Purple badge with white lettering 'Association for the Blind' around the outer edge, and a white cane in the middle. These badges were designed to raise some funds for the Association as well as raise awareness among the general public. It has a white sticker on the back '20c'.Round purple badge with white writingAssociation for the Blind badges, association for the blind

The 2/6th Commando Squadron (Australia) was one of 12 independent companies or commando squadrons raised by the Australian Army during WW2. The 2/6th served in four major campaigns - Kokoda, Buna, Markham-Ramu and Borneo and was involved in the Battle of Kaiapit. Late in the WW2 hostilities 2/6th Commando Squadron was at Balikpapan and attached to 25th Brigade to provide support to the Brigade - reconnaissance patrols, fighting patrols, ambushes and humanitarian assistance to local inhabitants. The 2/6th Commando Squadron was disbanded in 1946. The Sword returned to Australia with a member of 2/6th Commando Squadron VX132826 W G H Burrell. The Book Purple Devils was written by Syd Trigellis Smith in his retirement, he had served during WW2 with 2/2 Field Regiment in New Guinea.VX132826 W G H Burrell served with the AIF during WW2 in New Guinea and posted to 2/6th Commando Squadron and was on Borneo and at Balikpapan. George Burrell was able to being back the sword at the end of hostilities. The Book the Purple Devils is the 2/6th Commando Squadron history as interpreted by Syd Trigellis Smith.Book Purple Devils by Syd Trigellis, Smith, a Japanise Sword - steel blade encased in a leather scabbard and the military history of VX132826 W G H Burrell who served with 2/6 th Commando Squadron.The Book - Purple Devils, a History of 2/6 Australian Commando Squadron, ISBN 064607125-4. vx132826 w g h burrell, ww2, new guinea, 2/6th commando sqn, gunto sword, purple devils

The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil says "This one is a composite of Purple Sarsaparilla Creeper Hardenbergia violacea (common and widespread throughout SE Australia), and Fairies Aprons Utricularia dichotoma - reasonably common and widespread in SE Australia." NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife art, wildflowers, Marianne Wehl, Marianna Wehl, Flower painter, Botany, works on paper, von Mueller, Baron von Mueller, Henrietta D'Alton, WAMA, Wildlife Art Museum Australia, Wild Art Museum AustraliaGift of Barbara CricksPainting of purple pea flower and pink fan-shaped flower, intertwined & placed asymmetrically to left, trailing to right. On textured brown paper with mottled brown matt.Signed “M.W.” left of stems. Reverse side backed with stained brown paper shield-shape stamped centre top: “J.A. Reynolds. Decorator & Picture Framer, 28 Sturt St., Ballarat”. Hand-written right side (in black felt pen) “McLennan, 106 Bennett Rd. (5)”. wildflowers, flowers

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Deanne states that this is her favourite season and she loves painting the small orchids as they flower after the cold season begins to clear.Black cloak with pink and purple toned flower motif on outer cloak, purple and black diamond, and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong

Vestment worn at St Brigid's Church, Crossley. 20th CVestments worn at St Brigid's Church, Crossley. 20th CLime green synthetic material with gold and purple braid sewn perpendicularly down front and back. ecclesiastical clothing, vestments

Spec No.94-32288-B Part No.4060 240Volts Order No. (535) 43-2618

Given to the Ringwood Historical Society by Margaret Williams - her daughter's windcheater used in the 1980'sSchool windcheater - purple with yellow lettering and logo - Norwood High School. +Additional Keywords: Williams, Margaret, 161 Glendale Road, North Ringwood. Acquired July 2011.Norwood High School

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This handmade evening dress, worn by Kaye Cole, former mayor of Kew in 1979-80, has strong local provenance to the district.Purple caftan with embroidery and beading at the neck and on the sleeves, given to the donor by Kaye Cole, former councillor and Mayor of Kew 1979-80. The costume is believed to have been worn at various civic functions.kaye cole, mayor of kew 1979-1980, evening dresses, fashion - melbourne - 1970s

Leanne Bachman 1988 Entrant No. 29 Ref: Series 34, Items 12, 64, 65 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, film - agfa xr 100 i, leanne bachman, scan - 35mm negative

Three colour photographsindustries, susan street, peel street, purple pepper, rv hoobin pty ltd, valley door and kitchen centre

non-fiction

The abstraction and colours refer to the modernist abstract expressionist painter Mark Rothko.Nillumbik Prize 2018 Winner. The artist lives and works in Nillumbik. Inspired by modernist abstraction the work is a reflection of current times, exploring our relationship with technology and its’ impact on our social, personal and professional lives. Blurred abstract image in warm colours: yellow, orange and brown. Loading circle in white at the centre of the image.photograph, digital print, rothko, modernism, instagram, abstract, loading

G Blameystawell

Purchased with the assistance of the Friends of the Gallery, 2018Oil on canvasgippsland, artwork, permanent collection

Framed limited edition print. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood.geoffey ricardo, repunzel, printmaking

The Purple Swamphen can be readily located across eastern and northern Australia. They reside in areas with water including ponds, lakes, storm water drains, wetlands, swamps and marshes. These birds can often seen in urban locations including parks or along roadsides after a period of rainfall. Due to their adaptability, these birds often change environments. Purple Swamphens are omnivores and eat a wide variety of plants and animals. They live in large family groups and lay an average of five eggs which are the shared responsibility of both parents and occasionally the responsibility of young from a previous brood who may also assist caring for the eggs. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This taxidermy specimen is of a Purple Swamphen which is styalised standing on a wooden platform and has a paper identification tag tied to its upper left leg. The Purple Swamphen has dark colouring on its back and head with a purple-blue coloured neck, breast and belly. The bill is oversized and is orange/red which is the same colour as the frontal shield on the bird's face. The eyes are made from a red and black glass and the legs of this specimen are orange. The legs are elongated and the toes also long and unwebbed. 17e. / Purple Gallinule / Catalogue Page 35 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, swamphen, moorhen, purple bird, hen, purple swamphen, water bird

Contains the decorations awarded members of the Methodist Order of Knight, Victoria Province. Columns: Name (in full); Address; Court, Charter No. and Registered Name; Nature of Award; Why Decoration Awarded; Date. The Awards include Gold Star; Purple Cross; Silver Star; Years of Service and Ten Year Symbol.Purple hard bound exercise book with a white label on the front with the Methodist Order of Knights symbol. There is a notepad inside the book with names from 1934 - 1940."Methodist Order of Knights Victoria Province" "Purple Book" "Rolls April 1934 - Feb 1940"methodist order of knights

A History of Stawell West Ladies Auxiliary. A group of ladies who raised funds for various groups.Card cover. Lilac cover with purple stripes and purple print.In Purple Print: - Stawell West Ladies' Auxiliary. A Very Charitable Group stawell education club

Carols by Candlelight pass attached to a purple Vision Australia lanyard. The pass is on a red background with musical notes and small flames in a lighter red tone, and the letters 'AAA' and 'No: 39'. A white background dominates the pass, and contains white flames with red or green flame hearths against a purple circular background, with one white musical note against a red circular background. 'vision australia's carols by candlelight' is beneath this, in purple (the first two words) and green lettering. 'presented by the city of melbourne' is below this in gray lettering with the City of Melbourne logo.1 laminated pass with Vision Australia purple lanyardcarols by candlelight, vision australia, fundraising

The use of the colours purple, green and white reference the colours used during the first wave feminist movement initially in the UK by the Women’s Social and Political Union (WSPU), and subsequently emblematic of the Australian women’s movement.Graphic illustration of a naked female seated figure in purple, white and red, against a background with 'rays' of purple, green and white. Main text in red, with additional text at base in purple.Additional text: "A woman's place is… …in the struggle : 24th consecutive rally and march : 6:30pm steps of Parliament House : Dance afterwards 8:30pm Brunswick Town Hall (cnr. Sydney Rd. + Dawson St.)."women's liberation

Rectangular purple and white unit colour patch badgeUnit Colour Patches are a method of identification used by the Australian Army used to indicate which unit a soldier belongs to.Rectangular shaped metal badge with white glazed enamel border containing purple centrebadge, unit colour patch

This "Purple" Beret sold by Christies in Sydney was produced for the Queensland Ex Survey Corps Association and was not authorised for Service use. The authorised Royal Australian Survey Corps beret was dark blue. The "purple" beret was and is used extensively around Australia on ceremonial occasions such as Anzac Day.Beret, woollen, purple colour with a gold anodized badge - Crown over globe, boomerang with Royal Australian Survey Corps.uniforms - army, costume - male, headwear, numismatics-badges, military, royal australian survey corps, rasvy