Long narrow sachet of cream coloured satin. The front shows a design of a basket, ribbons and flowers worked in ribbons and silk embroidery. It is edged with a thick cream silk cord. The lining is Jap silk quilted by machine.embroidery, ribbon work

Green corded silk, padded and lined with light blue silk, with 2 pockets. Sachet front has a spray of flowers in ribbon work and 2 embroidered moths. Edged with a heavy light blue cord.embroidery, ribbon work, sachet, late 19th century

Ecru textured cotton, design basket of flowers and sprays of flowers. Basket and leaves in silk embroidery and flowers in silk ribbon work. The mat's edge is marked in a scalloped shape. (no threads with kits).embroidery, silk embroidery, silk ribbon embroidery

Eleanor Mary Kennedy married James Bourke on September 2nd 1950 at the Sacred Heart Cathedral, Bendigo. The wedding reception was held at Favaloro's, Bendigo.Blue satin ribbon horseshoe, decorated with ribbon embroidery and ribbon rosettes. Hand stitched. bridal horseshoe, ribbon embroidery, ella bourke

These have been in the Collection for some time but have not been catalogued.Bag of ribbons mostly used for ribbon embroideryweaving, ribbons

This item is an example of a handcrafted bamboo piece of furniture.Small bamboo screen with plain and ribbon embroidery. Handmade.screen-bamboo handcraft furniture

Eleanor Mary Kennedy married James Bourke on September 2nd 1950 at the Sacred Heart Cathedral, Bendigo. The wedding reception was held at Favaloro's, Bendigo.Grey/Blue net veil decorated with embroidery and a lace strip near the headband. The veil has three layers of net. It is edged with lace trim. The veil is discoloured.bridal horseshoe, ribbon embroidery, ella bourke

Cream satin with a design in embroidery and ribbon work, of a basket of flowers suspended by a ribbon and bow. Inside and pockets are quilted in diamond design, and edge has a cord.embroidery, ribbon work, late 19th century

A small handmade silk apricot coloured camisole with ribbon embroidery and lace over shirt. It has press studs for fastening at the backcamisole dressmaking female-underwear

Cream silk background with a stamped design of roses and tulips. Partially embroidered with a selection of softly coloured and shaded ribbons and a fine gold thread.embroidery, ribbon work, silk embroidery, kits

Yellow evening dress of chiffon over taffeta fabric. Full length with short sleeves and round neckline. Empire line. Inverted pleats from bodice to hem at centre front reveal a panel insert (33cm), decorated with ribbon embroidery. Large fabric bow attached at bodice at top of inverted pleats. Sleeves decorated with ribbon embroidery 38cm zipper at centre back from neckline.costume, female, yellow evening gown

White nightdress with ribbon thread embroidery. V neck with broderie anglaise.costume, female nightwear

Small stylised tree - a sphere made of a mixture of pink, aqua and green surface stitchery and ribbon embroidery and lace, closely covering the green cotton base fabric. This is set on a ribbon wrapped stem, decorated with ribbon and lace loops, which stands in a small terra cotta pot. embroidery, soft sculpture, australia, 1980-2000, creative embroidery

This item has been removed from Folio 1 and placed in kKits - 7/LB12Floral design with bow. Ribbon work partly embroidered on a stamped design.embroidery, ribbon

Bag was obtained by the donor in Maxwelltown, Dumfries, Scotland in 1930. Made around 1840. See Dictionary of Needlework page 67.Dark grey/blue silk. Floral design using fine ribbons, both sides. Fringed edge. Drawstrings are finished with flat bows and top of bag is shaped in 3 deep scallops. Bright yellow lining.embroidery, ribbon work, bags, england, mid 19th century

Yellow satin sachet, with a spray of 2 daisies and leaves in variegated silk ribbon. Sachet is edged with a heavy cord. Lined in a paler yellow silk.embroidery, ribbon work, sachets, 1900-20

Olive green linen envelope lined with green silk. Flap is decorated with embroidery and ribbonwork in a design of ribbons and flowers - shades of yellow, blue and green."Folded in this dainty case are filmy veils for thy Fair Face"embroidery, ribbon work, sachet, 1900-20

Cream satin, floral design featuring basket of flowers at top, tied with embroidered ribbons (blue). Sprays of flowers at sides and base. Encased in a copper frame.embroidery, ribbon work, picture frame, late 19th century

Handmade by the donor, using fabric from the donor's wedding dressc1990Handmade cream nylon christening gown with applied lace, satin ribbon and embroidery. It closes at the back with a false button and press stud fastening.Nilbaby clothing, christening gown, handmade

Whitish card with cut out window and an embossed border around the window. The window has fine net material which has ribbon embroidery on it. There are pale blue flowers, a green bow and two pink buds at the top joined by a piece of blue cord in a circle. Card & insert held together by a pink cord. Card is from May Somerset.person, greeting cards, malone collection, malone collection, greeting cards, may somerset

Packet of six dozen blue ribbon with green embroidery shoulder flashes. The flashes are new.'KNIGHT OF SERVICE'methodist order of knights

Packet of six dozen blue ribbon with red embroidery shoulder flashes. The flashes are new.'KNIGHT OF SACRIFICE'methodist order of knights

Packet of six dozen blue ribbon with white embroidery shoulder flashes. The flashes are new.'KNIGHT OF SINCERITY'methodist order of knights

In November 1921 the Bendigo Baby Health Centre was established in rooms at the Town Hall. By Dec. 1925, the council offered two rooms at the Commonwealth Chambers, Charing Cross to be used for the rapidly growing service. In October 1934, council proposed the need for a purpose built Centre and the site in Rosalind Park was chosen in December of that year. The new Centre opened 7/4/1936.Infant matinee jacket, ribbon fastening, hand embroidery, crochet edges, long sleeves and machine sewn.hand embriodery, baby wear

Designed and worked by a student of Mrs E.M. John, Doncaster, U.K.Nasturtiums in orange, yellow, brown and green on decorative brown background. Collage of net and organdie covered with fine lawn. Framed with brown velvet ribbon edging the embroidery.embroidery, creative, panel, 1960-80, england

Used at a number of christenings over two generations.Cream silk crepe de chine with a Peter Pan collar. Front edges and hem are scalloped with a fine crochet edge. Front and hem edges are decorated in cream silk embroidery. Ribbon ties have been replaced.embroidery, garments, surface stitchery, 1920-40, australia

sepia colour photograph with partly hand coloured. Adult male with moustache wearing suit with bowtie and hand coloured blue lodge collar. Image to waist. Medal on ribbon on collar. Embroidery on collar, fringe around collar. In image embroidery on collar ' No ? 10' ' PDP' TR corner GP 677'. On back handwritten ' A. J. Swift'Bartlett Bros.organization, club/society

Purchased in Italy.Black sateen with a broad band of embroidery in classical style with flower heads in great profusion of shapes and vivid colours. Deep handmade black silk fringing decorates the hem. Behind is a band of printed red velvet and a woven edging strip. Ties of flowered yellow ribbon. Traditional Hungarian Matyó Embroidery.embroidery, aprons, hungary, surface stitchery

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This quilt sampler was made before 1900 by Rosina Ellwood. Crazy quilts were fashionable in the late Victorian era. The rise of the trend is attributed to the display of Japanese art and ceramics at the 1876 Philadelphia Centennial Exposition (U.S.A.) that featured asymmetrical designs. Inspired, quilters began sewing pieces of fabric of different sizes and textures together into abstract, asymmetrical patterns. The craze spread from America around the world. Embroidery, ribbon and silk embellishments, and hand stitched applique birds and flowers were popular additions. One magazine estimated that a detailed crazy quilt could take over 1,500 hours to complete. Crazy quilts remained in fashion in metropolitan cities until about 1910, though the style endured for longer in rural areas. This item is unique, handmade and has a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history and women’s history.A colourful patchwork quilt sampler using mixed fabric types including velvet, cotton, brocade and satin, backed on cardboard.hamilton-smith collection, hamilton-smith, stiching, needlework, sewing, handmade, domestic, quilt, quilts, crazy quilt, crazy quilts, women's history

Clothing. Twelve shaped panels form the body of the jacket, which is dramatically ''shaped in'' at the waistline, and flared out toward the hipline. Four black fabric covered buttons form the closure, with hand-stitched button holes, all ''hidden away'' under an overlay of the beaded velvet, of which the jacket is made. The long sleeves, narrow at the elbow, flair out to an embroidered and beaded cuff, 35 cm in circumference. Sleeves are gathered at the shoulderline, giving fullness, and featuring an elaborate ribbon, cord, and beaded embroidery. The embroidery is repeated around the revere collar, and on the right-hand side of the bodice, and the full length of the back of the garment, and around the hemline, and also trims the opening edge of the left-front bodice. Lined with black silk. It feels as if there is extra to support beaded areas.GEORGE STIRLING & SONS, THE RICHMONDcostume, female, black velvet long sleeved jacket