Showing 71 items matching "revival centre"
-
Ballaarat Mechanics' Institute (BMI Ballarat)Church Ballarat Revival Centre
... Church Ballarat Revival Centre......revival centre...Ballaarat Mechanics' Institute (BMI Ballarat) 117 Sturt St Ballarat goldfields 1960s ballarat church revival centre Church Ballarat Revival Centre ...1960s, ballarat, church, revival centre -
Canterbury History GroupPhotograph - Demolition of Theatre in Maling Road, 1992
... ... Immanuel Revival Centre...Built as a Hoyts Theatre in 1942 it later became the New Canterbury Ballroom and in 1971 the Immanuel Revival Centre. Part of a set of 8 coloured photographs taken by Jan Pigot to record the demolition of some shops and the old theatre to make way for new shops in Maling Road....Canterbury Maling Road Maling Theatre New Canterbury Ballroom Immanuel Revival Centre Colour photo Photograph Demolition of Theatre in Maling Road ...The Maling Road theatre was badly damaged by fire in 1990 and demolished in 1993. Built as a Hoyts Theatre in 1942 it later became the New Canterbury Ballroom and in 1971 the Immanuel Revival Centre. Part of a set of 8 coloured photographs taken by Jan Pigot to record the demolition of some shops and the old theatre to make way for new shops in Maling Road.Colour photocanterbury, maling road, maling theatre, new canterbury ballroom, immanuel revival centre -
Canterbury History GroupPhotograph - Demolition of Maling Road Theatre, Jan Pigot, 1992
... ... Immanuel Revival Centre...Canterbury Maling Road Maling Theatre New Canterbury Ballroom Immanuel Revival Centre Shops Photograph Demolition of Maling Road Theatre Jan Pigot ...canterbury, maling road, maling theatre, new canterbury ballroom, immanuel revival centre, shops -
Kew Historical Society IncArchive (Series) - Rialto Theatre
... ...Melbourne Revival Centre – Kew (Vic.)...Theatres – Kew (Vic.) Melbourne Revival Centre – Kew (Vic.) Archive Rialto Theatre ...Various PartiesReference, Research, InformationArranged by Secondary Values (value of records to users)The ‘Rialto’ was a theatre built in 1921 along High Street near Kew Junction, following the boom of construction spurred on by a post-World War 1 sentiment. Nicknamed ‘Kew’s Dainty Theatre’, it became the monopoly provider of cinema entertainment for Kew and served many purposes for the community. This included the use of the stage on-site to create a school for the performing arts. It would be acquired by HOYTS in 1926, and after a host of issues including poor heat and air conditioning, rivals in the area and the advent of the television, led to the site’s acquisition in 1969 by a religious group. It would be renamed to the ‘Melbourne Revival Centre’, and would eventually be demolished in 1983 once the occupants moved sites. The file includes: Newspaper articles on the site’s demolition and history, and two copies of ‘Cinema Record’ detailing the Rialto.rialto – kew (vic.), theatres – kew (vic.), melbourne revival centre – kew (vic.)rialto – kew (vic.), theatres – kew (vic.), melbourne revival centre – kew (vic.) -
Bendigo Historical Society Inc.Photograph - Bendigo Easter Fair
... 12 X small coloured photos of Bendigo Easter Parade 1970's: 10 of the photos are of floats in the parade, including McDonalds, Victoria Bitter, Home & Hospital for the Aged (with a grey rabbit), Revival Centres of Australia 2 of the photos are of the Chinese Assoc with a dragon...History House 11 Mackenzie Street Bendigo goldfields Photographs bendigo easter parade 12 X small coloured photos of Bendigo Easter Parade 1970's: 10 of the photos are of floats in the parade, including McDonalds, Victoria Bitter, Home & Hospital for the Aged (with a grey rabbit), Revival Centres of Australia 2 of the photos are of the Chinese Assoc with a dragon Photograph Bendigo Easter Fair ...12 X small coloured photos of Bendigo Easter Parade 1970's: 10 of the photos are of floats in the parade, including McDonalds, Victoria Bitter, Home & Hospital for the Aged (with a grey rabbit), Revival Centres of Australia 2 of the photos are of the Chinese Assoc with a dragonphotographs, bendigo easter parade -
Ringwood and District Historical SocietyMemorabilia, Gospel Chapel Warrandyte Road , Ringwood 1927-1989, later 1 Tamar St, Ringwood
... Gospel Music Revival Centre application form. 8. Christain House 7 page typed document about the Gospel House Music Centre...Gospel Music Revival Centre application form. 8. Christain House 7 page typed document about the Gospel House Music Centre Gospel Chapel Warrandyte Road , Ringwood 1927-1989, later 1 Tamar St, Ringwood Memorabilia ...1.Hand written letter to W.H.Dempsey Secretary of the Box Hill Gospel Church with a short history of the Ringwood Church from 1917-1953. 2.Short hand written history of the Gospel Church from 1881- 1918. 3. Five letters to the Town Clerk about renting the Ringwood Town Hall for use of a Church meeting 1927 and again in 1928. Also two in March and April 1937. 4. Page of newspaper cuttings including Gospel Hall opening 5. Newspaper cutting Announcing New Church at Heathmont 21-August-1958. 6. Newpaper cutting with photo of Pastor Woodhouse with news of new child play centre. Mail 31-May-1989 7. Gospel Music Revival Centre application form. 8. Christain House 7 page typed document about the Gospel House Music Centre -
Warrnambool and District Historical Society Inc.Medal - British Empire Medal Joyce Hayward, Late 20th century
... revival of the Warrnambool Arts Council in the 1970s. She was a Life Member of the Warrnambool Theatre Company. She also helped establish the Performing Arts Centre in Warrnambool. ...revival of the Warrnambool Arts Council in the 1970s. She was a Life Member of the Warrnambool Theatre Company. She also helped establish the Performing Arts Centre in Warrnambool. ...Joyce Hayward was awarded the British Empire Medal in 1981 for services to the arts in Warrnambool. The British Empire Medal was instituted in 1917 as part of the Order of the British Empire and in 1922 became a separate award known as the British Empire Medal. Joyce Hayward came with her husband Cyril to Warrnambool from England in 1955. For 30 years they were the dominant figures in the performing arts organizations in Warrnambool. Joyce Hayward was the Director of the Warrnambool Theatre Company from 1955 to 1985 and directed more than 80 plays and musicals. She founded the Warrnambool Calisthenics Club, helped develop the Holiday Actors organization and was a key figure in the revival of the Warrnambool Arts Council in the 1970s. She was a Life Member of the Warrnambool Theatre Company. She also helped establish the Performing Arts Centre in Warrnambool. She received the Warrnambool City Council Citizenship Award in 1970.It is a significant honour to be awarded a British Empire Medal and the acquisition by the Warrnambool and District Historical Society of the medal awarded to Joyce Hayward is of considerable importance. It is a rare item.This is a silver medal with a bar attached and clip at the back for the wearer and a red corded ribbon in a bow form on the silver attachment at the top. There is also a separate piece of red ribbon. The medal box is red leather material and lined with cream silk and velvet. Side one: E11R, Instituted by King George V., 4 armorial images, crown Side Two: For God and the Empire, For Meritorious Service, image (possibly Britannia) and a sun british empire medal, joyce hayward -
Warrnambool and District Historical Society Inc.Medal - Warrnambool City Council Citizenship Award -Joyce Hayward, Mid 20th century
... revival of the Warrnambool Arts Council in the 1970s. She was a Life Member of the Theatre Group. Along with her husband she helped to develop and build the Warrnambool Performing Arts Centre. ...revival of the Warrnambool Arts Council in the 1970s. She was a Life Member of the Theatre Group. Along with her husband she helped to develop and build the Warrnambool Performing Arts Centre. ...Joyce Hayward and her husband, Cyril came from England to Warrnambool in 1955. For 30 years she and her husband were dominant figures in the performing arts organizations in Warrnambool. Joyce was the Director of the Warrnambool Theatre Company from 1955 to 1985 and directed more than 80 plays and musicals. She founded the Warrnambool Calisthenics Club, helped develop the Holiday Actors Company and was a key figure in the revival of the Warrnambool Arts Council in the 1970s. She was a Life Member of the Theatre Group. Along with her husband she helped to develop and build the Warrnambool Performing Arts Centre. She was awarded the British Empire Medal for services to the arts in Warrnambool in 1981. Warrnambool City Council gives Citizenship Awards annually. This is a significant item as it was an important award received by Joyce Hayward, a prominent person in the Warrnambool arts scene for 30 years. This is a bronze-coloured medallion presented to Joyce Hayward as a citizenship award in 1970. It is circular in shape with the crest of the City of Warrnambool on one side and a laurel wreath with inscriptions on the other. It has a metal ring at the top for hanging the item. It is in a black leather box lined with red velvet and white silk and includes a small metal stand to display the medallion. Medallion – City of Warrnambool, Dieu et Mon Droit, By These We Flourish Citizenship Award, J.T.H.Hayward, 1970, Stokes Melb. joyce hayward, warrnambool city council -
Glen Eira Historical SocietyDocument - TOURS
... revival) architecture... Messrs. Haddon and Henderson... St. Aloysius... Archbishop of Melbourne Mannix Dr.... Caulfield Park... Hawthorn Road... Inkerman Road... Kambrook Road... Paddy’s Swamp... Cannizzo Philip... Caulfield City Council... Trams... Orrong Road... Grimwade House... ‘Harleston’... Grimwade Frederick Sheppard... Primary schools... Caulfield Art Centre...revival) architecture Messrs. Haddon and Henderson St. Aloysius Archbishop of Melbourne Mannix Dr. Caulfield Park Hawthorn Road Inkerman Road Kambrook Road Paddy’s Swamp Cannizzo Philip Caulfield City Council Trams Orrong Road Grimwade House ‘Harleston’ Grimwade Frederick Sheppard Primary schools Caulfield Art Centre ‘Stanmark’ Art galleries ‘Craigellachie’ Person William Pearson Eliza Francis Newton Mr. ...There are two copies of the Discover Caulfield guide produced by the Caulfield Historical Society. One from 1982 which contains twelve pages, seven of which are typed and the last five a continuation of the guide added later, hand-written. The other is a modern typed version of the same document, including information at the end that "Notes prepared by R. Ballantyne, 25th July, 1982, updated by Betty Snowball, 1992 and Gladys Vallati 4th August, 1995". They both detail a pictorial tours of the mansions and gardens in the City of Caulfield, similar but not identical.caulfield, mansions, gardens, homes, ‘lirrewa’, lirrewa grove, caulfield city hall, smith sydney, ‘halstead’, bambra road, halstead road, caulfield historical society, messrs. upton and smith, civic establishments, dickson james dr., houses, national trust, st. stephen’s church, balaclava road, gothic (revival) architecture, messrs. haddon and henderson, st. aloysius, archbishop of melbourne mannix dr., caulfield park, hawthorn road, inkerman road, kambrook road, paddy’s swamp, cannizzo philip, caulfield city council, trams, orrong road, grimwade house, ‘harleston’, grimwade frederick sheppard, primary schools, caulfield art centre, ‘stanmark’, art galleries, ‘craigellachie’, person william, pearson eliza, francis newton mr., greenmeadows gardens, milburn grove, greenmeadows house, lempriere john, mayors, ‘glenfern’, boyd john captain, boyd martin, ‘myoora’, alma road, ‘bagatelle’, christian thomas, henderson anketell, flats, building construction, ‘burreel’, kooyong road, burreel avenue, francis john, stephen sidney, allan george l., ‘royston’, renwick s. mrs., sargood frederick sir., ‘glen eira’, ricketson henry, caulfield hospital, royal southern memorial hospital, caulfield general medical centre, ‘ripponlea’, reed and barnes, architects, towers, rippon emma, rippon thomas, guilfoyle william, employees, ‘the village houses’, regent street, st. george’s road, cottages, bent thomas sir., jones louisa mrs., nathan benjamin, ‘anselm’, glenferrie street, queen anne style, haddon robert, historical buildings, princes’ park, ‘glenmore’, watts thomas, more hugh, glenhuntly road, gates, villas, ‘hopetoun’, hopetoun street, webb charles, hopetoun hospital, harleston park, allison street, langdon montague, langdon harry joseph, ‘tarqua’, ‘labassa’, manor grove, koch john, robertson a. w., wagner john, ‘ontario’, trinity congregational church, grange road, glen huntly, churches, greek orthodox church, ‘fairfield hall’, north road, younger james, glenhuntly post office, smith alfred, smith anne, methodist church, ‘lambros the cobbler’, railways, ballantyne r., snowball betty, kahlyn private hospital, ‘kynaston’, st. mary’s jubilee school, festivals and celebrations, st. mary’s anglican church, church of england, bishop moorhouse, joynt donoman, elsternwick post office, elsternwick, elsternwick bowling club, elsternwick rsl, caulfield grammar school, davis henry rev., selwyn street, elsternwick railway station, glen eira road, barnett r. j. rev., tudor court, world war 1914-1918, ‘fairhaven’, hope george, caulfield library, plaques, cannons, ‘janvec joinery’, parkside street, ‘parkside court’, clarence street, ‘streetscene’, grange road, greenhouses, vallati gladys -
Glen Eira Historical SocietyDocument - CAULFIELD RSL
... Leonard’s Elsternwick Club Grogan Richards Pty Ltd Returned Servicepeople Armed Forces Soldiers Aged People Senior Citizens Centres St. George’s Road Elsternwick English Domestic Revival Style Moderne Style Brick Houses Bay Windows Architectural Features Prendergast Ellen Mrs. ...This file contains two items pertaining to the property housing the Caulfield RSL: 1/A photocopy (2 pages) of an assessment of the property, dated 01/1997, by Andrew Ward, for purposes of ascertaining its historical significance. The assessment describes the architectural features of the property, offers a brief history of it, specifies why it should be considered significant, and recommends that it be added to the National Estate Register. Included is a black-and-white photograph of the exterior of the building. 2/An assessment (17 long pages plus appendix) of the car parking issues procured as a result of the decision to refurbish the Caulfield RSL. Prepared by Grogan Richards Pty Ltd, dated 13/11/2002, reviewed by Joanna Gauetty, and authorised by Rody Jude. Included is a description of the Club’s location and surrounding motorways as they existed at the time, a description of the Club itself (eg its opening hours and rate of patronage as per each opening hour), occupancy surveys, descriptions of other recent car parking construction within the same area, a description of the extensions the RSL is aiming to construct, and descriptions of the considerations any new construction must take into account. Included is a black-and-white map of Caulfield noting the RSL’s location, and two black-and-white photographs showing the view to the north and south of St. George’s Road, respectively.caulfield, caulfield returned servicemen league (rsl), exservice organisations, clubs and associations, ward andrew, glen eira heritage management plan, historic buildings, architectural, styles, national trust company, st. leonard’s, elsternwick club, grogan richards pty ltd, returned servicepeople, armed forces, soldiers, aged people, senior citizens centres, st. george’s road, elsternwick, english domestic revival style, moderne style, brick houses, bay windows, architectural features, prendergast ellen mrs., ford grylis, dl design group, gauetty joanna, jude rody, parking, glen eira planning scheme -
Eltham District Historical Society IncPhotograph - Digital Photograph, Marguerite Marshall, St John's Anglican Church, Diamond Creek, 7 September 2008
... centre of the proposed township. Today church leaders believe that this conspicuous location is one of the reasons for its exceptional growth. Prominent architect Charles Maplestone designed the building as he did the Presbyterian Church at Kangaroo Ground. St John’s, which is still intact, was built in the Gothic Revival...centre of the proposed township. Today church leaders believe that this conspicuous location is one of the reasons for its exceptional growth. Prominent architect Charles Maplestone designed the building as he did the Presbyterian Church at Kangaroo Ground. St John’s, which is still intact, was built in the Gothic Revival ...The building was designed by Charles Maplestone of Heidelberg, son-in-law to Anthony Beale of St Helena. Maplestone was a prominent architect who came out to Australia with his family in 1852. The foundation stone was laid by Mrs Isabella Maplestone on 11th November 1867. The bricklayers for the church were George Stebbing, H Limmer, H Spicer and a Mr Timm while Thomas Day was the stonemason. Another three years were to pass before sufficient money could be raised for its completion. It was opened by Bishop Perry on 1st November, 1870. The church bell which hung under a tree for 50 years until it was incorporated in the parish hall was brought out from England and presented by Charles Orme. In 1916, the estate of George Martin Pizzey left sufficient money to build the red brick hall, which still stands today (2023) though in January 1969 the hall and bell tower were badly damaged by bushfire. Coincidentally the former home of benefactor, George Pizzey was destroyed in the same fire. Of particular significance are the interior and exterior of the church, the Sunday school and hall with emphasis on pre-World War I fabric (excluding the 1990s additions) and the three coloured glass windows currently suspended in the 1990s entry foyer. In 2011 further alterations were made to the front of the Church. The church is historically significant because it was the oldest public building in the former Diamond Valley Shire, is amongst the oldest buildings in the Shire of Nillumbik and is associated with the early settlement of the Diamond Creek district. The church is historically, socially and spiritually significant because it has been a place of worship for over 150 years and continues to be, an important meeting place in the Shire. The church is aesthetically significant for the three stained glass windows executed by the noted stained glass manufacturers, Ferguson & Urie, as well as the supporting coloured glass windows in the church. The Sunday school & parish hall is architecturally significant because the hall is a well executed and preserved example of the work of noted church architects, North & Williams. It is historically significant because it is connected with local parishioner and Melbourne industrialist, George Pizzey, who bequeathed funds for its construction. Covered under Heritage Overlay, Nillumbik Planning Scheme. National Estate Ntionl Trust of Australia (Victoria) Local significance Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p85 St John’s Anglican Church stands like a beacon on the hill on Main Street, Diamond Creek. Today the church has a large congregation, but its early years were marked by a small congregation struggling to find enough money to survive. It was gold in Diamond Creek that resulted in the building of this National Trust registered property.1 This church is far removed from William Wilson’s humble barn (later the Bowling Green) where the first Anglican church services were conducted – probably the first in the district.2 In the mid 19th century services were infrequent as the Rev Francis Hales, travelling on horseback, also conducted services elsewhere, including at Heidelberg, Coburg, Kinglake, Arthurs Creek, St Andrews and Kangaroo Ground. In 1860 Diamond Creek came under the jurisdiction of the Eltham Parish. Until the mid 1860s the Diamond Creek settlement included only about 20 families who were struggling farmers. But this changed when gold was found in 1862. Then the township grew to 200 families, including miners, civil administration workers and shopkeepers. The resulting growth of Church of England adherents prompted them to petition the Government in 1866 for land to build a church. The area chosen, on which the original building still stands, was at the centre of the proposed township. Today church leaders believe that this conspicuous location is one of the reasons for its exceptional growth. Prominent architect Charles Maplestone designed the building as he did the Presbyterian Church at Kangaroo Ground. St John’s, which is still intact, was built in the Gothic Revival style with the traditional rectangular plan of a central nave and sanctuary at the end. It is typical of small churches built in Victoria at that time, with polychromatic hand-made bricks, a porch, diagonal buttresses and a slate roof.3 The church was officially opened by Lord Bishop Perry on November 1, 1870. But during the next 40 years, due to the varying fortunes of gold mining, the church struggled to remain viable. In 1909 it separated from the Eltham Parish to form a parish with Greensborough. Life became more difficult with the privations of World War One. Then disaster struck in 1915 when fire destroyed the Diamond Creek Gold Mine, wiping out the major livelihood of most parishioners. However the church’s morale was lifted in 1916, when it received a bequest to build the red brick hall, from late parishioner and prominent leather manufacturer, George Pizzey. As prosperity grew, in 1924 the congregation separated from Greensborough, but they rejoined in the 1930s Depression. In the 1950s the wider population soared, impacting on St John’s, and it became a separate parish, becoming responsible for six churches at St Andrews, Hazel Glen, Hurstbridge, St Helena and Yarrambat. As parishioner numbers outgrew the building, extensions were added in 1989 and then in 1993, blending in well with the original building. Church members have made a huge contribution to the local community. John Ryan was a Heidelberg Shire Councillor for 25 years from 1931, Mayor in 1939 and headed several local sporting and other organisations. His son Jock became a clergyman and a local historian heading the Nillumbik Historical Society. Another parishioner, Dr Ted Cordner, came to Diamond Creek in 1920. One of his sons Donald, who was a local doctor, won the Brownlow Medal, was President of the Melbourne Cricket Club and President of the Melbourne Grammar School Council. Roy ‘Monty’ Vale was a state Liberal MP and was related to May Vale, a member of the Heidelberg School of Artists.4 In the early 21st century St John’s Anglican Church is one of the fastest growing congregations in Melbourne. References: St Johns Anglican Church complex, Sunday School and Parish Hall 61 Main Street DIAMOND CREEK, NILLUMBIK SHIRE. (2023, June 7). Retrieved from https://vhd.heritagecouncil.vic.gov.au/places/64023 Diamond Creek, VIC. – St John’s Anglican (2023, June 7). Retrieved from https://www.churchhistories.net.au/church-catalog/diamond-creek-vic-st-johns-anglican This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, st john's anglican church, diamond creek -
Glen Eira Historical SocietyDocument - Church of Christ Caulfield North Dandenong Road 514
... revival architecture... Towers... Religious groups... Romanesque style... Alma Road... Lloyd C... Yanga... Architecture... Goldsworthy Stanley... Architects... Deague Brothers... Williams and Sons... Iskander Hendra... Budiman Agus... Jayo Yanta... Margono Haryono... Indonesian Praise Centre...Printout from website on Indonesian Praise Centre formerly Church of Christ North Caulfield includes a coloured photograph. Ward Andrew Dandenong Road North Caulfield Gothic revival architecture Towers Religious groups Romanesque style Alma Road Lloyd C Yanga Architecture Goldsworthy Stanley Architects Deague Brothers Williams and Sons Iskander Hendra Budiman Agus Jayo Yanta Margono Haryono Indonesian Praise Centre Oikumene Evangelical Charismatic Church Document Church of Christ Caulfield North Dandenong Road 514 ...Reprinted conservation study on Church of Christ by Andrew Ward dated March 1995 of 514 Dandenong Road. Includes black and white photo and black and white undated photo of Church of Christ. Printout from website on Indonesian Praise Centre formerly Church of Christ North Caulfield includes a coloured photograph.ward andrew, dandenong road, north caulfield, gothic revival architecture, towers, religious groups, romanesque style, alma road, lloyd c, yanga, architecture, goldsworthy stanley, architects, deague brothers, williams and sons, iskander hendra, budiman agus, jayo yanta, margono haryono, indonesian praise centre, oikumene evangelical charismatic church -
Glen Eira Historical SocietyAlbum - Album page, Caulfield State School, No 773, Glen Huntly Road, Circa 1972
... It is a representative example of the Department's Gothic Revival designs, distinguished, however, by the semicircular treatment of the master's office, which compares with Portland (1879), Queensberry St Carlton (1880) and Footscray (1881). It has local significance as the earliest surviving Government School in Caulfield and as a centre ...This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates Caulfield State School No. 773 is important at the State level as the first of similar designs for small schools prepared by the Education Department under H.R. Bastow at Little Bendigo (1878), Glen Waverley (1880), Ascot (1882), Sandringham (1885) and Carlsrich (1892)·. It is a representative example of the Department's Gothic Revival designs, distinguished, however, by the semicircular treatment of the master's office, which compares with Portland (1879), Queensberry St Carlton (1880) and Footscray (1881). It has local significance as the earliest surviving Government School in Caulfield and as a centre for education from 1877, comparing with St. Mary's Jubilee School (qv) of 1887. The Caulfield State School of 1877, the horse tramway of 1889 and subsequently the electric trams were all events confirming the importance of Glenhuntly Road and the fledgling community of "Camden Town" wherein the City's commercial centre has its origins.Page 68 of Photograph Album with three exterior photographs (two portrait and one landscape) of one side of Caulfield State School with a fourth photo missing from the page.Hand written: Caulfield State School No. 773 Glenhuntly Road [top right] / 68 [bottom right] trevor hart, glen huntly road, caulfield state school, caulfield primary school, gothic revival, schools, caulfield south, arched window, tower, 1870's, camden town, red brick, curved windows, terracotta tiles, master's office, education, primary school, glenhuntly road, h r bastow -
Glen Eira Historical SocietyAlbum - Album page, Glenfern, Inkerman Street, Circa 1972
... centre...gothic revival...Of note is the resistance to redevelopment in the latter half of the twentieth century and the subsequent survival of the 1907 Glenfern estate. trevor hart east st kilda garden pitched roof glenfern hotham street boyd family 1850's 1860's 1870's john bakewell francis mcdonnell thomas watson lucy boyd glenfern flats charles laing m. hennessy smith and johnson stables gothic stuccoed brick gabled slate roofs elaborate bargeboards asymmetrical cedar joinery verandah national trust of australia centre for the arts and culture artist-in-residence glenfern writers centre gothic revival clustered chimneys emma boyd inkerman street north caulfield captain john boyd artists writers st kilda east national trust of australia (victoria) caulfield amy ostberg architects m hennessy doors chimneys martin boyd arthur boyd ostberg family Handwritten: "Glenfern" 417 Inkerman Street [top right] / 98 [bottom right] Page 98 of Photograph Album with two photographs (one square and one landscape) of views of Glenfern. ...This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Glernfern H0136 https://vhd.heritagecouncil.vic.gov.au/places/57 (as at 23/10/2020) Glenfern was built on spacious grounds at the corner of Inkerman and Hotham Streets, East St Kilda in two main stages in 1857 and 1876. From 1876 to 1984 Glenfern had only two owners, including the well known Melbourne family of artists, the Boyds. The property was bequeathed to the National Trust of Australia (Victoria) in 1984 and has remained in their ownership. The original Glenfern allotment was bought by John Bakewell in 1856 and sold the following year to Francis McDonnell, a prominent Melbourne investor. By 1858, the house, rated as the most valuable in Caulfield, had been built on the site. Due to financial difficulties, McDonnell offered a number of properties for sale in 1860, including Glenfern. It was not sold at this stage, but subsequently mortgaged in 1862. In 1866 Thomas Watson purchased the property and lived there until 1876 when it was sold to Captain John T. T. Boyd and his wife, Lucy, founders of the Boyd dynasty of artists, musicians, writers and architects. The Boyd family, including twelve children, lived there until 1907, with Lucy Boyd retaining ownership after her husband's death in 1891. In 1907 the property was subdivided and the greatly reduced Glenfern portion was purchased by the Ostberg family, who lived there from 1915. In the latter years of Boyd family ownership and the Ostberg ownership, Glenfern had several tenants and was run as a school on two occasions. The Ostberg family occupancy continued until the death of Miss Amy Ostberg in 1984. From 1929 the property was listed as Glenfern Flats, necessitating various internal alterations over a period of time. The original two storey house, attributed to architect Charles Laing, was extended for the Boyd family in 1876, by architect M. Hennessy. This comprised the addition of a two storey wing to the south of the existing building. Stables were built in 1884 by the architects Smith and Johnson and other outbuildings, since removed, were recorded on the site. The gardens were developed from the establishment of the estate and remnants of early plantings, exotic trees in particular, are evident. Various additions and alterations were made to the house in the twentieth century and a separate block of flats was built on the southern boundary in c1964. Glenfern is a two storey picturesque Gothic house of stuccoed brick with steep, gabled slate roofs, elaborate bargeboards and chimneys of conjoined stacks set diagonally. The original, asymmetrically planned L-shaped house, containing the principal rooms and a rear wing, was designed with two main facades facing north and west. The north facade contains an unusual recessed pointed arch bay formed between twin chimney flues. Internally cedar joinery includes an unusual set of double doors between the drawing room and parlour, the centre pair of which fold back and then slide into the walls. Detailing of the 1876 additions copied that of the original house, including the bargeboards, chimneys and western verandah. Ownership of Glenfern passed to the National Trust of Australia (Victoria) in 1984 and in 2002 transformation of the property into a Centre for the Arts and Culture commenced. This began with the establishment of an Artist-in-residence programme, followed by the Glenfern Writers Centre. Restoration and renovation of the building has been undertaken concurrently with the establishment of this centre. How is it significant? Glenfern, East St Kilda is of architectural and historical significance to the State of Victoria. Why is it significant? Glenfern is of architectural significance as an unusually intact and rare example of the picturesque domestic Gothic Revival house in Victoria. Of particular note are the clustered chimneys, bargeboards and twin arched chimney flues and the folding/sliding cedar doors between the principal rooms. It is significant as an important work of the prominent Melbourne architect, Charles Laing. Glenfern is of historical significance for its connection with the distinguished Victorian Boyd family. It has been recorded in a painting by Emma Boyd, wife of Arthur, in 1885 and in print by writer, Martin Boyd in 1952. Glenfern is of historical significance due to its ownership by only two families from 1876; firstly the Boyds until 1907 and the Ostbergs until 1984. Of note is the resistance to redevelopment in the latter half of the twentieth century and the subsequent survival of the 1907 Glenfern estate.Page 98 of Photograph Album with two photographs (one square and one landscape) of views of Glenfern.Handwritten: "Glenfern" 417 Inkerman Street [top right] / 98 [bottom right]trevor hart, east st kilda, garden, pitched roof, glenfern, hotham street, boyd family, 1850's, 1860's, 1870's, john bakewell, francis mcdonnell, thomas watson, lucy boyd, glenfern flats, charles laing, m. hennessy, smith and johnson, stables, gothic, stuccoed brick, gabled slate roofs, elaborate bargeboards, asymmetrical, cedar joinery, verandah, national trust of australia, centre for the arts and culture, artist-in-residence, glenfern writers centre, gothic revival, clustered chimneys, emma boyd, inkerman street, north caulfield, captain john boyd, artists, writers, st kilda east, national trust of australia (victoria), caulfield, amy ostberg, architects, m hennessy, doors, chimneys, martin boyd, arthur boyd, ostberg family -
The Beechworth Burke MuseumPhotograph, c. 1900
... centre in Victoria’ (Woods, p. 121). Originally named the Benevolent Asylum, the building was renamed as The Ovens Benevolent Asylum in 1935 and again to The Ovens and Murray Home in 1954. The building construction began in 1862 and was unique in its features of Flemish Gothic Revival...centre in Victoria’ (Woods, p. 121). Originally named the Benevolent Asylum, the building was renamed as The Ovens Benevolent Asylum in 1935 and again to The Ovens and Murray Home in 1954. The building construction began in 1862 and was unique in its features of Flemish Gothic Revival ...This black and white photograph shows the front view of the Ovens Benevolent Home with one person sitting on a bench seat against the nearest part of the building and another person walking on the grass. This photo is estimated to have been taken in the early 1900’s when the Ovens Benevolent home would have still been fairly contemporary. According to Woods (p. 121) in the 1860’s the government spent considerable sums to establish several public buildings such as the Benevolent Asylum, the Hospital and Insane Asylum to support those in need of care in the area directly after the Indigo gold rush which had left Beechworth, a fairly remote regional and newly formed township (Gold was first discovered in Beechworth in 1852) with a number of infirm and destitute people in its wake and which due to the support and establishment of these facilities ‘made Beechworth a significant social welfare centre in Victoria’ (Woods, p. 121). Originally named the Benevolent Asylum, the building was renamed as The Ovens Benevolent Asylum in 1935 and again to The Ovens and Murray Home in 1954. The building construction began in 1862 and was unique in its features of Flemish Gothic Revival style which utilised red brick and granite, ‘the main facade is dominated by four curved, Flemish gable ends, […] incorporates paired windows of pointed Gothic form and dark brick diaperwork patterning. The adjacent J. A. Wallace Wing of 1899 was designed by Donald Fiddes as a separate building. Also constructed of red brick, Fiddes adopted a conservative approach, designing a simple domestic scale building with central projecting gable porch and flanking bull nosed verandahs.’ (https://vhd.heritagecouncil.vic.gov.au/places/118). Initially established to provide housing and care for aged, orphaned or widowed members of the population, over time the Ovens Benevolent Home focused more on the age care responsibility which functioned as such up until 2005.The Ovens Benevolent Home is significance due to its association with the early development of Beechworth. It shows the civic, social welfare development that took place in the town after the peak of the gold rush which helps to establish the character of the community being built at the time and their cultural values at play. This photograph also clearly shows the early functioning landscape of that building and its purpose as well as the significant elements of its aesthetic significance and unique and striking architectural forms of the building.Black and white rectangular photograph [copy from slide]Reverse: / 7588 /housing and care, aged care, donald fiddes, ovens benevolent home, flemish gable, brick diaperwork, photograph, black and white photograph, public building, benevolent asylum, indigo gold rush, beechworth, the ovens and murray home -
Yarra City CouncilArtwork, other - Mural, Ky-ya Nicholson-Ward, Aboriginal Lives Matter, 2021
... On a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)...On a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country) Aboriginal Lives Matter Artwork, other Mural Ky-ya Nicholson-Ward ..."The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country -
Ballarat Tramway MuseumNewspaper, The Courier Ballarat, "Trams would cause problems", 14/02/1996 12:00:00 AM
... Ballarat Tramway Museum South Gardens Reserve Wendouree Parade Ballarat Ballarat goldfields Trams tramways Letter to the Editor Ballarat City Tramway Ballarat Revival "Wed 14/2/96" in blue ink in top centre of cutting. Letter to the Editor of The Courier, Wednesday 14/2/1996 written by Vera Parry of Warrenheip agreeing with Mr. ...Letter to the Editor of The Courier, Wednesday 14/2/1996 written by Vera Parry of Warrenheip agreeing with Mr. Adriaans and D.H. Woodward's letters that the reintroduction of trams would cause many problems in Ballarat streets. Notes Perth's "motorised tram" and is a "delightful little journey". See items 1466 and 1468 also."Wed 14/2/96" in blue ink in top centre of cutting.trams, tramways, letter to the editor, ballarat city tramway, ballarat revival -
Ballarat Tramway MuseumNewspaper, D. Stabb, "Trams possible but not desirable", 24/04/1996 12:00:00 AM
... Revival In the top right hand corner "The Courier 24/4/96". Letters to the Editor of The Courier, Ballarat, of 24/4/1996 written by D. Stabb of Clyde St. Ballarat hoping that no one will fund a feasibility study of trams in Ballarat, undesirable, interfere with motorists and pedestrians, use buses "to get people back into the centre of our lovely city." ...Letters to the Editor of The Courier, Ballarat, of 24/4/1996 written by D. Stabb of Clyde St. Ballarat hoping that no one will fund a feasibility study of trams in Ballarat, undesirable, interfere with motorists and pedestrians, use buses "to get people back into the centre of our lovely city."In the top right hand corner "The Courier 24/4/96".letter to the editor, ballarat city tramway, ballarat revival -
Sunshine and District Historical Society IncorporatedPhotograph - Sunshine North Photographs 2021, John Alchin, 2021
... Centre, 775 Ballarat Road, Deer Park 3023. Brimbank Library, 301 Hampshire Road, Sunshine 3020. melbourne These photographs provide a visual record of assorted buildings, street views, and notable locations throughout Sunshine North in 2021. This collection of photographs preserves a visual record of Sunshine North 2021. Sunshine North Ballarat Road Duke Street Furlong Road McIntyre Road Phoenix Street Somer Street St. Albans Road Westmoreland Road Wiltshire Street Victoria University Sunshine High School Library Quarry Lloyd Reserve McIntyre Rd Road Bridge Pentecostal Missionary Church of Christ Faith & Power Ministry Revival ...These photographs provide a visual record of assorted buildings, street views, and notable locations throughout Sunshine North in 2021.This collection of photographs preserves a visual record of Sunshine North 2021.5621.01 - Ballarat Rd 438 - 460 Sunshine - Victoria University Sunshine Campus (Old Sunshine High School Library) 2021 Photo 01.JPG 5621.02 - Ballarat Rd 438 - 460 Sunshine - Victoria University Sunshine Campus 2021 Photo 03.JPG 5621.03 - Ballarat Rd 438 - 460 Sunshine - Victoria University Sunshine Campus 2021 Photo 02.JPG 5621.04 - Duke St Quarry West Side North of Surrey St 2021 Photo 01.JPG 5621.05 - Duke St Quarry West Side North of Surrey St 2021 Photo 08.JPG 5621.06 - Duke St Quarry West Side North of Surrey St 2021 Photo 05.JPG 5621.07 - Furlong Rd 18 - 44 North Sunshine Shops Photo 01.JPG 5621.08 - Furlong Rd 18 - 44 North Sunshine Shops Photo 02.JPG 5621.09 - Lloyd Reserve Sunshine North 2021 Photo 04.JPG 5621.10 - Lloyd Reserve Sunshine North 2021 Photo 05.JPG 5621.11 - Lloyd Reserve Sunshine North 2021 Photo 07.JPG 5621.12 - McIntyre Rd Road Bridge North Sunshine 2021 Photo 01.JPG 5621.13 - Pentecostal Missionary Church of Christ (4th Watch) 55 McIntyre Rd Sunshine North 2021 Photo 01.JPG 5621.14 - Phoenix St 120 Sunshine North 2021 Photo 03.JPG 5621.15 - Phoenix St Sunshine North - Faith & Power Ministry Revival Church North 2021 Photo 01.JPG 5621.16 - Railway Trestle Bridge North Sunshine 2021 Photo 04.JPG 5621.17 - Somers Street Sunshine North - Knights Stadium North 2021 Photo 02.JPG 5621.18 - St. Albans Rd Sunshine North - Former MMBW Depot 2021 Photo 01.JPG 5621.19 - Westmoreland Rd 81 Sunshine North - Sunshine Christian School 2021 Photo 01.JPG 5621.20 - Westmoreland Rd 81 Sunshine North - Sunshine Christian School 2021 Photo 03.JPG 5621.21 - Wiltshire St 59 Sunshine North - 2021 Photo 01.JPG 5621.22 - Wiltshire St 59 Sunshine North - 2021 Photo 02.JPG 5621.23 - Maribyrnong Viaduct from Maribrynong River Sth Side 2021 Video 01.MOV 5621.24 - Maribyrnong Viaduct from Maribrynong River Sth Side 2021 Video 02.MOV sunshine north, ballarat road, duke street, furlong road, mcintyre road, phoenix street, somer street, st. albans road, westmoreland road, wiltshire street, victoria university, sunshine high school library, quarry, lloyd reserve, mcintyre rd road bridge, pentecostal missionary church of christ, faith & power ministry revival church north, railway trestle bridge, knights stadium, mmbw depot, sunshine christian school, maribyrnong viaduct -
Eltham District Historical Society IncProgram, Shire of Eltham 1983 Eltham Festival: Year of the Theatre!, 14th, 15th & 16th October 1983; Insert, Diamond Valley News, 11 October 1983, pp35-46, 1983
... revival of the Eltham Festival in 1975 and discusses the history of four earlier festivals held in the early 1960s. Advertisers and people noted include: AAAA Display Signs, Alan Leake, Alan Marshall, Alistair Knox, Allan Leake, Ansell and Muir, Australian Film, Barry Maddock, Beverley Sheehan, Bimbi World, Brian Jeeves, Brian Wright, Briar Hill Glass centre, Briar Hill Swimming Pools Pty Ltd, Briar Hill Timber, Bryan Payne, Bush band, Cal Martin, Central Park, Country Art Store, Cr. ...revival of the Eltham Festival in 1975 and discusses the history of four earlier festivals held in the early 1960s. Advertisers and people noted include: AAAA Display Signs, Alan Leake, Alan Marshall, Alistair Knox, Allan Leake, Ansell and Muir, Australian Film, Barry Maddock, Beverley Sheehan, Bimbi World, Brian Jeeves, Brian Wright, Briar Hill Glass centre, Briar Hill Swimming Pools Pty Ltd, Briar Hill Timber, Bryan Payne, Bush band, Cal Martin, Central Park, Country Art Store, Cr. ...Events and information concerning the 1983 Eltham Festival including advertisements On page 37 the article "Force behind the revival" is about how Alistair Knox was the instigator of the revival of the Eltham Festival in 1975 and discusses the history of four earlier festivals held in the early 1960s. Advertisers and people noted include: AAAA Display Signs, Alan Leake, Alan Marshall, Alistair Knox, Allan Leake, Ansell and Muir, Australian Film, Barry Maddock, Beverley Sheehan, Bimbi World, Brian Jeeves, Brian Wright, Briar Hill Glass centre, Briar Hill Swimming Pools Pty Ltd, Briar Hill Timber, Bryan Payne, Bush band, Cal Martin, Central Park, Country Art Store, Cr. Horsley, David Baker, David Sadedin, Dawn Mack, Diamond Valley Big Band, Diamond Valley Drapes, Diamond Valley Dutch Social Club, Diamond Valley Society, Dr Peter Reichenbach, Dr Rob Moffitt, Eastern District Bottle Company, Eccacentre, Eltham Central Cellars, Eltham Community Centre, Eltham Concert Band, Eltham Festival, Eltham High School, Eltham Jazz festival, Eltham Little Theatre, Eltham Living and Learning Centre, Eltham Newsagency & Toyworld, Eltham Orchestra, Eltham Pharmacy, Eltham Phoenix Club, Eltham Shire Council, Eltham Sports & Tennis, Eltham Wiregrass Gallery, Eltham Yamaha, Five and a Zack, Franciscus Henri, Frank Gow, Gavin Gray, George Barker, Graham Coyle, Graham Taylor, Greensborogh Hire service, I Can Jump Puddles (film), Ian Orr, Ian Walkear, International Communications Year, Janice Dadd, Jerry Clements, John Adams, John Higgins, John Murray, Kenton Shoes Eltham, Kings, Lazy Ade Monsbourgh, Leisure Footwear Pty Ltd, Lower Plenty Sports Centre, Mal Harrop, Matcham Skipper, Maurie Dann, Michael Poore, Montsalvat, MontsalvatValma Brundell, Myra Skipper, Panton Hill Hotel, Pats, Penna Guardian Chemist, Pine Canection, Purdy's Furniture, Ralph's Eltham Meat Supply, Ranger, Roller City, Ron Blyth, Ron Mack, Rotary Club of Eltham, Second Life decor Pty Ltd, Shire of Eltham Historical Society, Shire President, Skippers Marine Greensborough, Society for Growing Australian Plants, Squeaker's Mate (film), Storyville Allstars, Strings 'n Things, Style Interiors, T.J.'s Hair & Beauty Centre, The Eltham Chicken Shop, The Printing Works, The Prize (film), Thompson's Pharmacy, tim burstall, Todaro Coiffure, Tony Figgins, Tony Floyd, Travel Affair, Two Roads Boutique, Valley Door Centre, Warrandyte Hire, Warren Fordham, Wonderland Plant Nursery, Woolworths ArcadeNewsprint - 12 page newspaper insert1983, eltham festival, alistair knox -
Box Hill Historical SocietyBook, Vines, Mark; Outhred, Geoff and Leigh, John, Identification of housing styles and faults, 1996
... Box Hill Historical Society Box Hill Heritage Centre Suite 7 Town Hall Hub Box Hill melbourne Houses Residential development Chimneys Roofs Verandas Windows Facades A guide to major housing styles in Victoria - with reference to typical problems that occur with various housing styles in three parts. Part 1 is Housing Styles from Gothic 1840's-1880, to Revival ...A guide to major housing styles in Victoria - with reference to typical problems that occur with various housing styles in three parts. Part 1 is Housing Styles from Gothic 1840's-1880, to Revival Style 1980's-1990's; Part 2 External Features identification and part 3 Faults - external, internal and services with a brief summary of the development of Melbourne suburbs.houses, residential development, chimneys, roofs, verandas, windows, facades -
Box Hill Historical SocietyPhotograph - Dines home
... Box Hill Historical Society Box Hill Heritage Centre Suite 7 Town Hall Hub Box Hill melbourne The home of Anne Dines built in 1889, on the site of the present Town Hall. Shows girl standing in front of the picket fence. The single-fronted house is Victorian Gothic (revival ...The home of Anne Dines built in 1889, on the site of the present Town Hall. Shows girl standing in front of the picket fence. The single-fronted house is Victorian Gothic (revival) architecture in style, has lacework along the verandah and a tile roof. B&w photodines> anne, whitehorse road, box hill, lace work, houses, victorian style -
Victorian Aboriginal Corporation for LanguagesCD-ROM, NSW Aboriginal Languages Research and Resource Centre, The Aboriginal Languages of NSW: an introduction for schools and communities, 2007
... ; First steps to start a school-based Aboriginal language program Information about NSW Aboriginal languages: Aboriginal language revival in NSW : the same but different; sounds and writing system; some grammatical features; Map of Aboriginal languages of NSW; List of languages on this CD. The Aboriginal Languages of NSW: an introduction for schools and communities CD-ROM NSW Aboriginal Languages Research and Resource Centre ...Contents: What is this CD rom for? Why learn an Aboriginal language? : benefits of learning a language; specific benefits for Aboriginal students; why offer an Aboriginal language in NSW schools?; First steps to start a school-based Aboriginal language program Information about NSW Aboriginal languages: Aboriginal language revival in NSW : the same but different; sounds and writing system; some grammatical features; Map of Aboriginal languages of NSW; List of languages on this CD.CD-ROMlanguage maintenance, language and education -
Whitehorse Historical Society Inc.Newspaper - Article, White Knight of Theatre in the East, 24/02/1999
... It has launched its own first professional theatre season at Whitehorse Centre in Nunawading. The 20th anniversary revival of David Williamson's 'The Department' will make Whitehorse its only Melbourne stop on its national tour. ...It has launched its own first professional theatre season at Whitehorse Centre in Nunawading. The 20th anniversary revival of David Williamson's 'The Department' will make Whitehorse its only Melbourne stop on its national tour. ...After the closure of the Alexander Theatre at Monash University last year Whitehorse Council decided to stage shows that would otherwise pass Melbourne by. It has launched its own first professional theatre season at Whitehorse Centre in Nunawading. The 20th anniversary revival of David Williamson's 'The Department' will make Whitehorse its only Melbourne stop on its national tour. The season commences on 16 April 1999 and finishes on 18 September. Whitehorse Centre co-ordinator is Kevin O'Loghlin.whitehorse centre, o'loghlin, kevin, buckingham, helen, williamson, david, drama -
Kew Historical Society IncSlide - Kew Post Office, 1980
... centre and performing arts venue. The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. kew post office khs - slides new public offices -- kew (vic.) architectural styles -- english queen anne revival 35mm colour transparency of a door in the Kew Post Office at the corner of High Street and Cotham Road. ...A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of a door in the Kew Post Office at the corner of High Street and Cotham Road. The building is a significant example of the English Queen Anne Revival style. The photographs were taken by John Coghlan in May 1980 while it was still a functioning post office to support his written report: ‘The functional planning design, building materials and construction methods of the Kew Post Office.’ kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival -
Kew Historical Society IncSlide - Kew Post Office, 1980
... centre and performing arts venue. The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. kew post office khs - slides new public offices -- kew (vic.) architectural styles -- english queen anne revival 35mm colour transparency of a door surround in the Kew Post Office at the corner of High Street and Cotham Road. ...A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of a door surround in the Kew Post Office at the corner of High Street and Cotham Road. The building is a significant example of the English Queen Anne Revival style. The photographs were taken by John Coghlan in May 1980 while it was still a functioning post office to support his written report: ‘The functional planning design, building materials and construction methods of the Kew Post Office.’ kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival -
Kew Historical Society IncSlide - Kew Post Office, 1980
... centre and performing arts venue. The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. kew post office khs - slides new public offices -- kew (vic.) architectural styles -- english queen anne revival 35mm colour transparency of a mantelpiece in the Kew Post Office at the corner of High Street and Cotham Road. ...A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of a mantelpiece in the Kew Post Office at the corner of High Street and Cotham Road. The building is a significant example of the English Queen Anne Revival style. The photographs were taken by John Coghlan in May 1980 while it was still a functioning post office to support his written report: ‘The functional planning design, building materials and construction methods of the Kew Post Office.’ kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival -
Kew Historical Society IncSlide - Kew Post Office, 1980
... centre and performing arts venue. The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. kew post office khs - slides new public offices -- kew (vic.) architectural styles -- english queen anne revival 35mm colour transparency of the first floor landing in the Kew Post Office at the corner of High Street and Cotham Road. ...A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of the first floor landing in the Kew Post Office at the corner of High Street and Cotham Road. The building is a significant example of the English Queen Anne Revival style. The photographs were taken by John Coghlan in May 1980 while it was still a functioning post office to support his written report: ‘The functional planning design, building materials and construction methods of the Kew Post Office.’ kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival -
Kew Historical Society IncSlide - Kew Post Office, 1980
... centre and performing arts venue. The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. kew post office khs - slides new public offices -- kew (vic.) architectural styles -- english queen anne revival 35mm colour transparency of the first floor landing and staircase in the Kew Post Office at the corner of High Street and Cotham Road. ...A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of the first floor landing and staircase in the Kew Post Office at the corner of High Street and Cotham Road. The building is a significant example of the English Queen Anne Revival style. The photographs were taken by John Coghlan in May 1980 while it was still a functioning post office to support his written report: ‘The functional planning design, building materials and construction methods of the Kew Post Office.’ kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival -
Kew Historical Society IncSlide - Kew Post Office, 1980
... centre and performing arts venue. The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State Of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. kew post office khs - slides new public offices -- kew (vic.) architectural styles -- english queen anne revival 35mm colour transparency of an architectural feature of the Kew Post Office at the corner of High Street and Cotham Road. ...A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State Of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of an architectural feature of the Kew Post Office at the corner of High Street and Cotham Road. The building is a significant example of the English Queen Anne Revival style. The photographs were taken by John Coghlan in May 1980 while it was still a functioning post office to support his written report: ‘The functional planning design, building materials and construction methods of the Kew Post Office.’ kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival
