Showing 8 items matching "red gum works"

Port of Echuca
Colour photograph, 1979

... Red Gum Works..., Red Gum Works, continuing to cut timber until it was taken..., Red Gum Works, continuing to cut timber until it was taken ...

Discussed in book : Echuca: A centenary history by Susan Priestley, pp.21, 38, 45, 66, 114-123, 126, 174 R.J.Evans established this mill on the banks of the Murray River, Echuca in 1923 & it operated until 1980. The mill later became a tourist attraction, Red Gum Works, continuing to cut timber until it was taken over by The Port of Echuca as a display (Port of Echuca booklet, 2005 ed., p. 32)Sawmilling was a very important industry for Echuca. At its peak in Echuca in about 1877 there were between 1000-1500 men employed in the industry (Priestley, Susan. 1965, p.118). Red gum was sourced from the forests along the Murray river. It is a very strong timber suitable for bridge & wharf building, construction works as well as housing and especially for sleepers for the railways. Mills relied on government contracts especially for the sleepers. Colour photograph (post-card size) of red gum sawmill on the Port of Echcua. Photograph is taken looking north.Printed on reverse: "this paper manufactured by Kodak."echuca, port of echuca, sawmilling, evans, r. j., red gum works
Port of Echuca
Audio - Oral History - Geoff Evans, Oral History of Geoffrey Thomas Evans of Echuca b1924 d 2007

... of the site of a tourist-oriented building known as the Red Gum Works... of the site of a tourist-oriented building known as the Red Gum Works ...

Geoff Evans was the third generation to run Evans Brothers Sawmills that operated from the northern end of the Echuca Wharf from 1923 to 1983. His grandfather Richard James Evans orig. of England, settled in Victoria at a young age. He first worked as a butcher and later cut firewood in the Heathcote and Bacchus Marsh area. ‘R.J.’, as he was known established a sawmill at Barmah in the 1890s, before relocating to this site in 1923. It became known officially as the Evans Bros. Echuca Red Gum Sawmill. This site proved more economical due to its position at the railhead. Paddlesteamers towed barges carrying the logs from the surrounding forests to this mill. The Steamers that were owned by the Evans family were the Edwards (built 1875) and the Melbourne (built 1912). The Edwards was the main towing vessel. Outrigger barges at this mill were the Impulse (1885), Alison (1907), Clyde (once a paddlesteamer, built in 1884). Insider barges at the mill were old wool barges with iron topsides, the J.L.Roberts (1894), ADA (1899) and the Whaler which was of wooden construction. The Evans Mill cut both red gum and Murray pine. There was a main mill for the red gum and a second one for the pine on this site. Two new Marshall steam engines had been purchased by the family, one was used in the P.S. Edwards and the other for the Barmah mill and later this site. The Evans Bros. Mill was very much a family concern with it being owned and operated firstly by R.J., then his son Frederick. R. Evans and later grandson Geoff Evans. The mill employed 18 workers and operated until the 1980s, only briefly was it in the hands of other owners before the construction on part of the site of a tourist-oriented building known as the Red Gum Works which eventually made way for the Port of Echuca Discovery Centre in 2014.Knowledge of the redgum timber milling industry and associated mechanisms such as log slips is scant with little photographic representations to be found. The industry created alongside the Murray River in various places was very unique given the nature of red gum not floating and ingenuity and making use of local resources was required. Geoff Evans had firsthand knowledge of much of this process and how the Echuca Wharf area used to be in past decades. Geoff was also a popular musician and mayor of Echuca so had much knowledge of the local history and community.Digital recording of oral history interview with Geoff Evans of Evans Brothers Sawmill Echuca. evans bros, evans bros saw mills, evans' sawmill, geoff evans, log slip, log skid, p.s. edwards, p.s. melbourne, impulse barge, allison barge, clyde barge, j.l. roberts barge, ada barge, whaler barge, murray pine, redgum, marshall engines, r.j evans, f.j. evans, discovery centre, p.s. marion
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: CENTRAL RED WHITE AND BLUE - BUNDLE OF PAPERS, 1912

Documents: Whitelaw Central Red White and Blue Mine Bendigo. 28 pages summary of gold mining correspondence - mortgage mining leases 943689340, contract of sale to Central Blue Gum GM 1933, leases with mining rights, treatment of pyrites agreement 1917 - J. Edwards & Co, Helen Streader - release of liability after being paid (pounds)125 by mine due to accidental death of husband 1912. Another for Ellen Lane 1916, list of titles held by Co , lease agreements Filcock and Manning, Andrew Harkness 'winding plant at mine' 1923, notice to perform agreement to Manning's 1916, Edwards Metallurgical Works 1917, map for 9777 Bendigo, contract for explosives with Dalgety & Co 1917, new scrip for lost shares 1917, Miner's Right 1911, sale of land Ra. A. Rankin 1910.MCCOLL RANKIN AND STANISTREETorganization, mining, central red white and blue, mccoll rankin and stanistreet.
Bendigo Historical Society Inc.
Document - CONNELLY, TATCHELL, DUNLOP COLLECTION: ACCOUNTS ESTATE OF ESTHER ISABELLE CANNING, 1893 - 1895

Document. Connelly, Tatchell & Dunlop - Accounts - Estate of Esther Isabelle Canning. 1 - 1893 - Acc from Oakley W H, Bridge St Bendigo. Furnishing Undertaker, Established 1853, to Mr Canning for the late Mrs Canning. Contains details of funeral expenses. Also contains receipt from Courtier? Sidney, Sexton, Kangaroo Flat Public Cemetery for Interment charges of Esther Isobel Canning. Independent Section, Label No 2221. 2 - 1895 - Acc from W Beebe & Son, Steam Granite, Marble & Stone Sawing Works, Mitchell St and Lyttleton Terrace, for supplying and fixing red gum edging etc at Kangaroo Flat Cemetery. Dated Apr 1st 1895. 3 - Blank paper titled Canning's Estate Receipts. 4 - 1894 - Receipt from Connelly, Tatchell & Dunlop for allowance to Canning John. Dated Feb 6 1894. 5 - 1894 - Receipt from Connelly, Tatchell & Dunlop for allowance to Canning John dated Mr 3 1894. 6 - 1894 - Receipt from Connelly, Tatchell & Dunlop for allowance to Canning John dated Mar 31 1894. 7 - 1894 - Receipt from Connelly, Tatchell & Dunlop for allowance to Canning T? dated May 19 1894. 8 - 1894 - Receipt from Connelly, Tatchell & Dunlop for allowance to Canning Thomas dated Apr 21 1894. 9 - 1895 - Receipt from Connelly, Tatchell & Dunlop for allowance to Canning John dated Jan 14 1895. 10 - 1895 - Receipt from Connelly, Tatchell & Dunlop for allowance to Canning John dated Mar 12 1895. 11 - 1895 - Receipt from Connelly, Tatchell & Dunlop for allowance to Canning John dated Apr 8 1895. 12 - Receipt from Connelly, Tatchell & Dunlop for allowance to Canning John dated May 7 1895.cottage, miners, connelly, tatchell & dunlop, oakley w h, mr canning, mrs canning, courtier? sidney, kangaroo flat public cemetery, w beebe & son, canning john, canning thomas
Wangaratta Art Gallery
Textile, Christine Upton, Gum Blossoms, 1989-1992

The inks used were fabric printing inks and two colours were applied at the one time on the same roller, the roller being inked with green on one side and red on the other. The roller was a sponge paint roller 100mm wide. The technique used was 'soft bed release'. This is where the fabric is placed over a soft bed (woolen blanket with cotton overlay) and the inked block is placed on top of the fabric, then body weight is applied to the back of the block by placing the hands on the block and transferring weight through the body and into the hands. The block is then lifted and the process starts allover again.Rural City of Wangaratta CollectionA repetitive pattern of gum blossoms that has been printed on a rectangular piece of pure silk twill in green and red ink by a lino block.wangaratta art galley, print, lino block, flora, gum, christine upton, textile, australian flora
Kew Historical Society Inc
Journal, Kewriosity : August 1991
The greening of Kew [Street Tree Masterplan] / p1. Free mulching of prunings / p1. Looming threat to the character of Kew [Victorian Government plans for medium-density housing] / p1. Diary dates for August / p2. Free self-defence and relaxation classes / p2. Anonymous house [house numbering requirements] / p2. Tom's incredible Spider Ring! ['The Spider Ring' by Track Players] / p2. Commentary / Cr Daryl Oldaker p3. Chief Executive's Column [Property valuations] / p3. Looking down rat holes [storm water drain audit] / p4. Waste plans not half baked [120 Litre Mobile Bin Recycling Trial] / p4. Lower your gas and electricity bills [Kew Community House workshops] / p4. Tribute to John Fleet Maughan 1898-1991 [City Engineer 1924-63] / p4. Indoor celebration of parkland [opening of Burke Road to High Street section of Outer Circle Linear Park] / p5. Forward planning for youth [survey] / p5. Kew saves an endangered species [Studley Park Red Gum - E.Studleyensis] / p5. Compliments, criticism and complaints [Kew Library Comments Book] / p6. Life in East Kew / Mr Tony de Clifford p6. New face [Pierrette Boustany, Outside School Hours Co-ordinator] / p6. New face [Lisa Gaffney, Public Relations Officer] / p6. Kewriosity deadlines / p6. Advertising [charges] / p6. Thankyou to the volunteers of Kew / p7. Another Anniversaire [Count Francoise de la Perouse] / p7. Heartfelt thanks [donation by East Kew Synagogue congregation to Kew Citizens' Advice Bureau] / p7. Kew Rotary Club good works / p7. Cinema to expand [Balwyn Cinema] / p7. Winter Song [Brian Hansford performs 'Winterreise at St John's Hall, Camberwell] / p8. Come to Cameron Country [Donald Cameron et al at Kew Gallery] / p8. You be the Gypsy [Victor Herbert's 'Gipsy Lady' by Viola Musical Comedy Society] / p8. Classical music in Kew [Kew Philharmonic Society] / p8.
Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionThe greening of Kew [Street Tree Masterplan] / p1. Free mulching of prunings / p1. Looming threat to the character of Kew [Victorian Government plans for medium-density housing] / p1. Diary dates for August / p2. Free self-defence and relaxation classes / p2. Anonymous house [house numbering requirements] / p2. Tom's incredible Spider Ring! ['The Spider Ring' by Track Players] / p2. Commentary / Cr Daryl Oldaker p3. Chief Executive's Column [Property valuations] / p3. Looking down rat holes [storm water drain audit] / p4. Waste plans not half baked [120 Litre Mobile Bin Recycling Trial] / p4. Lower your gas and electricity bills [Kew Community House workshops] / p4. Tribute to John Fleet Maughan 1898-1991 [City Engineer 1924-63] / p4. Indoor celebration of parkland [opening of Burke Road to High Street section of Outer Circle Linear Park] / p5. Forward planning for youth [survey] / p5. Kew saves an endangered species [Studley Park Red Gum - E.Studleyensis] / p5. Compliments, criticism and complaints [Kew Library Comments Book] / p6. Life in East Kew / Mr Tony de Clifford p6. New face [Pierrette Boustany, Outside School Hours Co-ordinator] / p6. New face [Lisa Gaffney, Public Relations Officer] / p6. Kewriosity deadlines / p6. Advertising [charges] / p6. Thankyou to the volunteers of Kew / p7. Another Anniversaire [Count Francoise de la Perouse] / p7. Heartfelt thanks [donation by East Kew Synagogue congregation to Kew Citizens' Advice Bureau] / p7. Kew Rotary Club good works / p7. Cinema to expand [Balwyn Cinema] / p7. Winter Song [Brian Hansford performs 'Winterreise at St John's Hall, Camberwell] / p8. Come to Cameron Country [Donald Cameron et al at Kew Gallery] / p8. You be the Gypsy [Victor Herbert's 'Gipsy Lady' by Viola Musical Comedy Society] / p8. Classical music in Kew [Kew Philharmonic Society] / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters
Federation University Art Collection
Work on paper - Printmaking - Silkscreen, Lin Onus, 'Walawala Garrkman' by Lin Onus, 2001

Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available
Truganina Explosives Reserve Preservation Society Inc (TERPS)
Digitised Oral History – Truganina Explosives Reserve - Tape 11 Rob Andrew, 2018

The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Rob Andrew’s career was as an Environmental Health Officer with various councils around Victoria. As an Altona resident he became interested in the Truganina Explosives Reserve when he heard the site was to be sold. He was concerned that because of the prospect of commercial development the community would lose tranquil open parklands. Through his involvement with the Reserve he realised the historical, geomorphic, flora and fauna significance of the site. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018native grasses, explosives, cheetham wetlands, cheetham salt works, doug grant, chirnside, cliff gibson, lava plain, brown coal, sand ridges, selwyn fault, rowsley fault, victorian coastal strategy, aboriginal stone artefacts, aboriginal habitation, aboriginal remains, red gums, casuarinas, altona skipper butterfly, orange bellied parrot