Made and donated by the donor.Exquisite drawn and pulled thread table cloth in a modern design. It is cream lauder gauze with a geometric design in pulled thread in each corner and two borders.embroidery, drawn thread, pulled thread, table cloth

Made and donated by the embroiderer.Cream linen needle case (book shape). Geometric pulled thread design in cream thread. Location: C6 BM7 1406pulled thread, embroidery, needle case

Gray linen bag, pulled thread design of flowers and leaves. Top of bag front and back has a row of leaves in different pulled stitches. Drawstring of handmade cord and buttonholed rings. Drawstrings finished with tassels. Buttonholed edge of scallops. Lined with pink silk.embroidery, bags, pulled fabric, tassels

Textiles. Damask weave fabric, with a design of a rose, with buds, and two stems of leaves, and a lovely soft sheen. Two bands of six zig zag peaks, are made by using pulled thread embroidery, and form a border either side of a row of pulled threadwork diamond shapes, 7 cm x 7 cm. This decorative border is at each end of the runner, which also is completed with a 12 cm deep fringe. A geometric patterned weave forms the background to the pulled thread embroidery, while a single rose and bud weave is tucked into each zig zag, and a scroll design features at each fringed end.textiles, domestic, double damask table runner

Cream linen pulled work. Pattern of gum leaves and gum nuts. Hem stitched edgesLabelled "Lenore Anne Bull"embroidery, pulled work, place mats, australia

Cream linen, tree, leaves in various pulled stitches.Labelled "Lenore Anne Bull"embroidery, pulled work, place mats, australia

Heavy beige linen with a leaf design at each end. Table runner has a central stylised leaf motif as well. Double hem stitched edge.embroidery, mats, runners, drawn fabric, australia

Designed and worked by Lady Hamilton Fairley, President of London Guild. Entire design is outlined in stem stitch.Beige linen with a large floral design. Worked in various drawn thread stitches. Fringed edge.embroidery, mats, drawn fabric, england, 1960-80

Oblong mat, pulled thread corner, satin stitch, Algerian eyelets. Cream linen.embroidery, embroidery, pulled thread, mats

Pulled thread mat. Ecru linen, satin stitch. Squares with 4 sided stitch, and hem stitched edge.embroidery, mat, pulled thread, four sided stitch

Made by donor in 1916 as a student at Royal School of Needlework LondonPink flowers, green leaves on natural linen. Interesting edge of pulled thread and loops. Art Nouveau styleembroidery, rumania, couching, england, 1900-20, pulled thread

Cream even weave linen with lid embroidered in pulled thread stitches. Background is gold thread. Gold loop and pearl handle on top.embroidery, pulled thread, boxes, 1960-80, australia

Ecru linen square mat stitche4d in pulled thread work around all four sides, then over stitched in a floral design in chain stitch. Fine satin stitch hem. Silk threadembroidery, pulled thread, mat

Found in cupboard in collection room, nil identification other than label saying "this handwork is very old"Fine cotton muslin fabric embroidered with fine chain stitch tambour embroidered garlands, bows and tassels, with pulled thread work centres in various patterns, scattered motifs across ground. Looks like it was gathered across the top so may have been part of a skirt or petticoat or veil. white work, white lawn, drawn fabric, pulled thread, tambour work, tambour, garment, veil, 18th century, 19th century, petticoats

Mary and Joseph are wooden artist models, dressed in cream linen pulled/drawn thread robes. Mary has a blue linen head shawl. Baby Jesus lies in a wooden box, swathed in embroidered linen. There is also an embroidered lamb. Joseph has linen headpiece. Mary has silk petticoat. Mary 30 cms Joseph 32 cms Baby Jesus 12.5 cms (box) Lamb 10cmsembroidery, pulled thread, drawn thread, nativity set, animals

This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Chalice cover, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The white fabric has been hand stitched and a drawn-thread design of a cross has been handworked into the fabric. Pulled-thread symbol [cross]flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, chalice cover, drawn-thread, needlework

Purchased by the donor at "Heimatwerk" in Zurich in 1977.Fine ecru linen with a pulled fabric design which shows a simple use of stitches and drawn thread hem.embroidery, drawn fabric, mats, switzerland, 1960-80

After a three year apprenticeship, this mat was embroidered. One of a number of samplers (see 1206, 1207, 1205) embroidered by the donor's aunt, whilst studying at the Royal School of Needlework. She taught and judged embroidery throughout England.Square linen mat with drawn thread borders and a floral spray with drawn thread designs in the centre.embroidery, samplers, 1940-60, pulled thread, drawn thread, england

This item is one of many 19th century items donated to Flagstaff Hill Maritime Village by the Giles Family, and known as the “Giles Family Collection”. Henry Giles was born at Tower Hill, Victoria in 1858 and worked as a labourer on the Warrnambool Breakwater. His wife, Mary Jane, was born in 1860 at Cooramook and worked as a student teacher at Mailor’s Flat Secondary School. The Giles family lived at The Maam, Wangoom in the late 19th century, before moving to New South Wales in 1895, where Henry built bridges. Henry died in 1933 and Mary Jane died seven years later. Flagstaff Hill holds a number of objects associated with the Giles family, which were donated by Flagstaff Hill volunteers Vera and Aurelin Giles (Henry and Mary Jane’s daughter and granddaughter respectively). These are predominantly located in the Lighthouse Keeper’s Cottage and include: Living room • Cloths (made by Vera Giles) • Portraits of Mary and Henry Giles • 1 x dresser • Covers on dresser • 1 x bellows Baby’s room • 1 x blessing (in the baby’s room) • 1 x picture of boy and girl • 1 x rocking chair • 1 x cushion (made by V Giles) • 1 x chest (belonging to Mary Jane Giles’s mother, Jane Fleming who migrated to Australia from Ireland in 1843) • 1 x chest cover • Bed materials Bedroom • 1 x knitted bedspread and cushion cover (knitted by V Giles) • Pillow shams and covers (Mrs Catherine King) • Pillow cases (Mary Giles) • 1 x wash stand (Mary Giles) • Towels (lace knitted by Aurelin Giles) • 1 x washstand cover • 1 x white ceramic dog • Shaving items • 1 x dressing table mirror • 1 x dressing table cover (made by Aurelin Giles) • 1 x framed motto • 2 x texts • 1 x settee (sofa) • 1x wardrobe (Vera Giles donated the wardrobe in the Lighthouse Keeper’s Cottage to Flagstaff Hill. According to Aurelin Giles, it was originally owned by William Swinton junior and was later given to a friend of the Giles family.) Kitchen • Settee covers (made by V Giles) • 1 x sideboard • 1 x butter churner • 2 x pictures • 1 x white cheese dome • 1 x wash-up tray • 2 x jugs • 1 x vegetable bowl and dish • 1 x willow pattern dinner set • Glass butter and jam dishes. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Tray cloth, white linen, geometric pulled thread design. (Giles Collection) Tag attached "LHK n6" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, giles family, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century linen, 19th century handcraft

Made to commemorate the centenary of Victoria 1834 - 1934.White cotton, hexagonal, commemorative doily with pulled thread and embroidery pattern and inscription."Centenary of Victoria 1834 - 1934"table ware., commemorative objects, doilies

White linen tablecloth, fine Drawn or Pulled Thread Work design. H 70cm x W 70cm.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tablecloth

Edna Wark made the silver brolga while on holiday and Winifred Clayton suggested she repeat the design in different techniques.Six panels, each are a brolga in different stitches. Pulled thread, metal thread, petit point, blackwork and quilting.embroidery, folder, metal, quilting, black work, petit point, birds

Fine ecru linen in a chevian design in Swedish darning, with a pulled thread motif in each centre. Hem stitched edge.embroidery, mats, drawn fabric, switzerland, 1960-80

A pillow sham is a decorative pillow case. This is a handmade pillow sham especially crafted for a household in early Orbost.This item is an example of a handcrafted item and reflects the needlework skills of women in the early to mid 20th century. Embroidery was an affordable way to personalise and add aesthetic value to domestic linen and examples of embroidered and crocheted pieces could be found in most Australian homes,A rectangular lace pillow sham. the centre rectangle is white and made of pulled thread lace. The edging is pale pink and blue lace,handcraft pillow-sham needlework

Late Ayrshire work (machined?) Applied machine made motifs with hand embroidered pulled thread. Scolloped border, Machine made.embroidery, ayrshire work, whitework, late 19th century, scotland

Hand embroidered.Butterfly pattern on calico, partially completed in Renaissance Work or Point Lace, with pulled thread, lace braid and cotton embroidery thread stitching.textileworking patterns, household textiles, tableware

White cotton tea cover with pulled thread embroidered surrounded by button hole embroidery. Two semi-circle pieces joined together with blue ribbon.handcrafts, needlework, manchester, table linen

From the estate of Dorothy Giderson. Dorothy Giderson Biography in the Museum folder.White linen table cloth and eight napkins, four with people motifs and four with dragons. Filled with pulled thread embroidery. Large cloth with motifs to match napkins.embroidery, surface stitchery, drawn fabric, 20th century, oriental, table cloth, drawn fabric

This pair of bloomers was donated along with other well kept items of women's clothing. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.This object is significant as an example of an item in common use in the 19th and early 20th centuries.Bloomers, cotton, pulled thread embroidery and machine made lace inserts, lace trim around legs. Waist has elastic (no longer stretching). Inscription is illegible. C. 1900Illegible inscription on waistbandflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, ladies undergarment, bloomers c 1900, bloomers, ladies' underwear, underwear, ladies' fashion, victorian fashion, ladies' clothing