William Rain was Auditor of Ballarat Shire and Road Board, during the period 1873-1890.He was also a teacher in Sunday School at Learmonth Uniting Church 1884-1887,and Superintendent 1887-1930. Original Historic PhotoPhoto of William Rain,is Sepia in colour and set In dark Brown frame (moulded),with gold trim on inner edge and dark brown mount with "wood grain " effect.Name plate is gold metal set at bottom of mount.William Rain.ballarat shire council, rain william, auditor 1873 1890, learmonth uniting church sunday school teacher 1884 1887

Mr William.Alexander Rain was Secretary and Engineer for the Ballarat Shire Council for 1942-43.Original Historic Photo of Councilors 1942-43.Sepia photo, in brown mount,oval in shape, of Mr William Alexander Rain, Secretary and Engineer.Situated bottom row,second from right which forms part of collection of photos of all councilors and staff for 1942-43.Presented to Ballarat Shire Council by Councilor R.T.White,(J.P.),President 1942-43.1942, 43, rain, ballarat shire council, wa

Overshoes of this type were used by women to protect their shoes in wet or muddy conditions.Pair of Ansell 'Rain-ees" Ladies overshoes in their original pouch / containerAnsell 'Rain-ees" Ladies overshoesfootwear, rubber products, overshoes, ansell

William Alexander Rain was Secretary and Shire Engineer for the Ballarat Shire Council in 1934-35,and this photo forms part of a composite photo of all Councilors during the year 1934-35.Original Historic Photo of Councilors for the financial year 1934-35.Photo of William Alexander Rain,on grey mount,who was Secretary & Shire Engineer,1934-35.It is situated bottom right hand corner of composite photo of Councilors for the year 1934-35.Collection of council photos for the year 1934-1935.shire, ballarat, william, engineer, council, secretary, rain, alexander, 1934 35

Portable rain bonnet could be carried in handbag in case of rain. Clear plastic bonnet in black plastic pouch.Clear plastic rain bonnet in decorative press-stud plastic gilt and black caseIllegible price ticket on backrain bonnet

A battery operated device that is rectangular in shape with a sensor plate on top and an on/off switch on one end. At the other end is a round lid that screws off to allow a round 9 volt battery to be inserted. It was designed so that when placed outdoors would emit a noise at the first drop of rain, enabling vision impaired people to retrieve their washing from the line. 1 plastic box with metal plateRain warning device Made for the Royal National Institute for the Blind by Data Acquisition Ltd A price sticker reads: $49.assistive devices, royal national institute for the blind

Photographs of the Yarrowee Creek flowing down the channel at Sunnyside Corner (Mill St) after a day of very heavy and consistent rain.yarrowee creek, mill st ballarat, yarrowee channel, sunnyside corder, bridge, sunnyside mill

The flooded area is on the part of Ballarat known as the escarpmentrain, ballarat, flood

Green plastic rain coat with 4 large plastic buttons on front of coat and 4 small plastic buttons on inside front of coat.36R CLASS 8405-66. 018-1269 with hand writen marking "VANZIVOL" on inside label at back of coat below collar, and hand written markings indicating regiment No 43947 and name VANZIVOL on label situated on inside right hand of coat.

Colour photograph of about 20 local residents listening to Bill Peel at the proposed John Street Rain Forest Revegetation Reserve John Street Lakes Entrance Victoriacoast, environment, people

Framed pastel painting titled "Before the Rain" by Julie Lungren Coulter. Cream card window mount the engraved brass plate affixed to lower edge. Brown and gold painted wood frame.

Abstract scene of a rainforest. Image of trees in greens, browns, blues and yellows. Strong brush strokes and bold shapes give the impression of dense trees. It is darker towards the bottom and lighter at the top giving the impression of light falling through treetops from the sun. Mounted on cream matt in pale green frame, with glass glazing.Front: Enid Denton (lower right) (brown paint) Back: Rain Forest $600.00 Enid Denton, Smith Avenue, Croydon 3136cema, portland artists society, female artist, female, female artists, trees, abstract

A number of photographs of the Yarrowee River after days of heavy rain. Two and three day previously the water reached the edges of the channel and was flowing very fast. The photographs were taken from and around the Hill Street Bridge near the Sunnyside Woollen Mills.yarrowee creek, yarrowee river, bridge, chanel, hill street, ballarat east

Framed watercolour titled: "After the Rain" by Julie Lundgren Coulter. Set in cream window mount with engraved brass plaque affixed to lower edge. Brown painted wood frame. Features five bathing boxes on beach with grey clouds in sky and water pools in sand.

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph - In a monsoonal rain squall at the 1st Australian Task Force Base at Nui Dat, Phuoc Tuy Province, the CO of 2 Field Ambulance Hospital, Capt Jack (The Quack) Blomley, makes the short walk, past the bomb shelter from, his tent to the hospitalphotograph, 1st atf base, nui dat, 2 field ambulance, capt jack (the quack) blomley, gibbons collection catalogue, phuoc tuy province, monsoon, 1st australian task force, denis gibbons

Geoffrey (Geoff) Brooke was newspaper columnist, radio commentator, magazine writer and television broadcaster. He wrote a regular column for The Argus titled 'Your night out'. He opened his own restaurant, Geoff Brookes Steak Cave, in 1965. Later in his life he was a resident of Wellington Street, Kew. He died in 2003, aged 86.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Sheet music for the song Rain, featuring a cover photograph of the Australian 'radio star' Geoff Brooke. Brooke, a resident of Wellington Street (Kew), was a close friend of the singer Robin Vanser (aka Robin Kelly The item forms part of the Vandersluys-Kelly Collection of performance memorabilia donated by her to the Kew Historical Society in 2018.geoffrey (geoff) brooke, performing arts - 20th century

This Rain Head came from what was originally the “School of Mines” in Bendigo which is now part of “TAFE”.Rain head, cast, top section is rectangular shape with cast lettering on, drainage tapers down, near the bottom is a depiction of a Rising Sun cast in. Measurements are an estimation at this stage.“Victory 1919”rain, head, container

Digital images on Sydney Harbour during Vivid. sydney, vivid, light, tall ship, sailing, night, rain, weather, syndey harbour bridge

The flames closed in on the house and Granny and the children were terrified. But meanwhile, high in the sky above them, exercising his powers in scientific rainmaking, was The Flying Dogtor. The sky was filled with rain and it put out the fire. Crafty Carson Carpetbag and Old Man Redback, with the help of Elvis Evil Eagle, got a hold of the rainmaking powder and schemed to start a flood.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 5 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Let it rain, let it blow... (lady in bed)Let it Rain, Let it Blow…/Warrnambool Blankets and Rugs/Warmer Wool from Warrnambool blanket, blanket fever, wool, warrnambool, advertisement, australian women's weekly

William Rain was the first Treasurer/founding member, of the Learmonth Bowling Club in 1863.He was Treasurer for the first 5 years President for 3 years and Secretary and Treasurer for 17 years.This Trophy was won by William Rain and presented by T.Robinson,during the Learmonth Bowling Club season 1895.Trophy presented by Learmonth Bowling Club to William Rain in 1895.Silver Teapot,with a hinged lid, on a stand in which is set a wick burner.The Teapot is engraved with leaf and patterned design and inscriptions on either side-PRESENTED BY T.ROBINSON, WON BY Wm RAIN and LEARMONTH BOWLING CLUB SEASON 1895. On the base is a hallmark and the numbers 551 and a 6 below this mumber.The stand is moulded in the form of twigs-two crossed at the side with a cross bar to hold the pot.and the base has two rows of "twigs"with diagional "twigs" forming a ring to hold the burner which would possibly have burned kerosene.On the base of one leg is the mumber 8.PRESENTED BY T. ROBINSON WON BY Wm. RAIN on one side and LEARMONTH BOWLING CLUB SEASON 1895, on other.william rain, learmonth bowling club 1895, silver teapot with stand

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama

Bushfires burned in the St Andrews, Hurstbridge, Warrandyte and Dandenong areas in January 1962. People were evacuated to Greensborough.40 p., text and photographs. Tabloid format.bushfires

Index, Bibliography, ill, maps, p.185.non-fictionPhotography, maps, and eyewitness accounts describe the War in Vietnam.vietnam war 1961-1975, vietnam - history - 20th century

Brown framed abstract artwork. Gold coloured lines with a silver horizontal line across the middle.abstract artwork, barbed wire

Aerial view of Lake Bolac after the drought had broken in late 2010. The fresh-water lake is now full, as are the wetlands. Note the edge of the salt-lake in the bottom right, the Industrial Estate bottom left and centre, the golf course, the current footy oval, Bowling Club, tennis courts and swimming pool with the P-12 College through the trees on the bank of the lake. An Archaeologist might be able to discern the original footy oval bottom centre, built on what was once the town Common (below the industrial buildings),and the second oval (above the salt lake.) The houses are spreading along the west bank of the lake beyond the school.lake bolac, 2010, village, fresh-water lake, salt lake, golf, tennis, bowling, swimming, college,

Crafty Carson and his nasty friends started a grass fire which started to spread. The flames were raging and the bush children watched in horror. Granny Goanna was unwell and in the homestead. The bush children tried to call the Dogtor but flames had damaged the radio. The fire then reached their store of fireworks and 'Boom!'.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 4 pages.Page 2, 'Man' handwritten in between 'Old' and 'Redback'.the flying dogtor, robin boyd, crawford productions