A history of the Commonwealth Repatriation Department, its many functions over 75 years from 1919 to 1994, the policies, administration and changes over the years.social history, rehabilitation

Printed for Australian Infantry personnel during World War 2 to help with repatriation on return to AustraliaUsed by World War 2 service personnel to assist with repatriation on return from active service to Australia.A booklet coloured khaki with a cover made from light cardboard and 64 pages made from paper.On the front Cover from top to bottom: Commonwealth of Australia; Repatriation Commission; AN OUTLINE OF REPATRIATION; (Republished September, 1943, to conform to the amended Acts and Regulation, Revised January, 1941); (Issued by the Repatriation Commission for the information and guidance of members of the Fighting Services of the war which commenced on 3rd September, 1939); Melbourne; By Authority: H.E. Daw, Government Printer, Melbourne T.1034/12.43-C.454/45 See images for content on front and rear covers.commonwealth of australia, repatriation commission, world war 2, ww2, repatriation, aif, australian infantry forces, melbourne, government printer, navy, army, air force

Awarded to Dorothy Maye BuchananCover reads: Commonwealth of Australia / Repatriation Department / Nursing Aide Certificatecertification, repatriation general hospital heidelberg, dorothy buchanan

Original medals of 395 Pte Alfred Francis Hoffman 7th Battalion who enlisted 7 August 1914 - Repatriated To Australia (RTA)Set of three WWI medals 1914 - 15 Star; British War Medal 1914 - 1920; Victory MedalOn rim of British War medal 395. Pte. A.F. HOFFMAN. 7/B.N. A.I.F.; ON RIM OF Victory Medal; 395. Pte. A.F.HOFFMAN 7 - BN. A.I.F.medals, wwi medals set of three

This patch was created to celebrate the repatriation to Australia of the bodies of airmen Robert Carver and Michael Herbert whose Canberra bomber, callsign 'Magpie 91" crashed in Vietnam in 1970.Round white fabric patch with black border. Magpie emblem of 2 Squadron in middle with red stylised 91 beneath. Text around edge.M.I.A. SVN 3rd November 1970. Home Aust August 2009. 2 SQN. emblem in black on white cloth. MIA SVN 3rd November 1979. Home Aus 31 August 2009. R. Carver & M. Herbert.missing in action, michael herbert mia, robert carver mia, 2 sqn, vietnam, raaf

Manual for nursesSpiral bound blue carboard handbook with black text. Repatriation General Hospital and Australian Coat of Arms on cover.nursing, binder, manual, repatriation general hospital

Prior to the end of WW1 many members of the 4th Light Horse Regiment had been repatriated to Australia because of illness or wounds. These men were the originators of the Regimental Association. Some men are in uniform but most in civilian dress. This would suggest that they may have been discharged from the AIF.B&W photo (20.5 x 16 cm) of members and guests seated at dining tables. In black painted wooden frame.photo, 4th light horse, reunion

This second edition charts the evolution of doctrine development in the Australian Army by detailing a list of instructional and tactical literature of the Army and its precursor pre-Federation Australian colonies. The bibliography demonstrates the range of subject areas that Army has addressed over its history, including such esoteric issues as censorship, the evolution of Signals training, accreditation of war correspondents & the management of enemy POW and repatriation of Australians taken POW.ISBN 978-0-9946046-8-2bibliography, tactical & instructional pamphlets & books, military education

The Dept of Repatriation of the Commonwealth of Australia is now The Dept of veterans Affairs..1) Document 14 pages, re repatriation benefits, pensions and Allowances from the Commonwealth of Australia Repatriation Dept. This is actually 3 documents all the same but have been glued together like a pamphlet, two on white paper, one on blue paper. .2) Document 8 pages, light brown colour, stapled from the Repatriation Commission, amendments on pensions, medical treatment and other benefits. .3) Document, folds into 3, yellowish paper printed in green and black relating to War Widows benefits from the Australian Repatriation Dept, no date but benefits are in pounds, schillings and pence, pre 1966. .4) .5) & .6) Documents, folds into 3, yellowish paper, red and black printing from the Repatriation Dept of Australia, details a a guide to Service pensions, means test, rates of pensions, property etc. .7) & .8) Booklets, 53 pages, off white colour from the Commonwealth of Australia with instructions for the guidance of a repatriation local committee, issued by the Repatriation Commission.repatriation, pensions, allowances

This is a book of photographs published by Cassell & Co. by arrangement with the Government of the Commonwealth. The profits from sales were devoted to the Australian Soldiers' Repatriation Fund. This item is a useful research tool on the history of World War 1.A 192 pp magazine publication in eight parts. It is titled "Australia in the Great War - The Story Told in Pictures". It has a mottled purple cover with purple binding.

On the night of August 24, 1941 HMS Kanimbla, with 300 Indian troops on board led a flotilla in a surprise attack on the Iranian port of Bandar Shahpur capturing eight German and Italian merchant vessels all containing valuable cargoes, as well as two Iranian gunboats and a floating dock. Kanimbla went alongside the burning Italian tanker Bronte and fought the fires while engaging a train with her main armament and with her 3-inch guns. She remained in the region until October 11, supervising the port and carrying out salvage work on the captured vessels, including salvage work on the German freighter Hohenfels. After further work in Indian waters during the latter part of October and November, Kanimbla proceeded to Singapore and escorted the first convoy out of that city after the Japanese attack on Malaya. She arrived in Melbourne on Christmas Day. She carried out further convoy work off the Australian coast and in both the Indian and the Pacific Oceans. At the end of the war HMAS Kanimbla was employed in repatriating Australian servicemen from the Pacific Islands and also in returning Dutch dependents to the East Indies (Indonesia). Between October 1946 and June 1948 she sailed between Australia and Japan transporting British Commonwealth Occupation Forces. MS Kanimbla was unique for many reasons, she was the only passenger liner in history to have a fully operational radio broadcasting station built into the ship at the time of construction. The equipment was manufactured by AWA in Australia and had been shipped to Ireland for installation whilst the ship was still under construction.Brown timber frame housing white mount and dark blue print with grey ship in the centre above list of names below and top right and left corners.THE GREAT GREY RAIDER Captured 22 Ships, / Floating Dock, / 1Train Ships captured: Weissenfels, Wildenfels, V. Mayakovsky, Sheng Wha, Marienfels, Karakoram, Hathor, Winford, Sturmfels, Hohenfels, Store Nordiske, Tonjer, Chahbaaz, Barbara, Talisman, Corona, Carboto, Dah Pu, Sygna, Gabon, Bronte, Agnes Pre War: M.V. Kanimbla, McIlrath McEachern Line, 12000 Tons War: Commissioned as H.M.S. & Later H.M.A.S as armed Merchant Cruiserkanimbla, great grey raider, hohenfels, bronte, ww2, 1941

Sandy was the only horse repatriated back to Australia from WW1. Australia sent 136,000 horses to the front. It was estimated that 8 million horses in total were killed. Sandy belonged to Major General Sir William Bridges who was fatally shot at Gallipoli. His dying wish was for his horse to be returned home.Only Dead Soldier to be returned to Australia from WW1. Only horse to be returned to Australia.Newspaper Articlesandy horse ww1 william bridges

In 1943 Westralia was converted into a Landing Ship, Infantry. In this role, Westralia had a capacity of 933 soldiers, and was used primarily to transport units of the United States Army and Marine Corps. The ship arrived at Manus on 7th April 1945 befoe reaching Morotai on the 19th. The 2/24th Australian Infantry Battalion embarked for attack on Tarakan Island, Borneo. On 1 May – After preliminary bombardment by two cruisers and six destroyers ,troops of 26th Australian Infantry Brigade were landed. After the end of the war, Westralia was one of the ships at Ambon on 22 September 1945 for the surrender and occupation of the island where the 164 survivors of Gull Force prisoners had already been taken off on 10 September. She was later used for the repatriation of Australian troops, before being paid off in September 1946. The ship earned five battle honours for her wartime service: Silver frame containing black and white image of a ship at seaGold coloured plaque attached top right "HMAS Westralia" - 2/24th AUST INF BATT TARAKAN ISLAND BORNEO 1ST MAY, 1945hmas westralia, 2/24th aust inf battalion

Phil BERRY (1963 - ) Born Ballarat Completing a Master of Arts at the University of Ballarat (now Federation) in 2012, he workes as a sessional staff member for the Arts Academy. Artist Phil Berry recalled ‘As a child I spent the majority of my holidays at my uncle and auntie’s. Uncle Jack was a prisoner of War at Changi during World War 2. Repatriated to Australia he was emaciated and clutched his prize possession, an old spoon. Part of his daily life during the extreme hardship of the camp, the spoon was a symbol of his survival, a constant in extreme uncertainty.’ ‘Home again Jack married, started a family and embraced peace. A kind and gentle man, I was fortunate to have known him. The coming of peace had given back what war had nearly taken away.’ This item won the Lucato Peace Prize and is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painted canvas depicting a spoon. Phil Berry studied at the University of Ballarat Arts Academy (later Federation University) and undertook sessional lecturing at the Arts Academy.art, artwork, berry, phil berry, philip berry, lucato peace prize, prisoner of war, available, spoon, cutlery, war, arts academy, alumni

Maxwell Barry Cowden VX19297 enlisted in the 2/nd AIF on 30.5.1940 age 18 years (put his age up to 21) in 2/2 Pioneer Battalion AIF, embarked for the Middle East 8.4.1941, promoted L/Cpl 25.6.1941, promoted Cpl 29.10.1941, took part in the Syrian Campaign. On 31.1.1942 the unit embarked for Australian but were diverted to Java to defend it, disembarked 18.2.1942. Java surrendered and they were taken POW, reported MIA on 30.4.1942 then after as POW. As a POW he worked on the Burma Railway. In December 1944 they were on the Hell Ship AWA Maru and sailed for Japan to work in the Coal Mines arriving mid Jan 1945. He was repatriated back to Australia on the HMS Formidable, discharged on 28.11.1945 with the rank of Cpl. Refer also Cat No 7077.Brown wood frame with gold edge, contains a photo and medals on a green background re a WW2 soldier/POW. The medals are a mixture of official and unofficial not in the correct order. Medals top. 1. Miniature Dutch medal 1942 - 45 official. 2. Prisoner of war medal, commemorative unofficial. Centre row. 1.Dutch medal 1942 - 45 official. 2. Africa star, official. 3. 1939 - 45 Star, official. 4. Pacific Star, official. 5. Front line service medal, unofficial. Bottom. 1. Defence medal, official. 2.Australian Service medal 1939 - 45, official. 3. For Combatant duties in active service, unofficial. 4. Foreign service medal, unofficial. 5. British war medal 1939 - 45, official."Max Cowden VX19297 2/2 Pioneer Battalion AIF"award, medals, photo, pow, 2/2

A large photo of soldiers from the first World War. It is almost identical to one in the AWM. From the AWM record it is the 2nd Pioneer Battalion before they returned to Australia. From Wikipedia the 2nd Pioneer Battalion was tasked with digging trenches, labouring, constructing strong points and light railways, and undertaking battlefield clearance, the troops assigned to the pioneers required construction and engineering experience in addition to basic soldiering skills. After the Armistice personnel were repatriated to Australia in drafts as part of the gradual demobilisation of the AIF, the battalion's strength dwindled until finally it was disbanded on 18 May 1919 while in the Charleroi area of Belgium. The men are standing on the steps of the Palais de Justice in Charleroi. The lion is one of a pair made by Antoine-Felix Boure a Belgium sculptor, who was renowned for his portrayal of lions. This pair is called Totor et Tutur. The Palais de Justice was replaced by a new building in the 1960s and the lions now stand in the garden of the Palais de Justice. The soldiers wear different uniforms depending on their rank. This photo is a good example of some of them. Legatee Philip E Potts who was president in 1927-28, was a Captain in the 2nd Pioneer Battalion and is likely to be in this photo. Or the photo belonged to him. Another photo of L/ Potts is labelled Charleroi 1919 and mentions a 2nd Division Concert Party and his war record at NAA says he was assigned to the Concert Party at that time.Legacy was founded by returned soldiers from World War 1, hence some founding legatees may be in this photo.Sepia photo of the 2nd Pioneer Battalion on the steps of a building.soldiers, world war one, lion, charleroi, 2nd pioneer battalion, uniforms, philip e potts

00356.1 Letter dated 12 March 1943 from Cyril Smith to Doug N. Craig of the Holmbush Committee about Miss Helen Giovesi as a possible cleaner for the Legacy Club Hostel. Although it is on Commonwealth of Australia Repatriation Committee letterhead he has noted "Unofficial" and struck out his official title from the letter. 00356.2 Letter dated 14 April 1943 from Holmbush Committee to Miss Helen Giovesi confirming an arrangement for her and her sister Miss Rita to undertake the cooking and household duties at wages of £3 and £2.5 respectively. Also mentions that Mr and Mrs Frank have taken up residence as the hostel managers. 00356.3 Letter dated 16 April 1943 from Helen and Rita Giovesi accepting the positions.Holmbush was the first hostel for children that Legacy started and operated from April 1943. It was later renamed Blamey House after Legaacy's baby and toddler home, Blamey House in Beaumaris was closed.A record of employment process and business correspondence in 1943.00356.1 White quarto letterhead, black type, two hole punched. 00356.2 White quarto copy paper, black type, two hole punched. 00356.3 White note paper, black ink handwriting, two hole punched.00356.1 Unofficial, in black ink and underlinedresidences, staff, holmbush

The Trustees of the Australian Ex-Prisoners of War Memorial have defined a Prisoner of War to be a person who was captured by a common enemy and/or interned in a neutral or non-combatant country. To be defined an Australian Prisoner of War, the person needs to be either an Australian Born person serving in the Uniform of an Australian Service; or in the Uniform of a friendly country, or Born Elsewhere and serving in the Uniform of an Australian Service. A Prisoner is a person who has lost personal privileges, suffers deprivation of liberty or is unable to return home or dies in captivity.Colour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial." ballarat, ballarat botanical gardens, peter blizzard, ballarat north gardens, war memorial, prisoner of war, prisoners of war

DESCRIPTIONColour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial."australian ex-prisoner of war memorial, peter blizzard, prisoner of war, ballarat north gardens

DESCRIPTIONColour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial."australian ex-prisoner of war memorial, prisoner of war, ballarat north gardens, peter blizzard

Dinner to Mr H R Clover player Career : 1920-24, 1926-31 Debut : Round 2, 1920 vs. Richmond, aged 25 years, 46 days Carlton Player No. 346 Games : 147 Goals : 396 Guernsey No. 1 Last Game : Semi Final, 1931 vs. Collingwood, aged 36 years, 180 days Height : 185 cm (6 ft. 1 in.) Weight : 86.5 kg (13 stone, 9 lbs.) DOB : 20 March, 1895 League Leading Goalkicker: 1922 Leading Goalkicker: 1920, 1921, 1922, 1923, 1926, 1928 Best and Fairest: 1929 Captain Coach: 1922-1924, 1927 Champion of the Colony: 1921 VFL AFL Hall of Fame Carlton Hall of Fame Team of the Century President: 1956-57 Vice President: 1932, 1935-54 Club Secretary: 1925-26 Horace “Horrie” Clover was Carlton’s star centre half-forward of the 1920’s; a high flying, long-kicking champion who enjoyed a stellar career with the Old Dark Navy Blues, then went on to be one of our longest-serving administrators. But even before he took the field for Carlton, Clover had to conquer the odds on the battlefields of France in World War 1. From Maryborough in central Victoria, Horrie enlisted in the 1st AIF in September 1915. After basic training, he embarked for France with reinforcements for the 7th Battalion in January of 1916. Soon pitched into the horrors of trench warfare, he fought and survived until September of that year, when he was transferred to a machine gun company and promoted to the rank of Corporal. On Christmas day, 1916, Horrie was struck down with acute appendicitis. He was evacuated to a field hospital for emergency surgery, where the doctors discovered that his appendix was gangrenous and that his life was in danger. He was immediately transferred to London for specialist treatment, and months of recuperation. Pronounced unfit for further front-line service, he was repatriated back to Australia in August 1917, and honourably discharged in May of the following year – six months before the Armistice. Having recovered, and keen to have a crack at senior football, Clover trained with Richmond and Melbourne before Carlton gave him an opportunity at VFL level. And how he delivered! In his first match in 1920 – ironically, against Richmond - he kicked four goals from centre half-forward, and hit the post three times! By the end of his first season at Princes Park, Clover was one of Carlton’s drawcards. Former Australian Prime Minister Sir Robert Menzies was just one of the many Carlton fans who were captivated; “he was the most artistic of high marks, unforgettable at half-forward,” said Menzies. Horrie could kick a football, too. A balanced, deceptively quick mover, he was a glorious running drop-kick for goal. Playing against Richmond again at Princes Park in July, 1921, he let fly with a monster kick that was later measured at 86.26 metres – that’s 94 yards, 2 feet in imperial terms! And there are numerous other instances where he roosted the ball more than 70 metres. In round 12 of 1921, he slotted 13 goals in a game against St Kilda; a club record which still stands today. The Blues made the finals in third place in 1921 and battled through to meet Richmond for the Premiership. Then the heavens above the MCG opened up on the day before the decider, turning the ground into a quagmire. In what was to be Clover’s only Grand Final appearance, Richmond won a slogging, mauling contest by four points. While Premiership glory eluded him, Horrie was Carlton’s top goalkicker in three of his first four seasons, including 1922, where his total of 58 was the competition’s best. He was appointed captain of the Blues that same year, and in 1923 took on the dual role of captain-coach. Over 1924 / 1925, he suffered more debilitating illness that prevented him from playing all season. Unable to pull on his football boots, he took on the job of Club Secretary, and continued in that position even after returning to the field in 1926. When he did eventually resume, he formed a new, powerful Carlton forward set-up with a young Harry “Soapy” Vallence at full-forward. Twice more – in 1926 and 1928, Clover’s brilliance and accuracy in front of goal saw him at the top of Carlton’s goal-kicking, and in 1929 – aged 34, he was honoured with the captaincy of Victoria against WA in his ninth and final game in the Big Vee. show_image.php?id=205 Horrie Clover retired as a player in 1931 after 147 games. His total of 396 goals is still ranked fifth best in Carlton’s proud history (only displaced for fourth when Brendan Fevola broke through in 2007/2008) – and it should be remembered that all but a handful of his games were played at centre half-forward, not in the goal square. In 1932 he was elected Vice-President of the Carlton Football Club, but retired after one year. In February 1935 on learning of Terry Ogden's the serious illness, Clover and Newton Chandler offered their services for a blood transfusion for the club's wing man. After a blood test Chandler's blood was accepted. However, Ogden passed away the next month. Clover stood again in 1935, was elected – and spent twenty unbroken years serving his beloved Blues. He even took on the Presidency in 1956, aged 60, and was as vigorous and determined as ever in his two years in the job. Carlton Football Club mourned deeply when Horrie Clover passed away on the first day of January, 1984. Three years later, he was among the first to be inducted into the Carlton Hall of Fame. Testament to his stature in the game as a whole, he was elected to the AFL Hall of Fame in 1996; and May 2000 saw him named as one of four emergencies in Carlton’s Team of the Century. A champion in every sense of the word, he spent 37 years of his remarkable life at Princes Park. Footnote The Argus published an article on Maryborough, April 12 1930, it said; "Clover has been the leading half-forward in League ranks for some time. It takes a specialist to fill the position capably, and the Carisbrook man does this admirably. Like good wine he has improved with age, and besides being one of the greatest half forwards that has ever appeared on a football field, he is about the best all round kicker that has ever played the game. He excells in punting, drop, and place kicking. He is a great marksman and a splendid exponent, one of the greatest the district has produced, besides being a fair cricketer also." When Clover returned to football in 1926, The Argus mentioned that they thought it was the first time a member of the Permit and Umpire Committee had played in a League game. 13 GOAL AWARD Round 12, 1921 At the Carlton AGM held on Monday 27 February 1922, Horrie Clover "was presented with ball used on the occasion, the St.Kilda club having generously donated it to the Carlton officials, who had it mounted for the purpose." (Age February 22 1922) 1922 The Art Of Forward Play Horrie wrote an article for the Sporting Globe August 30 p7 To read click here> http://nla.gov.au/nla.news-article184798404 1928 Idol of Carlton Crowds - Australia's Best Centre Half Forward The Sporting Globe's football writer W. S. "Jumbo" Sharland writes about Horrie Clover To read click here> http://nla.gov.au/nla.news-article183958222 Footballer Who Gambles With Death. Daily Pictorial (Sydney) article about Horrie. http://nla.gov.au/nla.news-article246129350 1932 Jack Worrall on Clover Writing for the Australasian September 03 p7; "Take Horrie Clover as an example, a real specialist, one of the best forwards the game has seen, and the best all-round kick that has ever come under my purview. For that reason he deserves a line to himself. He played the game like a sportsman, was a glorious high mark, and could cover a great distance by either drop, punt, or place kick - a remarkable accomplishment. Many players have been notable kicks in two aspects of the game, yet none have equalled Clover in the three branches. His nearest rival as an all-round kick, though not quite as certain in his efforts, was Frank Caine, of Carlton, who, like Clover, also hailed from the country." 1933 Coming Football Champion Melbourne, Saturday A special warning was issued to the Victorian Football League delegates last night by Mr. D. H. Crone, a Carlton delegate, not to angle for a certain "coming" champion that the Carlton Club had signed up that day. At first delegates were a little puzzled at the statement, but when it was explained that Horrie Clover, former champion half-forward, had that day become the father of of a son they burst into sustained laughter. It was only by persistent ringing of the bell by the chairman that order was restored. (News (Adelaide) May 20 1933 p3) 1933 - The Place Kick A letter to The Argus via the Huon Times about the lack of place kicking expertise in the VFL. The writer mentions that he got Horrie to play football in Maryborough after he saw the then 15 y.o. place kick a ball 63 yards, and later with Carlton, Clover place kicked 8 goals in one match. To read click here> http://nla.gov.au/nla.news-article137253000 Milestones 50 Games: Round 1, 1923 vs Fitzroy 100 Games: Round 18, 1927 vs St Kilda 100 Goals: Round 18, 1921 vs Collingwood 200 Goals: Round 3, 1924 vs St Kilda 300 Goals: Round 11, 1928 vs Geelong Links Articles: The Magical 'Three Goal Average' | A Letter From Horrie | Our Flagless Greats Blueseum: Stat Shot for Horrie Clover | Career Breakdown | Clover's big goals hauls | Clover's Blueseum Image Gallery A dinner to celebrate career Horrie Clover in 1957Four Page Program & Menu 1927

Taken some time between 1914-18 in France, the photograph depicts extensive wreckage of a railway train. There are collapsed buildings, debris, and helmets scattered all across the landscape. There is one unidentified soldier standing in the middle of the photograph. With research that is currently available, it can be inferred that the wreckage depicted in this photograph is from the tragic Saint-Michel-de-Maurienne derailment which occurred on December 12, 1917. The railway accident involved a troop train carrying almost 1,000 French soldiers on their way home for leave from the Italian Front in World War I. As the train descended into the Maurienne Valley, a sudden, uncontrollable acceleration caused a catastrophic crash and subsequent fire. 675 people died in the accident.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day. Additionally, there is only limited information available about the Sant-Michel-de-Maurienne derailment. The record may be a useful springboard for further investigation into this accident and its history.Black and white rectangular photograph printed on matte photographic paper.Reverse: 6530 / Destruction of train carrying / German helmets (?) to (?) prior to / his retreat at Charleroi /military album, army, war, wwi, world war i, france, charleroi, train, military, wreckage, europe, belgium, saint-michel-de-maurienne, maurienne valley

Taken some time between 1914-18, depicted is a large group of unidentified males. Four of them are dressed in Australian military uniforms. The remaining 19 men are dressed in striped uniforms. The male in the centre of the front row is cradling a football, suggesting that the group was part of a football or rugby league team. It is believed that the soldiers in this photograph were part of the Australian Imperial Force. This can be inferred by the chevron rank insignia visible on their uniforms. The placement of this insignia on the sleeve of the right arm suggests that this soldier was either a Warrant Officer or a Non-Commissioned Officer (NCO). Additionally, they are also wearing 'Rising Sun' collar badges on their coats. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force. Sport has always been entwined with war. Both sport and war demand peak physical fitness, camaraderie, strategy, and allegiance to a team collaboratively working towards a common goal: to win. The connection between sport and war is especially strong in Australia since these two concepts form the basis of our national identity. The Australian War Memorial has a number of World War I recruitment posters linking war and sport in its collection. One of the posters produced in 1915 by the State Parliamentary Recruiting Committee in Victoria attempted to shame young men into enlisting by juxtaposing the image of an Australian soldier standing guard over his deceased mate with a photograph of a Victorian Football League match. Another poster, produced in 1917, features vignettes of different sports including cricket, bowling, boxing, kayaking and golf. Its slogan reads, "Join Together - Train Together - Embark Together - Fight Together: Enlist in the Sportman's 1000".The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day. Additionally, the record presents a unique opportunity to further explore the relationship between the arts, sport and war. This statement of significance has already established that war is integral to Australia's national identity - and sport is of equal importance. Specifically, the record begs to question how the peak physical fitness and camaraderie valued in team sports were creatively translated into military recruitment campaigns during World War I. Evidently, this record and its historic context demonstrates that there is potential here, and if further research is completed on this topic, it may provide insight into Australian military recruitment tactics used in the past and present, and into the future.Sepia rectangular photograph printed on matte photographic paper mounted on card.Reverse: 6529 / hyossest (?) / (?)1/11/1 /military album, army, military, war, wwi, world war i, sport, football, rugby, aif, australian imperial force

Taken some time between 1914-18, the photograph depicts an aerial view of trenches in France. The image mostly shows rural landscape, although there is a house in the bottom right corner. A dotted line has been drawn across the photograph, marking the section of trenches that belonged to British forces during World War I. It is believed that the line marking on this record denotes a section of the Western Front. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. Between 1915 and 1917 there were several offensives along the Western Front. The attacks employed massive artillery bombardments and massed infantry advances. Entrenchments, machine gun emplacements, barbed wire and artillery repeatedly inflicted severe casualties during attacks and counter-attacks and no significant advances were made. Among the most notable of these offensives were the Battle of Verdun (1916), the Battle of the Somme (1916), and the Battle of Passchendaele (1917).The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on matte photographic paper.Obverse: A.3FE.O.146 / G2R 29 . 6 . 18 (Y p.m) / F= 10 1/4 / British Line / ------------------------------------------ / P. 250 1040 / 0. 30d. 0010 / 0. 30d. 3070 /military album, military, war, wwi, world war i, france, great britain, trenches, village, rural, western front

Taken some time between 1914-18, the photograph depicts an aerial view of trenches in France. The image mostly shows rural landscape, although there is a cluster of houses in the top right corner. It is believed that this record denotes a section of the Western Front. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. Between 1915 and 1917 there were several offensives along the Western Front. The attacks employed massive artillery bombardments and massed infantry advances. Entrenchments, machine gun emplacements, barbed wire and artillery repeatedly inflicted severe casualties during attacks and counter-attacks and no significant advances were made. Among the most notable of these offensives were the Battle of Verdun (1916), the Battle of the Somme (1916), and the Battle of Passchendaele (1917).The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Black and white rectangular photograph printed on matte photographic paper.Obverse: A.3.FE.2.291 / 62D O.20bd.P.25O.C / 16.7.18 / 12 / F 8 1/4 / Reverse: 6532military album, military, army, war, wwi, world war i, france, trenches