Showing 29 items matching regrowth
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Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Post 'Black Saturday' Regrowth With Charred Tree, 2012, 16/12/2012
Colour photographs of bush around Marysville showing signs of regrowth after the "Black Saturday' Bushfire.bushfire, black saturday, marysville, regrowth -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Regrowth after the 'Black Saturday' Bushfire, 2012, 15/12/2012
A colour photographs showing regrowth on Eucalypts from Kings Road, Marysville. The trees werw to a hot burn during the 2009 'Black Saturday' bushfire. A newly constructed house is in the foreground.bushfire, black saturday, marysville, kings road -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Regrowth after the 'Black Saturday' Bushfire, 2012, 15/12/2012
A number of colour photographs showing regrowth on Eucalypts from Kings Road, Marysville. The trees had been subject to a hot burn during the 2009 'Black Saturday' bushfire. A newly constructed house is in the foreground.bushfire, black saturday, marysville, kings road -
Orbost & District Historical Society
black and white photograph, 1913
This photograph shows the regrowth of vegetation on the road between Genoa and the border - now the Princes Highway.This is a pictorial record of the main road from Orbost to the New South border, The Princes Highway, in the early 20th century.A large black / white photograph of a bush road wwith a vehicle and a man on the side of it.on back - " Princes Highway showing the regrowth.....1913"princes-highway-genoa transport -
Gippsland Art Gallery
Textile, Sale Community College, Regrowth, 1984
Donated by the artists, 1984Wool weavinggippsland, artwork, permanent collection -
Eltham District Historical Society Inc
Photograph, Fred Mitchell, Regrowth timber at Yan Yean Reservoir, 1968
Digital copy of colour photographfred mitchell collection, 1968, bushfire, yan yean reservoir -
Darebin Art Collection
Painting - Aunty Gwen Garoni, Aunty Gwen Garoni, Regrowth after the fires, 2010
landscape, bushfires -
Darebin Art Collection
Painting - Aunty Gwen Garoni, Aunty Gwen Garoni, Regrowth in the Yarra Valley, 2011
landscape, yarra valley -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Tree regrowth after 'Black Saturday' from Nicholl Lookout , 2012, 16/12/2012
Colour photograph of the Marysville locality from Nicholl Lookoutbushfire, black saturday, marysville, nicholl lookout -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Tree Regrowth around Stevenson Falls after 'Black Saturday', 2012, 15/12/2012
Colour photographs from around Stevenson's fall near Marysville.bushfire, black saturday, marysville, stevenson's falls -
Greensborough Historical Society
Slide - Photograph, John Ramsdale, Post bushfire regrowth, Upper Plenty: Slide 31, 1990s
Photograph shows a bush scene with trees that are regenerating after a bushfire in the Upper Plenty area.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. Caption on slide "T & Bs"bushfires, upper plenty, vegetation -
Marysville & District Historical Society
Book, Sally Browne, Black Saturday-February 7th, 2009, February 2010
A book of photographs taken in and around the Marysville region during the Black Saturday bush fire. Also some photographs of the regrowth of the bush in the months after the fire.Front cover has a photograph of a bush fire. Back cover has a photograph of a burnt tree with some regrowth.non-fictionA book of photographs taken in and around the Marysville region during the Black Saturday bush fire. Also some photographs of the regrowth of the bush in the months after the fire. marysville, black saturday, bush fire -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Bushland Around O'Shannassy water Supply Catchment, 2012, 16/12/2012
Colour photographs of bush around Marysville showing signs of regrowth after the "Black Saturday' Bushfire.bushfire, black saturday, marysville, regrowth, o'shannassy water supply catchment -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Road to Camberville After 'Black Saturday', 2012, 16/12/2012
Colour photographs of bush near camberville showing signs of regrowth after the "Black Saturday' Bushfire.bushfire, black saturday, marysville, regrowth, o'shannassy water supply catchment -
Marysville & District Historical Society
Book, Razed-Raised, 2013
The story of the regrowth of the Marysville community after the 2009 Black Saturday bushfirePaperback. Front cover has two colour photographs. One is a blurred photograph of a silhouette of a tree with fire behind it. The other is of a plant just starting to grow. Back cover has the symbol depicting Maryville's 150 anniversary in 2013. Stamp of Marysville & District / Historical Society Inc / P.O. Box 22 / Marysville 3779marysville, black saturday, bushfire, community, triangle community, regrowth -
Marysville & District Historical Society
Book, Razed-Raised, 2013
The story of the regrowth of the Marysville community after the 2009 Black Saturday bushfirePaperback. Front cover has two colour photographs. One is a blurred photograph of a silhouette of a tree with fire behind it. The other is of a plant just starting to grow. Back cover has the symbol depicting Maryville's 150 anniversary in 2013. Stamp of Marysville & District / Historical Society Inc / P.O. Box 22 / Marysville 3779marysville, black saturday, bushfire, community, triangle community, regrowth -
Marysville & District Historical Society
Book, Razed-Raised, 2013
The story of the regrowth of the Marysville community after the 2009 Black Saturday bushfirePaperback. Front cover has two colour photographs. One is a blurred photograph of a silhouette of a tree with fire behind it. The other is of a plant just starting to grow. Back cover has the symbol depicting Maryville's 150 anniversary in 2013. Stamp of Marysville & District / Historical Society Inc / P.O. Box 22 / Marysville 3779marysville, black saturday, bushfire, community, triangle community, regrowth -
Marysville & District Historical Society
Book, Razed-Raised, 2013
The story of the regrowth of the Marysville community after the 2009 Black Saturday bushfirePaperback. Front cover has two colour photographs. One is a blurred photograph of a silhouette of a tree with fire behind it. The other is of a plant just starting to grow. Back cover has the symbol depicting Maryville's 150 anniversary in 2013. Stamp of Marysville & District / Historical Society Inc / P.O. Box 22 / Marysville 3779marysville, black saturday, bushfire, community, triangle community, regrowth -
Victorian Interpretive Projects Inc.
Photograph - Colour, Marysville after Black Saturday
In February 2009 bushfires devastated Marysville, resulting in in nation-wide support enabling a rebuilding programme. A number of colour photographs documenting the remarkable recovery of Marysville after the 2009 Black Saturday Bushfires. Badly burnt trees reshoot, houses are rebuilt, but black scars remain on hillsides where the heat was at its hotest.marysville, bushfire, regrowth -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Bush Around Marysville, 2012, 16/12/2012
Colour photograph of the bush around Marysville after the "Black Saturday' Bushfire.bushfire, black saturday, marysville, regrowth -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Bush Around Marysville, 2012, 16/12/2012
Colour photograph of the bush around Marysville after the "Black Saturday' Bushfire.bushfire, black saturday, marysville, regrowth -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Bush Around Marysville, 2012, 16/12/2012
Colour photograph of the bush around Marysville after the "Black Saturday' Bushfire.bushfire, black saturday, marysville, regrowth -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Bush Around Marysville, 2012, 16/12/2012
Colour photograph of the bush around Marysville after the "Black Saturday' Bushfire.bushfire, black saturday, marysville, regrowth -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Bush Around Marysville, 2015, 04/11/2015
Colour photograph of the bush around Marysville after the "Black Saturday' Bushfire.bushfire, black saturday, marysville, regrowth -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Big Culvert Near Marysville, 2015, 04/11/2015
Colour photograph of the Big Culvert near Marysville after the "Black Saturday' Bushfire.bushfire, black saturday, marysville, regrowth -
Merri-bek City Council
Lithograph, John Wolseley, After the Fire - Leaf Surge, 2003
British born artist John Wolseley relocated to Australia in 1976, where he travelled extensively through the outback mainly recording the natural history of remote north Australia in large, minutely detailed paintings. Since 2009, he has travelled to Darwin annually to continue his exploration of the Top End, visiting Arnhem Land and Daly River to work with Indigenous artists to research and capture the detail and essence of particular landscapes. His works reflect how landscape can be thought of as fields of energy in which plant forms move or dance with rhythmic life. After The Fire - Leaf Surge represents the vibrant regrowth of new foliage emerging from a landscape recently ravaged by fire. -
National Wool Museum
Textile - Community Textile Tapestry, Lisa Kendal et al, WARM, 2016
WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming -
Nillumbik Shire Council
Sculpture: Tony Trembath (b.1946 Sale, Victoria), Tony Trembath, The Fences Act 1968 - Location: Edendale Farm (entrance) 30 Gastons Road, Eltham, 1989 - 1994
Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps -
Wodonga & District Historical Society Inc
Booklet - The Wodonga Croquet Club: A brief history, John McQuilton, 2019
This publication provides a social history of the Wodonga Croquet Club which was founded in 1924. It outlines key figures in the development of the club and stages in its regrowth. After experiencing a decline in numbers, the club was rejuvenated when it joined the North Eastern District Croquet Association in 1960. Little is known of the club in the 1970s and 1980s, but it was re-established and re-joined the Victorian Croquet Association in 2000.SInce then it has successfully hosted the Victorian Regional Championships and the Australian Championships in Wodonga.A small booklet with blue and white cover and a representation of 2 croquet mallets and 3 coloured balls. Black and white photos are included.non-fictionThis publication provides a social history of the Wodonga Croquet Club which was founded in 1924. It outlines key figures in the development of the club and stages in its regrowth. After experiencing a decline in numbers, the club was rejuvenated when it joined the North Eastern District Croquet Association in 1960. Little is known of the club in the 1970s and 1980s, but it was re-established and re-joined the Victorian Croquet Association in 2000.SInce then it has successfully hosted the Victorian Regional Championships and the Australian Championships in Wodonga.wodonga croquet club, sport and leisure wodonga