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Marysville after Black Saturday
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Please acknowledge the item’s source, creator and title (where known)
© Copyright of Clare Gervasoni
Have a question? Contact Victorian Interpretive Projects Inc.
Marysville after Black Saturday
Can you reuse this media without permission? No (with exceptions, see below)
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Please acknowledge the item’s source, creator and title (where known)
© Copyright of Clare Gervasoni
Have a question? Contact Victorian Interpretive Projects Inc.
Marysville after Black Saturday
Can you reuse this media without permission? No (with exceptions, see below)
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Please acknowledge the item’s source, creator and title (where known)
© Copyright of Clare Gervasoni
Have a question? Contact Victorian Interpretive Projects Inc.
Marysville after Black Saturday
Can you reuse this media without permission? No (with exceptions, see below)
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Please acknowledge the item’s source, creator and title (where known)
© Copyright of Clare Gervasoni
Have a question? Contact Victorian Interpretive Projects Inc.
Marysville after Black Saturday
Can you reuse this media without permission? No (with exceptions, see below)
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Please acknowledge the item’s source, creator and title (where known)
© Copyright of Clare Gervasoni
Have a question? Contact Victorian Interpretive Projects Inc.
Marysville after Black Saturday
Can you reuse this media without permission? No (with exceptions, see below)
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Please acknowledge the item’s source, creator and title (where known)
© Copyright of Clare Gervasoni
Have a question? Contact Victorian Interpretive Projects Inc.
Marysville after Black Saturday
Can you reuse this media without permission? No (with exceptions, see below)
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Please acknowledge the item’s source, creator and title (where known)
© Copyright of Clare Gervasoni
Have a question? Contact Victorian Interpretive Projects Inc.
Marysville after Black Saturday
Can you reuse this media without permission? No (with exceptions, see below)
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Please acknowledge the item’s source, creator and title (where known)
© Copyright of Clare Gervasoni
Have a question? Contact Victorian Interpretive Projects Inc.
Marysville after Black Saturday
Can you reuse this media without permission? No (with exceptions, see below)
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Please acknowledge the item’s source, creator and title (where known)
© Copyright of Clare Gervasoni
Have a question? Contact Victorian Interpretive Projects Inc.
In February 2009 bushfires devastated Marysville, resulting in in nation-wide support enabling a rebuilding programme.
A number of colour photographs documenting the remarkable recovery of Marysville after the 2009 Black Saturday Bushfires. Badly burnt trees reshoot, houses are rebuilt, but black scars remain on hillsides where the heat was at its hotest.
Hard covered book on the members of the Australian Tunneling Corp from the Ballarat Electorate during World War One.
mining mud and medals, tunellers, australian mining corp, michael taffe, yvon davis, clare gervasoni
Treed Hill on the Daylesford-Dean-Ballarat Road. It is Wombat Hill.
hill, boundary church road, wombat hill, newlyn
Mt Warrenheip and Mt Buninyong from near Newlyn, 2020
hill, newlyn, mount bunonyong, mount warrenheip
![[Landscape] by Jean Sutherland](https://victoriancollections.net.au/media/collectors/4fcc533e023fd71268453c3f/items/634bed9f7154cba68569e092/item-media/634bee2b7154cba68569e2c0/item-fit-380x285.jpg)
Jean Parker SUTHERLAND (06 June 1902-July 1978 ) In 1923 Sutherland was awarded the National Gallery of Victoria's prestigious Travelling Scholarship. After four years training and exhibiting in London, Brittany and Rome, she returned to Victoria in 1927, exhibiting with the Melbourne Society of Women Painters for a number of years. She joined the Melbourne Society of Women Painters in 1940 and met Sybil Craig , who became her closest friend.
Framed watercolour Landscape
jean sutherland, landscape
Lydiard Street, Ballarat during the Covid19 Pandemic and associated lockdown Central Ballarat was empty of traffic.
ballarat post office, ballarat, lydiard street north, pandemic
The former Ballarat Post Office on the corner of Sturt and Lydiard Street, Ballarat. During the Covid19 Pandemic and associated lockdown Central Ballarat was empty of traffic.
ballarat post office, ballarat, sturt street, lydiard street north, pandemic
Canola in bloom near Newlyn
newlyn, agriculture, horticulture, volcanic hills, mammalian hills
Canola in bloom near Newlyn
newlyn, canola, agriculture, horticulture
Treed Hill on the Daylesford-Dean-Ballarat Road. It is Wombat Hill.
hill, boundary church road, wombat hill, newlyn
Treed Hill on the Daylesford-Dean-Ballarat Road. It is Wombat Hill.
hill, boundary church road, wombat hill, newlyn
Coloured photograph of a wooden cross being held on the Western Front in France.
RIP In remembrance 1st 2nd 3rd Australian Tunnellers
australian mining corps, 1st australian tunnellers, 2nd australian tunnellers, 3rd australian tunnellers, western front, world war one
A logo of the Australian Tunnellers Company from a Christmas Card.
australian mining corps, tunnelers, logo
George McWilliam headstone in Amherst Cemetery.
george mcwilliam, mining mud & medals, amherst cemetery
Colour photographs of the Ampitheatre Honour Roll and Memorial.
ampitheatre, ampitheatre world war one memorial
ballarat east loco men, honour board, j.g. allen, a. bellisini, k.d. duncan, h. hicks, j. lord, t. cockerall, w.v. bottt, h.g. williams, l. upton, g.r. bowers, c.f. bowers, c.f. morris, r. o'shannessy, r.j. splatt, t.h.v. cook, l. coward, w. d'angri, r. buckingham, p. minifie, l. sells, r. borradale, r. horgan, j.r. wood, j. parkin, w.j. bruhn, t. bourke, j. harney, a. heathcote, j. quinn, w.j. cadzow
Two members of the Creswick Lighthorse attend the showing of "Beneath Hill 60" at The Regent, Ballarat. The film was organised by Victorian Interpretive Projects Inc.
creswick lighthorse
Colour photographs of World War One Nurse reenactors parading at Creswick for the ANZAC centenary.
world war one, anzac centenary, creswick, nurses, soldiers
Colour photographs of World War One Nurse and soldier reenactors parading at Creswick for the ANZAC centenary.
world war one, anzac centenary, creswick, nurses, soldiers
Colour photograph of commemorative crosses at Creswick.
T
world war one, commemorative plaque, commemorative crosses, charles ferrari, creswick, anzac centenary
Colour photograph of a brass plaque in the Ballarat Anglican Cathedral.
To the Glory of God in Loving Memoryof Major Leslie J. Coulter. D.S.O. 3rd Tunnelling Coy Australian Mining Corps Killed in Action at Loos, France, June 29, 1917 ":Thy Kingdon Come," and of Sergeant Jason L. Coulter 8th Battalion, A.I.F. Died of Wounds, Gallipoli, August 10th 1915. "Thanks be to God who Giveth us the Victory.
leslie coulter, jason coulter, world war one, commemorative plaque
Copy of a book
ballarat avenue of honour, ballarat arch of victory
A number of photographs showing what remains at Hill 60.
hill 60, hill60, world war one, tunnelling, tunneller australian mining corps, crater
1st australian tunnelling company, world war one, tunnellers, tunnelling, memorial
A number of colour photographs of Amiens Cathedral.
amiens, amiens cathedral, world war one
A number of underground tunnels created during World War One.
tunnells, tunneller, world war one
A number of photographs showing the De Palingbeek crater which was created during World War One.
de palingbeek, crater, world war one, hill 60, hill60
Three photographs showing World War One German Trenches on the Somme
the somme, trenches, world war one
The mine was named after Lochnagar Street, the British trench from which the gallery was driven. It was one of 19 mines that were placed beneath the German lines on the British section of the Somme front to assist the infantry advance at the start of the battle. The Lochnagar mine was sprung at 7:28 a.m. on 1 July 1916 and left a crater 98 ft (30 m) deep and 330 ft (100 m) wide, which was captured and held by British troops. The attack on either flank was defeated by German small-arms and artillery fire, except on the extreme right flank and just south of La Boisselle, north of the Lochnagar Crater. The crater has been preserved as a memorial and a religious service is held each 1 July. (Wikipedia)
A number of photographs of a crater which was created at the Somme, on the Western Front during World War One.
lochnagar crater, tunnellers, the somme, world war one, western front, france
hazelwood
Victorian Collections acknowledges the Australian Aboriginal and Torres Strait Islander peoples as the first inhabitants of the nation and the traditional custodians of the lands where we live, learn and work.
