IndustryWhykes Slaughterhouse, Slaughterhouse Lane, Durham Lead, digester for rendering fat. Colour and b/w copiesbuninyong, whykes, slaughterhouse, durham lead, butchers, digester, rendering

IndustryWhykes Slaughterhouse, Slaughterhouse Lane, Durham Lead, digester for rendering fat, detail showing outlet door. Colour and b/w copiesbuninyong, whykes, slaughterhouse, durham lead, butchers, rendering

Architectural sketch of proposed new hospital drawn by R.J.O'Connor & Brophy, Architects Melbourne. This hospital was built in 1950-52 with modifications including rounded sun-rooms at the end of the wings, not squared as in the image. The building was demolished and a new hospital opened in 2009. Architectural rendering in monochrome, black, grey and white on art paper.Captioned St. John of God Hospital. Ballarat. R.J.O'Connor & Brophy, Architects Melbourne.st john of god, hospital, ballarat, architecture, rendering.

Rendering of proposed new cathedral for Ballarat by J. C. Hawes but never executed. Hawes designed many church buildings in Australia, West Indies, USA and UK. This image is one of a large suite of plans and drawings held in the archive.One of a series of large format sketches and proposed plans for a new cathedral at Ballarat by architect priest J.C.Hawes in 1944.Captioned St Patrick's Cathedral Ballarat, Victoria Australia 1/8 Inch Scale - Drawing No 2- and signed Lower Right John C Hawes Architect 1944.

Renderings of stained west end sanctuary and side altar glass windows within traceries for St Patrick's Cathedral Ballarat. The stained glass was designed by James Bentley and manufactured by Clayton and Bell Londond. Installed in 1880 these windows and the sanctuary tiles are the only example of Bentley's artwork outside the British Isles.Only known plans with specifications of Ballarat's St Patrick's Catholic Cathedral major windows. Measurements of glazed portions for stained glass within the traceries. Stamped with the architect's stamp in strap roundel centred with "Architects Melbourne" the firm's name "Tappin Gilbert & Dennehy".

10 pages.

The Axis Kettle was developed through the EcoRedesign project funded by the Federal Government and based at RMIT in the 1980s and 1990s. The project involved the expertise of significant Victorian designers such as Paul Taylor, Gerry Mussett, Liam Fennessy and Michael Grima, as well as prominent sustainability experts such as academics John Gertsakis, Chris Ryan and Alan Pears. Axis changed the way kettles were used, guiding users to save resources through their behaviour. It is regarded globally by academics from prominent design institutions such as Loughborough and Delft as one of the first successful eco-design projects. The drawing is part of the Centre for Design collection, RMIT University. Simon Lockrey, 2017 The drawing is historically significant as an early eco-design project. Design drawing of KambrookKettle by Paul Taylor for Form Australia as part of the Centre for Design at RMIT University, featuring electric kettle drawn in black pen + ink with blue ink where kettle lid is. Written design descriptions appear along side the image and title below.LID / SANHOPRENE / GRIP / RECYCLED SKIN / ELECTRIC KETTLE. c 12TH FEB. '93household appliances, industrial design, sustainability, rmit university

An architectural impression of the Catholic Diocesan Offices.Printed on lower right of image, "Catholic Diocesan Offices Ballarat Daryl Jackson Pty Ltd Architects.

Rev. Thomas Williams was grandfather of the Lindsay children. He is credited with encouraging his grandchildren in their artistic talents. Both Lionel and Normam learnt their model making skills from him. Creswick Hospital was foundation stone was laid in 1863. It operated as a hospital until 1911 when it was sold to the government as part of the School of Forestry (now University of Melbourne). The model shows it as a red brick building. In the 1870s it was painted as a white building. The Museum has b/w photos of the building taken prior to rendering. The people of Creswick collected fund for the project and obtained a government grant. The 1857 survey map of the proposed township shows the area at Eastern Hills reserved for a hospital and Benevolent SocietyThe model's unique association with the Lindsay Artist of Creswick. Model of Creswick Hospital before rendering. Made of paper with painted background and framed.model, creswick hospital, rev t. williams, lindsay family

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Textual rendering of artist's decision not to provide an image for 69 Smith Street Gallery's anniversary publication.julian di martino, 69 smith street, artist-run initiative, artist-run space, art gallery, biro, paper, melbourne art galleries, conceptual art

This is Anthi Chilianis' seventh house in which she lived together with her family in 1936 for about 6 months. It was in the Carlton end of Swanston Street and in recent times it was demolished.A coloured photograph of a two storey house with cement rendering on the enclosed upper storey. A lady is standing on the footpath outside the house. chillianis

hume pipes, maribyrnong, industry

Metal badge mounted on wooden plaque commemorating the National Memorial to the Vietnam Forces. Image shows a relief rendering of the actual memorial statue, and underneath states 'For those who served, suffered and died 1962 - 1973. vietnam war, vietnam war memorial, plaque

“Queenscliff (three black and white boat/ship themed set), is a depiction of a trio of sailing vessels, and a typical example of Tim Ryan’s process and style / It illustrates three images from separate editions of National Geographic – a much-loved and constantly revisited source of inspiration / Tim has reduced his subject matter to minimal line, managing to capture the form and character of the scene and the people within with delicacy and sensitivity / As is also a common trait, Tim has discarded the idea of a using a title describing the actual scenes in favour of one that holds much greater personal significance / Queenscliff is the site of his family holiday home, hence a place evoking decades of memories connected with water, horizon and water-based activity and interaction.Tim Ryan has worked within the Studio Art Program at Araluen for almost a decade / Araluen is based in the north eastern suburbs of Melbourne (Nillumbik region), that provides accommodation and day services for adults with an intellectual disability / Creating and sharing artwork is one way Araluen participants express their thoughts, personalities and abilities. The art program allows them to develop a sense of achievement and access society as equal and valued participants / Tim puts a great deal of effort into selecting his subject and arranging his page / He immerses himself in the image, studying it thoroughly and sometimes tracing over it with his finger before commencing / He focuses on the different elements and relationships that inspire, bringing out the lines, colours and shapes most fitted for translation into the picture / Favourite references are photo-laden books and magazines covering topics as broad as nature, history, archaeology, exotic foreign lands and all forms of transport.Three black and white drawings of boats/ships in Queenscliff made using watercolor, ink, fine liner, pencil and acrylic on paper. All drawings are black and white in colour with one drawing rendering a boat in warm red/orange and yellow colours. None shown, catalogue label on backdrawings / black & white / ink / boats / ships / queenscliff / araluen / ryan / disability

The outdoor toilet was a common feature in country estates and farms before the introduction of septic tank systems to non-sewered areas. They were built away from the main house and were often disguised with a wall or trellis.A coloured photograph of an outdoor toilet. Its walls are brick with cement rendering. The pitched roof has a blue trim and a blue door. There is a wall in front of the building which covers three-quarters of the structure. A brick path is on the LHS of the photograph and a small garden is in the front with some tomato plants and ground covers.harpsdale estate, brodie, richard sinclair, george, outdoor toilets, george evans collection

Was the building of the Old Colonial Bank of Australasia Ltd. At the time of the photograph operating as a doctors office.14cm x 9cm black and white photograph building at 39 Sydney Street. The double story building has an ornate light-coloured facade, which darker rendering on the sides. Arched windows on the ground floor and rectangle window with trim on the top floor. The newsagency neighbouring the property can be seen.Written on the back: 39 Sydney Coll Bank 115store front, shop front, antiques, antiques dealer

Heidelberg Golf Club: Clubhouse renovations 1997-98 - external makeover of Bryn Teg Room complete with new renderingColour photographs x2 and caption, in albumclubhouse redevelopment 1998, hgc clubhouse 1997, bryn teg room

Peerless Holdings’ Braybrook site began in the 1890s as Pridham’s Rendering Works. The rendering works produced sausage casings, meat meal, tallow, and fertiliser and operated as part of a large cluster of slaughterhouse related industries in Braybrook and Footscray districts. The founder, William Pridham was a prominent civic figure (Councillor, mayor, and community leader). Peerless Foods began in the 1950s as a small Melbourne business recycling and rendering meat by‑products with their early focus on rendering, tallow production, basic edible fats and oils. This positioned Peerless as a natural successor to Pridham’s operations. In 1982, Peerless Foods acquires Pridham’s Braybrook rendering business This acquisition gave Peerless a large, established industrial site, and by integrating Pridham’s century old rendering operations allowed Peerless to scale into a national fats and oils manufacturer During the 1980s and into the 2000s, Peerless went through a diversification process and expanded from tallow into edible oils, margarine, shortenings, bakery fats and foodservice oil. In 2005, Peerless purchased Unilever’s nonretail margarine and oil business, acquiring major Australian brands EOI, Copha, Fairy and Kremelta. This dramatically increased the Braybrook site’s production and distribution role. Peerless Holdings (Peerless Foods) now produces edible oils, spreads, shortenings, and bakery fats, supplies retail, foodservice, bakery, ingredients, and export markets. Peerless is still operating out of long-established Braybrook industrial complex, and the site remains one of the largest and longest running industrial facilities in Melbourne’s western suburbs.These tallow tanks are large, heated storage vessels that are used to hold rendered animal fat (tallow) in liquid form so it can be processed, refined, or transported. As tallow is solid at room temperature, these tanks keep it pumpable, and are fitted with steam coils, hot‑water jackets and insulated walls.evans street, braybrook, pridham

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one chimney on the south west corner of the house. The distinctive rendering of the chimney cornets with the welsh slates used on the roof. This chimney services the fireplaces in the dining room and the second and third bedrooms. villa alba museum, conservation photographs, victorian architecture, slate roofs, chimneys

Item found amongst belongings of Old Collegian, Frederick Carthew (1917) and donated by his grandson Richard Carthew. The Minerva Head is a feature of the school crest. This rendering appears amateur. Head of Minerva in brass with minimal engraving. Head attached to a simple brass wire pin.uniform, ballarat college, minerva, jewellery

I conceive my work as unfinished fragments of memory and childhood rituals, and through the art making process, I build and then peel back the layers of these memories and early influences, to reveal my personal dreamscape. Through the fusion of colour, texture, mark making and rubbing back, my intuitive rendering of the media creates layers that like memories, can be stacked up, hidden, peeled away, rubbed out, etched back in, and the process of layering and building up of a tactile textured surface, reflects memory itself; with its elusiveness and hard to grasp impressions that are more like ingrained watermarks. As I work, layering the surface then taking it back; rebuilding, adding marks and burnishing back, I feel into the textures, and through this tactile rendering I often discover something unintended and the end result is not quite how I perceived it in the planning. Perhaps something of a happy accident, which again reflects the arbitrariness of memory. I see my artworks less as paintings, but assemblages, with the layering technique creating a sculptural effect that reflects my great interest in the landscape and its beautiful and varied colours, shapes and textures. Part of my process is to take long drives into the country where I grew up, photographing along the way, to create a visual documentary that then informs my practice. The wide paddocks of the Victorian wheatbelt, beneath the endless blue of the horizon evokes very early memories so that a singular Bullock, a fencepost, a hay roll or corrugated iron wall, is so uniquely resonant to me, I am compelled to create this in my work. My connection to the land, to farming practices; the poplars, oaks and elm trees of my childhood holidays, is a mindscape that I return to again and again as I try to recreate that early sense of wonder, love and familiarity, grief and joy, that forms my unique vision. Veronica DRUM (1967 - ) Born Donald, Victoria A student at Federation University Arts Academy from 2015 until 2019, Veronica Drum is committed to establishing regular studio practice. Veronica Drum made this work in the final studio semester of the Bachelor of Visual Arts at the Federation University Arts .Academy.Framed Mixed media artwork depicting the Ovens Rivers, Victoria. Artists' Statement: Through the fusion of colours, textures, mark-making and a 'rubbing back' process, my intuitive rendering of the chosen media creates layers in my artwork that reflect and build upon cherished childhood memories. This work won the 2019 Federation University DVC 2D Art Acquisition Award.veronica drum, mixed media, alumni, oven river, dvc art acquisition award, trees, landscape, treescape

Painted from Beaumaris Cliffs looking over to Mentone this work is a characteristic example of Beckett's ability to create a sense of place with an economy of means. The bands of floated colour create a flattened 'modern' space while still rendering a truthful impression of the location. oil on boardbeach, coast, cliff, path, tree, clarice beckett, beaumaris, beaumaris bay, bay, bayside, water, meldrum school, painting, mentone

Green clothbound hardcover, watermark patterned cloth, faded with some wear to extremities. Title on spine, gilt lettering. Plates XVIII - LXXI plus seven supplementary plates, descriptor pages opposite. Cover detached at front and rear hinges, all pages detached apart from the rear seven. Foxing throughout, some plates water stained. Some previous minor insect damage. Illustrated. Poor condition. non-fictionFrederick von Mueller's book of lithographs; plants indigenous to Victoria. botany, victoria

This item was donated by Flight Lieutenant Terence John Howe (0314780) who was with Ground Defence with the Royal Australian Air Force. He served in Vietnam with Base Support Flight from January 1968 to September 1968. A Copy of a Certificate That Weapon is Rendered Innocuous belonging to Flg Off T.J. Howe (0314780) the weapon, Chicom 7.62mm AK47, serial number (hard to read) has been rendered innocuous by removing the firing pin and brazing the firing pin hole. Rendering the barrel unusable by the barrel has two holes drilled horizontally through forward of breach, trigger rendered inoperable by welding and bayonet welded in closed position. This was dated 30 Jul 68flight lieutenant terence john howe, 0314780, royal australian air force, raaf, ground defence, special duties, base support flight, weapons, chicom 7.62mm ak47, rendered innocuous, certificate

Whittaker's improved edition of Pinnock's Goldsmith's History of England, from the invasion of Julius Caesar to the death of George 11., with a continuation to the present time; also, a dictionary, biographical, historical &c. explaining every difficulty, and rendering the whole easy to be understood; and questions for examination at the end of each section: besides a variety of valuable information added throughout the work....Brown leather-bound hardcover book, very worn extremities, tear to upper spine. Embossed cross-hatch design on leather with embossed border. Staining lower right front, loss of colour back & front. Scored damage to front. Flyleaf torn with piece missing upper right. Front hinge separated, binding loose. 2nd flyleaf stained. Foxing and discolouration of page edges. 519 pp. Poor condition.Inside front cover, label advertising Fulton & Knight's Pronouncing Dictionary, 'T & C Buck/1846'. Front flyleaf, ' [missing] Buck/ [indecipherable] school/1846'. Front 2nd flyleaf, 'Thomas Buck/Mounted Constable/Kilmore District/June 1856'.history of england, thomas buck, mounted constable, kilmore

Issued to Australian Defence Force personnel who have rendered warlike service. To enable individuals to display their involvement in warlike service while in civilian attire, where the wearing of a medal denoting such service is not appropriate or possible. The ability for veterans to wear a badge recognising the service and sacrifice involved in rendering war service to Australia is seen as befitting tribute to these veterans.links the three services as the ADFa tri-services brass badge (with an anchor, wings and Rising Sun) surmounted by the king's crown, with a boomerang underneath with the text 'RETURNED FROM ACTIVE SERVICE' The reverse of the badge has a pair of pin clips for attachment to the wearer's clothing.war service, ww2, recognition