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Warrnambool and District Historical Society Inc.
Album, Parliament House opening
This is an album used as a scrapbook to insert memorabilia of the 1927 opening of Parliament House in Canberra. The compiler of the scrapbook is unknown. The scrapbook includes small sepia-coloured photographs, a stamp, copies of photographs of the Duke and Duchess of York and a printed program of the 1927 Dedication of the Houses of Parliament. The photographs include the opening of Parliament House in 1927, the N.S.W. Mounted Police, notable military men of the time, the Melbourne escort for the Duke and Duchess of York procession and some views of Canberra. The states of Australia were created in 1901 with the establishment of Federation and the Australian Parliament met at Melbourne from 1901 to 1927 when the Australian Capital Territory was created and the first Australian Parliament House was built. This album is of minor significance as the material concerns mostly the opening of Canberra’s Parliament House in 1927, a national event. One photograph, that of C.A. Rogers, has local significance. He was a Warrnambool man who was part of the Melbourne mounted escort for the processional car of the Duke and Duchess of York in 1927 in MelbourneThis is a 12 page photograph album with a brown cardboard cover with the pages tied with brown cord. Front Cover: ‘Portraiture’canberra establishment, opening of parliament house in canberra 1927, warrnambool -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/09
The Grinton Collection. The soldiers are unknown at this point. Jack Grinton. Refer Cat No. 1280 for his service history.Photograph - framed. Photograph - black and white photograph on paper depicts a group portrait of nine soldiers, five standing and four seated in front. Background - stone wall. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance" "A. 38th Battalion Lads."framed accessories, camera on the somme, ww1, 38th bn, grinton -
Bendigo Military Museum
Photograph - PHOTOGRAPH - FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. "C. 38th Battalion soldiers" Front row left Cpl NEWTON "MM" Third row 3rd from left Cpl POPPINS. Third row 4th from left Pte BARKELL. Refer Cat No 1280 for Jack Grintons service details.Photograph - Framed. Photograph - black and white photograph on paper depicting a formal group portrait of 35 soldiers seated and standing. Background - brick building. Frame - Timber, light varnish finish, Perspex front, cardboard backing. "Group 4: Portraiture and remembrance". C. 38th Battalion soldiers.framed accessories, camera on the somme, ww1, 38th bn, grinton, portraits -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. 38th Bn Soldier, rank Sergeant wearing the ribbon denoting a Military Medal. Believed to be Fred Lehman No 1048 C Coy. Refer Cat Number 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting an informal half portrait of soldier in uniform wearing his Military Medal. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance" "H. Sergeant with a Military Medal". framed accessories, camera on the somme, ww1, 38th bn, grinton -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. An unknown 38th Bn soldier at his point. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting an informal portrait of a soldier seated on a chair with a brick wall behind. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance". "E. 38th Battalion soldiers" .framed accessories, camera on the somme, ww1, 38th bn, grinton -
Bendigo Military Museum
Photograph - PHOTOGRAPH - FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. 38th Battalion Sergeants at Busmenard France. Identified - Back row - No. 1043 Sgt John (Jack) William GRINTON (left). No. 262 CSM William John DURWARD (right). Third Row - No. 1612 Sgt John Edward ADAMS (2nd Left). Second Row - No. 446 CSM Andrew CLARK (2nd Left). No.1129 Sgt James COFFEY (3rd right). No.1194 Sgt John (Jack) Henry LOCKETT (2nd right). Front row - No.1048 Sgt Frederick Martin LEHMANN 'MM'(left), No. 1645 Sgt William James HOGAN (3rd left).Photograph framed. Photograph - black and white photograph on paper depicting a formal group portrait of Battalion Sergeants in uniform standing and sitting. Background - building wall. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance" "b. 38th Battalion Sergeants - Busmenard". framed accessories, camera on the somme, ww1, 38th bn, grinton, busmenard -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. Three 38th Bn Soldiers outside a hut, left to right, a Corporal, a Private and a Corporal wearing the ribbon of a Military Medal, “MM” Refer Cat number 1280 for Jack Grintons service details. Photograph framed. Photograph - black and white photograph on paper depicting three soldiers sitting in front of a timber wall. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and remembrance". "D. 38th Battalion soldiers (x3)".framed accessories, camera on the somme, 38th bn, grinton -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, C.2008/2009
The Grinton Collection. This 38th Bn Stretcher Bearer is unidentified at this point. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting an informal portrait of a soldier seated on an earth bank. Trees in the background. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance". "G. Stretcher bearer of the 38th Battalion". framed accessories, camera on the somme, ww1, 38th bn, grinton -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. Three unidentified 38th Bn Soldiers at this point. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting an informal full-length portrait of three soldiers standing below and in doorway of a timber bulding. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance". "J. Three 38th Battalion soldiers".framed accessories, camera on the somme, ww1, 38th bn, grinton -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. The original grave of Albert Gilhooley No 890 38th Bn, KIA 31.8.1918. Refer Cat No 5074P for his photo. Refer Cat No. 1280 for Jack Grintons service details. Photograph framed. Photograph - black and white photograph on paper depicting a field grave with a cross in a field of grass. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and remembrance". "M. Field grave of a 38th Battalion soldier - Gilhooley".framed accessories, camera on the somme, 38th bn, ww1, grinton, field grave -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. The Soldier is Sergeant Major William John Durward No 262 38th Bn. Refer - Cat No 1280 for Jack Grintons service details. Photograph framed. Photograph - black and white photograph on paper depicting an informal full length portrait of a soldier with his hand resting on a chair back. Background - building wall. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance". "F. Company Sergeant Major William John Durward". framed accessories, camera on the somme, ww1, 38th bn, grinton, william john durward -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. The graves of four 38th Bn soldiers. Inscriptions on crosses - left to right; "In Memory of No. 887 Pte G.S.A. GRIMSHAW/ 38th BATTALION/ K.I.A. 29-8-18" "In Memory of No.1709 Cpl V.I.S. WYNNIAT/ 38th BATTALION/ K.I.A. 29-8-18" "In Memory of No. 1907 Pte G.A. LOADER/ 38th BATTALION/ K.I.A. 29-8-18" "In Memory of No. 114 Cpl D.L. TOWNSEND/ 38th BATTALION. K.I.A. 29-8-18". Refer Cat No 5883P for their service details. Refer Cat No 1280 for Jack Grintons service details. Photograph framed. Photograph - black and white photograph on paper depicting view of four crosses with inscriptions marking graves in a field cemetery. Background view of cemetery. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and remembrance". "K. Field cemetery with graves of four 38th Battalion soldiers".framed accessories, camera on the somme, 38th bn, ww1, grinton, cemeteries -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. The grave of Cyril Edward Andrew DUNN No 3058, 7th Reinforcements C Coy 38th Bn, enlisted 1916, KIA 31.8.1918 Refer - Cat No. 1280 for Jack Grintons service details. Photograph - framed. Photograph - black and white photograph on paper depicts a field grave with cross, tin helmet, kit bag and rifle with bayonet in the ground. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance." "1. Field grave of a 38th Battalion soldier - Pte Dunn".framed accessories, camera on the somme, ww1, 38th bn, grinton, dunn -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. Grave on the left; "In Memory of/ No.7067 Pte W. McEWAN/ 38TH BN A.I.F./ KILLED IN ACTION 31-8-18" Grave on the right, "In Memory of/ No.2839 Pte N.S. HOFFMEYER/ 38TH BN A.I.F./ KILLED IN ACTION 31-8-18". McEwans real name was “Alison”. Refer Cat No 5883P for McEwans and Hoffmeyers service details. Refer Cat No 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting two field graves with memorial crosses, two steel helmets placed at base of crosses. Inscriptions on crosses. Background - grass field. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and remembrance". "L. Field graves of two 38th Battalion soldiers - Hoffmeyer and McEwan". framed accessories, camera on the somme, '38th bn, ww1, grinton, graves -
Bendigo Historical Society Inc.
Document - MARTIN WASHINGTON BENDIGO PHOTOGRAPHERS
Martin Washington 311 Williamson Street Bendigo, 3550, Ph 43-5626 invoice for $2.50 for negatives. Portraiture, Wedding, Commercial, Sporting, Motion Pictures, Colour Specialists. Members Institute of Australian photographers. Allan Martin, A.I.A.P. Private 7435-- Eric Washington, A.I.A.P Private 3-6449 -
Coal Creek Community Park & Museum
Photograph, Portrait of young boy holding a whip
An example of the style of portraiture in the late 1800's early 1900's showing the stylised posing.26.1 - This is a portrait of a young boy holding a whip in one hand and leaning on a table which is draped with patterned material. There are palm leaves in the forground in front of the table and a backdrop of leaves behind the boy. The photograph is sepia in colour and was originally on a backing board with Yeomans of Numurkah Victoria.photograph, portrait, young boy, whip -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, H D Bulmer, 1918 c
H D Blmer was a prolific photographer of all aspects of Gippsland including scenery, industry, celebraations, servicemen and women, schools, portraitureBlack and white photograph of Howard Decimus Bulmer wife Helen Rutherford with their three children Bairnsdale Victoriabusinesses, tourism -
Phillip Island and District Historical Society Inc.
Print, At Cowes, Phillip Island
Very early scene of Cowes showing the jetty, Isle of Wight Hotel and jetty shed. Charles Turner was an English mezzotint engraver and draughtsman who specialized in portraiture. HistoricalA4 colour photocopy of a print of a wood engraving by Charles Turner of the Cowes jetty. Large beige frame around print.At Cowes, Phillip Island. from the commemorative work, Victoria in 1880, published in Melbourne to mark the International Exhibition held that year. Fine prints of notable buildings and street scenes, as well as views of the country and suburban areas of the colony. Wood engraving.cowes jetty, charles turner, isle of wight hotel, jetty shed, wood engraving -
Women's Art Register
Book, Angus & Robertson Publishers, Women on Women. Twelve Photographic Portfolios
Published in Italy in 1979 exploring the theme of women and sexuality these diverse images reveal how women see themselves, their bodies and their changing roles, characterised by inventiveness, intimacy and sensuality.booknon-fictionPublished in Italy in 1979 exploring the theme of women and sexuality these diverse images reveal how women see themselves, their bodies and their changing roles, characterised by inventiveness, intimacy and sensuality.portraiture, body, colour photograpy, erotica -
Women's Art Register
Book, Janine Burke, Australian Women Artists 1840 - 1940, 17/04/22
A history of Australian women artists, the lives and practice of 24 women are covered to redress their absence in critical and art historical records.non-fictionA history of Australian women artists, the lives and practice of 24 women are covered to redress their absence in critical and art historical records. painting, water colour, portraiture, print making -
Women's Art Register
Book, Germaine Greer, The Obstacle Race. The fortunes of women painters and their work, 1979
Traces the social, educational, and psychological barriers for women artists from the Middle Ages to the early 19th century to gain recognition, most relying on relationships with artists in their families to gain success. or conversely denied success through partnerships with male painters.Book non-fictionTraces the social, educational, and psychological barriers for women artists from the Middle Ages to the early 19th century to gain recognition, most relying on relationships with artists in their families to gain success. or conversely denied success through partnerships with male painters. portraiture, flowerpainting, miniaturists, still life -
Women's Art Register
Book, Norma Broude, Mary D. Garrard, Feminism and Art History. Questioning the Litany, 1982
Seventeen essays covering every major art period from the ancient Egyptian to the 1970s presenting an alternative history of Western art history.Booknon-fictionSeventeen essays covering every major art period from the ancient Egyptian to the 1970s presenting an alternative history of Western art history.representation, the male gaze, portraiture, the nude -
Women's Art Register
Book, The Women's Press Limited, Women Artists: Recognition and Reappraisal from the Early Middle Ages to the Twentieth Century, 1978
Illustrated overview of women artists from 5th - 20th century including European, British and American artists. A chapter on Chinese artists states that Chinese women's contribution to the arts ' beginning around 3000 BC.'Booknon-fictionIllustrated overview of women artists from 5th - 20th century including European, British and American artists. A chapter on Chinese artists states that Chinese women's contribution to the arts ' beginning around 3000 BC.'painting, portraiture, sculpture, textiles, photography -
Federation University Historical Collection
Article - Article - Women, Ballarat School of Mines: Women of Note; Edna May Grigg, Art Teacher, 1931-1946
Edna May Grigg studied Art in South Australia. She studied under Hans Heysen and became a successful painter. She won the Melrose Prize - portrait in oils - that hangs in the Adelaide Art Gallery. The Melrose Prize for portraiture was instituted in 1921. Edna came to Ballarat and was employed as an Art Teacher at SMB from 1931 to 1946. women of note, teacher, ballarat school of mines, smb campus, edna may grigg, artist, painter, hans heysen, melrose prize for portraiture, adelaide art gallery, 1931-1946 -
Stawell Historical Society Inc
Photograph, Young Boy in Formal Suit -- Studio Portrait
Huttley - MartinB/W. Oval Portrait Young Boy in suit.Wm B Latimer 145 Smith Street Fitzroy On Reverse: ? Specialite Instantaneous Portraiture of young children. Enlargements Miniatures (on diagonal reading Upwards) Wm B Latimer Photo Art Studio 145 Smith Street Victoria.martin, huttley -
Women's Art Register
Book - Catalogue, National gallery of Australia, Frida Kahlo and Diego Rivera and Mexican Modernism The Jacques and Natasha German Collection, 2001
Catalogue for exhibition at National Gallery of Australia 2001 comprising essays, images and list of exhibited works by Mexican modernist artists working in 1930's to 1950s, born in, or influenced by, Mexiconon-fictionCatalogue for exhibition at National Gallery of Australia 2001 comprising essays, images and list of exhibited works by Mexican modernist artists working in 1930's to 1950s, born in, or influenced by, Mexicomodernism, painting, collage, selfportraiture, portraiture, 1910 mexican revolution, photography -
Women's Art Register
Book, Juliet Peers, More Than Just Gumtrees. A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, 1993
History of the Society, founded in 1902, told through the stories of three generations of artists. Includes original research, unpublished primary sources and photographs and over 300 biographies of members.Booknon-fictionHistory of the Society, founded in 1902, told through the stories of three generations of artists. Includes original research, unpublished primary sources and photographs and over 300 biographies of members. china painting, portraiture, self-portraiture, flower painting, sculpture, print making, art and craft -
Women's Art Register
Book, Judith Brooks, The Women's Gallery 1988 - 1995, 2019
Documents every event in the volunteer-run Women's Gallery, which ran June 1988 until December 1995, in bohemian Brunswick Street Melbourne and showed 119 solo and group exhibitions, and hosted book launches, music and theatre performances, seminars and poetry readings.BOOKnon-fictionDocuments every event in the volunteer-run Women's Gallery, which ran June 1988 until December 1995, in bohemian Brunswick Street Melbourne and showed 119 solo and group exhibitions, and hosted book launches, music and theatre performances, seminars and poetry readings.solo and group exhibitions, spiritual art, political art, portraiture, iwd exhibitions, collaborative prectice, collective practice -
Geoffrey Kaye Museum of Anaesthetic History
Portrait, Photographic, Chris Budgeon, 01 June 2016
This photographic portrait was commissioned to commemorate Dr Genevieve Goulding's term as President of ANZCA. Traditionally, ANZCA presidents have been commemorated at the end of their term with a commissioned oil painting. In 2015, the decision was made by ANZCA Council to change to photographic portraiture. This meant the existing oil paintings of College presidents became a formed collection which will not be added to and this portrait is the first to be commissioned in the new medium. It was unveiled at the ANZCA Council dinner on 22 July 2016. Framed colour photographic portrait of Dr Genevieve Goulding holding the President's medal.goulding, genevieve, anzca president, anzca council, budgeon, chris, photographic artist -
Women's Art Register
Book - Monograph, Wakefield Press, Annette Bezor. A Passionate Gaze, 2000
Monograph on contemporary South Australian artist Annette Bezor.Booknon-fictionMonograph on contemporary South Australian artist Annette Bezor.gender, oil painting, essay, sexuality, identity, digital art, portraiture, laser prints