork on paper - Watercolour, Florence Tatham Mellblom, Portland Shire Hall, n.d
... ...Portland Landscape...landscape. Yellow grass in the foreground with one tree standing at the front. There is a blue sky behind. The left hand wing has a door which is slightly open. Above each wing is an engraved piece of stone. Left - Portland...Portland. She was married (1932) to Karl Enoch Mellblom. Female Artist Women Female Landscape Portland Landscape Portland Shire Bottom Right - F. ...From Antiques Reporter: Florence Tatham Mellblom, (Australian, 1900 - 1983), Visit Portland The First Victorian Settlement, during the Centenary Celebrations from 15th to 23rd November 1934', 1934 colour lithograph, signed 'F. Mellblom' in image lower left, 63.5 x 101.5 cm. Linen-backed. Text continues in lower margin: 'Arbuckle, Waddell Pty Ltd Print, Melb.', Mellblom (nee Henry) was a painter, naturalist and photographer. She was born at Portland, Victoria, and studied art in Ballarat. She was a talented etcher from childhood, and joined the Portland Camera club. She also produced many watercolour paintings of the historic places of Portland. She was married (1932) to Karl Enoch Mellblom.A bluestone building on an arid landscape. Yellow grass in the foreground with one tree standing at the front. There is a blue sky behind. The left hand wing has a door which is slightly open. Above each wing is an engraved piece of stone. Left - Portland, right - Shire. An old rickety fence to the left of the building.Bottom Right - F. Mellblomfemale artist, women, female, landscape, portland landscape, portland shire -
Glenelg Shire Council Cultural CollectionPainting, Thomas Clark, Portland Bay, c. 1860
... Portland...Glenelg...Landscape...landscapes. By 1862 the Ballarat Star reported the exhibition of several of his paintings and refers to him as, ‘an artist of eminence in Melbourne’. In 1870 Clark was appointed as the drawing master of the National Gallery School of Design where he taught several prominent Australian artists – Tom Roberts and Fred McCubbin. Clark spent most of his time in Melbourne. He did, however, travel to the Western District twice – once to undertake a commission and another time on a sketching trip. It is during one of these trips that he most likely painted Portland...Thomas Clark artist Portland Bay Thomas Clark Portland Lighthouse Whalers Bluff Glenelg Shire cultural collection Portland Glenelg Landscape Seascape Maritime Front: (no inscriptions) Plaque on frame read: "PRESENTED BY MRS. ...Thomas Clark began his career as an artist in England in the mid-1800s. He specialised in drawing and went on to teach at the Birmingham School of Design. In 1851 he left England, and it is thought that he travelled to Russia possibly to undertake an engraving commission for the Tsar. From there he travelled to Melbourne, Australia. In Australia Clark established his reputation as an artist and began painting landscapes. By 1862 the Ballarat Star reported the exhibition of several of his paintings and refers to him as, ‘an artist of eminence in Melbourne’. In 1870 Clark was appointed as the drawing master of the National Gallery School of Design where he taught several prominent Australian artists – Tom Roberts and Fred McCubbin. Clark spent most of his time in Melbourne. He did, however, travel to the Western District twice – once to undertake a commission and another time on a sketching trip. It is during one of these trips that he most likely painted Portland Bay. Portland Bay is thought of as one of Clark’s most appealing paintings . It is also fascinating because it depicts a view of Portland Bay both before the establishment of the harbour in the 1950s and prior to the lighthouse being moved in the late 1800s. This view is from Battery Point and shows the Portland Lighthouse before it was moved. It is now on the other side of the bay on Whaler’s Bluff. Australian ColonialView of Portland Bay with a bluff in foreground left. On top of bluff is a lighthouse and a white cottage. Lighthouse is white with a red roof. Cottage has a tall flagpole flying a red flag. Two figures stand in front of cottage. Below bluff are two further figures looking out to see. In background right is a town and harbour. Further figures can be seen on the beach. Framed in ornate gilded frame.Front: (no inscriptions) Plaque on frame read: "PRESENTED BY MRS. J.E. GRICE GRAND DAUGHTER OF STEPHEN GEORGE AND JANE HENTY." Back: (unknown)portland bay, thomas clark, portland lighthouse, whalers bluff, glenelg shire cultural collection, portland, glenelg, landscape, seascape, maritime -
Glenelg Shire Council Cultural CollectionPhotograph - Glass Plate Negative, 1890-1910
... ... landscape... Portland...Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road glass plate negative seascape landscape Portland Shelly Beach Murrel Beach Glass plate negative. ...Glass plate negative. View from cliffs above Bridgewater Beach, looking east to Cape Nelson. Shelly Beach and Murrell's Beach are visible.glass plate, negative, seascape, landscape, portland, shelly beach, murrel beach -
Glenelg Shire Council Cultural CollectionPainting, untitled [Portland Port], n.d
... The background features a distant view of the town of Portland and the landscape beyond the township. The work has a white wooden frame and glass....The background features a distant view of the town of Portland and the landscape beyond the township. The work has a white wooden frame and glass. untitled [Portland Port] Painting Painting Percy Trompf Trompf, Percy ...Art Collection Previously located in History HouseThe painting depicts the Portland Port from an aerial perspective. The perspective is taken from the ocean looking down across the Port and into the town of Portland. Within the foreground is the ocean beyond the Main Breakwater, the Main Breakwater and the Port. Within the Port nine large ships are docked and another is being brought into the Port by two tugboats. The background features a distant view of the town of Portland and the landscape beyond the township. The work has a white wooden frame and glass.Front: TROMPF (white paint, bottom right corner) Back: (no inscriptions) -
Mission to Seafarers VictoriaPhotograph - Photograph, Black and white, Portland Guardian (1842-1964), 30 June 1962
... The Portland Mission was the fourth building to be opened in Victoria. mission to seamen portland victoria 1962 dedication opening Portland Guardian stamp Large rectangular (landscape orientation) monochrome photo, depicting 6+ clergymen gathered in a 'U' shape, conducting an outdoor service Photograph Photograph, Black and white Portland Guardian (1842-1964) ...The Port of Portland opened in 1959. Straight after the Mission had the desire to establish a Mission at this location. A building was found in November 1961 on Cliff Road (AR 1961). After alterations and renovations, it was officially dedicated and opened the 30 June 1962. The Portland Mission was the fourth building to be opened in Victoria.Large rectangular (landscape orientation) monochrome photo, depicting 6+ clergymen gathered in a 'U' shape, conducting an outdoor servicePortland Guardian stampmission to seamen, portland, victoria, 1962, dedication, opening -
Glenelg Shire Council Cultural CollectionPhotograph - Photograph - Maritime Discovery Centre Portland Victoria, c. 1997
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road Back: 'B 13' Coloured photograph of external view of Maritime Discovery Centre from carpark, building complete, landscaping in progress. ...Coloured photograph of external view of Maritime Discovery Centre from carpark, building complete, landscaping in progress.Back: 'B 13' -
Glenelg Shire Council Cultural CollectionSlide - Slide - Construction Portland/Cashmore airport, c. 1980
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road Coloured slide. Featureless landscape. Slide Slide - Construction Portland/Cashmore airport ...Coloured slide. Featureless landscape. -
Glenelg Shire Council Cultural CollectionSlide - Slide - Cashmore Airport, Portland, 1980s
... Portland Airport... construction site... Cashmore Airport... engineering... landscape...Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road Portland Airport construction site Cashmore Airport engineering landscape rural Coloured slide. ...Coloured slide. View of worksite, body of water in foreground; Earth moving equipment further back, then cattle and low hills at rear.portland airport, construction site, cashmore airport, engineering, landscape, rural -
Glenelg Shire Council Cultural CollectionPhotograph, n.d
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road Port of Portland Authority Archives Port of Portland Archives Front: 60% - bottom right, blue biro Back: Border ruled around edge in pencil 19 (in circle) 28 cms wide x 20 1/2, bottom border, pencil Black & white photo showing landscaping work on slope from Bentinck St. to harbour road, opposite reclaimed area. ...Port of Portland Authority ArchivesFront: 60% - bottom right, blue biro Back: Border ruled around edge in pencil 19 (in circle) 28 cms wide x 20 1/2, bottom border, pencilport of portland archives -
Glenelg Shire Council Cultural CollectionPhotograph - Photograph - Portrait, Jun-92
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road Port of Portland Authority Archives Front: Back- 6/92- Blue biro Coloured photo. Same as 3466, but portrait rather than landscape format. ...Port of Portland Authority ArchivesFront: Back- 6/92- Blue biro -
Glenelg Shire Council Cultural CollectionPhotograph, n.d
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road Port of Portland Authority Archives Port of Portland Archives Black & white photograph, taken from an elevated position showing a sand truck meandering thru a flat scrubby landscape. ...Port of Portland Authority Archivesport of portland archives -
Glenelg Shire Council Cultural CollectionPainting, A S Murray, Dunrobin, n.d
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road CEMA Art Collection Previously located in History House Landscape Front: A.S. ...CEMA Art Collection Previously located in History HouseA large body of water with a shore line in the foreground on the left. Depicted in shades of grey, the calm water features a patch of white in the centre - reflection. In the background to the right, is a distant view of a small patch of land covered in trees. Behind the land is an out of focus view of mountains in the distance. The top half of the work features a grey cloudy sky. The work has a gilded ornate frame with cardboard and gold mounts and glass.Front: A.S. Murray Label attached to glass front: Presented to Council in 1984 by A.S. Murray Dunrobin Back: W. Hamer 189 Sturt Street Ballarat VICTORIA BUILDINGS, OPPOSITE CITY FIRE BRIGADElandscape -
Glenelg Shire Council Cultural CollectionPainting, Thomas Clark, Muntham, c. 1865
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road Front: (No inscriptions) Back: (Not available) The landscape painting depicts rolling green hills with a valley through the centre. ...The landscape painting depicts rolling green hills with a valley through the centre. Scattered throughout the painting are numerous trees and cattle. The foreground is a darker green which creates a shadow effect. Within the foreground are more detailed trees, tree stumps and birds. The background is a cloudy sky in shades of blue, pink, purple and orange. Work has a heavy gilded ornate frame.Front: (No inscriptions) Back: (Not available) -
Glenelg Shire Council Cultural CollectionPainting, A Bush Track, n.d
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road CEMA Art Collection Previously located in History House Bush Landscape Australian Front: A.S.Murray (painted signature lower right) A Bush Track (plaque - lower centre on frame) Back: W.Hamer sticker Electoral Post Office sticker Hamilton Victoria sticker The painting illustrates a bush scene with a large gum tree in the foreground. ...CEMA Art Collection Previously located in History HouseThe painting illustrates a bush scene with a large gum tree in the foreground. To the left of the tree is a sunny track with long shadows formed by surrounding trees. On the track heading towards the viewer is a covered wagon drawn by a white horse. Behind the wagon is dense bush with tall trees and thick shrubs. Extending from the trees is a band of white clouds followed by light blue sky. The work is framed in a heavy, moulded, ornate, gilded frame with exposed canvas.Front: A.S.Murray (painted signature lower right) A Bush Track (plaque - lower centre on frame) Back: W.Hamer sticker Electoral Post Office sticker Hamilton Victoria stickerbush, landscape, australian -
Glenelg Shire Council Cultural CollectionPrint, Will Longstaff, Menin Gate at Midnight, 1927
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road CEMA Art Collection Previously located in History House Front: Lower Right: Will LONGSTAFF 1927 Brass embossed plate:MENIN GATE AT MIDNIGHT BY WILL LONGSTAFF, PRESENTED TO THE COMMONWEALTH GOVERNMENT OF AUSTRALIA, BY LORD WOOLAVINGTON. COPYRIGHT RESERVED Back: (No inscriptions) The print depicts a natural landscape ...CEMA Art Collection Previously located in History HouseThe print depicts a natural landscape with a large classical style building (Menin Gate, Belgium) to the left. In the foreground are hundreds of ghostly figures of soldiers. The background appears to be a distant view of a town with several lights visible. The work is completed in various shades of blue and green. Mounted with brown card the work is framed in a black and gold frame, and has an exposed canvas.Front: Lower Right: Will LONGSTAFF 1927 Brass embossed plate:MENIN GATE AT MIDNIGHT BY WILL LONGSTAFF, PRESENTED TO THE COMMONWEALTH GOVERNMENT OF AUSTRALIA, BY LORD WOOLAVINGTON. COPYRIGHT RESERVED Back: (No inscriptions) -
Glenelg Shire Council Cultural CollectionPainting, A.S. Murray, Scene on the River Glenelg, c. 1894
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road Art Collection Previously located in History House Landscape Glenelg River Front: A.S. ...Art Collection Previously located in History HouseThe painting depicts a large body of water surrounded by hills. The body of water extends from the front right corner through to the centre of the work. Predominately depicted in shades of brown, the body of water has a white centre with three birds (swans) sitting on the surface. In the foreground to the left of the water is a riverbank with a large brown tree. The background consists of a large blue/grey hillside and brown cloudless sky. The work has a gilded ornate frame with a gold mount and exposed canvas.Front: A.S. Murray Back: W.HAMER, 189 Sturt Street, Ballarat, VICTORIA BUILDINGS, OPPOSITE CITY FIRE BRIGADElandscape, glenelg river -
Glenelg Shire Council Cultural CollectionPainting, Robert Miller et al, Old Church Portland, 1965
... Miller 75 (lower right, black signature) Back: ROBERT MILLER " OLD CHURCH PORTLAND" (1966) (lower right, typed) Watercolour The painting depicts a church in an otherwise empty landscape. ...CEMA Art CollectionThe painting depicts a church in an otherwise empty landscape. Within the foreground is a sweeping corner of a dirt road. Along the edge of the road runs a simple fence. Behind the church is a bare yellow and brown hill which reaches into a dark sky. The work has a wooden, white painted frame with grey mount and white trimming and glass.Front: Robert T. Miller 75 (lower right, black signature) Back: ROBERT MILLER " OLD CHURCH PORTLAND" (1966) (lower right, typed) Watercolourportland, church, streetscape, religion -
Glenelg Shire Council Cultural CollectionPainting, Hawker Transport, 1977
... Portland great-ocean-road oil painting camel horses transport Front: B. Malloch '77 (lower right) (sienna paint) Back: 8 (pencil, sticker, upper left) View of two tents and a wagon in a dry landscape. ...View of two tents and a wagon in a dry landscape. In foreground is a camel loaded with packaged goods. A man on a horse is in centre of image, to the right of one of the tents. Two more horses are tethered by the wagon of far right. In background are trees and grassland. The top half of image is sky, with clouds painted in blue, grey and mauve with white highlights. Australian desert scene. Framed in silver and gold painted wooden frame.Front: B. Malloch '77 (lower right) (sienna paint) Back: 8 (pencil, sticker, upper left)oil painting, camel, horses, transport -
Glenelg Shire Council Cultural CollectionPainting, Stephen Spurrier, Landscape Near Condah, 1966
... CEMA Portland Artists Society Front: Stephen Spurrier (black ink, lower left) 1966 Back: Stephen Spurrier "Landscape Near Condah" (1967) typed label Watercolours An abstract depiction of a landscape. ...Winner of Portland Art Society Art Prize for the category of watercolours.An abstract depiction of a landscape. The work is predominantly completed in shades of blue, purple and green using a watercolour technique. Further detail has been added to the work using black ink ink and white paint. The work has a painted wooden frame with with white mount and glass.Front: Stephen Spurrier (black ink, lower left) 1966 Back: Stephen Spurrier "Landscape Near Condah" (1967) typed label Watercolourscema, portland artists society -
Glenelg Shire Council Cultural CollectionPainting, James McLear, Untitled (Lake), 1990
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road Landscape Front: McL 90 (lower right) (white paint) Back: (no inscriptions) Scene depicting a lake in the foreground with trees behind. ...Scene depicting a lake in the foreground with trees behind. The trees are reflected in the water. Top third of the image depicts a deep blue sky, highlighted in some areas with white. Mounted in cream matt, framed under glass in wooden frame with gold edging.Front: McL 90 (lower right) (white paint) Back: (no inscriptions)landscape -
Glenelg Shire Council Cultural CollectionPrint - Linocut, Landscape, c. 2015
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road Front: 'A/P Landscape Darren Beattie 2015' pencil, in border between linocut and mount Back: Black stamp Holland's Picture framing Linocut, black and white, white mount, blondewood frame, wire for hanging across width of frame at back, reflective glass Landscape Print Linocut DARREN BEATTIE ...Linocut, black and white, white mount, blondewood frame, wire for hanging across width of frame at back, reflective glassFront: 'A/P Landscape Darren Beattie 2015' pencil, in border between linocut and mount Back: Black stamp Holland's Picture framing -
Glenelg Shire Council Cultural CollectionPrint, S.T. Gill, Belfast Port Fairy, 1857
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road Port of Portland Collection. Port Fairy Belfast landscape Drawing Print Coastal 1800s Front: Belfast Port Fairy (lower centre) (printed). ...Port of Portland Collection.Depiction of a boat with furled sails on choppy waters, sailing towards land. The landscape includes a hill and several buildings, including a wind mill and a church spire. Mounted in cream matt. Framed under glass in wooden frame.Front: Belfast Port Fairy (lower centre) (printed). Published by Sands & Kenny, Melbourne & Sydney 1857. Back: 19 Upper left pencil. 1996 upper right pencil.port fairy, belfast, landscape, drawing, print, coastal, 1800s -
Glenelg Shire Council Cultural CollectionPainting, Helen Fergusson, Pat's Joy, 1998
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road 1998 Portland Rotary Art Show landscape garden flowers rotary mountain Front: Helen Ferguson Back: (no inscriptions) Scene of a cottage in a wild garden. ...1998 Portland Rotary Art ShowScene of a cottage in a wild garden. There is a mountain in the background of the right. Blue sky with light clouds. Mounted in cream and dark gray double matt, framed under glass in gold-coloured wooden frame.Front: Helen Ferguson Back: (no inscriptions)landscape, garden, flowers, rotary, mountain -
Glenelg Shire Council Cultural CollectionPainting, George H.L Pentland, Casterton 1889, 1889
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road Casterton & District Historical Society Inc. Casterton oil painting landscape Painting, oil on canvas showing a 'bird's-eye' view' of the township of Casterton in the late 19th century. ...Casterton & District Historical Society Inc.Painting, oil on canvas showing a 'bird's-eye' view' of the township of Casterton in the late 19th century. It shows the Glenelg River, the bridge, main street and rolling landscape of the Western District.casterton, oil painting, landscape -
Glenelg Shire Council Cultural CollectionPainting, Rita M McLean, Sea Air Near Goose Lagoon, n.d
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road Art Collection Goose Lagoon Female Artist Female Artists Front: Rita M McLean (grey paint, lower right) Back: (no inscriptions) This painting depicts a green hill below a cloudy sky, and a sandy landscape below the hills. ...Art CollectionThis painting depicts a green hill below a cloudy sky, and a sandy landscape below the hills. Towards the left of the hill there are trees and shrubbery. The frame is white with gold on inside, beige mount and glass.Front: Rita M McLean (grey paint, lower right) Back: (no inscriptions)goose lagoon, female artist, female artists -
Glenelg Shire Council Cultural CollectionDrawing, Burnt Mountain, 1964
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road CEMA Art Collection Winner of 1965 Portland Art Society Art Prize for category Any other medium. Female Artist Women Landscape Front: M Macqueen 64 (signature, lower right, black chalk) Back: MARY MACQUEEN "BURNT MOUNTAIN" (1964) (lower left, typed label) 1964 (upper right, yellow sticker and also pencil) The drawing depicts the burnt remains of a mountain top. ...CEMA Art Collection Winner of 1965 Portland Art Society Art Prize for category Any other medium.The drawing depicts the burnt remains of a mountain top. In the foreground are two mountain edges which are black with a patch of blue and patch of orange/brown. In the background are remains of several burnt tree stumps on a purple/brown ground. The work has a thin wooden frame, white painted hessian and glass.Front: M Macqueen 64 (signature, lower right, black chalk) Back: MARY MACQUEEN "BURNT MOUNTAIN" (1964) (lower left, typed label) 1964 (upper right, yellow sticker and also pencil)female artist, women, landscape -
Glenelg Shire Council Cultural CollectionPrint, Bridgewater Bay, 1983
... Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984. Front: 14/16 Bridgewater Bay. Catherine Taylor '83 Back: 42 Laminated screenprint of females in various landscapes. ...CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of females in various landscapes. The top half of the work features the ocean, coastline and breaking waves. Super imposed on this are images of: five seagulls; a blue portrait of a female face; and a female torso and head. In the centre of the work a female stands looking towards a house and the ocean in the distance. The lowest section of the work features the image of a female face in a blue and orange rectangle. To the left of her is a twig.Front: 14/16 Bridgewater Bay. Catherine Taylor '83 Back: 42 -
Glenelg Shire Council Cultural CollectionPrint, Mary Macqueen, Africa, 1973
... Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road Female Artist Female Artists Women Women Artists Front: 1/7 (lower left) Africa (centre) Mary Macqueen - 73 (lower right) (pencil) Landscape image of two zebras grazing in long yellow grass. ...Landscape image of two zebras grazing in long yellow grass. Mounted on cream matt, in a wooden frame with glass. Brown and yellow colours.Front: 1/7 (lower left) Africa (centre) Mary Macqueen - 73 (lower right) (pencil)female artist, female artists, women, women artists
